Archive Page 51



Friday Photos: Exploring Creativity

Today is the last day of Summer Seminar, our annual partnership course for teachers with The University of Texas at Dallas.  The topic this year was The Creative Process, and we have spent the week exploring both the theory and the practice of creativity.  Here are a few photos of our experiences this week.

Molly Kysar
Head of Teaching Programs

Mexico 200

The Workers, Alfredo Ramos Martinez, 1944-45

The Museum is gearing up to celebrate the bicentennial of Mexico’s Independence with two exciting exhibitions, both opening June 18th.   

José Guadalupe Posada: The Birth of Mexican Modernism showcases the artworks of Posada, a Mexican printmaker whose popular images of social and political satire illustrated broadsheets and leaflets in the early 20th century.

Tierra y Gente: Modern Mexican Works on Paper  highlights the Museum’s stellar collection of mid-20th century Mexican works on paper.  Included in the exhibition are prints, drawings, and photographs that explore how artists captured the people of Mexico in their native land. 

Also highlighted during the Mexico 200 celebration are the Museum’s rich collections of Ancient American, Spanish Colonial, and modern Mexican art, which together span over 2,000 years of art-making by Mexican artists. 

Works from Mexico 200 will be highlighted in this summer’s Go van Gogh library outreach program, Arts of Mexico.  Each summer Go van Gogh volunteers visit Dallas Public library branches to present free, hour-long programs for a drop-in six-to-twelve year-old audience.  Arts of Mexico will introduce students to the artistic styles and cultural ideas and beliefs of Mexican peoples expressed through ancient and modern artworks.  The program will include interactive conversations and art-making activities, a recommended reading lists for learners of all ages, and a free family pass to the Museum for participants. 

Below is a schedule of our upcoming Arts of Mexico library programs.  Please confirm space availability with the library in advance.  We hope to see you at the library (and at the Museum)!

Wednesday, June 23rd @ 2:00p.m.
Highland Hills, 3624 Simpson Stuart Road, 75241

Friday, June 25th @ 2:00p.m.
Kleberg-Rylie, 1301 Edd Road, 75253

Thursday, July 1st @1:00p.m.
Martin Luther King Jr., 2922 Martin Luther King Jr. Blvd., 75215

Tuesday, July 6th @ 2:00p.m.
Lochwood, 11221 Lochwood Boulevard, 75218

Friday, July 9th @ 2:00p.m.
Bachman Lake, 9480 Webb Chapel Rd., 75220

Wednesday, July 14th @ 2:00p.m.
Renner-Frankford, 6400 Frankford Road, 75252

Thursday, July 15th @ 2:00p.m.
Forest Green, 9015 Forest Lane, 75243

Friday, July 16th @ 2:00p.m.
North Oak Cliff, 302 West Tenth Street, 75208

Monday, July 19th @ 10:30a.m.
Arcadia Park, 1302 North Justin Rd., 75211

Tuesday, July 20th @ 2:00p.m.
Timberglen, 18505 Midway Road, 75287

Wednesday, July 21st @ 2:00p.m.
Preston Royal, 5626 Royal Lane, 75229

Wednesday, July 28th @ 2:00p.m.
Paul Laurence Dunbar Lancaster Kiest, 2008 East Kiest Blvd, 75216

Thursday, July 29th @ 2:00p.m.
Oak Lawn, 4100 Cedar Springs Road, 75219

Friday, July 30th @ 10:30a.m.
Fretz Park, 6990 Belt Line Road, 75254

Amy Copeland
Coordinator of Go van Gogh Outreach

Summer Block Party

Friday, June 18
6:00 p.m.–midnight

Join us for a Summer Block Party in the Dallas Arts District. The Dallas Museum of Art, Crow Collection of Asian Art, and Nasher Sculpture Center will all be open until midnight. Enjoy the start of summer as the DMA travels to the coast in celebration of the exhibition Coastlines: Images of Land and Sea.

Visit the DMA Web site for a complete schedule of events.

Farewell to the Interns

On Friday we will say good-bye to our McDermott Interns, Logan Acton and Justin Greenlee.  Logan and Justin have been with us since September, and they have contributed in numerous ways to the work we do with students and teachers.  We appreciate all of their hard work this year, and we will miss them more than they know!

Below are some of their thoughts about their internship experience this year.

Molly Kysar
Head of Teaching Programs

What has been a highlight of your experience as a McDermott Intern?

