Archive for the 'DFW' Category

LGBTQ+ Equity in the Arts

On November 29 we are partnering with KERA’s Art & Seek for a night of performances and conversation with local arts leaders Erica Fellicella, Olivia Grace Murphy, and Jerome Larez (see their full bios here). The topic: how equitable and inclusive is the Dallas arts landscape for LGBTQ+ communities?

The night will kick off with each panelist sharing a selection of past work and then Art & Seek‘s Senior Arts Reporter-Producer Jerome Weeks will moderate a conversation. After the program, stick around for a meet and greet with the panelists to keep the conversation going.

I reached out to each panelist with a few questions about their lives, work, and what we can expect on November 29. Here’s what they had to say:

Erica Felicella, artist, consultant, organizer 

If you could take one work of art from the DMA home what would it be?

1982_21_o4

Cindy Sherman, Untitled, 1981, Chromogenic color print, Dallas Museum of Art, General Acquisitions Fund, 1982.21, © Cindy Sherman, courtesy of Metro Pictures, New York

Any advice for young artists out there?
It may be hard but don’t let that stop you.

What is something you are looking forward to?
The advancement of and changes in the art scene in the Dallas community.

You’ve lived in Dallas for about 20 years—how has the city changed in your perspective?
Growth across the board.

What are some words that you live by?
If you are not scared then you are not doing it right.

What is the last thing you Googled?
Performance art.

Is there a medium that you are interested in trying?
A bigger dive into New Media-based works with stronger technology components.

How do you recommend getting started with advocacy work?
Show up, listen, and go.

What is your hope for the LGBTQ+ communities of Dallas?
More opportunity given to shine and growth as a community.

Can you give us a sneak peek of what you will present at State of the Arts?
Think a community speaking through the voice of one.

Olivia Grace Murphy, Flexible Grey Theatre Company

If you could take one work of art from the DMA home what would it be?

dorothea-tanning

Dorothea Margaret Tanning, Jeux d’Enfants, 1942, lent by private collection

What is something you have to do before each show?
As an artist, I put a lot of importance on collaboration. I have to talk to and check in with every actor I share the stage with that night, whether it’s one other person or 100 other people.

What is something you are looking forward to?
Artistically, I am looking forward to announcing our next season for Flexible Grey Theatre Company. Personally, I am looking forward to the holidays because I make (in my humble opinion) the absolute greatest pumpkin pie.

Last play you read?
CHURCH by Young Jean Lee

What do you find most challenging or rewarding about theater as an artistic medium?
The most rewarding part is getting together with a group of fellow artists who you adore and trust completely to create something wonderful. I just recently had a profound experience working on STRAIGHT at Uptown Players. The people involved and the environment were so filled with trust and love. It was an unforgettable experience as an artist.

What are some words that you live by?
“To live is the rarest thing in the world. Most people exist, that is all.” –Oscar Wilde

What is the last thing you Googled?
“Cute snake pictures.”

How do you recommend getting started with advocacy work?
Find something you’re passionate about. Find work that needs to be done that speaks to you. And then don’t lose that spark.

What is your hope for the LGBTQ+ communities of Dallas?
I want to continue to normalize queer culture, queer art, queer people, and make our community part of the fabric of why Dallas is so great. Acceptance and visibility are key, and I feel like we’re making great strides.

Can you give us a sneak peek of what you will present at State of the Arts?
One of my passion projects with Flexible Grey Theatre Company has been the continued work on our original piece, BRIDGES: LGBTQ+ THEN & NOW, in which interviews from the older LGBTQ+ generation are told by queer millennial performers. The audience on November 29 will have a sneak peek of this show performed by some of my favorite actors in DFW.

Jerome Larez, Co-Founder and Board Chair, Arttitude

If you could take one work of art from the DMA home what would it be?

1997_137_o4

Terry Falke, Remnant of the Original Route 66, Arizona, 1995, Fujiflex print, Dallas Museum of Art, gift of The Afterimage Gallery, 1997.137, © Terry Falke

What drives new projects for you?
I hope to bring people together to share a profound experience and instill pride, belonging, interaction, and human connection.

