Posts Tagged 'fashion'

Frida Kahlo: Fashion as the Art of Being

At Late Night this Friday journalist and author Susana Martínez Vidal will speak about her beautiful new book, Frida Kahlo: Fashion as the Art of Being, which looks at the iconic and carefully curated style of Frida Kahlo and the artist’s lasting influence in the worlds of fashion and art. Before her visit, I asked the author to share a few insights about this project.

Frida Kahlo Cover 3D crop

What inspired you to write a book about Frida Kahlo?

During the almost 18 years that I headed EllE Spain and attended international fashion shows, I saw Frida walk by on innumerable occasions, interpreted in diverse ways by the greatest designers in the world: Jean Paul Gaultier, Givenchy, Valentino, Karl Lagerfeld, Lacroix, Kenzo, all have paid homage to her.  Countless times I witnessed her influence in music, film, and in the best international fashion magazines.  The most famous actresses, models, and singers have evoked her: Monica Belluci, Naomi Cambell, Linda Evangelista, Kate Moss, Claudia Schiffer, Beyoncé, Madonna, Patti Smith, Cold Play.

In 1993 Frida Kahlo inspired the first fashion shoot I published as the director of EllE.  Through the eye of Canadian photographer Michel Pérez, actress and model Patricia Velásquez, the exotic beauty for “The Mummy” saga (who along with Frida shares indigenous heritage), was transformed in an Aztec princess. Years later, I was impacted by the spring collection of the great Jean Paul Gaultier, the first of the major designers to evoke her.

It powerfully attracted my attention that a woman who was half indigenous and was not from a first world country nor from show business (she wasn’t an actress, singer, or dancer) had gatecrashed into ranking among the most iconic women of the 20th century, next to Marilyn Monroe, Jackie Kennedy or Maria Callas.

In 2012, shortly after relocating to live in Mexico, the Huffington Post asked me to write a blog about the exposition of Frida Kahlo’s clothing that had recently opened.  Seeing this fantastic showcase in the Casa Azul Museum, I started to remember all the images of Frida from the runways and decided that the subject deserved to be explored more profoundly.  At the end of the article I expressed my desire that one day a book would speak to the influence of Frida Kahlo on fashion.  It was a challenge I gave myself to dare myself to take the step.  For months the article was one of the most read on Huffington Post, and this convinced me that Frida lived even though she had died more that half a century prior.   Frida Kahlo: Fashion As the Art of Being is the realization of that dream.

Frida Book 2 crop

In your opinion, what is the biggest lesson Frida taught us about fashion, art, or life?

Her determination to transform pain into beauty, while being an imperfect beauty, motivated her to build an image that she cared for and cultivated in order to elevate her self-esteem. She used fashion like therapy, emphasizing her defects to develop her own hallmark image and identity. The more pain she was in, the greater she made herself up. At the end of her life she dressed as if going to a party.

Her fans applaud her paintings because they admire her story, and therefore you cannot separate her life from her work. Like Stephen W. Hawking, she is someone who knew how to transform her limitations into opportunities. In both situations, their disabilities have transformed in aids that encourage them to focus on there abilities. Certainly, she was her finest work of art.

Frida in Gallery 01

Do you see the fashion world’s appropriation of her style as honoring her, exoticizing her–both?

Perhaps both: Fashion has resurrected Mrs. Kahlo, to give her the glory she didn´t have during her life.

Since the beginning, the idea of the book has been to show the influence of Frida Kahlo in contemporary fashion and pop culture and why she continues to appear so modern in the 21st century.

My objective has been to unravel fashion’s constant obsession with Frida Kahlo, despite being a field which by definition is always in constant motion, and decipher why it is that her style continues to provoke an irrepressible appeal the world over.

Frida in Gallery 02

Join Susana Martínez Vidal this Friday for talks in both English and Spanish and pick up a copy of Frida Kahlo: Fashion as the Art of Being, available for purchase in the DMA store.

And let Frida inspire your own fashion – come dressed like Frida Kahlo on May 19 and your Late Night ticket will be $5.

Jessie Frazier is Manager of Adult Programming at the Dallas Museum of Art.

