Archive for October, 2014

Gourds Gone Wild

The always creative DMA Education Department celebrated Halloween with a Museum-inspired pumpkin decorating contest. Staff members paired off and created a patch of pumpkins disguised like works in the DMA’s collection and special exhibitions. The pumpkins were judged by a team from the Exhibitions and Curatorial departments. An Isa Genzken re-creation took home the coveted Great Pumpkin Prize. We hope everyone has a safe and happy Halloween!

 

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The pumpkin prize winners, Rhiannon and Betsy, with their pumpkin inspired by Isa Genzken’s Empire/Vampire III

Friday Photos: All Saints’ Day

This time of year, it feels as if the city is overflowing with costumes, jack-o-lantern’s and trick-or-treaters! But in all the festivity, many of us tend to forget the origin of the holiday. Halloween, also known as All Hallows’ (Saints’) Eve, was historically a day for Christian worshipers to pray and prepare themselves for November 1, All Saints’ Day, a feast day dedicated to all the saints and martyrs of Christianity.

The DMA has a large number of artworks that depict saints, ranging in time period and media. I would like to take this occasion to highlight some of my favorites, from St. George slaying a dragon to St. Florian, the patron saint of firefighters.

For more information on any of these saints or works of art, check out the DMA Collections webpage! And from all of us here at the DMA, enjoy your All Saints’ Eve and Day!

Liz Bola
McDermott Graduate Intern for Gallery and Community Teaching

Pride in the DMA: Celebrating LGBTQ Artists in the Collection

In honor of LGBTQ (Lesbian, Gay, Bisexual, Transgender, Queer) History Month, I’ve researched some of the LGBTQ artists whose work can be found in the DMA’s collection to bring to light a piece of their lives that isn’t commonly referenced.

First, a quick side note: There is a lot of debate concerning how to historically categorize people who did not classify themselves as part of the LGBTQ community, either because they were living in a society that didn’t accept their identity or because the words simply did not exist. Below I’ll be including artists who had same-sex relationships, who identified as gay, bisexual, etc., or whose actions in today’s world would categorize them as LGBTQ.

Anne Whitney (1821–1915)

"Find A Grave - Anne Whitney." Find A Grave.  (accessed September 23, 2014).

“Find A Grave – Anne Whitney.” Find A Grave (accessed September 23, 2014).

Born in 1821, Whitney fought to become an artist in a society that did not readily accept female sculptors; it was considered masculine, as opposed to more “feminine” artistic mediums like watercolor or drawing. She was also an avid abolitionist and advocate of gender equality.

Whitney’s relationship with Abby Adeline Manning, which lasted for over forty years, is frequently termed a “Boston Marriage.” These were characterized by two women—often with their own careers—living together and supporting themselves financially. Manning and Whitney were so close that they were buried next to one another under the same headstone.

Anne Whitney, Lady Godiva, c. 1861-1864, marble, Dallas Museum of Art, gift of Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the Massachusetts-backyard whereabouts of this long-forgotten statue and brought it to Dallas

Anne Whitney, Lady Godiva, c. 1861-1864, marble, Dallas Museum of Art, gift of Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the Massachusetts-backyard whereabouts of this long-forgotten statue and brought it to Dallas

Whitney’s sculpture of Lady Godiva depicts the moment when she is about to remove her clothing before her famous ride through the streets. It was gifted to the DMA by Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the forgotten statue in a backyard in Massachusetts.

Marsden Hartley (1877–1943)

"SFMOMA | Marsden Hartley." San Francisco Museum of Modern Art. (accessed September 24, 2014).

“SFMOMA | Marsden Hartley.” San Francisco Museum of Modern Art (accessed September 24, 2014).

Hartley’s life was marred by periodic tragedies that informed much of his work. Losses included his siblings, mother, and numerous close family friends. Primarily a painter, Hartley spent much of his career wavering on the brink of financial insecurity.

During Hartley’s first trip to Europe in 1912, he was introduced to Karl von Freyburg, his cousin and rumored lover. After von Freyburg, a German soldier, was killed during battle in WWI, Hartley sank into a depression that would spur his work featuring German officers.

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Mountains, no. 19 hangs in the DMA’s American Art Gallery. Its Cézanne-influenced shapes are coupled with the rich colors of an autumn day in New England.

Berenice Abbott (1898–1991)

“Berenice Abbott.” Time of the Moment. (accessed September 22, 2014).

Born in Springfield, Ohio, in 1898, Abbott traveled the world throughout her artistic career. She is most noted for her portraits of LGBTQ community members in 1920s Paris and photographs of 1930s-1960s New York. Abbott was very open about her lesbian love affairs in her early years, and was, at one time, involved with silverpoint artist Thelma Wood; however, given the increasingly conservative culture of America following the Great Depression, Abbott kept her love life a secret in her later years.

Berenice Abbott, City Arabesque, 1938, print 1983, gelatin silver print, Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson

Berenice Abbott, City Arabesque, 1938, print 1983, gelatin silver print, Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson, © date Estate of Berenice Abbott

The DMA is fortunate to have a large number of Abbott’s photographic prints, most of them detailing her work in urban architecture. This picture is notable for the curved lines juxtaposed against the rigid, harsh structures of the cityscape.

Other artists in the DMA’s collection who are also members of the LGBTQ community include:
Jasper Johns
Charles Demuth (who was a friend of Marsden Hartley)
David Hockney
Robert Mapplethorpe
Catherine Opie

While we know the month is nearing an end, you can celebrate these artists and more throughout the year in the DMA galleries.

Taylor Jeromos is the McDermott Education Intern for Adult Programming and Arts & Letters Live at the DMA.

