Archive Page 74

Hands-On Learning: Not Just for Kids

“Every child is an artist. The problem is how to remain an artist once we grow up.” – Pablo Picasso

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The Center for Creative Connections (C3) is unique because we focus on learning by doing. That means we design activities for people of all ages to learn about works of art from the collection by participating in a hands-on way. The activities we create to accompany works of art prompt visitors to engage in ways that are different from the standard didactic approach of a wall label. In C3, we want to provide experiences where visitors can make personal connections by drawing, writing, making, and discussing works of art with each other.

This kind of active engagement carries a certain stigma; many people assume that it’s only for kids, mainly because we are used to seeing activities like these in children’s museums. Part of our design process is to evaluate visitors’ experiences by observation, interviewing and counting. We’ve learned that half of our participants are adults and that there is a reoccurring theme in their comments regarding why they participate. So, why do adults flock to C3 to draw, write, make, and talk about art? Because it connects them to a childlike curiosity and creativity which, as an adult, often takes a backseat to other responsibilities and tasks.

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In January 2014, we installed a large table in the middle of the C3 Gallery, that hosts three activities that rotate on a monthly basis. As a part of the evaluation of these activities, we interviewed visitors about their motivations for participating, their past experience with art making, and their view of the value derived from participating in a making activity at the Museum. I was repeatedly intrigued by the responses of the adult participants.

For example, I spoke with a couple participating in a portrait drawing activity which encouraged close looking at the proportions and scale of the human face.  The couple, in their mid-thirties, each claimed to have no artistic experience. Through our conversation, they divulged that they both graduated from arts based college programs. “I went for fashion, like a BFA in Design, and he went for Graphic Design. We don’t really draw in our free-time though, I mean, he does for work,” the woman stated as she looked over at the man who accompanied her. He added, “Yeah, but just on the computer.” Then the woman broke in, “And I do for work, but it’s not the same. Like, I do fashion sketches, not this kind of drawing.” I prodded them a bit to understand what “this kind of drawing,” meant. “Well, it’s like… it’s fun. Like drawing before was so serious and it had to be perfect, cause you were doing it for a grade. But this is just for enjoyment.”

This idea was reinforced by further conversations with other adult participants: drawing, making, and discussing in C3 is fun in a freeing kind of way. I interviewed another thirty-something couple drawing at a light box activity designed to assist in the making of hybrid imagery. The man began with, “I’m guessing this was made for children? It’s fun and different and I didn’t expect to see this here.” The woman with him agreed, “Yeah, it’s like that spark of creativity, kind of… childlike. I didn’t think I’d spend as much time or get into it like I did.” A sixty-something man participating in the portrait drawing activity remarked, “I used to take art classes, but it’s been so long ago… it’s like I forgot that and I saw this and I remembered.” This feeling of nostalgia for something that is no longer a part of someone’s everyday life was also a common response from adults. Many adults responded that they enjoy drawing or making but, “don’t do it enough.”

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Aside from drawing based activities, the Center for Creative Connections also has a drop-in art making area with large communal tables called the Art Spot, which we say is the place for “anytime art-making for everyone.” We invite visitors to explore their creativity by making creations out of unexpected or everyday materials. Every two months we change the materials and provide a prompt to inspire ideas. Each time I’m hesitant and wonder, “What will people make with this?” But, I am always delighted and surprised by the imaginative creations that are made and left behind. Children often come to C3 and head straight for the Art Spot, while adults can be a bit more tentative. However, regardless of age, most visitors stay anywhere from 5 minutes to two hours, with an average of about 20 minutes. Once they gather their materials they become immersed in their creation. For some it is a hands-on problem solving activity while for others it is about manipulating materials. How can you combine these objects (cups, spoons, paperclips, wire, egg cartons, cardboard, etc.) into something unique and surprising? This kind of open-ended activity, reminiscent of childhood playing and pretending, is not often made available to adults. I frequently watch my eight-year-old daughter take something like a toilet paper roll and turn it into a piano for her dollhouse, or repurpose a cardboard box to make an enormous rocket ship. This nostalgia for childhood play was brought perfectly into perspective by a recent Art Spot creation.

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At the DMA, learning can take many approaches and forms. We strive to be inclusive so that we can reach visitors with a multitude of interests and experiences and preferences for learning. In the Center for Creative Connections, our mission is to engage visitors of all ages with works of art and the creative process of artists. We hope that by designing participatory ways to learn we will provide fun and playful activities for all of our visitors, regardless of their age.

