Archive for the 'Community Connection' Category



A Golden Summertime

Last night, we wrapped up our annual summer partnership with the South Dallas Cultural Center’s six-week Summer Arts at the Center program, where students learn about African history through writing, photography, art-making, and performance. This summer, students learned about post-colonial West Africa, with a focus on Ghana.

Some of our favorite works of art at the DMA come from Ghana – like the Sword ornament in the shape of a lion! After a field trip to the Museum to learn more about Asante gold, teens illustrated and gilded proverbs from their lives with gold leaf, then brought them into three dimensions with clay.

After their projects were finished, we invited families from the Center to visit us for a family night! Roslyn Walker, the DMA’s Senior Curator of the Arts of Africa, the Americas, and the Pacific, lead tours for families in the galleries. Students and their loved ones also made thumb pianos in the studio and explored the Center for Creative Connections during their visit.

Big thanks to the South Dallas Cultural Center for another summer of awesome art making and fun. We look forward to seeing you at the museum again soon!

Jessica Thompson
Manager of Teen and Gallery Programs

Playful Learning with SPARK!

Why teach the creative process? Last week, my amazing colleague Amy Copeland and I drove the Go van Gogh van (say that three times fast!) to the historic South Side on Lamar building to take part in the 2016 Creativity Confab hosted by SPARK!. We arrived excited to hear some of the city’s most creative minds participate in a panel discussion on the importance of creativity in a child’s education, and were greeted with an inviting maze of slides, “slinky” tubes, catwalks, and creative play stations, including a giant Lite-Brite and a recording studio. Needless to say, not even our inappropriate choice of shoes could keep us from joining in on the fun and exploring!

Inspired by the City Museum in St. Louis, SPARK! was founded in 2010 to teach the creative process and empower children through playful learning. Student visitors are invited to first fully immerse themselves in the space and loosen up by playing. Fred Peña of Booziotis and Company Architects, the space’s designer, says that his favorite part of the project is watching a cautious student finally work up the nerve to tackle the floor to ceiling slide, and then repeat the adventure again and again. After playing, the students move on to an art activity geared to teach the creative process and encourage collaborative problem solving.

photo 3 (1)

While the facility has only been open since June 2015, preliminary research reflects that students are more likely to describe themselves as creative and more likely to believe they’re capable of coming up with a valuable new idea after a visit to SPARK!. Significantly, about 57 percent of the children served by SPARK! come from low-income communities, reflecting the organization’s commitment to offering creative learning programs to underserved groups.

The panel’s consensus? Access to creative learning programs help children develop self-reliance, confidence, and resilience. They’re more like to perform better academically and in their future careers. As with sports, the arts teach children teamwork and help them develop confidence in their own abilities. Moreover, children learn not to fear failure and discover that problems often have more than one solution.

As a museum educator, my visit to SPARK! served as an inspiring reminder of how playful learning can help students make meaningful connections to the arts and tap into their own creativity. I look forward to my next visit, sans the wedge sandals.

tengo

Lindsay O’Connor
Manager of Docent and Teacher Programs

Interviews with Young Masters

It isn’t every day that we’re able to peek into the minds behind the artworks on view at the DMA. Earlier this month, KERA announcer Shelley Kenneavy interviewed some of the teens whose work is currently on display in the concourse as part of the 2016 Young Masters exhibition. The students gave us a bit of insight into their sources of inspiration—ranging from the Star Wars musical score to insecurities about personal appearances—and shared their hopes as future artists, engineers, art historians, and musicians.

This year’s exhibition features sixty works selected from 858 submissions by AP Fine Arts students from ten local area high schools. Sponsored by the O’Donnell Foundation and on view through April 17, the exhibit includes forty-nine 2D and 3D works of art created by AP Studio Art students, five essays analyzing works of art in the DMA’s permanent collections by AP Art History students, and six original compositions by AP Music Theory students. The essays and compositions can be heard through the DMA’s mobile site here.

One of this year’s participating students is Allison Li, whose piece is titled Passing Tranquility. I first met Allison when she began volunteering at the Center for Creative Connections earlier this year, and was thrilled to see her digital photography installed as part of the Young Masters exhibition. To learn a bit more about the exhibition from the student’s perspective, I asked Allison a few questions about her influences, challenges, and takeaways as a 2016 Young Master.

AllisonLi

Allison Li, Passing Tranquility, Coppell High School

Who are some of the artists you admire? What draws you to their work?

I admire many artists, some include Monet, Nguan, Sachin Teng, and many more. Many of the artists I like, I found online through their various social media accounts. I’m mainly drawn to artist’s works because of the color they use in their pieces, especially Monet and Nguan; I really like the pastel and light colors they use for their pieces. Also, the subject matter of what artists portray in their pieces is a big factor.