Art Beyond Sight at the DMA

October is nearly over and at the DMA we have had another fun month of Art Beyond Sight programing. This is our eighth year of presenting programs related to Art Beyond Sight and many of our programs focused on exploring works of art using senses other than vision. Art Beyond Sight Awareness Month, sponsored by Art Education for the Blind, is celebrated by over 250 cultural institutions all over the world and focuses on the idea that everyone must have access to the world’s visual arts in order to fully participate in his or her community. At the DMA, we hope to not only make our programs welcoming to visitors of all abilities, but to specifically raise awareness of making art accessible to people with vision impairment.

John Bramblitt talking about his artistic process with visitors in the studio.

John Bramblitt talking about his artistic process with visitors in the studio.

This year several of our programs for families, from First Tuesday to Arturo’s Art and Me related to Art Beyond Sight themes. Children had the chance to experience tables full of various textures and smells on First Tuesday and explore the galleries on a family tour focused on the senses. Toddlers explored texture in the African Art gallery and learned about Braille and raised line drawings. Even Arturo’s Nest, our space for children aged four and under, was stocked with toys and interactives that highlight the senses.

For several of our programs, we welcomed artist John Bramblitt, who has collaborated with us on ABS programming for the past 5 years. We love having John as an integral part to our programs; he is a favorite summer art camp special guest and often a featured artist at past large Museum-wide events. This year, John gave a gallery talk with an overview of his process as a painter who is blind. John focused on the way that he integrates music, texture, and even taste into his artwork. John brought several paintings and invited visitors to look closely–even to touch, something that is rare in an art museum!

John also helped to lead Meaningful Moments, our program for visitors with Alzheimer’s disease. This is John’s fourth year to be a part of the program and he is definitely a crowd favorite! This year, we focused on immersing participants in a sensory experienced focused on two paintings in the American galleries. John shared how he integrates a sense of place into his landscapes and then participants described the paintings in detail to John, as he sketched their descriptions onto a Styrofoam sheet. Over the years, I have noticed that visitors give some of the best and most detailed descriptions of artwork when asked to share their thoughts with John–and his drawing of the described painting certainly amazes! To help immerse visitors into each artwork, we played related sounds, shared scents that connect to the paintings, and passed around tactile objects inspired by the works. In the studio, participants used numerous materials with a range of textures to create their own textural landscape.

For both Late Night Studio Creations and our homeschool program, John helped us to explore artwork with music. In the studio, participants listened to different elements of the same song (vocals, piano, or the percussion instruments) and imagined a color for the song before creating a shape or design with oil pastel using their chosen color. After gluing their shapes to a larger piece of paper, John played the song in its entirety and invited visitors to imagine a color for the song. Visitors used watercolor paint to paint over their shapes to create their own musical-inspired artworks. The process of cutting shapes and piecing them together was inspired by one of John’s recent studio experiments of cutting up and reassembling dried paint. For the homeschool program, we linked the musical studio activity to the galleries through a discussion with John about a painting by Georgia O’Keeffe that was inspired by music and movement.

We have had so much fun with John this October for an enjoyable month of sensory exploration. For more information about the Art Beyond Sight programs at the DMA, please click here.

Amanda Blake
Head of Family, Access, and School Experiences

Dead Art Walking

Visitors to the Museum this Friday will have the chance to experience not only fantastic works of art but a Halloween performance treat as well. For the second year in a row, our gallery attendants will be in costume to greet visitors in all their glittery, and sometimes grisly, glory. This will mark the second time in the past few months that monsters have stalked the hallways.
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In August, the DMA hosted a week-long zombie camp for teens. This STEAM-based camp not only connected students with artists, scientists, and film industry professionals but also sneakily cultivated 21st-century skills such as design thinking, collaboration, and creative problem solving. Click here to read more about the program and enjoy these great images taken by photographer Teresa Rafidi!

For more information on upcoming teen programs like our T-shirt design contest and monthly workshops, visit the DMA website .

Juan Bigornia is the C3 Program Coordinator at the DMA.

Friday Photos: FAST Fashion

On Wednesday, members of the Family, Access, Schools and Teachers (FAST) team were lucky enough to take an educational field trip to Denton to visit the Texas Fashion Collection (TFC), housed on the University of North Texas campus in the College of Visual Arts & Design. Curator and Director, Myra Walker, gave us a behind the scenes tour of the collection, which preserves and documents more than 15,000 items of historically significant fashion. The collection was first assembled in 1938 by Stanley and Edward Marcus, of Neiman Marcus fame, and exists today as an educational resource for students, researchers, and the general public who have a passion for great design and a love of fashion history.

During our visit, we walked through rack after rack of historical and designer clothing, dating from the 1840s up to contemporary times from designers like Chanel, Oscar de la Renta, and Betsy Johnson. Our visit concluded with a viewing of American Brides: Inspiration and Ingenuity, TFC’s current exhibition on view at the Patterson-Appleton Center for the Visual Arts. The exhibition included forty wedding gowns, dresses, and ensembles dating from 1840 to the present, which emphasized the various significant bridal traditions that were handed down through time and culture.

Our field trip was a wonderful experience and we were grateful to be able to play the role of student while visiting the amazing Texas Fashion Collection!

Danielle Schulz
Teaching Specialist

Sweet Sixteen

The year 2014 marks the 16th annual TWO x TWO for AIDS and Art Gala and Auction, which benefits amfAR and the DMA. To date, the yearly event has raised over $45 million dollars to support amfAR’s AIDS research efforts and the DMA’s contemporary art acquisitions fund. And each year the benefit honors an artist. TWO x TWO’s 2014 honoree is American artist Wade Guyton, who, although only in his early forties, is already recognized as one of the most influential artists of his generation.  Discover Guyton’s work at the DMA in the exhibition The Museum Is History for free.

 

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