Jessica Fuentes
C3 Gallery Coordinator

ARTifacts – A Day Without Art 25 Years Ago

Memorial Wall in front of the Flora Court entrance for A Day Without Art, 1989

Memorial Wall in front of the Flora Court entrance for A Day Without Art, 1989

On December 1, 1989, the second annual World AIDS Day (a global public health campaign initiated by the World Health Organization), the DMA participated in A Day Without Art: A National Day of Action and Mourning in Response to the AIDS Crisis.

Visual AIDS, an organization of art professionals committed to facilitating AIDS-related exhibitions and events, conceived A Day Without Art as a call to arts organizations to recognize the effect of AIDS on the art community.

The aims of the day were to 1) commemorate losses of artists and arts professionals; 2) create greater awareness about the spread of AIDS; 3) publicize the needs of people with AIDS; and 4) call for greater funding of services and research.

Flyer for A Day Without Art activities

Flyer for A Day Without Art activities at the DMA

The DMA worked with five Dallas-area artists to determine the most appropriate program for A Day Without Art. Lead artist Greg Metz, in collaboration with Pam Dougherty, Sean Earley, Jerry Janosco, and Brian Overley, conceived the presentation as a bleak confrontational memorial to the widespread, continuing art community deaths. It consisted of three parts.

1. The artists constructed black Memorial Walls to impede direct access to the Museum’s three public entrances. The temporary walls were installed for 24 hours, from 4:00 p.m. on Thursday, November 30, 1989, to 4:00 p.m. on Friday, December 1, 1989. The walls displayed white ribbons with the names of those in the Dallas art community who had died or were diagnosed with AIDS. Members of the community were invited to remember loved ones, artists, and art community members by adding their own white ribbon.

2. The evening of Thursday, November 30, featured a sound installation and performance by electronic performance artist Jerry Hunt, and donations benefiting the Dallas AIDS Resource Center were accepted.

3. An electronic counter was installed in the Concourse, marking the World AIDS Death Toll, which at the time was one death every 17 minutes.

A Day Without Art Memorial Wall at Ross Plaza entrance

A Day Without Art Memorial Wall at Ross Plaza entrance

Over 400 arts institutions responded to A Day Without Art in a variety of ways, from closing, to darkening a gallery or shrouding artworks, to sponsoring educational or remembrance programs.

Hillary Bober is the Archivist at the Dallas Museum of Art.

 

Thanksgiving Still-Lifes

Inspired by the DMA’s newest exhibition, Bouquets: French Still-Life Painting from Chardin to Matisse, I thought it would only be appropriate for my first Canvas blog post to incorporate still-lifes from our collection. So with Thanksgiving just behind us, I wanted to share some my favorite food-related still-lifes in our collection.

This 17th century still-life makes even the most wonderful Thanksgiving leftovers seem bland. Anyone care for some lobster?

Abraham Hendricksz Van Beyeren, Still Life with Landscape, 1650s, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

Abraham Hendricksz Van Beyeren, Still Life with Landscape, 1650s, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

After all of the yummy turkey, stuffing, casseroles and potatoes , how about some fruit (and maybe champagne) to lighten your leftover hangover?

Severin Roesen, Fruit Still Life with Champagne, 1848, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

Severin Roesen, Fruit Still Life with Champagne, 1848, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

The Friday after Thanksgiving is a wonderful holiday all on its own. I like to stay in, enjoy my friends’ and families’ company, relax and read the paper, and eat some yummy leftovers (maybe even a turnip or two!). It is the best part of the holiday weekend!

William Michael Harnett, Munich Still Life, 1882, Dallas Museum of Art, Dallas Art Association Purchase

William Michael Harnett, Munich Still Life, 1882, Dallas Museum of Art, Dallas Art Association Purchase

I hope you enjoyed the Thanksgiving holiday! And if you didn’t finish your Christmas shopping last weekend or you’re looking for a cyber Monday fix, don’t forget to check the Museum Store’s website to find many unique presents and local crafts!

Happy Holidays!

Madeleine Fitzgerald
Audience Relations Coordinator for Programming

A Holly Jolly District

With the colder temps, and Thanksgiving right around the corner, we are starting to get into the holiday spirit with some fun holiday-themed programs and shopping to make your December merrier.

Every Thursday in December, enjoy a mix of seasonal and traditional jazz tunes at Jazz in the Atrium. The Thursday night concert series will feature some of the best musicians in town, led by Rob Holbert (December 4), Tom Braxton (December 11), and Freddie Jones (December 18).

Jazz in the Atrium at the Dallas Museum of Art.

Jazz in the Atrium at the Dallas Museum of Art.

