Archive for the 'Friday Photos' Category



Gregory Crewdson at the DMA

Photographer Gregory Crewdson was at the Dallas Museum of Art this week to give a lecture as part of the “Creativity in the Age of Technology” lecture series offered through the Center for Values in Medicine, Science, and Technology at The University of Texas at Dallas.

In addition to the public lecture, Crewdson also met with students who are enrolled in our UT Dallas/Dallas Museum of Art partnership course this spring.  It was a great opportunity for the students to see the three works of art by Crewdson on view in the galleries and to participate in a conversation with the artist.

This free lecture series on creativity continues with three more talks this spring at The University of Texas at Dallas: Mihalyi Csikszentmihaly on February 17, Robert Sternberg on March 11, and Raffaello D’Andrea on April 8.

Gregory Crewdson, Untitled (Sunday Roast)

Gregory Crewdson with UT Dallas students

Horchow Auditorium fills before the lecture begins.

Molly Kysar
Head of Teaching Programs

Woven Records Sneak Peek!

Lesli Robertson returned to the DMA this week to aid in the installation of Woven Recordsthe Museum’s first community partner response art project designed and executed by a single artist.  Last fall, Lesli guided sixteen community groups in the creation of small concrete collages.  She then wove over 500 concrete collages into strips that form a larger textile-based art installation that will be on view in the Center for Creative Connections February 7-May 23, 2010.

Each section is laid out on a table before it is mounted to the exhibition wall.

John Lendvay, a DMA preparator, aligns each section as it is mounted.

A covered opening allows interior access to the wall, which is hollow.

Lance Lander, another DMA preparator, has the lucky job of securing the mounts inside the wall.

Lesli is interviewed for footage that will be available to CW 33, Fox 4, and NBC 5.

Close-up view of installation.
Melissa Nelson
Manager of Learning Partnerships with the Community

 

A Day in the Life of the Tour Coordinator

Today’s “Photo Post” gives you a behind the scenes look at a typical day for me.  I spend a lot of time at my desk communicating with teachers (and docents) over the phone and email.  But I also like to greet students as they come into the Museum–nothing beats hearing their “oohs” and “aahs” as they see the Barrel Vault for the first time!   Happy Friday, everyone! 

Shannon Karol
Tour Coordinator

Buses lined up on Harwood Street--it was a busy day for tours!

Some of our wonderful docents waiting for their group to arrive

Thanks for visiting, Pearson Elementary!

My desk--I like to call this Tour Schedule Still Life

A Dream Come True

Last year, the DMA marked its 25th year in the Arts District, and the 30th anniversary of the successful bond election that brought it here.  Today’s photo post includes images from A Dream Come True: the Dallas Arts District, an exhibition of images and ephemera (from the Museum’s Archives) that documents both the DMA’s journey from bond campaign to building construction, and the recent growth of the Arts District.  A Dream Come True is on view in the Museum’s concourse until January 31st.

Amy Copeland
Coordinator of Learning Partnerships with Schools and the Community

Clockwise from top left: Advertisement for Bond Election Campaign, 1979;  View of Barrel Vault during construction, c. 1982;  View of DMA during construction, c. 1983;  Aerial view of DMA, 2004.       

Let It Snow…

With the holidays right around the corner, I find myself feeling nostalgic for the winters of my childhood.  I grew up in Michigan, so I’m used to having lots of snow and a “white Christmas.”  Living in Dallas, where it’s 60 degrees in December, I sometimes forget that this is actually winter!  To get myself into the holiday spirit, I set out to explore images of snowy fun in our collection.*  Happy Holidays!

In front of Francis Guy's Winter Scene in Brooklyn, c. 1817-1820

Shannon Karol
Tour Coordinator

Anna Mary Robertson Moses, The Owlkill, 1950

Detail of The Owlkill. I want to go sledding!

Detail of Berthe Morisot's Winter (Woman with a Muff). I had a muff when I was little and loved it.

*My colleagues in the Family Programs department are also getting into the holiday spirit.  Be sure to check out the DMA Family Blog, We Art Family, to read their version of ‘Twas the Night Before Christmas.

Ordinary –> Extraordinary

Last Friday, Go van Gogh outreach volunteers found artistic inspiration in everyday objects.  Volunteers were being trained for the Go van Gogh Creative Connections program Ordinary –> Extraordinary, which asks participants to look at familiar objects with fresh eyes, using the ordinary to construct something extraordinary.  Volunteers combined band-aids, drinking straws, paper plates and dryer sheets in creative ways to make small chair sculptures. The program is inspired by two Rachofsky-owned sculptures made by Tom Friedman—one made of straws, the other made of sugar cubes.  Check out the volunteer’s extraordinary creations below!

Amy Copeland
Coordinator of Learning Partnerships with Schools and the Community

Teaching Programs goes to Houston

Last Saturday the Teaching Programs Department travelled to Houston to visit the Menil Collection, the Rothko Chapel, and The Museum of Fine Arts, Houston. Although we were unable to spend any time in the Rothko Chapel since a concert was in progress, we were fortunate enough to see the Dan Flavin Installation at Richmond Hall as well as the Cy Twombly Gallery (my personal favorite). Here are some snapshots from our trip.

Logan Acton
McDermott Intern in Teaching Programs

A view of the Menil Collection

Shannon and me outside the Menil

Cy Twombly Gallery

Molly and me outside the Twombly Gallery

A beautiful shot outside the Dan Flavin Installation

Molly, me and Amy walking to our next stop

Amy's Favorite Arms

Almost everyday I walk through the galleries and am surrounded by amazing works of art. Here are a few paintings from our European galleries that I always enjoy seeing. They all have wonderful arms in them! I hope you enjoy them as much as I do.

Amy Wolf
Teaching Programs Coordinator

It's a Whole New Media World

It is Saturday now.   I’m one day late with the weekly Friday Photos post.  But check out these cool photos from the Late Night last night.  New media art was presented in the Tech Lab by students from the University of North Texas School of Visual Art.  New Media mixes the materials and concepts of technology and art, emphasizing the experience of the viewer who plays an active role in the artwork.  Thanks to Lindsay Hooker for help capturing these images!

Nicole Stutzman
Director of Learning Partnerships with Schools and the Community

Late Night visitors enjoyed Christina Day's interactive self-portrait. Animated images of the artist projected on a lycra screen change when visitors touch the screen.

In the Mood is a work by Eric Flye. Heat sensors, LED lights, and a computer program calculate your temperature and your mood.

Arash Sabha played with ideas about time and infinity in his work, Revisited, which uses mirrors, motion sensors, and a video camera.

New Friday Photo Posts

We have started a new weekly feature: a photo post each Friday.  A different staff member will post a few photos each week.  This week, my “Friday Photos” are details of a few of my favorite artworks in the gorgeous new reinstallation of our European galleries.

Molly Kysar
Head of Teaching Programs

Detail of The Bath of Diana by Jean-Baptiste-Camille Corot, c. 1855

Detail of The Bath of Diana by Jean-Baptiste-Camille Corot, c. 1855

Detail of Portrait of a Woman in a Blue Turban by Eugene Delacroix, c. 1827

Detail of Portrait of a Woman in a Blue Turban by Eugene Delacroix, c. 1827

Detail of Portrait of the Honorable Mrs. Seymour Bathurst by Sir Thomas Lawrence, 1828

Detail of Portrait of the Honorable Mrs. Seymour Bathurst by Sir Thomas Lawrence, 1828

Detail of Winter (Woman with a Muff) by Berthe Morisot 1880

Detail of Winter (Woman with a Muff) by Berthe Morisot, 1880


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