What do you love most about teaching?
I love interacting with the students and watching them develop their art-making process.

What is something you are looking forward to?
I look forward to meeting new artists and listening to their artistic processes. I especially look forward to knowing their personal stories and why they make art.

What are some words that you live by?
Do the difficult things while they are easy and do the great things while they are small. A journey of a thousand miles must begin with a single step.

What is the last thing you Googled?
The Raising of Lazarus by Duccio

How do you recommend getting started with advocacy work?
Find a cause whose mission aligns with your beliefs and join. The biggest hurdle is getting involved.

What is your hope for the LGBTQ+ communities of Dallas?
My hope for the LGBTQIA community of Dallas is to build greater solidarity in our voices. Too many of us are fighting the battle for equality with little support. I want to see organizations and individuals of multiple backgrounds working together.

What, if anything, is missing from the arts in Dallas?
For the most part, diversity, access, and inclusivity are missing. Dallas has many creative people and art should not be an afterthought because it is who we are. Art has an extraordinary power to transform attitudes, behaviors, and perceptions, especially when art is in places that are accessible to everyone.

Can you give us a sneak peek of what you will present at State of the Arts?
We will have a Day of the Dead fashion show with artwork that we presented in past shows from our MariconX program.

Jessie Carillo is Manager of Adult Programs at the DMA.

Get to Know C3 Visiting Artist Lauren Cross

The Center for Creative Connections (C3) is thrilled to host Lauren Cross as our final artist in the 2018 Visiting Artist Project. Through her practice, Cross brings her passion and knowledge for engaging communities across the DFW Metroplex to the DMA. Her project created for C3 is no different: Assembly invites visitors to independently contribute drawings of useful and meaningful objects in their lives on 4 x 4-inch cardboard squares. Every few weeks, a selection of drawings will be installed with the goal of creating a collaborative quilt. Read this interview with the artist to learn more about her project—and stop by C3 to contribute your own drawing for the quilt!

Lauren Portrait

Tell us about yourself.
I am an artist, curator, and scholar; I am a wife, and also a mother to a beautiful, vibrant 15 month old. I was born and raised in Houston, Texas, and also spent a lot of time in both North Texas and East Texas as a child, visiting my uncles, aunts, cousins, and grandparents. Like many artists, I find that my work is both visually and contextually autobiographical.

Growing up within African American families with a strong impulse for oral history and cultural tradition had an important impact on my thinking as an artist. As a result, my pull within art history and cultural discourses has often looked intently at narratives that vividly describe my personal history and influences. I am the descendant of African American quilters, carpenters, builders, creatives, and culture bearers whose legacies are often reclaimed in my work.

Tell us a little about past projects that led you to apply to the C3 Visiting Artist Project.
I have always been a teaching artist who has engaged community within my work. One of my first projects after graduating was to design an arts curriculum for a local church in Dallas. Most recently, I helped develop community art projects for my nonprofit organization, WoCA Projects. This involved a partnership with ACT United, which created a photography education and exhibition project called My Fort Worth and a commission from the City of Fort Worth that collected over 2,000 visitor responses across the city about public art.

In applying for the C3 Visiting Artist Project, I saw an opportunity to connect my interest in community with my interdisciplinary studio practice using brown paper bags, digital imaging, and installation. With that, I thought of my Everyday Use installation projects, which I felt connected well with the DMA’s permanent collection. I felt that those works in particular gave me an aesthetic and material language that would allow me to create a project that could speak to DMA visitors.

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Tell us about the installation you’ve created in the Center for Creative Connections.
The installation I created, called Assembly, is a project that allows me to speak to my practice, which has often referenced the cultural narratives surrounding both brown paper bags and quilts and their relationship to African American culture. I thought a lot about C3’s emphasis on objects as they relate to identity as inspiration. It seemed like a great opportunity for me to address the objects that I use and reference in my work and the narratives about identity that are connected to them: skin color, hierarchy, cultural heritage, and history. I was happy to have the opportunity to probe visitors to think about everyday objects that mean something to them in hopes that there could be wider conversations about the things that have meaning in our lives.