Undermain Theatre continues its popular and free reading series at the DMA with an encore reading of Dylan Thomas’s classic poem A Child’s Christmas in Wales. Accompanied by traditional music and carols, A Child’s Christmas in Wales will be a charming afternoon of festive storytelling for the whole family on Saturday, December 13, at 2:00 p.m.

Undermain Reads 'A Child's Christmas in Wales' by Dylan Thomas

Undermain Reads A Child’s Christmas in Wales by Dylan Thomas

When you are at the DMA for Jazz in the Atrium and A Child’s Christmas in Wales, or at any other time, don’t forget to stop by the Museum Store and make it your one-stop shop for holiday gifts. One-of-a-kind items from around the world are available, from handmade felt animals to hand-painted, whimsical book ends, and products celebrating the DMA’s collection and the Bouquets exhibition. (I have already purchased the beautiful Bouquets 2015 calendar for a family member!)

Items available for purchase in the DMA Museum Store.

Items available for purchase in the DMA Museum Store.

'Bouquets' 2015 Wall Calendar

“Bouquets” 2015 Wall Calendar

And we’re not the only ones in the Dallas Arts District getting into the holiday spirit. On Saturday, December 6, experience Holidays in the District with a day of music, dancing, theater, art-making activities, photos with Santa, and more.

From 1:00–6:00 p.m. you can Celebrate the Holidays at Klyde Warren Park. Activities will include free photos with Santa, holiday music, face painting, and live reindeer.

Be sure to stay for the 5:30 p.m. lighting of the AT&T Performing Arts Center campus—they will be using 550,000 LED lights to celebrate the holiday season.

Holidays in Klyde Warren Park

Holidays in Klyde Warren Park

There’s also plenty of seasonal fun at the Wyly Theater, Winspear Opera House, Meyerson Symphony Center, and Dallas City Performance Hall. Details can be found on the Dallas Arts District website.

We hope your merry-making brings you here.

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Thankful for the DMA

Any other year at this time, I would be heading home to enjoy Thanksgiving with my family in Maine. This year, however, marks my first Thanksgiving away from home – the journey from Texas to New England is a bit too far to make for the holiday! I recently moved to Dallas to take part in the DMA’s McDermott Internship Program, which runs from September to May. Being away from my family is difficult this year, but I am grateful for all of the experiences that have been offered to me as the McDermott Graduate Intern for Gallery and Community Teaching.

While my intern duties cover a wide variety of roles here at the Museum, one of my main focuses is Go van Gogh, our community outreach program that brings a piece of the DMA to local elementary and middle schools. This past week, I spent time at Martha Turner Reilly Elementary School with a class of 4th graders. Our program was called Art of the Lone Star State, and it offered the students (and myself) the chance to learn more about the history of this state through art. We looked at works of art that depict Texas landscapes and cityscapes before making our own landscapes with watercolor pencils.

The opportunity to work with children is one of the reasons I applied for this internship, so I am extremely happy that I get to work with our Go van Gogh program.

All of the amazing Go van Gogh programs would not be possible without our volunteers! Go van Gogh has over 30 volunteers, both in Dallas and the surrounding Metroplex. These individuals volunteer their time with the programs in schools, but also spend time here at the DMA for volunteer training. During training, the volunteers become the students as we simulate the programs that they teach. We also spend time in the galleries, looking at the works of art that the students will see. Being a Go van Gogh volunteer shows a commitment to the DMA and to education, and we are extremely grateful to have such wonderful volunteers!

Go van Gogh is just one of the many programs I have been involved with during my time at the Museum. Three months into my nine month internship, I have worked closely with the docents, given school tours, and been involved in programs with Booker T. Washington High School, just to name a few! While I miss my family, I am thankful that I have this position and I can’t wait to see what the rest of the internship brings! And of course, I’m thankful for the opportunity to drive our amazing van around town!

Happy Thanksgiving!

Liz Bola
McDermott Graduate Intern for Gallery and Community Teaching

An Inside Job

Every two years, the DMA staff shows off their artistic skills with a special installation on Level M2. Explore the FREE exhibition Inside Job: Staff Art Show ’14  through February 22, 2015, and hear more about the art in the video below.

Friday Photos: Mercurial Mother Nature

In case any of us had forgotten, last week’s surprising plunge in temperature certainly served as a reminder of Texas weather’s tendency to change at whim. The days may be warming back up (however briefly), but that doesn’t mean we can’t appreciate what the Museum’s collection has to offer on Mother Nature’s more mercurial moods!

Whatever the weather may bring, you can always come see A Mountain Landscape with Approaching Storm on Level 2 in our European gallery, and explore the rest of the works shown here through the DMA’s Online Collection. Have a happy Friday!

