Archive for August, 2017

Fabulous Fall with Bestselling Authors

When publishers vet book tour locations for someone with the caliber of international bestselling author Ken Follett, the well-established reputation of Arts & Letters Live, the DMA’s 27-years strong literary and performing arts series, is a huge benefit. Dallas is one of only three stops on Follett’s US tour, the other two being Boston and New York. Ken Follett will kick off the Fall 2017 season on September 14 at First United Methodist Church with a discussion of A Column of Fire, the third novel in his enthralling Kingsbridge Series. The first two novels in the series, Pillars of the Earth and World Without End, have sold 38 million copies worldwide!

For those who yearn for the seemingly lost art of a well-crafted written letter in lieu of a quick email or text message, Seattle-based Letters Aloud presents an afternoon of real letters by real people, read by great actors with live musical accompaniment, on September 24. Letters Aloud’s mission is to connect audiences to famous (and infamous) historical figures through their intimate correspondence. As one fan said, “It’s like literary crack” and makes history come to life in surprising, inspiring, and hilarious ways. These dramatic readings will chart the course of celebrity through the correspondence of artistic luminaries like Stephen King, Jackson Pollock, Elvis Presley, Emily Dickinson, Frank Lloyd Wright, Vincent van Gogh, and Tom Hanks, to name a few.

Letters Aloud

Want the inside scoop on international bestselling author Dan Brown’s interest in codes, science, religion, and art and his creative process in writing chart-topping books and making blockbuster movies? On October 6 he takes the stage for the first time in Dallas to talk about all that and his newest novel, Origin, which has been hailed as his most brilliant and entertaining work to date. The novel opens with Robert Langdon, Harvard professor of symbology and religious iconology, arriving at the ultramodern Guggenheim Museum in Bilbao, Spain, to attend a major announcement—the unveiling of a discovery that “will change the face of science forever.” When the meticulously orchestrated evening suddenly erupts into chaos, Langdon is forced to escape Bilbao. Navigating the dark corridors of hidden history and extreme religion, Langdon must evade a tormented enemy whose all-knowing power seems to emanate from Spain’s Royal Palace itself. On a trail marked by modern art and enigmatic symbols, Langdon uncovers clues that ultimately illuminate the breathtaking truth that has long eluded us.

Bestselling author and acclaimed journalist Walter Isaacson joins us on October 26 to discuss Leonardo da Vinci, the biography of the famous artist that sets forth little known information about da Vinci’s life, connecting his art and science. Isaacson shows us how Leonardo’s genius stemmed from skills we can hone in ourselves—passionate curiosity, keen observation, a playful imagination, and being bold enough to think differently. Leonardo DiCaprio was recently slated to play the artist in the film adaptation after a heated bidding war between Paramount and Universal.

Legendary photographer Annie Leibovitz landed on the DMA Arts & Letters Live roster after a Texas Book Festival colleague recommended that Arts & Letters Live have lunch with the national marketing director of Phaidon, who was in town for a conference. While chatting with our new Phaidon friends on the DMA’s Socca Cafe patio, we learned about the forthcoming book Annie Leibovitz: Portraits 2005–2016 and knew immediately that DMA audiences would adore hearing about this artist’s creative process and behind-the-scenes stories of all the famous people she has photographed. Leibovitz’s event with DMA Arts & Letters Live on November 14 is one of only five appearances slated worldwide.

To see the complete roster of Arts & Letters Live events and to purchase tickets, visit DMA.org/all

 

Carolyn Bess is Director of Arts & Letters Live at the DMA.
Michelle Witcher is the Program Manager of Arts & Letters Live at the DMA.

C3 Summer Intern Recap: Abigail

Hi, my name is Abigail Hofbauer– intern, chocolate lab puppy aficionado, sushi-lover, and new Dallasite. I’m currently in graduate school at Baylor University for my Masters of Arts in Museum Studies, having just completed my Bachelor’s (also at Baylor!) in History.

This summer, I had the chance to intern with the Center for Creative Connections at the DMA. I worked on many things over the summer: daily C3 upkeep, interactions with volunteers, and the newest Visiting Artist Project. Lisa Huffaker’s Sound re:Vision opened my eyes to the hard work behind the scenes of all interactive art installations. It was fun to create zines and to have part ownership of such an interesting piece in the Museum.