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Do you have any favorite visitor contributions you’d like to share?

visitor contributions

What have you enjoyed most about this experience so far?

I have enjoyed seeing the sheer volume of thoughtful responses from visitors to the project. It has been empowering to pose a question and to get such great feedback. As an educator, it’s like teaching a subject that your students get excited about. I have also enjoyed having the opportunity to work with various museum educators throughout the project to find ways to connect visitors to the wider themes we are dealing with.

What upcoming projects are you working on or excited about?

I have an exciting exhibition coming up at the Cliff Gallery at Mountain View College (DCCD) from November 19 to December 14. This includes a Kitchen Table Talk with African American women artists and creatives in North Texas on Thursday, November 29, from noon to 2:00 p.m. and an artist reception on Friday, December 7, from 6:00 to 9:00 p.m. I will also have an exhibition at the Carillon Gallery at Tarrant County College South Campus in March 2019 as a result of my artist residency there this fall.

Join C3 Visiting Artist Lauren Cross for a Gallery Talk on Wednesday, December 19, from 12:15 to 1:00 p.m. Gallery talks are included in free admission.

Kerry Butcher is the Center for Creative Connections Education Coordinator at the DMA.

Accio, Art!

Don’t be alarmed if you’re downtown this weekend and see wands, pet owls, witches, and wizards. They are all here for the annual international LeakyCon. If you can’t tell from the name alone, LeakyCon is a weekend-long convention all about our favorite boy wizard, Harry Potter. Tickets for this immersive conference sold out the day they went on sale, so if you’re like us and didn’t snag a spot, don’t try and alohomora your way in! Just head over to the DMA and use our Marauder’s Map self-guide to find works in our collection that connect with Harry Potter characters. If you’re stuck in a cupboard under the stairs and can’t make it to the Museum, here are our DMA horcruxes that match all seven of the objects He Who Must Not Be Named placed his soul into. What better place to hide a horcrux than in a museum?

The Diary of Tom Riddle
On view in the Paintings Conservation Gallery, Level 2

Riddle Diary 1

Josef Hoffmann, Concordia Ball program cover, 1909, gilt, copper, leather, and paper, Dallas Museum of Art, gift of Dr. and Mrs. Edward Mattil, 1989.111

Marvolo Gaunt’s Ring

Ring, Velma Davis Dozier, 1959, gold and tourmaline, Dallas Museum of Art, gift of Otis and Velma Dozier, 1979.16

Salazar Slytherin’s Locket
On view in the 18th-Century European Art Gallery, Level 2

Elisabeth Louise Vigée-Lebrun, Portrait of Natalia Zakharovna Kolycheva, née Hitrovo, 1799, oil on canvas, lent by the Michael L. Rosenberg Foundation, 29.2004.13

Helga Hufflepuff’s Cup

Two-handled cup, Louis-Constant Sévin, 1866, bronze and silverplate, Dallas Museum of Art, gift of the 1991 Dallas Symposium in honor of Caroline Rose Hunt, 1992.321

Rowena Ravenclaw’s Diadem
On view in the Cecil H. and Ida M. Green Classical Galleries, Level 2

Diadem, Greek, 2nd century BCE, gold, glass, and repoussé, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.75

Harry Potter embodied by his favorite place, Hogwarts
On view in the 18th-Century European Art Gallery, Level 2

Johan Christian Dahl, Frederiksborg Castle, 1817, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund, 2014.22.FA

Nagini

Mantle clock with figure of Perseus, Pierre-Victore Ledure, early 19th century, lent by David T. Owsley, 156.1994.51

If you want to check out our Marauder’s Map self-guide of the collection, grab one at the main Visitor Services Desk on Level 1 beginning Friday, August 10. Make sure to come out that weekend, they will be gone after Sunday, August 12.