How would you describe your creative process? What is most challenging about creating work? What is most rewarding? 

My creative process usually starts with a vague idea or concept in which I try to define it more in detail in my own head before I put anything on paper. Drawing ideas or sketches sometimes helps me better visualize what I want in a piece. After coming up with an idea, I will usually figure out what materials I need and how I want to create the artwork. I think the most challenging and most important part of creating art is coming up with the idea. It usually takes me a very long time to come up with ideas that I like and exactly how I want to execute the idea. I think the most rewarding part of this process is either having an idea you feel confident in or the final piece; both feel rewarding depending on the outcome.

What motivated you to submit your artwork for consideration in the Young Masters exhibition?

My art teacher at school informed us of this opportunity and gave us class time to create a piece to submit to the exhibition. My mom also really encouraged me to pursue my passion for art and thought it would be great and an honor if I was in the Young Masters exhibition.

Your work in the exhibition, Passing Tranquility, invites viewers to consider moments of peace in otherwise hectic environments. Where do you find tranquility in today’s fast-paced atmosphere?

I find the most peace when I am at home and don’t have homework to do. Those times are the most relaxing as I don’t have any lingering tasks that need to be done right away, and instead I get to enjoy my free time.

25894016601_265c837a95_z

How does participating in Young Masters change the way you approach other art exhibitions as a visitor?

After going to the DMA and seeing my artwork hung up on the Museum’s walls with other great pieces, I felt very humbled and amazed that my piece was up there. Now seeing other artworks in the Museum makes me have much more respect for all the artists that are in museums.

 

Do you see yourself continuing to make artwork like Passing Tranquility in the future?

I am actually making similar pieces to Passing Tranquility as it is part of my concentration that I am doing for my AP 2D Design class right now. This piece was actually the first piece in a series of twelve works that I am creating for my portfolio.

What advice do you have for other young artists?

I think that the best thing to do as a young artist is to keep practicing and try not to get too discouraged if things don’t always go as planned. I believe practicing will definitely pay off in the future and seeing the improvement you have made over the years will be very rewarding. I also think that seeing other artists and artwork besides your own is important; I look at many artworks online created by various artists that post their work on social media, such as Instagram or Twitter.

If you’re curious about what some of the other Young Masters have to say about their experience, don’t miss the second round of interviews with the teens at the upcoming Late Night on April 15. For a blast from the past, check out the video recordings of previous Young Masters interviews.

We can’t wait to see what Allison and the other Young Masters create next! Cast your ballot in the People’s Choice Award at the April Late Night to vote for your favorite studio art, art history, and music theory work in the Young Masters exhibition.

Paulina Lopez
McDermott Graduate Intern for Visitor Engagement

DART to Discovery!

The DMA is so happy to continue our partnership with DART for this year’s DART Student Art Contest. Students in Kindergarten through 12th grade are invited to submit an 11×17 poster with their most creative vision of this year’s theme, DART to Discovery. Visit DART’s website for complete rules and details.

2016ArtContestBanner

The contest deadline is Leap Day, February 29, and we’ll host the winners for a reception at the Museum in April. So encourage those little creative minds to get to work–we can’t wait to see their posters!

Sarah Coffey
Education Coordinator

All in the Family: A Community Partnership with the South Dallas Cultural Center

Families from the South Dallas Cultural Center are regulars here at the DMA. For six months out of the year, a small group come to the Museum every second Sunday of the month to explore and make artworks together. Below are images of our Museum adventures from this past group:

This slideshow requires JavaScript.

In July, we capped off another wonderful year of our Second Sunday partnership with an exhibition of our creations at the South Dallas Cultural Center.

This slideshow requires JavaScript.

Also on display at the Center was a street art project created in collaboration with a group of teens at the Center’s summer program.

Thank you, South Dallas families, for another wonderful partnership! We look forward to the creativity our next group will bring!

Amy Copeland
Manager of Go van Gogh and Community Teaching Programs

June Late Night: Teens Take Over

teencouncil4

Members of the Teen Advisory Council participating in McDermott Intern Eliel Jones’ Alternative Signage event as part of his project, Experiments on Public Space.