As the C3 Summer Intern, my specific project was to observe and evaluate the visitor experience of the Pop-up Art Spot inspired by the Keir Collection of Islamic Art. Through surveys, personal interactions, and simple observations, visitors provided some detailed feedback about what they want in a “pop-up experience” at a museum. Our goal was to make sure visitors were spending time with the art collections, making connections with the art and others in their group, and having fun in the Museum! If the results of my observations are any indicator, I’d say that we reached our goal.

Most of the visitors came in groups – both families and adults. Almost all of these groups spent time in the Keir Collection of Islamic Art either before, during, or after their activity. It was important to confirm this and show the Pop-up Art Spot was making a connection between the art and visitors. The majority of the visitors who participated in the Pop-up Art Spot activities were also adults, rather than children. This was a great piece of information to glean, as it shows how diverse yet simple activities appeal to all ages. Teens and adults above age 45 are some audiences to focus on in future activities.

The coloring and shape search activities were very popular, but the cross-cultural connection postcard activity really touched the hearts of our visitors. Some responses were so heartfelt and interesting! In the surveys taken, visitors indicated that they felt connected, proud, inspired, and excited to spend time with art. Many also indicated that there was a larger social impact of the activities on their visit: some learned about shapes, colors, patterns, or other visitors! We had 73 activities filled out and 183 participants throughout the month of July.

Here are three of my favorite responses from the postcard activity:

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Overall, this project was so fulfilling! I got firsthand knowledge of the visitors at the DMA. I also got to work closely with some amazing volunteers and see how they help educational programs shine. But most important of all, I used skills I learned from classes and previous experience to improve museum programming. This internship has allowed me to be part of so many experiences at the DMA and learn from the amazing Education team. It’s been an honor and I couldn’t have been happier to be here for the summer!

Abigail Hofbauer
Center for Creative Connections Intern

A Founding Mother

While using the archives for a small research project (more on that in a future post), I was reminded of one of the Dallas Art Association’s (DAA) founding members, Elizabeth Patterson Kiest (Mrs. Edwin J. Kiest). Mrs. Kiest attended the first meeting of the group of art supporters that formed the DAA on January 19, 1903 and she served as DAA Treasurer from its inception to her death in 1917, a century ago this year.

Bronze plaque in honor of Elizabeth Patterson Kiest for her long service as founder and Treasurer of the Dallas Art Association.

The Kiest Memorial Fund was established in her honor, with a plaster cast of Winged Victory as the first purchase. (The piece is no longer in the collection.)

An interior view of the Free Public Art Gallery space in the Textile and Fine Arts Building, with the plaster cast of Winged Victory in the upper left.

Beginning in 1932 the Kiest Memorial Fund was used to fund a purchase prize for the annual Dallas Allied Arts exhibitions, from which works by major Dallas artists were acquired for the collection including Jerry Bywaters, Otis Dozier, De Forrest Judd, Everett Spruce, Charles T. Bowling, Allie Tennant, Perry Nichols, Donald S. Vogel, William Lester, and Octavio Medellin.

In addition to the DAA, Mrs. Kiest was involved in a number of civic and women’s clubs, the foremost being the Dallas Shakespeare Club and the Matheon Club. The Dallas Shakespeare Club would later donate Road to the Hills by Julian Onderdonk to the Museum in memory of Mrs. Kiest.


Dallas Museum of Art, gift of the Dallas Shakespeare Club in memory of Elizabeth Patterson Kiest

 

Hillary Bober is the Archivist at the Dallas Museum of Art. 

Friday Photos: Fresh Prints

For our August Meaningful Moments program, participants explored the history of printmaking in the exhibition Visions of America: Three Centuries of Prints from the National Gallery of Art. After enjoying the galleries, we returned to the studio to try our own hand at block printing on tea towels.

Be sure to catch Visions of America before it closes September 3rd!

Emily Wiskera
Manager of Access Programs

Artist Interview: Lisa Huffaker

This summer the Center for Creative Connections invited C3 Visiting Artist Lisa Huffaker to design an in-gallery activity inspired by a work of art on view in C3. Meet Lisa here and learn more about her musically engaging activities designed for visitors of all ages.

Tell us about yourself. (In 50 words or less)
I am a classical singer by training, but have always created visual art and poetry as well. My latest project is White Rock Zine Machine, which offers tiny handmade books of art and writing through re-purposed vending machines. I am interested in the community we form through creative work.