If you want another wizarding world activity to celebrate the weekend, click here to complete our Sorting Hat quiz based on objects in our collection.

Katie Cooke is Manager of Adult Programs at the DMA.

PRIDE

To celebrate National Pride Month, our Late Night on Friday, June 15, will feature a variety of groups and performers from the DFW LGBTQ community. This Late Night is also part of the annual Summer Block Party, and the Dallas Arts District is joining the celebration of Pride month with outdoor festivities.

We knew we wanted to involve local community members in the planning of the event, so we asked representatives from DFW LGBTQ groups to help us brainstorm program ideas. Our team was excited and energized by their enthusiasm and support of the event, and after several months of planning we put together this full schedule of events.

We are welcoming back performers from The Rose Room (who were last here in 2012) as well as featuring new performers and groups, including Chris Chism, Flexible Grey Theatre, and Verdigris Ensemble. We also wanted to make sure we featured some of Dallas’s LGBTQ history, so Robert Emery and cast members from Uptown Players will perform stories collected from the LGBTQ community. Following that, there will be a talk looking at the overall history of LGBTQ art in America with art historian Tara Burk. And, for the first time, there will be a Kiki Ball at the DMA!

Throughout the night, DMA staff will also highlight the following LGBTQ artists in our collection:

Anton Prinner

Anton Prinner, Large Column, 1933, wood and paint, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., 1996.148.McD

Ellsworth Kelly

Ellsworth Kelly, Untitled, 1982–83, stainless steel, Dallas Museum of Art, commission made possible through funds donated by Michael J. Collins and matching grants from The 500, Inc., and the 1982 Tiffany & Company benefit opening, 1983.56

Anne Whitney

Anne Whitney, Lady Godiva, c. 1861–64, marble, Dallas Museum of Art, gift of Dr. Alessandra Comini in memory of Dr. Eleanor Tufts, who discovered the Massachusetts-backyard whereabouts of this long-forgotten statue and brought it to Dallas, 2011.8

Félix Gonzáles-Torres

Félix González-Torres, Untitled (Perfect Lovers), 1987–90, wall clocks, Dallas Museum of Art, fractional gift of The Rachofsky Collection, © The Félix González-Torres Foundation, courtesy of Andrea Rosen Gallery, New York, 2001.342.a–b

Marsden Hartley

Marsden Hartley, Mountains, no. 19, 1930, oil on board, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., 2008.24.McD

With all that’s in store, we hope you join the summer crowds and don’t miss out on a fun-filled night in downtown Dallas!

We would like to thank the following community groups for their help in planning the Pride Late Night:

Abounding Prosperity
Arttitude
Cathedral of Hope
City of Dallas Office of Cultural Affairs
Coalition for Aging LGBT 
The Dallas Arts District 
Dallas Voice 
Downtown Dallas Inc.
Flexible Grey Theatre
GALA, Gay and Lesbian Alliance of North Texas
LULAC Rainbow Council
OnBrand Productions
The Resource Center
The Rose Room
Turtle Creek Chorale 
Uptown Players 
Verdigris Ensemble


Stacey Lizotte is the DMA League Director of Adult Programs at the DMA.

We’re all Family!

For the past two weekends, thousands of visitors have flocked to the Museum to celebrate DMA Family Days/DMA días familiares. The first two  Sundays, presented through the generosity of the World Affairs Council DFW and George and Natalie (“Schatzie”) Lee,  were a hit. Even thunderstorms couldn’t keep people away! On DMA Family Days, you can enjoy both free admission to the exhibition México 1900–1950: Diego Rivera, Frida Kahlo, José Clemente Orozco, and the Avant-Garde and México 1900–1950 themed activities and live performances. If you can’t tell from the smiling faces below, DMA Family Days gives a whole new meaning to the saying Sunday Funday!