Logan: When the Hoffman Galleries were installed with works of art dealing with narrative and time, I was immediately drawn to Gregory Crewdson‘s photographs.  I had numerous opportunities to share this interest with others, including leading activities in the UT Dallas honors seminar this spring. This year, the seminar included a lecture series with six guest speakers, including Gregory Crewdson.  Not only were the students and staff able to attend the lecture, but we were also given the opportunity to meet with Crewdson for a personal question and answer session.

Justin: I loved going back to a school I’d already visited with Go van Gogh and recognizing kids from classes I’d taught weeks before.  I’d get a high-five, or a “Hey, it’s that guy” reaction.  Whenever I visited a school, I was their special event for the day — like recess, but not as predictable. The Go van Gogh staff received great thank you notes during the course of the year.  My favorite: “You rock.  I wish you came every day.”

What has been your most unexpected or memorable experience?

Logan: Something unexpected occurs almost every time I have an experience with students.  On one tour, I pointed out Untitled (Perfect Lovers) by Felix Gonzales-Torres.  Initially, many students were skeptical, though intrigued, at the idea of two wall clocks constituting a great work of art.  One young lady became very engaged and vocal about the process of creating a piece of art like this.  I asked her to describe how she herself might make a work of art about life or death.  After thinking for a moment, she explained in considerable detail a dark room with a box in the middle that produced a thin but consistent stream of smoke.  I asked her how she thought someone with no knowledge of her idea or intent might feel upon walking into that room.  She smiled and looked at the clocks and said that they might not think it was art at all, and on second thought she really liked these clocks.

 Justin: Driving the Go van Gogh van around Dallas has been an adventure.  I’ve been all over Dallas, visiting the nooks and crannies of DISD.  Even after six months in Dallas, I couldn’t get anywhere if it wasn’t on the way to an elementary school.

What have you learned as a result of your experience as a McDermott Intern?

Logan: I have spent hours in the galleries with students and teachers, and this has helped me grow in my own interests and abilities as an educator.  Jumping in to work with an encyclopedic collection, I learned a lot about the works and the cultures that produced them, but also about myself and where my strongest interests lay.  Although I had always enjoyed modern and contemporary art, I really fell in love with artists who I initially knew very little about like Trenton Hancock, Gregory Crewdson, and Matthew Barney.  My time spent educating fed this passion as I was able to explore my ideas with other people.  From these experiences I began to learn which ways of teaching worked best for me and how to adapt to different situations.  I applied for this internship because it combined my passion for art and education; as my time at the Museum draws to a close, I feel more in love with both than when I began.

Justin: I’ve learned a lot from the people I’ve met in Dallas.  I’ll miss TAG teachers, Go van Gogh volunteers, docents, Museum staff…  I’ve really enjoyed sit-down conversations with many different types of people.  I think I’ve become a better teacher, and I’ve gained a lot of respect for the hard-working teachers in DISD.

Summer Seminar: Exploring the Creative Process

Each summer, the Dallas Museum of Art and The University of Texas at Dallas collaborate to offer Summer Seminar, a graduate-level course for teachers.  Summer Seminar is an opportunity for teachers to immerse themselves in art and learning alongside other educators for one week.

The topic changes each year, and this year the title is The Creative Process.  We will be exploring both the theory and practice of creativity in sessions led by Dr. Magdalena Grohman and myself along with other DMA educators and UT Dallas faculty.  Sessions will include gallery experiences in the Museum’s collections and Center for Creative Connections, creative thinking workshops, and discussions about classroom applications.

Tuesday, June 15 – Friday, June 18, 2010
9:00 a.m. – 4:00 p.m. daily
$100 registration fee

Don’t miss this opportunity to connect with other educators, have meaningful experiences with works of art, and rejuvenate your teaching!  Visit the Web site for more details and to register.

Molly Kysar
Head of Teaching Programs

Coastlines: Images of Land and Sea

Berthe Morisot, The Port of Nice, 1881-82, 1985.R.40

This past Sunday, Coastlines: Images of Land and Sea opened at the Museum.  I came to see the opening with only an hour to spare, but will definitely be spending more time in the galleries; it’s an incredible exhibition.  Actually, Coastlines is an incredible experience

The show is curated by Heather MacDonald, The Lillian and James H. Clark Associate Curator of European Art, and is comprised of some fifty works from the DMA and local collections.  The artworks are as diverse as the coastlines that inspired them. There are vibrant Impressionist paintings; spare, modern photographs; energetic gestural drawings; and more.

