Posts Tagged 'Dallas Museum of Art'



Friday Photos: Face to Face

I am very excited to announce that this Sunday, February 12th is the opening of Face to Face: International Art at the DMA. This exhibition, comprised entirely of works of art from the DMA collection, honors and celebrates the contributions of our generous donors. As a result of their kind philanthropy, the DMA has grown into a diverse international collection. If you are a frequent visitor of the Museum, some or maybe even all of these artworks might be familiar to you, but their intriguing and unusual display design will have you looking at them in all new ways. The works of art will be presented in pairs of two, each coming from a different culture that share some kind of commonality. Through close looking and the guidance of thoughtful label text, the discovery of similarities between two seemingly dissimilar objects will provide a new perspective on the collection. An example of one of these provocative pairings is below.

What do you notice about these two pieces? What kind of connections can you make between them? Why might they be shown together?

Eccentric flint depicting a crocodile canoe with passengers, Mexico or Guatemala: Maya culture, Late Classic period, c. A.D. 600–900, The Eugene and Margaret McDermott Art Fund, Inc., in honor of Mrs. Alex Spence, 1983.45.McD

Eros lamp holder, Greek, perhaps from Asia Minor, Hellenistic period, early 1st century B.C., bronze, The Eugene and Margaret McDermott Art Fund, Inc., in honor of Anne Bromberg’s 30th anniversary with the Dallas Museum of Art, 2005.12.a–b.McD

Stumped? Come to the exhibition to find out more about these and many other works of art!

Hannah Burney
McDermott Education Intern for Teaching Programs and Partnerships

Different Perspectives

We are trying something new at the Dallas Museum of Art in conjunction with our current contemporary art exhibition Mark Manders: Parallel Occurrences/Documented Assignments. What questions or emotions do you experience after viewing Mark Manders’ work? You can now discuss your reactions to the exhibition to discover answers or perhaps look at the work in a new way.

Installation View of "Mark Manders: Parallel Occurrences/Documented Assignments"

Every Thursday, through the end of the exhibition, staff and special guests will be in the exhibition from 6:30 to 8:45 p.m. for our new In Residence program. Just look for the person wearing the In Residence button and start a conversation or ask thim or her a question about Manders’ process or the materials he uses.

Mark Manders, "Ramble-room Chair" , 2010, Courtesy of the artist and Zeno X Gallery, Antwerp

As part of the In Residence program, we have invited an archaeologist, a poet, and an architect not only to answer questions and talk with visitors about what they perceive in Manders’ work but to participate in a conversation for our Perspectives series.

Perspectives is a series of conversations led by DMA staff who will explore with the special guests what their professions can reveal about Manders’ work. The first Perspectives conversation will take place tomorrow evening and will feature archaeologist Dr. Gregory Warden.

Mark Manders, "Anthropological Trophy", 2010, Courtesy of the artist; Tanya Bonakdar Gallery, New York; and Zeno X Gallery, Antwerp

If you can’t join us tomorrow night, be sure to stop by one Thursday evening before April 12 and take part in this new program. It might just change your perspective!

Mark Manders, "Room with Chairs and Factory", 2003-2008, Museum of Modern Art, New York, Marguerite Stone Bequest and Gift of Mrs. Saidie A. May (both by exchange), 393.2010

Stacey Lizotte is Head of Adult Programming and Multimedia Services.

What to Expect on a Docent-Guided Tour

A few months ago, Loryn shared her tips for making the most of a self-guided visit to the DMA.  I thought I would weigh in today with a summary of what to expect when you schedule a docent-guided tour at the Museum.  We offer docent-guided tours Tuesday-Friday at 10:00 a.m., 11:00 a.m., 12:00 p.m., and 1:00 p.m., and all requests for docent-guided tours must be submitted at least three weeks in advance.

Let’s say you’ve submitted your request and received your confirmation letter from Loryn.  What happens once you actually arrive at the DMA?

An excited 4th grader hops off the bus

First, you’ll be greeted by one of our fabulous docents.  This docent will chat with you to make sure that you’re broken up into smaller groups (we assign one docent for every fifteen students), and s/he will match you up with the docents for your tour.  Once your tour is under way, you should expect to see five to six works of art in a one hour tour.  We emphasize quality  over quantity–we believe your students will gain more from in-depth experiences with a limited number of works than they would from trying to see twenty works of art in one hour.  If you would like your students to see more paintings and sculptures while they are here, consider scheduling a self-guided visit after your tour.  That’s a great way for your students to be able to go back and look at works of art that are most interesting to them.