Mark your calendars:
Sunday, April 9: Presented by The Heart of Neiman Marcus Foundation
Sunday, April 16: Presented by The M.O.B. Family Foundation
Sunday, April 23: Presented by Gardere Wynne Sewell LLP
Sunday, April 30: Presented by Texas Christian University
Sunday, May 7, and Sunday, May 14: Presented by Bank of America

 

Bluebonnets in Bloom

With spring upon us, we can anticipate the sprouting of bluebonnets along Texas roads and highways. Bluebonnets can also be found in the DMA’s permanent collection. One of the best places to look is in the work of Julian Onderdonk, a San Antonio–born artist. Onderdonk is recognized for his portrayal of his home state’s landscape, in particular the Texas State Flower, the bluebonnet. Onderdonk so perfected the portrayal of bluebonnets that to this day his name is immediately linked to scenes of these blue and violet flowers carpeting expansive landscapes.

Onkerdonk in action. Image source http://nyti.ms/2nrmieC

After studying in New York at the Art Students League and William Merritt Chase’s Shinnecock Summer School, Onderdonk returned to Texas in 1909. Back in his home state, he found that he could combine the techniques he learned in New York with his environment in Texas. The bluebonnets were the perfect subject in which to manifest his interests. Appearing initially as subtle parts of his compositions, they dominated the artist’s work by the mid-1910s.

Field of Bluebonnets

Julian Onderdonk, Untitled (Field of Bluebonnets), 1918–20, oil on canvas, Dallas Museum of Art, bequest of Margaret M. Ferris, 1990.153

Although the bluebonnet became the state flower in 1901 and was represented by other artists prior to Onderdonk’s embracing them as a subject, his depictions of the flower increased their popularity and distinctive connection to the state of Texas. The bluebonnets also brought fame to the artist while defining Texas art as a regional school that paralleled other schools of regionalist art in America. The appeal of these paintings was twofold; on one hand, they played into Texas pride by giving importance to the state flower, and on the other hand, they highlighted Onderdonk’s painterly talents and ability to render nature.

Blue Bonnets

Bluebonnets in bloom.

For Onderdonk, these flowers were more than simply bluebonnets. They allowed him to find a balance between what he saw and a subject he knew well: in other words, a blending of his East Coast training and his connection to the Hill Country of Texas. Painted around 1918-1920, Untitled (Field of Bluebonnets) is an example of Onderdonk’s dedication to the flower. Onderdonk learned from Chase the importance of painting outdoors because it allowed a closer observation of the light and shadows. Here Onderdonk responded to Chase’s emphasis on painting en plein air (outdoors before the motif) and capturing the changing effects of light and shadow in a field covered with the vividly colored blossoms. He paints the bluebonnets in rich blues and greens, making each bloom in the foreground individuated and then progressing into broad strokes of color to portray the pool of flowers.

Francesca Soriano is the McDermott Intern for American Art at the DMA. 

Off the Wall: A New Experience

What do David Bowie, James Bond, The Karate Kid, Bon Jovi, and dragons have in common? They all served as inspiration for our newest program, Off the Wall.

This spring and summer, the Adult Programming team spent many hours brainstorming themes, program ideas, and the best format for a new evening event. We wanted to be playful in our approach, making sure everyone would have a fun and unexpected experience—thus Off the Wall was born.

From 5:00 to 9:00 p.m. on the second Thursday of each month, Off the Wall will offer a unique way to explore our collection with a pop culture twist. We will launch Off the Wall tomorrow with an exploration of space, astronomy, and the 60s with our take on Space Oddity.

Each member of the team brought her own area of geeky pop culture knowledge to the table, for example, but not limited to, 80s TV, movies, and music (Stacey); movies and all things sci-fi and fantasy (Jessie); Harry Potter, Game of Thrones, and over the top action movies (Katie); and all things 90s with a specialty in rap from the early 2000s (Madeleine).

So stop by and geek out with us, revel in the pop culture madness with us, and boldly go on this new adventure in the DMA collection with us.