Grab your capes and get ready for an action-packed, superhero-themed Late Night! For the first time ever, the DMA has foolishly generously agreed to turn the planning of the evening’s events over to the Dallas Museum of Art/Perot Museum of Nature and Science Teen Advisory Council (TAC). Come and experience the Museum through their eyes and participate in some unique, teen-concocted fun! Some highlights include:

  • A March Madness-style, superhero haiku slam
  • Street artist demo with the Frontiers of Flight Museum
  • Talks including The Physics of Superheroes with Dr. James Kakalios
  • Under 21 dance lounge
  • A special Heroes vs. Villains version of the DMAzing Race
  • Create and destroy a collaborative cardboard metropolis
  • Cool prizes and much more!

Now in its second year, the TAC is made up of sixteen, highly motivated high schoolers who have been helping to shape the direction of how our institution engages youth audiences. In particular, they have been dedicated to exploring the way art and science can connect and what creative avenues can result from their crossover.

A TAC meeting takes a dramatic turn.

A TAC meeting takes a dramatic turn.

While the TAC has participated in some amazing projects during the past couple of years–including creating a gigantic mural for the Perot and designing a collaborative art project for the City of Learning Initiative–I’m ecstatic that they have this chance to impact the DMA in a new and exciting way, giving them and their peers a sense of ownership and belonging. It’s really been a privilege for me to learn with them, and their insight has really transformed the way I approach my work.

18019167726_61f020437d_k

Maddi and Emma leading an activity during this year’s City of Learning Kickoff.

A huge thanks to Stacey Lizotte, Head of Adult Programming and Multimedia Services, and her team for providing the TAC with this fantastic opportunity, and also to Andrea Severin Goins, Interpretation Manager, for all her work with the Council. See you on the 19th–costumes are definitely encouraged!

JC Bigornia
C3 Program Manager

Experiments on Public Space

The word public is defined as an adjective: it is used to attribute a quality to someone or something, usually modifying and describing a noun. But what happens when public becomes a verb–an action, a state, the main part of a sentence? Public suddenly stops being passive and becomes active–an occurrence, a happening, an event…

But what makes a museum public? What are its responsibilities? How do we build democratic space/vision? Is it possible or necessary? And if it’s true that we’re losing publicness, how do we reclaim it back?

These are some of the questions I hope to explore with my new work, Experiments on Public Space (EPS). EPS came about thanks to the opportunity to carry out an independent project as part of my McDermott Internship at the Dallas Museum of Art. My background in both research and artistic practice is focused in an interest to understand, explore and expand the ways audiences interact/participate with contemporary art. This project is an extension of that line of inquiry specifically looking at institutional contexts.

Experiments on Public Space / Dallas Museum of Art, February - May 2015

Experiments on Public Space / Dallas Museum of Art, February – May 2015

I’m fascinated by the language used in museums when referring to issues around publicness, because what do we actually mean when we refer ourselves as a “public museum”? What does it entail? How does a public museum feel or look? What do our visitors understand by “public”? Are they not the public themselves? And why probe publicness? Why now? Why here?

Coming from England, I was very curious about the differences between public cultural institutions here in America and those back in Europe. I think the dialogue is particularly of relevance to the DMA because of its historical founding as a public museum and it’s recently reestablished free general admission, something that is rare in this country. I’m also intrigued by the context of the Museum in a city as diverse as Dallas. Considering the city’s large latino population, I want to explore the standings of the institution in serving a wide range of communities.

This slideshow requires JavaScript.

The project itself is built on a series of practice-based evaluation methods that take place in the Museum. The public will provide the data with their participation in performances, interventions, seminars and workshops, aiming to collaboratively measure the publicness of the environment in which the institution acts. With this approach I hope to implement active research into the life of the Museum, collecting both inside and outside voices as a way of opening up dialogue. In this sense, the project uses unconventional evaluation methodologies to promote opportunities for reflection, thought, participation and active discussion. The goal is that through these programs, we might collectively exemplify and animate publicness and what it means in the context of museums in the 21st century.

Alternative Signage

Members of the DMA/Perot Teen Council during a production session for “Alternative Signage”, one of the EPS programs happening during March Late Night.

Confused? Challenged? Excited? – This is a very brief introduction to a project that has almost taken a life of its own. Publicness is a complex issue that touches upon many different fields and it is easy for it to be overlooked or even forgotten. With EPS I hope to bring it back to the fore in an attempt to reclaim its importance. I believe there is a big difference between possessing a quality and being one, and it is crucial that we understand the difference. To claim ‘publicness’ requires more than a certain kind of perception or view; it demands responsibility and action.

Program scheduling will be published on the DMA website, under Center for Creative Connections –  Community Projects. I hope you’ll join me in this experiment!

Eliel Jones
McDermott Intern for Visitor Engagement

We’re Go van Gogh-ing to Whole Foods

And so should you!