Black Tie Optional, Style Mandatory

Folly at the Art Ball, our new annual fundraiser hosted by the DMA Junior Associates to benefit the Dallas Museum of Art, will launch this weekend as the After Party of the Museum’s annual gala. And we’re giving a special offer to our Uncrated readers to join in on the fun (see below). The attire “black tie optional” might sound intimidating, but it’s really about what makes you feel your best!

Inspired by fashion bloggers and chic instagrammers, we asked a few DMA Juniors to give us a sneak peek at their ensembles for the best night of the year:

Abigail Baber Rust, DMA Member since 2008
Abigail Baber Rust, DMA Member since 2008
Jennifer Anthony, DMA Member since 2015
Jennifer Anthony, DMA Members since 2015
Julia Anthony, DMA Member since 2015
Julia Anthony, DMA Member since 2015
Vodi Cook, DMA Member since 2015 wearing Custom Couture designed by fellow DMA supporter MacKenzie Brittingham
Vodi Cook, DMA Member since 2015 wearing Custom Couture designed by fellow DMA supporter, MacKenzie Brittingham.

When trying to decide what to wear, remember to ask yourself, “Would I look great driving away in a Jaguar in this outfit?” The evening includes a chance to win a brand-new 2017 Jaguar F-Pace Prestige. No matter what, make sure you are ready to dance to the tunes of DJ Lucy Wrubel and the Georgia Bridgwater Orchestra!

Since you are loyal Uncrated readers, we’d love to treat you to 25% off entry tickets to Folly at the Art Ball. Use the discount code UNCRATEDSTYLE when you purchase yours before Saturday, April 23, at noon! Tickets will be sold at the door for an increased price of $250.

Rebekah Boyer is the Assistant Manager of DMA Member Groups at the DMA.

Fashion on Flora Street

One of the many things I’ve enjoyed since joining the DMA Intern Class of 2016 is working with Booker T. Washington seniors to develop their own projects for community engagement at the DMA. A few times a week, the students walk down the street to visit the Museum. We’ve been discussing different learning styles and how to appeal to all the diverse learners that visit museums. While assisting students with their projects is my main focus during their visits to the DMA, I cannot help but also pay special attention to their fashion choices. From week to week, each student’s individual style has inspired me.

So for today’s post, I wanted to highlight some pieces in the DMA’s collection that feature elements of these students’ style. Maybe they will inspire you too!

From the stage to the runway, septum rings have moved beyond counterculture to mainstream fashion.
IMG_8252
Find these nose rings at the DMA on Level 4 in the Ancient American galleries.

Carefully taut buns, messy half-up top knots, and lots of little Bantu knots—this unisex hair trend can be styled in so many different ways. Like it or knot, buns are here to stay.

PG_2009_46
For top knot inspiration, look to Bodhisattva in the South Asian gallery and Monju (Manjusri) in the Japanese gallery, both on Level 3.

One-piece swimsuits and leotards have been back for a few years now. But with some of the Booker T. girls, I’ve noticed them as daily wear with skirts and sweaters or even cut-off shorts and a flannel shirt wrapped around the waist.

1988_22
This Bather in a one-piece carries off the look with some attitude. She’s a music video waiting to happen. Catch her on Level 4 in the American galleries.

Men’s patterned shirts mirror many of the patterns in our permanent collection. Some of the young men at Booker T. have been seen sporting stripes and floral prints on their button downs. The DMA is home to many intricate textiles as well as paintings that feature patterns that may inspire your own style.

4

You can see these three men in patterned shirts in the folding backgammon board in the Level 3 South Asian galleries; the shirt for the figure of a saint is found on the Level 4 outside the Ancient American galleries; and Leon Polk Smith’s asymmetrical work Homage to Victory Boogie Woogie #1 is in the American galleries on Level 4. The paisley pattern is a detail of Alfred Stevens’ The Visit, found on Level 2 in the European galleries.

Stop by the DMA soon for your next style inspiration.

Whitney Sirois is the McDermott Graduate Intern for Gallery and Community Teaching at the DMA.