Jennifer Sheppard
McDermott Intern for Family and Access Teaching

Sharing Practices: 2014 TAEA Conference

San Antonio

Jessica and Danielle’s feet at Artpace San Antonio

 

Each year the Texas Art Education Association (TAEA) holds an annual conference where art educators from elementary to higher ed to museums gather to learn about new trends in curriculum, research, technology and more. This year, the TAEA conference was held in San Antonio and my colleague Danielle Schulz and I attended and presented. Here are some highlights from the sessions we enjoyed during our 2014 TAEA experience.

Supported Interpretation at the Heart of San Antonio
Working in the Center for Creative Connections, the DMA’s interactive educational space, it can sometimes be difficult to find relevant professional development opportunities. Out of all the sessions at TAEA, I was most excited about this one, led by Alicia Viera, Director of Cultural Programs at Texas A&M University at San Antonio. Ms. Viera runs the Educational & Cultural Arts Center associated with TAMU San Antonio, which is an exhibition space located in the heart of the downtown San Antonio arts district. Her sessioncontemporary-latino-art-san-antonio-angel-rodriguez-diaz recounted a recent exhibition she developed with a team of artists and professors using the Supported Interpretation model. This model is intriguing because it is similar to the way we develop content for the Center for Creative Connections, including: moving away from didactic resources and more towards an active learning style; approaching labels and text with a diverse audience in mind; displaying visitor contributions/feedback in an exhibition; and using evaluation to inform the way we grow and change. An interesting aspect of the Supported Interpretation model which has not been fully realized in the Center for Creative Connections is the production of an exhibition with a team made up of Curatorial, Education, and Installation staff, along with representatives of the Museum audience. As much as possible, this is something we strive for, but it can be difficult to fully involve all parties. Ms. Viera’s presentation sparked my interest and I will continue to keep a watchful eye out for the work she is doing at the Educational & Cultural Arts Center.

For Teens, by Teens: Expanding Museum Communities
Connecting with teen audiences through programs and activities is a rapidly growing focus of many museums. In this session, educators from Artpace San Antonio and The Contemporary Austin shared their practice and insight into working with Teen Councils at their respective institutions. A shared goal of these museums was to make teens feel welcome and comfortable visiting their art institutions and attending events. Taylor Browning, Assistant Curator of Education, Teen & University Programs at Artpace, asserted that enlisting teens into designing teen-focused programs and events at their locations was a key aspect of achieving this goal. An interesting conversation covered during this presentation was the importance of flexibility in communication, in both low and high tech ways. WIGGIO, a free online communication tool for groups, was utilized by both institutions because it allows teens to choose their method of contact–via email or text message–which removes a hurdle often encountered by staff working with this group. A more grassroots method of communication was also highlighted: the paper flyer. Both Artpace and The Contemporary Austin promote teen-focused activities and events through event flyers posted in high school hallways and community centers, and they celebrated the cost-effective nature and success of this low-tech promotion.

This presentation supported the current work the DMA is doing with teen audiences, and more importantly, it sparked some fruitful ideas for how we can grow and develop our current teen-focused programs. We are currently working with our own Teen Council to design a teen-focused Late Night event, and have students from our Skyline and Booker T. Washington partnerships using the Museum and it’s collection as an extended classroom. It’s exciting to think of ways that we can extend these collaborations into making the Museum a more welcoming place for teens!

Out of Sight
Currently at the DMA we offer a handful of Access programs for visitors with special needs, and we are always looking to expand the breadth of our events and activities and increase their impact on visitors of all ages and abilities. In celebration of the national Art Beyond Sight Awareness month, the Museum has annually hosted a variety of hands-on activities, gallery discussions, art-making experiences and artist demonstrations that focus on ways to explore and experience art using senses other than vision.

tactile graphicThe Out of Sight session at TAEA was very beneficial because it described resources and tools used by the Meadows Museum and the Ann Richards Middle School in their art programs for visitors with low or no vision. One of the most interesting resources covered were tactile graphics–representations of images that are adapted, using braille and texture palettes, for the sense of touch. It was easy to visualize how tactile graphics could seamlessly be put into practice in the Center for Creative Connections and other educational programs at the DMA. More and more as a department we are exploring the concepts of Universal Design for Learning, and investigating how to create activities and interactives that are accessible to diverse visitors with a range of abilities and learning styles. Carmen Smith, Director of Education at the Meadows Museum and co-presenter of this session, often reiterated that resources like tactile graphics and verbal descriptions of works of art are not just helpful for visitors with low or no vision, but that sighted visitors find these resources to be beneficial as well. Many of the tactile graphics used by the Meadows Museum were created by Visual Aid Volunteers, or more simply by using glue or puff paint to outline details of a printed image. Another intriguing resource mentioned was a machine called a PIAF (Pictures In A Flash) which is a great, albeit expensive, tool to create detailed tactile graphics. Watch this video to see how it works.