October 13: Space Oddity 

Robert Rauschenberg, Skyway, 1964, oil and silkscreen on canvas, Dallas Museum of Art, The Roberta Coke Camp Fund, The 500, Inc., Mr. and Mrs. Mark Shepherd, Jr. and General Acquisitions Fund

Robert Rauschenberg, Skyway, 1964, oil and silkscreen on canvas, Dallas Museum of Art, The Roberta Coke Camp Fund, The 500, Inc., Mr. and Mrs. Mark Shepherd, Jr. and General Acquisitions Fund, 1986.8.a-b, (c) Rauschenberg Estate/Licensed by VAGA, New York, NY 

November 10: Gogh Your Own Way 

Vincent van Gogh, Sheaves of Wheat, July 1890, Oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection

Vincent van Gogh, Sheaves of Wheat, July 1890, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.80

December 8: Winter Is Coming

Finial: Dragon head, 11th–14th century, Bronze, Dallas Museum of Art, Dallas Art Association Purchase, 1963.24

Finial: dragon head, Iran, 11th–14th century, bronze, Dallas Museum of Art, Dallas Art Association Purchase, 1963.24

January 12: Plot Twist

Thinking Bodhisattva, Asian, 4th-6th century C.E., terracotta, Dallas Museum of Art, Wendover Fund, gift of David T. Owsley via the Alvin and Lucy Owsley Foundation, the Cecil and Ida Green Acquisition Fund, and General Acquisitions Fund, 2010.17

Thinking Bodhisattva, Afghanistan, 4th-6th century C.E., terracotta, Dallas Museum of Art, Wendover Fund, gift of David T. Owsley via the Alvin and Lucy Owsley Foundation, the Cecil and Ida Green Acquisition Fund, and General Acquisitions Fund, 2010.17

February 9: Shot Through the Heart

Yinka Shonibare, M.B.E., A Masked Ball (Un ballo mascherd), 2004, high-definition digital video, DMA/amfAR Benefit Auction Fund, 2008.26

Yinka Shonibare, M.B.E., A Masked Ball (Un ballo mascherd), 2004, high-definition digital video, DMA/amfAR Benefit Auction Fund, 2008.26, (c) Yinka Shonibare

March 9: Et Tu, Brute?

Ceremonial Knife (Metal Inlaid Grip), African, 19th-20th century, wood, steel, nickel-silver, Dallas Museum of Art, The Clark and Frances Stillman Collection of Congo Sculpture, gift of Eugene and Margaret McDermott, 1969.S.79

Ceremonial knife, Democratic Republic of the Congo, 19th-20th century, wood, steel, and nickel-silver, Dallas Museum of Art, The Clark and Frances Stillman Collection of Congo Sculpture, gift of Eugene and Margaret McDermott, 1969.S.79

April 13: Shaken, Not Stirred

William Waldo Dodge, Jr., “Skyscraper” cocktail shaker with cups, c. 1928-1931, silver, Dallas Museum of Art, The Patsy Lacy Griffith Collection, gift of Patsy Lacy Griffith by exchange, 2008.48.1-12

Skyscraper cocktail shaker with cups, William Waldo Dodge, Jr., designer, c. 1928-31, silver, Dallas Museum of Art, The Patsy Lacy Griffith Collection, gift of Patsy Lacy Griffith by exchange, 2008.48.1-12

May 11: Wax On, Wax Off

Wraparound skirt, (kain panjang) [pointed-ends cloud motif (megamenlang), Indonesia: Java, c. 1910, Cotton, commercial dye (?), Textile Purchase Fund, 1991.58

Wraparound skirt (kain panjang): cloud design (megamenlang), Indonesia, Java, c. 1910, cotton and commercial dye (?), Textile Purchase Fund, 1991.58

June 8: Make It Work!   

Pierre-Auguste Renoir, c. 1867-1868, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.59

Pierre-Auguste Renoir, Lise Sewing, c. 1867-68, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection, 1985.R.59

 

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.


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