Discussing Mark Rothko's Orange, Red, and Red

Three years ago, we created a program goal for K-12 docent-guided tours.  Our goal states:

  • On docent-guided tours, students will experience the Museum as a comfortable place to visit and return to, discover that works of art are relevant to their lives, and begin to see their world in a fresh way.

How does that happen in the galleries?  First off, your docents will welcome you to the Museum and learn a little bit about your group and what you have been studying.  They’ll discuss the guidelines for a Museum visit, and also present a theme for your tour.  At each stop, they will ask your students to look closely at the work of art.  They might use open-ended questions to ask the group what they see, and they’ll hopefully ask them to share visual evidence for their ideas.  We use questions and conversations to encourage closely looking, rather than a lecture-based teaching method.

A docent helps students look for clues that tell us about Tlaloc

We also know that everyone learns in different ways, and docents are encouraged to think about addressing multiple learning styles over the course of their tour.  Your students might be asked to write a short poem, act out a pose or gesture, or even sketch in the galleries.  Each of these activities focuses their attention and allows them to look closely to make sense of the works of art in the Museum.

Students move their bodies like the lines in a painting

We want students to begin to experience a sense of wonder while they are at the Museum, and that can happen in many ways on a docent-guided tour.  Some students experience wonder the minute they step through the door and see the Barrel Vault space for the first time.  Others ask questions about works of art, make connections between works of art, or say things like “I never knew that.”  One way that docents can help facilitate that sense of wonder is by giving students time to look and reflect on their own.  And of course, listening and responding positively to your students’ ideas is a great way to promote that sense of wonder, as well!

Students are asked to arrange colors in response to an abstract painting.

The final element of a docent-guided tour at the DMA is helping students see that works of art–whether they were made 2,000 years ago or two years ago–are relevant to their lives today.  How is a bed made in 1844 similar to the beds we sleep in?  What is different about it?  What type of bed would you love to have in your house?  These are just some of the questions docents might ask students when discussing this work of art in our galleries.  We want students to make a personal connection while they are at the Museum, and it is our hope that these connections will turn your students into lifelong Museum goers.

We end all of our tours by inviting students to come back to the DMA often.  I hope that this gives you a sense of what happens on a typical docent-guided tours, and that you’ll bring your students to visit us soon!

Shannon Karol
Manager of Docent Programs and Gallery Teaching

Kicking off our Super Bowl weekend

This week we were pleased to host Gene Jones, Ruth Ryan, and Tiffany Cuban at the DMA for an interview with NBC 5’s Meredith Land. The discussion took place near Henry Moore’s Reclining Mother and Child, located next to the Arts of the Ancient Mediterranean galleries on Level 2. The piece will air this Sunday after the Super Bowl. Below are a few images we captured throughout the day.

Friday Photos: Welcome Andrea!

Andrea Vargas Severin, Coordinator of Teaching Programs

We would like to introduce you to Andrea Vargas Severin, our new colleague and friend.  As the newest member of the Teaching Programs and Partnerships team in the Education Division, Andrea will be responsible for various details related to our work with teacher audiences, including professional development workshops, teacher in-services, and the educator e-newsletter.  You can expect to see her out and about before too long, providing tours to visitors of all ages and coordinating several partnership programs.  She will also be a key member of the team that writes web-based teaching materials.

Andrea has a Masters of Art in Art Education with an emphasis on Museum Studies from the University of Texas at Austin and received her Bachelor of Arts degree in the History of Art and Studio Art from Vanderbilt University.  Her previous experiences at the Frist Center for the Visual Arts, the Richmond National Battlefield Park, and Mexic-Arte Museum will bring a fresh perspective to our work.  We are delighted to have her as a colleague.

Look for Andrea’s first post on this blog soon!  If you’d like to learn a little more about Andrea, you can visit the Authors page.  And if you’d like to meet her in person, come join us for the upcoming Designing Exhibitions Teacher Workshop on February 11.

Nicole Stutzman
Director of Teaching Programs and Partnerships

Help Wanted: Looking for a Few Good Interns

With all the amazing experiences you can have at the DMA, what could be better than learning about our work firsthand? Each September, DMA staff welcome a new class of McDermott Interns through the McDermott Internship Program. And thanks to the generous support of the Eugene McDermott Education Fund, we are even able to provide our fabulous interns with a stipend.