Images: Group of nose and ear ornaments, Columbia, Sinú, c. A.D. 500-1550, gold, Dallas Museum of Art, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison 1976.W.451-454, 456-458,460; Nose ornaments, Columbia, Sinú, c. A.D. 1000-1550, gold, Dallas Museum of Art, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison 1976.W.468, 810, 605; Maitreya, India, Kushan period, 2nd–3rd century, schist, Intended bequest of David T. Owsley; Monju (Manjusri), Japan, Nanbokucho, 1336-1392, ink, color, and gold on silk, Dallas Museum of Art, Dallas Art Association Purchase, 1970.8; Yasuo Kuniyoshi, Bather with Cigarette, 1924, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase Fund, Deaccession Funds/City of Dallas (by exchange) in honor of Dr. Steven A. Nash, 1988.22; Folding backgammon board, India, Mughal period, 19th century, wood, ivory, cord, and inlay, Intended bequest of David T. Owsley; Shirt for the figure of a saint, Guatemala, Kaqchikel Maya, c. 1910-1930, cotton and silk, Dallas Museum of Art, anonymous gift, 2008.194; Leon Polk Smith, Homage to Victory Boogie Woogie #1, 1946, oil on canvas, Dallas Museum of Art, DMA League Purchase Fund, 2000.391; Alfred Stevens, The Visit, before 1869, oil on canvas, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation, 1997.112

Forget Fashion Week—It’s Fashion Season at the DMA

If you can’t make it to New York or Paris for Fashion Week, don’t worry, the DMA spring collection of fashion events has arrived! Join us for talks exploring fashion—from ancient hairstyles this Thursday, March 5, to what our modern-day fashion choices symbolize about us on Tuesday, June 9.

Figure of a woman, Roman Empire, A.D. 2nd century, marble, Dallas Museum of Art, gift of Mr. and Mrs. Cecil H. Green

Figure of a woman, Roman Empire, 2nd century A.D., marble, Dallas Museum of Art, gift of Mr. and Mrs. Cecil H. Green

Boshell Lecture: The Art of Ancient Hairdressing
Thursday, March 5, 7:00 p.m.
See ancient sculptures in a whole new way through the eyes of hairdressing archaeologist Janet Stephens as she explores how the ancient Greeks and Romans created complex hairstyles.

After Cassandra Austen, Jane Austen, n.d., engraving, Dallas Museum of Art, Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg

After Cassandra Austen, Jane Austen, n.d., engraving, Dallas Museum of Art, Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg

Fashioning Jane Austen
Friday, March 20, 7:00 p.m.
Explore the elegant and extreme styles of Jane Austen’s time with costume designer and fashion historian David James Cole.

Cover

Fashion Victims: Dress at the Court of Louis XVI
Thursday, April 30, 7:00 p.m.
Dr. Kimberly Chrisman-Campbell presents her newest book, Fashion Victims: Dress at the Court of Louis XVI, an engrossing chronicle of one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette.

june 9

Fashioning Our Identities
Tuesday, June 9, 7:30 p.m.
The editors of the visually compelling book Women in Clothes, Sheila Heti, Heidi Julavits, and Leanne Shapton, will have a spirited conversation about what informs and motivates women in their daily clothing choices and what those fashion choices symbolize and reflect about our lives. Over 600 surveys of women across races, creeds, religions, and ages reveal that there are myriad responses to the question “what does style mean to you?” Fashion designer Lela Rose will share insights into her creative process and how artists have inspired some of her designs.

Friday Photos: FAST Fashion

On Wednesday, members of the Family, Access, Schools and Teachers (FAST) team were lucky enough to take an educational field trip to Denton to visit the Texas Fashion Collection (TFC), housed on the University of North Texas campus in the College of Visual Arts & Design. Curator and Director, Myra Walker, gave us a behind the scenes tour of the collection, which preserves and documents more than 15,000 items of historically significant fashion. The collection was first assembled in 1938 by Stanley and Edward Marcus, of Neiman Marcus fame, and exists today as an educational resource for students, researchers, and the general public who have a passion for great design and a love of fashion history.

During our visit, we walked through rack after rack of historical and designer clothing, dating from the 1840s up to contemporary times from designers like Chanel, Oscar de la Renta, and Betsy Johnson. Our visit concluded with a viewing of American Brides: Inspiration and Ingenuity, TFC’s current exhibition on view at the Patterson-Appleton Center for the Visual Arts. The exhibition included forty wedding gowns, dresses, and ensembles dating from 1840 to the present, which emphasized the various significant bridal traditions that were handed down through time and culture.