Developing an Eye for Design
Though the work Danielle and I do at the DMA is quite different, our passion for photography and teaching often brings us together to collaborate on presentations and workshops for many different audiences. This year at TAEA we presented on several low and high tech photography related activities and projects that teachers could incorporate into their classrooms. These lessons were based on a photography summer camp we co-taught last summer at the Museum. During our session we covered the variety of themes and projects we taught to our summer camp kids, explaining their significance to the field of photography and to design instruction. Additionally, we incorporated two art-making components into our presentation so participants had some hands-on learning opportunities. For our low tech project, attendees learned how to build their own camera obscura using simple found materials. For the high tech portion, participants experimented with the photography app VSCOcam, to enhance their digital photographs. View our full presentation here.

The annual TAEA conference is a great way to hear about the work being accomplished by art educators across Texas, as well as share with the field the DMA’s great education programs. We’re taking in all the program ideas and resources we gathered, seeing how they can best be utilized, and already looking forward to next year’s conference.

Jessica Fuentes
C3 Gallery Coordinator

Danielle Schulz
Teaching Specialist

InstaBouquets

The DMA is positively blooming with floral still-life paintings this winter, thanks to the amazing works on view in Bouquets: French Still-Life Painting from Chardin to Matisse. Visitors can enjoy these paintings and even find a bit of creative inspiration in a sketching gallery, outfitted with a fresh floral arrangement, drawing supplies, and a place to display their drawings.
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Inspired by the exhibition, DMA staff took a turn curating their own still-life creations. From traditional to offbeat, we hope you enjoy these interpretations of this classic genre that has inspired artists for centuries. If you’re feeling inspired, create your own still life and post it to Twitter or Instagram with the hashtag #BouquetsDMA—you may just see yourself retweeted!

Anthea Halsey is the Senior Marketing & Social Media Manager at the DMA.

Friday Photos: Dreaming of Hill Country

I just returned from five blissful days of creativity and companionship at Lucky Star Art Camp. This was my second year to attend camp. Last year’s experience was pretty amazing, and this year did not disappoint! Last year’s post provided more of an overview of my time at camp, so this time I’ll share photos of the different workshops I took.

I spent my first morning with Lisa Seger of Blue Heron Farm in Food from Your Backyard. Lisa taught us the basics of raising a garden, composting, and raising goats and chickens. Though I probably won’t add any goats or chickens to our family in the near future (I can barely take care of my dog!), I was happy to learn more about gardening and composting. During class, we visited some chickens that Lucky Star camp founder Lisa Field brought for us to meet.

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During Light Hunters that afternoon, photographer Vivienne McMaster led us on a journey throughout the beautiful grounds at Camp Waldemar. We took advantage of the gray weather and learned how to use different camera settings to capture as much light as possible. It was difficult to choose just a dozen images from the many I took that afternoon!

The next day, I learned about the many beneficial properties of different plants and herbs from Stacy Wooster during Plants & Practice. Our workshop ended with a very relaxing yoga session, and we walked away with an herbal antiseptic to spray on scratches and scrapes, a fire remedy for when we’re feeling under the weather, and an herbal tea that boosts the immune system.

Because I loved her workshop so much last year, I revisited my friend Corrine Gilman in Mixed Media Alchemy. Corrine describes herself as “a creativity cheerleader, a big rock obstacle mover, a doer and a maker of all things mixed media.” I can personally attest that these are all absolutely true. Being a tentative art-maker myself, I appreciate Corrine’s enthusiastic and gentle encouragement, and enjoyed three hours of playing with different materials.

I relearned how to crochet during Hook It Up! with Cal Patch. I crocheted as a young girl with my mother, but haven’t practiced in many years. I started making a cowl scarf, but three hours fly by when you’re a beginner (or second-time beginner), so I don’t have any finished products, or pictures, to share from this workshop.

And just like that, camp was over. I feel incredibly fortunate to have spent five days at Camp Waldemar, learning new things and exercising my creativity while relaxing with so many lovely ladies in beautiful Hill Country, Texas. If you are intrigued, join the Lucky Star gang from November 4-8 in 2015!

Melissa Gonzales
C3 Gallery Manager

 


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