Although I may be a bit biased (I was a McDermott Intern last year), McDermott Interns truly are a vital part of the DMA. We couldn’t survive without them! Throughout their short nine-month stint at the Museum, they contribute to various projects, from exhibitions to tours to programming and beyond. We even make sure our interns get to experience other arts organizations around the Metroplex. It’s a smorgasbord of museum opportunities!

Two of the lucky interns from this year’s class are our very own Hannah and Jessica, who have blogged about some of there experiences with you here. I asked them a couple questions to get their perspective on being a McDermott Intern:

What has been your favorite part of the McDermott Internship so far?

Hannah: Definitely teaching. I love going into classrooms and interacting with the students; their energy, enthusiasm and curiosity is contagious. They are constantly reminding me why I am so passionate about art and teaching. I also really enjoy going to docent training lectures and discussions, because it gives me the opportunity to keep learning.

Hannah (center right) with local teachers during the Art and Fashion Teacher Workshop.

Jessica: My favorite part of being a McDermott Intern is being able to work with some of the friendliest and most dedicated people I have ever met. I have also really enjoyed learning about the DMA’s collection and fantastic exhibitions, and then passing on that exciting knowledge when giving tours.  It is so rewarding to know that you made someone’s trip to the Museum memorable!

In your opinion, what is one reason why someone should apply to be a McDermott Intern?

Hannah: One thing that is really unique about being a McDermott intern is that you get the chance to work really closely with one department, while also getting opportunities to collaborate and interact with the entire staff of the Museum. With guidance and support, you have many responsibilities within the department you are working for, and your days are filled with diverse tasks, activities and programs. No two days are the same!

Jessica: One word: EXPERIENCE! The staff at the DMA will ensure that you are given every opportunity to learn about the inner workings of so many different departments within the Museum. The DMA really values McDermott Interns as professional coworkers, not just as extra help. It is that kind of attitude that really makes being a McDermott Intern a wonderfully fulfilling experience.

If you or someone you know is interested in exploring a museum career, check out our Museum Internships page, which includes more information and a link to the 2012-2013 McDermott Internship application form. We look forward to your submissions!

Sarah Coffey
Assistant to the Chair of Learning Initiatives

Celebrating a Grand Tradition: 20 Years of Silver Supper

On Friday, January 27, more than one hundred guests will gather at the Dallas Museum of Art for the 20th Anniversary Silver Supper, an extraordinary affair celebrating the Museum’s collection of silver treasures. In anticipation of this special evening, sponsored this year by Highland Park Village and chaired by Peggy Sewell, here are a few “fun facts” about the history of Silver Supper:

1. The concept for Silver Supper evolved from legendary collectors and generous DMA donors Karl and Esther Hoblitzelle, who used their remarkable silver collection to entertain guests many decades ago.

2. In 1987 the Hoblitzelle Foundation donated much of this silver collection to the DMA. Since then, Silver Supper has raised more than $1 million to benefit the DMA’s Decorative Arts Acquisition Endowment Fund.

3. The first Silver Supper, held in 1988, welcomed just eighteen guests and raised $7,000.

4. Past Silver Supper themes have ranged from formal 18th-century-style English dining to life in the art deco world of the Roaring Twenties. The centerpiece (and dessert!) for the 1998 event, chaired by Jessie Price, was a larger-than-life cake shaped like the Palace of Versailles.

Silver Supper certainly has come a long way in the last twenty years! This year’s event, themed The Great Makers of American Silver, will showcase an extensive display of silver treasures at the DMA, from the opulence of the Gilded Age to the most progressive work of the last century. Below are a few photos from the January 10 pre-event cocktail reception at the Carolina Herrera store in Highland Park Village.

Late Night Diva-Off

Last Friday, the Museum packed in a very full house for the Late Night celebration of The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk. The night’s special event, Divas of Gaultier Costume Contest, was kicked off with a fabulous Madonna tribute performance by Chris America, who got the festive audience singing and dancing. The competition featured eleven Madonna contestants and twenty Lady Gagas who put together creative and outrageous Diva ensembles. But they weren’t the only ones! Many of the visitors also took the opportunity to wear fashion from the wilder side of their wardrobe. After each contestant modeled his or her outfit, the finalists were revealed. The victors included Lady Gaga holding a teacup, as well  as a real-life mother-daughter pair stylishly dressed as Madonna and her daughter Lourdes. To wrap up the event, Chris America reappeared to award the grand prize of a hundred dollar gift certificate for the Museum store and a Jean Paul Gaultier catalogue to the winner, Lady Gaga. With her slow and deliberate strut, and edgy animalistic poses, this fierce contestant truly embodied Lady Gaga herself.