Our field trip was a wonderful experience and we were grateful to be able to play the role of student while visiting the amazing Texas Fashion Collection!

Danielle Schulz
Teaching Specialist

Calling all Happy Campers!

Are you dreaming of lazy days at the swimming pool, sunburned noses, family vacation, and popsicles? We are! Summer is officially 95 days away, but we won’t be spending it at the neighborhood pool. For those of us who coordinate Family Programs at the DMA, summer means one thing—Summer Art Camp! And this year’s line-up of camps has something for every creative kid. Whether you are a junior shutterbug, fashionista, sculptor, painter, designer, musician, actor, or inventor, there’s a summer camp for you.

I have been teaching summer camps at the DMA for five years now, and I’m 95 percent serious when l tell my friends that I would gladly be a full-time summer camp teacher. I love spending an entire week with a group of kids, exploring the Museum’s galleries, getting messy in the studio, and having fun. Summer camp gives both teachers and campers permission to be a little goofy, experiment with materials in crazy ways, and give our creativity a good work-out. Camp is all about F-U-N (but we usually manage to learn something along the way too).

Some of my favorite summer camp memories so far include:

Here’s a sneak peek of just a few of the things you can do at Summer Art Camp this year:

This year’s camps will be held each week June 9-27 and July 7-August 15. Morning camps are 9:00 a.m.-noon and afternoon camps are 1:00-4:00 p.m. Tickets are on sale now!

For aspiring art and museum educators, Summer Art Camps also offer the opportunity for a summer internship at the DMA. Summer camp interns get hands-on experience as they assist summer camp teachers by facilitating gallery activities, art-making projects, games, and sensory explorations. With each camp, interns step into the role of art cheerleaders, skit-planning co-conspirators, the ultimate problem solvers, and mentors to the children. What better way to spend a summer? Applications are now being accepted. Find out how to apply here.

Spend some time with us this summer at the DMA, and you’re sure to be a happy camper!

Leah Hanson
Manager of Early Learning Programs

Friday Photos: Coiffed to Perfection

Have you ever noticed all the artful hairstyles in the DMA galleries?

Semiramis’ curls fall perfectly down her back.

This braided style reaches amazing heights.

By the late 18th century, wide hair was all the rage.

And Jackie’s 60’s flip is always classic. Catch it before Hotel Texas closes this weekend!

Happy styling!

Sarah Coffey
Assistant to the Chair of Learning Initiatives

Everything’s Turning Up Chagall

Art in Bloom guests were immersed in a world of art, color, and flowers today at this year’s floral symposium and luncheon. Bella Meyer, a New York-based floral designer and the artist Marc Chagall’s beloved granddaughter, entertained the audience with stories about life in the Chagall family, the symbolism in her grandfather’s art, and interpretations in flowers of several of his paintings. Over lunch, complete with edible flowers, a colorful fashion presentation by Allie-Coosh provided inspiration for what was to follow . . . a tour of the DMA’s exhibition Chagall: Beyond Color. Did you know that we are the only U.S. venue for this internationally touring exhibition?

Floral arrangement inspired Edgar Degas’ Group of Dancers in the DMA’s collection

Floral arrangement inspired Edgar Degas’ Group of Dancers in the DMA’s collection

Edgar Degas, Group of Dancers, c. 1895-1897, pastel and gouache on panel, Dallas Museum of Art, The Wendy and Emery Reves Collection

Edgar Degas, Group of Dancers, c. 1895-1897, pastel and gouache on panel, Dallas Museum of Art, The Wendy and Emery Reves Collection

Floral arrangement  inspired by Camille Pissarro’s Apple Harvest in the DMA’s collection

Floral arrangement inspired by Camille Pissarro’s Apple Harvest in the DMA’s collection

Camille Pissarro, Apple Harvest (Cueillette des pommes), 1888, oil on canvas, Dallas Museum of Art, Munger Fund

Camille Pissarro, Apple Harvest (Cueillette des pommes), 1888, oil on canvas, Dallas Museum of Art, Munger Fund

