The Education team works very hard to make your summer vacation fun and exciting for families and kids of all ages. So it only makes sense that we play just as hard! Some of us had some big art-related vacations, exciting camping adventures, and we had a lot of fun working in between (with or without our pups!). Check out some of our summer highlights!
Madeleine visited Mykonos, an island in Greece known for it’s bright blue skies, windmills and clear water.
Madeleine and her friends at the Basilica of the Annunciation with the US’s mosaic. Each country has one!
Madeleine stayed with her friend’s family in Israel. This is the view of the Mediterranean from her house!
Madeleine finally visited the Acropolis! A dream she’s had since her first art history class in high school.
Emily led a touch tour in the Sculpture Garden for students from DISD with vision impairment.
After Emily’s touch tour, everyone made a Minimalist sculpture inspired by Richard Serra using cookies!
George and his Uncle Cosmo celebrated the Fourth of July in style!
George also prepared a dog-themed nursery for his future BFF. Crib skirt and dog pillow by Leah.
Sarah stayed close to home and visited the Fort Worth Zoo with her son Rhys.
Rhys enjoyed watching the playful penguins and his favorite animal, zebra!
Leah hiking in Utah with her sister.
Leah and her sisters about to do a ropes course at the Olympic Park in Park City, Utah.
Amanda taught at MoMA as part of The Art of Examination forum.
While in New York, Amanda and her mom saw the Broadway musical Matilda.
Amanda saw the Martin Creed installation at the Park Avenue Armory while in New York.
Lindsay took a selfie with this Renaissance-inspired mirror while at an antique store on King Street.
Lindsay visited her parents in Charleston, South Carolina.
Lindsay captured a Gone With the Wind sunset while in the Lowcountry Region of South Carolina.
Lindsay’s pup Hattie celebrated Independence Day (with a bandana from Whitney Sirois)!
Andi visited Epcot and Disney World in June.
Andi went on a safari at Disney World and hung out with giraffes!
Jessica’s family hit the open road this summer!
Jessica’s family camped out, ate s’mores, and hiked through the Badlands.
Jessica’s daughter Julia loved seeing Mount Rushmore up close and personal!
Have you ever wondered why Olympians are crowned with a wreath of leaves when receiving a medal? Well, you see, it was not always about going for the gold: in ancient times, victors were adorned with a crown of wild olive leaves (kotinos). Legend has it that Hercules (also known in Greek as Heracles or Herakles) was the creator of the Olympic Games, which at its inception solely consisted of a single tournament of foot racing. He dedicated the contest to the gods, and ornamented the winners with a wreath from an olive tree that grew behind the temple of Zeus in Olympia. Ever since, the wreath has been a symbol of the Olympic Games. After all, who needs a piece of precious metal when the pride of Olympus—and Greece’s divine hero—has given you some sacred flora to show off?
Bust of Herakles, Lambert Sigisbert Adam, Roman, 1st-2nd century C.E., marble, Dallas Museum of Art, Cecil and Ida Green Acquisition Fund, gift of David T. Owsley via the Alvin and Lucy Owsley Foundations, and Wendover Fund, 2015.31
Scarab with intaglio of Herakles stringing his bow, Greek, c. 600 B.C.E., rock crystal, Dallas Museum of Art, gift of Jerry L. Abramson in memory of Max and Celia Abramson, 2006.68.3
Wreath, Greek, 4th century B.C.E., gold, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.55
Best of luck to all the athletes competing in Rio. May you be faster, higher, and stronger!
Julie Henley is the Communications and Marketing Coordinator at the DMA.
I still remember my first trip to Greece in 1960. My husband, Alan, and I roamed, sometimes as the sole visitors, over the acropolis in Athens, the AcroCorinth Mountain looming over the ancient city of Corinth, the temple of Apollo at Delphi, with its precipitous view straight down a mountainside to the sea, and the ruins of Olympia, where the Olympic Games began. No one was at Olympia then, except a boy herding black goats and someone playing a flute. Otherwise, the wind blew over the grasses and fallen stones. It was like visiting Pan, the god of nature, on his own turf. I fell in love with great sculptures like the youthful Charioteer at Delphi and the majestic Poseidon in Athens, feeling for the first time the stunning impact of ideal human beauty envisioned in art. Some of Alan’s photos from our trips to Greece will be part of an educational video on the sites of the Panhellenic games.
The Body Beautiful in Ancient Greece: Masterworks from the British Museum displays this Greek vision of ideal human figures, particularly male nude figures. Such sculptures were admired by the Greeks because they believed that a young man who was a victor in one of the great athletic games, and who performed naked, had reached the height of glory that a man could achieve. Such victories were akin to dying heroically in battle. The same vision is best expressed in literature in Homer’s Iliad, where Achilles leads the Greeks to victory over Troy, but dies before the war is over. This ideal of human triumph is expressed in several works in the exhibition, particularly the discus thrower by Myron and the young athlete by Polykleitos. Although both of these works are shown in later Roman versions, they embody the Greek ideal of a radiant youthful victor. In a way the figures look ideal and “classical,” and in another way they are very seductive. They remind me of Keats’ description of Greek figures in Ode to a Grecian Urn: “Forever warm and still to be enjoyed; forever panting and forever young.”
Works like the discus thrower and several other pieces in the show come from the great villa of the Emperor Hadrian at Tivoli, built in the 2nd century AD. They are testaments to the influence and vitality of Greek art during the Roman Empire. Hadrian was a very cultivated man who collected Greek art and commissioned many artworks in the Greek tradition. He was also personally a lover of young men. His character and life are well described in Marguerite Yourcenar’s novel Hadrian’s Memoirs. Hadrian’s villa is another delightful place that Alan and I visit often: it is a gorgeous temple of art and landscaping.
Besides the marble and bronze sculptures, the exhibition includes numerous painted vases, which bring to life the kinds of sports performed at Greek athletic competitions, stories, and myths of gods and heroes, and many scenes of ordinary life, including erotic encounters. Alan and I have collected ceramics all our lives, including some Greek examples. Greek vase painting has a narrative appeal; many images suggest the dramatic scenes found in the Greek theater, as well as actual scenes of masked actors. The love of real life and people is as important in Greek culture as idealizing art. I always think that it’s important to remember that the Greeks were keen observers. The kind of study of living bodies that you see in Greek sculptures is similar to the understanding that led to advances in science and medicine.
One of the most significant figures in The Body Beautiful in Ancient Greece is Herakles, a human hero, but also the child of Zeus, king of the gods. Herakles accomplished superhuman labors triumphantly (such as killing the Nemean lion, whose skin he is shown wearing), but he also suffered greatly. Driven mad by the jealous goddess Hera, he killed his first wife and children. At the end of his life, he was poisoned in ignorance by his second wife. In great pain, he burned himself alive on a funeral pyre. Yet Zeus and the other gods accepted him after death on Mt. Olympus, the only human to achieve immortality. His splendid, but painful, life exemplifies the Greek belief that “those whom the gods love die young.” Better to go at the height of youthful strength and beauty.
Dr. Anne R. Bromberg, the DMA’s Cecil and Ida Green Curator of Ancient and Asian Art.