We’re excited to announce that the DMA’s Go van Gogh outreach program is going to be the recipient of one of Whole Foods 1% Community Giving Days!  In an effort to reach out and partner with the surrounding community, Whole Foods Market provides Community Giving Days, during which they donate a percentage of sales to a local non-profit organization.

Tomorrow Wednesday, February 18th, 1% of the sales at Whole Foods Market Park Lane will go to the Go van Gogh program!

Go van Gogh is the DMA’s free elementary outreach program.  We bring the excitement of Museum experience into North Texas classrooms, providing an introduction to the DMA for many of the students we visit, as well as opportunities for students to create artworks inspired by our collection.

Our McDermott Intern Liz Bola, Teaching Specialist Danielle Schulz, myself, and our new Volunteer Coordinator Jennie Russell will spend the day from 10:00AM-7:00PM tomorrow at the Park Lane Whole Foods Market store, talking to customers about what we do and why we do it, making art projects, and showing off our van.

So, if tomorrow, you need an excuse to:

  • grab a morning coffee on your way to work;
  • pick up a lunchtime snack;
  • pop by after 5:00 for a quick dinner-to-go;
  • or cross some items off your grocery list;

I hope you’ll come out to Whole Foods Park Lane.  While you’re there, stop by and say hello to the Go van Gogh ladies (pictured above) and wonderful volunteers, so we can thank you for helping our program grow.

Spread the word to your Whole Food-ie friends, and we hope to see you tomorrow!

Amy Copeland
Manager of Go van Gogh and Community Teaching Programs

Translating Culture II Collaboration

In mid-October, Center for Creative Connections staff embarked on an exciting collaboration with Janeil Engelstad from Make Art with Purpose and a group of students from the Skyline High School Architecture cluster led by teacher Peter Goldstein.

Skyline students have been visiting the DMA on a weekly basis to become acquainted with our collection. During the visits, the students explore the ways in which art can have cultural and personal significance by responding both critically and creatively through activities, dialogue, and reflection.

Starting on Level 4 with American Art and moving all the way to Level 1 with our Contemporary collection, the students have been talking, writing, and drawing works of art that they want to include on their own tour, which will be used to create a new smARTphone tour of the Museum. We also make weekly visits to their high school to further explore the collection and discuss the types of responses that will become content for stops on their tour.

The project is part of Translating Culture, an initiative that launched last year that aims to create links with the community by inviting groups to collaborate with staff through a series of workshops to inspire dialogue for mutual understanding and varied perspectives on the collection. While intending to inspire the use of art as a means of further understanding oneself and the world we live in, Translating Culture II also hopes to give the students a sense of ownership of the Museum and a platform from which to speak out their thoughts and concerns in order to engage their peers and the wider community.

We will continue to meet with the students until the end of November, at which point all the student work will be collected and prototyped into their bilingual smARTphone tour in early 2015. Stay posted for more detailed information on the project and a behind-the-scenes peek at students’ work, such as those below which include a sketch by student Miguel Martinez based on The Icebergs by Frederic Edwin Church, a drawing by Edith Cruz inspired by Renoir’s Lise Sewing and a set of sketches by Guadalupe Murillo during her visit to The Silk Road exhibit on Level 3.

This slideshow requires JavaScript.

Eliel Jones
McDermott Intern for Visitor Engagement

Friday Photos: FAST Fashion

On Wednesday, members of the Family, Access, Schools and Teachers (FAST) team were lucky enough to take an educational field trip to Denton to visit the Texas Fashion Collection (TFC), housed on the University of North Texas campus in the College of Visual Arts & Design. Curator and Director, Myra Walker, gave us a behind the scenes tour of the collection, which preserves and documents more than 15,000 items of historically significant fashion. The collection was first assembled in 1938 by Stanley and Edward Marcus, of Neiman Marcus fame, and exists today as an educational resource for students, researchers, and the general public who have a passion for great design and a love of fashion history.

During our visit, we walked through rack after rack of historical and designer clothing, dating from the 1840s up to contemporary times from designers like Chanel, Oscar de la Renta, and Betsy Johnson. Our visit concluded with a viewing of American Brides: Inspiration and Ingenuity, TFC’s current exhibition on view at the Patterson-Appleton Center for the Visual Arts. The exhibition included forty wedding gowns, dresses, and ensembles dating from 1840 to the present, which emphasized the various significant bridal traditions that were handed down through time and culture.

Our field trip was a wonderful experience and we were grateful to be able to play the role of student while visiting the amazing Texas Fashion Collection!

Danielle Schulz
Teaching Specialist


Follow Uncrated via Email

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,606 other subscribers

Archives

Twitter Updates

Flickr Photo Stream

Categories