Floral arrangement inspired by Victor Higgins’ A Mountain Ceremony in the DMA’s collection

Floral arrangement inspired by Victor Higgins’ A Mountain Ceremony in the DMA’s collection

Victor Higgins, A Mountain Ceremony, c. 1930, oil on canvas, Dallas Museum of Art, anonymous gift

Victor Higgins, A Mountain Ceremony, c. 1930, oil on canvas, Dallas Museum of Art, anonymous gift

Preparing for Art in Bloom in the DMA’s Atrium

Preparing for Art in Bloom in the DMA’s Atrium

“Valentina” by Jessica Jesse

“Valentina” by Jessica Jesse

“Chimera” by Jessica Jesse

“Chimera” by Jessica Jesse

Dallas League Members and models during Art in Bloom 2013

Dallas League Members and models during Art in Bloom 2013

Debbie Stack is Director of Special Events and Volunteer Relations at the DMA.

I Could Have Danced All Night!

Artists take cues from the surrounding world when creating their own works of art.  Inspiration can come from any number of subjects including fashion, popular culture, and poetry.  The DMA is currently playing host to an exhibition titled, Chagall: Beyond Color, which features the artist’s paintings alongside his works in sculpture, ceramics, and collage. The DMA is the only US venue for this exhibition, so you definitely don’t want to miss it!

Marc Chagall never aligned himself with any single movement, but combined elements from various styles including Cubism, Fauvism, Symbolism, and Surrealism.  He also drew inspiration from his Jewish background, Russian upbringing, and many international travels.  While Chagall is most famous for his paintings, he also experimented with other media and venues.  For example, he designed and produced costumes and scenery for the production of the ballet Aleko, choreographed by Léonide Massine and set to the music of Pyotr Ilyich Tchaikovsky’s Piano Trio in A Minor.

Marc Chagall, A Wheatfield on a Summer's Afternoon, Study for backdrop for Scene III of the ballet Aleko, 1942, Acquired through the Lillie P. Bliss Bequest

Marc Chagall, A Wheatfield on a Summer’s Afternoon, Study for backdrop for Scene III of the ballet Aleko, 1942, Museum of Modern Art, New York, Acquired through the Lillie P. Bliss Bequest

Three years after the immense success of Aleko, Chagall worked on the stage curtain, sets, and costumes for Igor Stravinsky’s The Firebird.  The ballet, based on a Russian folktale, was restaged by the American Ballet Theater with choreography by Adolphe Bolm.

Marc Chagall, Model for the curtain in the first act of "The Firebird" by Stravinsky: The Enchanted Forest (Maquette pour le rideau de scène du 1er acte de "L'Oiseau de feau" de Stravisky: La forêt enchantée), 1945, Private collection, Paris

Marc Chagall, Model for the curtain in the first act of “The Firebird” by Stravinsky: The Enchanted Forest (Maquette pour le rideau de scène du 1er acte de “L’Oiseau de feau” de Stravisky: La forêt enchantée), 1945, Private collection

Marc Chagall is not the only artist to have been inspired by the passionate art form of dance.  As a strong cultural element, dance can be found represented in a variety styles throughout history and across geography.  Below are some examples of works in the DMA collection that also draw inspiration from various forms of dance.

Pilar Wong
McDermott Intern for Community Teaching

Au Revoir Monsieur Gaultier

Last week we bid adieu to The Fashion World of Jean Paul Gaultier after three months of hosting the internationally touring exhibition at the DMA. Before the exhibition travels to its final U.S. museum, the Fine Arts Museums of San Francisco: de Young, here are a few stats from the DMA’s presentation:

  • 114,986 visitors over three months
  • 16,044 postcards purchased
  • 1,020 catalogues sold
  • 142 ensembles
  • 73 works on paper
  • 49 wigs designed by Odile Gilbert
  • 30 animated mannequins
  • 13 weeks on view
  • 6 galleries of works
  • 2 custom cowboy-inspired greeters
  • 1 incredible fashion designer

See the exhibition from arrival to departure and everything in between.

This slideshow requires JavaScript.

Kimberly Daniell is the PR Specialist at the Dallas Museum of Art.


Archives

Flickr Photo Stream

Categories