Archive Page 72

Friday Photos: The Mother Load Responses

In September, we did a Friday Photos post of The Mother Load Project installation in the Center for Creative Connections. Now that this interactive installation has been on view for a few months, we’d like to share some of the wonderful visitor responses. The Mother Load Project asks visitors to respond to the question:

In your life right now, what do you nurture, and why?

Visitors write their responses on small gray tiles and place their tile on one end of a balance marked for self or for others. I love coming in and seeing which way the balance is leaning on any given day and watching it change course over a matter of hours.

The Mother Load Project Installation_balance

Here are just a handful of the thousands of responses we have received so far.

View more visitor responses on The Mother Load website and stop by the Center for Creative Connections to contribute your thoughts to this project.

Jessica Fuentes
C3 Gallery Coordinator

A DMA Anniversary Game

The DMA was founded on January 19, 1903, which means our birthday is right around the corner. For this year’s anniversary, I have a little game for you.

The Museum has had a few different names and many different logos over the years. Can you match the logo with the year it was used?

The answers are below . . . and no peeking!

A. 1909   B. 1938   C. 1944   D. 1958   E. 1970   F. 1984   G. 1995   H. 2002   I. 2003   J. 2007

1.

museum_logo_1

2.

DMCA_logo_2

3.

museum_logo_3

4.

museum_logo_4

5.

museum_logo_5

6.

museum_logo_6

7.

museum_logo_7

8.

museum_logo_8

9.

museum_logo_9

10.

museum_logo_10

How did you do? Sorry, no prizes, just a virtual gold star from the DMA Archives and bragging rights on your graphic design sense.

Hillary Bober is the Archivist at the Dallas Museum of Art.

Answers:
1. E   2. D   3. B   4. G   5. H   6. C   7. A   8. F   9. J   10. I

Recipe for Art: The DMA’s Delicious New Tour

With a new year beginning, we are delighted to announce a new school tour at the DMA! Starting this month, schools can book “Recipe for Art,” a tour developed for Kindergarten and First Grade visitors by our Manager of Early Learning Programs, Leah Hanson, and our Manager of Docent and Teacher Programs, Josh Rose.

One of the main goals of “Recipe for Art” is to help children make connections between art and their own personal experience. This is done by connecting a familiar idea (that of using a recipe to make a delicious treat) to the way that an artist makes a work of art. Instead of ingredients like flour and sugar, the ingredients for art are the elements of design: shape, line, color and texture.

On the tour, groups will visit four or five different works of art in the collection, in order to talk about the basic elements of design. Groups first explore what the terms mean before then looking closely at the work of art in front of them. This leads to discussion, after which the children engage in a variety of kinetic and multi-sensory activities. These activities were specially designed to address various learning styles and to focus on the attention span and needs of this particular age group.

One important characteristic of these young visitors is their need to move! The tour was specifically designed to give children opportunities for purposeful movement–movement that helps them connect what they see to the motion that they are asked to make. One example of this is an activity based on Jackson Pollock’s Cathedral. The children are each given “paint” (a piece of string) and they throw it onto a “canvas” (a piece of felt), in order to simulate the movement of Pollock’s action painting. This allows the children to burn off some of their energy, while also connecting them with the art!

The “Recipe for Art” tour was developed by members of the DMA staff, but it will be implemented by our wonderful docents, who lead most of our school tours. Yesterday, the docents gathered for a training dedicated to this new tour. Leah gave them an overview of the tour and its origins, before sharing tips and strategies on how to deal with this particular age group. After that, the docents were given an opportunity to look over the supplies for the wide variety of activities that they may use on the tour. I even took some of my fellow McDermott Interns into the galleries to try out some of the activities!

For most visitors of this age group, it will be their first visit to a museum. With this new and unique tour, we’re hoping to make their first experience not only a positive one, but one that they will remember. By teaching these curious and imaginative children the basic elements of design, they will then be equipped with all of the ingredients to make their own art!

We’ve already begun to schedule the “Recipe for Art” through the month of January. If you’re interested in booking a tour for your school or classroom, complete our tour request form online and our Audience Relations Coordinator Madeleine Fitzgerald will get you scheduled!

Liz Bola
McDermott Graduate Intern for Gallery and Community Teaching

Forward Facing

With the onset of a new year, it’s useful to take stock of what is up next at the Museum. At the end of January, we will mark the second anniversary of DMA Friends, our much-heralded free membership program. With more information gleaned from our visitors than ever before, we are excited to share insights among four major art museums exploring the opportunities presented by this program, thanks to a six-figure grant from the Institute of Museum and Library Services. The Los Angeles County Museum of Art, Denver Art Museum, Minneapolis Institute of Arts, and DMA are partnering in a roll-out of the museum Friends program, and will have much to learn in the months ahead.

15596853568_7a4dd6e52b_k

Maxwell L. Anderson discussing the Wittgenstein Vitrine with AT&T Performing Arts Center’s Chris Heinbaugh

 

Following the evocative exhibition of 19th-century oils titled Bouquets: French Still-Life Painting from Chardin to Matisse, which local critics hailed as one of the best  exhibitions of 2014, we look forward to presenting three remarkable exhibitions of art of the last half-century. Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga opens on February 8 in the Hoffman Galleries, for the first time revealing some of the breadth of the Museum’s newly formed collection of postwar Japanese painting and sculpture, which augments an already major collection of European and American art of the 20th and 21st centuries.

The newly acquired Marcia H Travels (1970), the first work in the DMA’s collection by the Guyanese-born British painter Frank Bowling, will be displayed along with four other paintings by Bowling from private collections. Frank Bowling: Map Paintings, opening February 20, will mark the first time in nearly forty-five years that these “Map Paintings” will be brought together since their debut at the Whitney Museum of American Art in 1971.