Photos from this fun and fashion-filled Friday are below, I hope you enjoy them as much as I enjoyed taking them!

If you were to dress up for a Diva contest, who would you want to be and what would you wear? Please share your response in the comments below.

Hannah Burney
McDermott Intern for Teaching Programs and Partnerships

Off the Wall: Garbage Disposal

In our Center for Creative Connections we ask visitors to reflect on their responses to the spaces they encounter in art, as well as those they encounter in their everyday life.

For one work of art specifically, Lee Bontecou’s Untitled, we ask visitors to respond to one of three prompts:

    • To me, sharing space with this work of art feels like…
    • The words or pictures that come to mind when I look at this work of art are…
    • If this work of art was part of something larger, describe what it would be.

Untitled (35), Lee Bontecou, 1961

We have gotten a lot of great responses from visitors and want to share a few with you. Once a month we will have an “Off the Wall” post featuring three responses left by visitors.

Next time you are in the Center for Creative Connections add your contribution to the wall and maybe you will see it on Uncrated!

Docent Spotlight: They're Cousins…

It has been a while since we have featured an interview with one of our docents on the Educator Blog.  Today, I’m turning the spotlight on not one, but three of our fabulous docents.  Why three docents?  Because they’re cousins (I have the Patty Duke Show theme song running through my head as I write this) who have turned the DMA docent program into a family affair.

Meet Genie Bentley, Linda Rayes, and Harriet Stoneham.  Genie and Linda have been docents for many years, but Harriet is a member of our New Docent class this year.  Below, they share their thoughts and memories of being a DMA docent.

Genie Bentley, Harriet Stoneham, and Linda Rayes--DMA Docents and Cousins

How long have you been a DMA docent?
Genie: I have been a docent since Fall 1988 (We trained for two years at that point).
Linda: I have been leading school tours for seventeen years.
Harriet: I am a docent-in-training.

Why did you become a docent?
Genie: My sons were leaving the nest and I wanted to do something that was really hard–I found it!
Linda: A friend and former docent suggested that I might enjoy the program.
Harriet: I have wanted to become a docent for a very long time and finally gave myself permission to apply.

Tell me about your experience in the docent program.
Genie: It is my favorite activity with my favorite people–the best part of my life.
Linda: Most of my tours have been some of the most fun and rewarding hours of my life.  Interacting with young students often challenges me to come up with analogies from pop culture to help them relate to unfamiliar objects.  I love hearing about the children’s lives, their families, and even their pets!  Young viewers are always more uninhibited, and therefore, more fun to interact with.
Harriet: I have thoroughly enjoyed every training session thus far.  The lectures are wonderful and getting to meet so many people that share my interest in art has been very satisfying.

What is your favorite work of art in the DMA collection?
Genie: My favorite work of art is the one that I am talking about on a tour.  I could not limit myself to one piece–I have learned to LOVE so many cultures and styles.
Linda: It’s a toss up between the Lokapalas and the Vlaminck in the Reves collection.
Harriet: I love learning about all the art that I have been exposed to thus far.

Share your best tour experience.
Genie: The best tours are ones that kids exclaim “Is it already over? I thought this would be boring, but it was fun.”
Linda: That would be the next tour!
Harriet: I have loved observing both Genie’s and Linda’s tours.  I am so impressed with the number of docents who have been involved with the program for many, many years. [Author’s note: Harriet has not yet given a tour, but has observed many A Looking Journey tours as part of her training.]

Docents Genie Bentley (in white) and Linda Rayes (holding a doll) even went to school together when they were younger

Genie, Linda, and Harriet have all said that being a part of the docent program is one of their favorite activities, and reading their responses affirms their passion for art and their commitment to the DMA and our docent program.*  I feel very fortunate that I know these three docents, and hopefully you have had the pleasure of spending time with them in the galleries.

Shannon Karol
Manager of Docent Programs and Gallery Teaching

*If you have a passion for art and would like to learn more about volunteering at the DMA, visit our Web site.


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