What is more exciting than the impact of any one artwork is the experience of being in the exhibition itself.  Artwork labels have sea-inspired passages from literature.  There are also sound installations throughout the galleries created through a partnership with the University of Texas at Dallas Arts and Technology program (ATEC).  Graduate students and faculty in the ATEC program composed these soundscapes, some in response to specific artworks, some in response to the exhibition’s themes.  Hyper-directional speakers hang above the twelve selected artworks, directing the sound right to you.  Standing under the speakers is like putting a seashell to your ear and hearing the ocean. 

Bottom line:  Come see it!  You’ll be very glad you did.

Amy Copeland
Coordinator of Go van Gogh Outreach

Photos from the NAEA Conference

I was one of the educators from the DMA who attended the recent National Art Education Association conference in Baltimore.  While there, I got to do one of my most favorite things – visit art museums!  Here are a few photos of three amazing museums in Charm City:  The Walters Art Museum, American Visionary Art Museum, and Baltimore Museum of Art

Molly Kysar
Head of Teaching Programs

À la plage

James McNeill Whistler, Sea and Rain, 1865, University of Michigan Museum of Art, Bequest of Margaret Watson Parker, 1955/1.89

One of the things I love most is hearing visitors’ responses to works of art.  And it’s really fun when those responses take a creative shape, and you get to hear an original poem or an elaborate this-is-what-I-think-would-happen story that helps you see the artwork in a new way.

Last Thursday, I had the pleasure of giving a tour to a group of students from Bowie High School’s French Club, and they came up with great creative responses to a work in our newly-opened Lens of Impressionism exhibition.  Below are two poems based on James McNeill Whistler’s Sea and Rain.  To make these poems, students wrote descriptive words on small Post-Its (shown below), and arranged them to create phrases.  They also humored me by translating the words into French!

Calmant sérène mer
Il pleut à la plage
Admirant fantastique a la coast

Calming serene sea
Lonely raining beach
Admiring amazing shore

Il fait du vent voir ciel
Calmant pur le plage
Tranquil calme une personne

Windy looking sky
Calming pure beach
Peaceful calm person


Thanks, Bowie students, for a great tour and thoughtful poetic responses.

Amy Copeland
Coordinator of Go van Gogh Outreach

Exploring Photography and Creativity

Our next teacher workshop is our final workshop of the school year:     

Exploring Photography: The Lens of Impressionism
7 CPE hours; limit 20
$50 full price; $40 DMA members   

 

Gustave Le Gray, Brig Upon the Water, ca. 1856. Albumen print, Founders Society Purchase, Henry E. and Consuelo S. Wenger Foundation Fund (F78.41) Photo © 2004, Detroit Institute of Arts

This workshop stretches over two meetings; please plan to attend both dates.

Saturday, April 24, 2010; 9:00 a.m.-12:30 p.m.
Saturday, May 1, 2010; 9:00 a.m.-12:30 p.m.   

Two special guests will join us for this workshop:   

Dr. Terry Barrett, Professor of Art Education at the University of North Texas, will lead a gallery conversation based on photographs in the Lens of Impressionism exhibition on April 24.  Learn more about Dr. Barrett by visiting his Web site or by reading his recent interview on this blog.   

Frank Lopez, photographer and visual art teacher at Greenhill School, will lead a demonstration of ambrotype photography on May 1.  Visit Mr. Lopez’s Web site to learn more about him and his work.   

We’re also taking reservations for our annual summer course offered in conjunction with The University of Texas at Dallas:   

Summer Seminar 2010: The Creative Process   

 June 15-18, 2010; 9:00 a.m. to 4:00 p.m. daily   

$100 registration fee   

Join UT Dallas faculty and DMA staff to explore the theory and practice of creativity in this graduate-level seminar.  Discussion sessions and interactive workshop experiences will take place at the Dallas Museum of Art in classrooms, galleries, and the Center for Creative Connections.     

Both programs are open to K-12 teachers of all subjects.  Register now before spaces are gone.   

Molly Kysar
Head of Teaching Programs

Spring is Almost Here

It’s almost spring, and the flora is just about to bloom here at the Museum.  I’ve captured some of the blossoming trees along with some perpetual blossoms on vases in our Japanese Meiji period gallery.  Enjoy!

Molly Kysar
Head of Teaching Programs


Archives

Categories