Rounding out the spring, the US premiere of the internationally traveling exhibition, Michaël Borremans: As sweet as it gets, on the work of contemporary Belgian artist Michaël Borremans opens at the DMA in March 2015. Co-organized by the DMA and Center for Fine Arts, Brussels (BOZAR), this retrospective will draw our visitors into the fascinating realism of one of today’s most heralded painters.

A feast for the eye, all are made possible by the generous supporters of the DMA, to whom the Board and staff extend our sincere appreciation. I look forward to welcoming you to the Museum this winter and spring, and hope you will encourage others to join as DMA Partners to undergird free general admission—a year-round gift to our community.

Maxwell L. Anderson is The Eugene McDermott Director at the DMA

Toasting the New Year

As New Year’s Eve is upon us, we thought it only appropriate to pop, fizz, and clink our way through the collection with some objects created for cocktails. We hope they inspire you to raise a glass and ring in an artful 2015. To get you off to the right start, we’ve got plenty of lively libations in store during our first Late Night of 2015 on January 16. Enjoy the winning cocktail from our Creative Cocktail Contest and then take a tour of more objects perfect for cocktail hour. Cheers and Happy New Year!

 

Sarah Coffey is the Education Coordinator at the DMA.

Toasting the New Year

Wishing everyone a safe and happy new year!

Sarah Coffey
Education Coordinator

Lucky Strike

Last month, the DMA acquired an impressive work by the Guyanese-born British painter Frank Bowling. The painting, Marcia H Travels, is from Bowling’s influential Map Painting series, which he created in the 1970s. This February, the DMA’s painting, along with four additional Map Painting works from private collections, will be reunited for the first time since their debut in 1971 at the Whitney Museum of American Art in the DMA-organized exhibition Frank Bowling: Map Paintings.

Frank Bowling, Marcia H Travels, 1970, acrylic on canvas, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund  [courtesy of Frank Bowling and Hales Gallery, copyright of Frank Bowling, photograph by Charles Robinson],

Frank Bowling, Marcia H Travels, 1970, acrylic on canvas, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund, courtesy of Frank Bowling and Hales Gallery, © Frank Bowling

Kimberly Daniell is the Manager of Communications and Public Affairs at the DMA.

Christmas Tidings

It is a throwback Thursday Christmas edition on Uncrated. Re-celebrate The Twelve DMA Days of Christmas from the Uncrated 2011 archives.

first day

We hope everyone has a safe and happy holiday season, we can’t wait to celebrate the New Year at the DMA with an amazing lineup of exhibitions, programs, and more!

DMA Night Before Christmas

"Regimental Oak" shape dinner plate with "Christmas Tree" pattern, Designer: Harold Holdway, 1938, Dallas Museum of Art, gift of Stephen Harrison in honor of George Roland

“Regimental Oak” shape dinner plate with “Christmas Tree” pattern, Designer: Harold Holdway, 1938, Dallas Museum of Art, gift of Stephen Harrison in honor of George Roland

Twas the night before Christmas and all through the DMA
Not a painting was stirring–not the Matisse, nor Monet;
The Copley portraits were hung by the chimney with care,
In hopes that St. Nicholas soon would be there.

The staff were busy working away at their desks
On visions of Late Night and art class they obsessed.
When out on the Concourse there arose such a clatter,
I sprang from my desk to see what was the matter.

Away to the entrance I flew like a flash,
Past paintings and drawings and statues I dashed.
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer.

With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot.

Diego Rivera, Peasant Woman, 1946, Dallas Museum of Art, Bequest of Mr. and Mrs. Benjamin Lewis

Diego Rivera, Peasant Woman, 1946, Dallas Museum of Art, Bequest of Mr. and Mrs. Benjamin Lewis

A bundle of gifts he had flung on his back,
And he looked like a peddler just opening his pack.

He spoke not a word, but went straight to his duties.
Fancy new hats for the Soyer shoppe beauties,
A new shell for Vishnu, a rug for the Reves,
And for Ivy in Flower, three sparkling new leaves.

A scythe and some seeds for the Vincent van Gogh,
A nice plate of dinner for Fox in the Snow.
Two cozy pillows for the old Gothic bed,
For mantle with condors some lovely new thread.

From the top floor to the bottom, he silently worked,
And filled all the stockings; then turned with a jerk.
“No touching the art!” he wisely exclaimed,
“Just use your eyes to explore frame by frame.”*

He checked off each artwork on his large museum chart,
Gave a sigh and a nod, “It’s time to depart.”

Berenice Abbot, Untitled (Reindeer), print 1983, Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson

Berenice Abbot, Untitled (Reindeer), print 1983, Dallas Museum of Art, Foundation for the Arts Collection, gift of Morton and Marlene Meyerson

He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight.
“Happy Christmas to all, and to all a good-night.”

*That Santa–even when he is hard at work, he remembers the Museum rules!

Wishing you and your loved ones a very merry holiday!

Leah Hanson
Manager of Early Learning Programs

Merry Macarons

Our annual staff holiday party brought some French flair to the Museum with this year’s Winter in Paris theme. The Holiday Party Committee started planning in September and pulled together a sophisticated soiree fit for any Francophile, complete with a cardboard-roll Eiffel Tower-building contest, a French-themed photo booth, and an abundance of delicious French cuisine, courtesy of our amazing Chef Craig. Olivier Meslay, Associate Director of Curatorial Affairs and resident DMA Frenchman, served as the party’s emcee, much to everyone’s delight. The Museum’s gracious trustees, along with local businesses, donated a plethora of gifts for the staff raffle, a seasonal highlight for our much-deserving employees. It was the perfect kickoff to a merry holiday season!

Sarah Coffey is the Education Coordinator at the DMA.


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