What motivated you to apply to the C3 Visiting Artist Project?

Nam June Paik, Music Box Based on Piano Piece Composed in Tokyo in 1954, 1994, Vintage TV cabinet, Panasonic 10 TV model 1050R, Panasonic mini video camera, incandescent light bulb and 144-note music box mechanism, Dallas Museum of Art, bequest of Dorace M. Fichtenbaum 2015.48.113

While visiting the Museum, I saw Nam June Paik’s Music Box Based on a Piano Piece Composed in Tokyo in 1954. It’s an old television transformed to show a video of a music box, and it reminded me of my vending machines, which are also “communication boxes” with knobs, whimsically reinvented to give us new content. I loved the idea of exploring the relationship between these two objects, within the interactive space of the C3 Gallery, and inviting visitors to interact with and even contribute to the project.  I’m so grateful to the DMA for embracing my crazy vision!

Tell us about the process of creating your zine machine.

I found a retired baseball card vending machine on Craigslist, and transformed it.  I sanded it down to bare metal,  then used old player piano rolls as stencils to paint a pattern on the sides. I cut a hole in the front panel and covered it with glass, so we could see the zines inside. I attached Victorian-era music box disks to the machine,  including a sort of halo at the top. Then I added other objects — carved wood pieces, various metal oddities, a kalimba, gears and springs taken out of broken alarm clocks, and eight music box mechanisms, including one that plays original music composed by punching holes in a strip of paper.

What did you enjoy most about this experience?
While creating the zine machine, I really enjoyed the contradiction between noisy power tools and delicate, beautiful mechanisms! But most of all I have enjoyed the opportunity to explore certain ideas — the overlap of music, memory, and machine — and invite others to interact with the project. It has been fascinating to see the drawings and writings created by visitors in response to the music I chose for the listening station in my installation.

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Visit the Center for Creative Connections through September to contribute drawings to Huffaker’s zines and to receive a zine from the machine.

Join C3 Visiting Artist Lisa Huffaker as she hosts a series of programs in September:

Tuesday, September 5, First Tuesday: Music with Ms. Lisa; 11:30 a.m. – Noon
Friday, September 15, Late Night Tour; 6:30 p.m.
Friday, September 15, Late Night Performance with Piano; 9:00 p.m.
Friday, September 22, Teen Homeschool; 1:00-4:00 p.m.

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections at the DMA

Make This: Camera Obscura

Today is a big day for the moon, check out this post from 2016 to find our how you can make a camera obscura to watch the moon’s time in the lime light.

DMA Canvas

Johannes Vermeer, star of the eponymous Vermeer Suite: Music in 17th-Century Dutch Painting, is famous for his illusionism. Vermeer’s small, gem-like paintings are little windows into 17th century Dutch life. Instead of composing his images from naked-eye observation, however, some art historians believe that Vermeer used a device called a camera obscura.

A camera obscura, Latin for dark chamber, is the precursor to the modern camera, and has been known to artists, scientists, and philosophers since the time of Aristotle. At their most basic, they are made from light-tight boxes with a tiny hole on one side. Light enters the hole and casts an inverted image on a screen inside the box. Its earliest uses can be traced to astronomers, who used the camera obscura to safely view eclipses. However, it didn’t take long for artists to use it as a drawing tool. Camera…

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Friday Photos: In 3D

One of the best parts of being a museum educator is creating programming for the amazing special exhibitions that come our way. We were especially excited to take on Iris van Herpen: Transforming Fashion this summer. Her designs are unlike any you’ve seen before, and we love her unique and creative use of materials. Many of her dresses utilize new technology, like 3D printing, to build complex structures.

We’re big fans of art when it collides with science and technology, and recognized this was a great opportunity to reach out to the TECH Truck over at the Perot Museum of Nature and Science for an outreach vehicle meet-up! We collaborated on a summer program for teens at the Boys and Girls Club of Mesquite, where we talked about materials, abstract thinking, and computer-aided design! Students learned how to make 3D models in Sketch-Up, which are currently at the Perot being printed. Here’s a look at van Herpen’s process come to life!

Make sure you visit Iris Van Herpen: Transforming Fashion before it closes this weekend!

Jessica Thompson
Manager of Teen Programs


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