Posts Tagged 'Dallas Museum of Art'



What’s in a Name?

Last week, Hard Pressed (Any Port in a Storm/Late for School) by Arthur John Elsley was installed in the Center for Creative Connections (C3). If the title seems like a mouthful, it’s because it is actually three titles. This painting, completed in 1898, appeared in two magazines, Illustrated London News and Pears Annual, under the aliases Late for School and Any Port in a Storm, respectively. When I think of works of art appearing in magazines today, I assume they would appear under the original title. So, in this case, why the name change? In researching this work of art, we found a digital copy of the 1899 Illustrated London News edition in which Hard Pressed appeared, and we noticed some small differences between the painting in our collection and the image that appeared in the magazine. Perhaps these small differences warranted a title change. What differences can you find in the two images?

Images (left to right): Arthur John Elsley, Hard Pressed (Any Port in a Storm/Late for School), 1898, oil on canvas, Dallas Museum of Art, gift of Kim Jordan; "Late for School." Illustrated London News [London, England] [27 Nov. 1899]: n.p. Illustrated London News. Web. 24 Sept. 2014.

Images (left to right): Arthur John Elsley, Hard Pressed (Any Port in a Storm/Late for School), 1898, oil on canvas, Dallas Museum of Art, gift of Kim Jordan; “Late for School.” Illustrated London News [London, England] [27 November 1899]: n.p. Illustrated London News. Web. 24 September 2014. Gale Digital Collections

In the Center for Creative Connections, we focus on learning by doing. In planning for this installation, we designed an activity to build on this painting’s history of multiple titles. We are posing a simple question to our visitors. “What would you title this painting if you could rename it?”

Peruse these title suggestions from the Education team.

Stop by to view this newly installed painting and participate in the renaming activity.

Jessica Fuentes is the Center for Creative Connections Gallery Coordinator at the DMA.

Festival of Lights

In honor of Hanukkah, we pulled together a selection of lights in the DMA’s collection to celebrate the Festival of Lights.

Spend time this holiday season exploring the DMA’s collection, included in free general admission, and our special exhibition Bouquets: French Still-Life Painting from Chardin to Matisse, with a special half-price partnership with the Dallas Arboretum and Botanical Garden.

Open Book

A&LL_24thSeason
The 24th Arts & Letters Live season promises to be varied and exciting, with a celebrated lineup of award-winning authors, artists, and performers. When we were creating this season, several themes kept rising to the surface:

  • ARTPeter Mendelsund on the art of book jacket design and on what we see when we read; illustrator and New Yorker cartoonist Harry Bliss; Sue Roe on Matisse, Picasso, and other artists working in the Montmartre area of Paris in the early 1900s—a group portrait of men and women on the cusp of fame who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion.
  • MEMOIRCandice Bergen, Roz Chast, Gail Sheehy, Rebecca Alexander, Lynsey Addario, and Huan Hsu will all share their recent memoirs this season.
  • MULTICULTURALISM AND GLOBAL PERSPECTIVES – MacArthur Genius Grant–winner and photojournalist Lynsey Addario, who has captured war and human crises around the globe; Oral Fixation, back by popular demand with “Destination America,” featuring seven new personal stories told by immigrants to North Texas.
  • FOOD AND COCKTAILS – Emmy Award–winning host of the Barefoot Contessa television show Ina Garten, James Beard Award–winning chef Marcus Samuelsson, and Tim Federle, author of the whimsical and witty Tequila Mockingbird and Hickory, Daiquiri, Dock, which serve up a blend of literary commentary, puns, and drink recipes.
  • IDENTITY – editors of the Women in Clothes anthology (Sheila Heti, Heidi Julavits, and Leanne Shapton) as well as fashion designer Lela Rose; Rabih Alameddine exploring identity both in writing and painting; Jacqueline Woodson, award-winning young adult author on Brown Girl Dreaming, a collection of poems depicting her childhood, which won the 2014 National Book Award for young adult literature; rising literary novelists Jacob Rubin and Rebecca Scherm
  • TEXASPhilipp Meyer and Grace Pettis (“Texas Tales in Story, Song, and Art”—involves commissioning Pettis to write a new song inspired by a work of art of her choice in the DMA’s collection); Texas Bound this year features star actors Doris Roberts (Everybody Loves Raymond), Glenn Morshower (24), and G. W. Bailey (Major Crimes) as well as many members of the Dallas Theater Center’s Brierley Resident Acting Company.
  • LOVE – Selected Shorts presents “Surprised by Love,” featuring award-winning actors Jane Kaczmarek, Mary Kay Place, and James Naughton; Graeme Simsion, bestselling author of The Rosie Project and The Rosie Effect, about a brilliant but socially inept scientist who crafts a scientific survey to find a wife.
  • WAR IN FICTION AND NONFICTION – a look back at the meaning of the Vietnam War with Pulitzer Prize-winner Fredrik Logevall; Anthony Doerr and Jim Shepard on their novels, both featuring teenage protagonists in World War II; and Elliot Ackerman, a decorated veteran of the Iraq and Afghanistan wars whose debut novel, Green on Blue, told from the perspective of an Afghan orphan recruited by a US-funded militia, is garnering high praise.
  • CREATIVE COLLABORATION – Award-winning poet Billy Collins and Oscar- and Grammy-nominated singer-songwriter Aimee Mann team up for a rare evening of poetry, acoustic music, collaboration, and conversation; Joshua Wolf Shenk‘s book Powers of Two: Finding the Essence of Innovation in Creative Pairs examines the creative collaboration found in iconic pairs such as Matisse and Picasso, the Beatles, and many more.

Don’t miss out on your favorite authors this year. Tickets, and the entire season schedule, are available online starting today!

Carolyn Bess is the Director of Programming and Arts & Letters Live at the DMA.

Artful Blooming

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Visitors to Bouquets: French Still-Life Painting from Chardin to Matisse have the opportunity to walk in the shoes of the exhibition’s artists. In the central gallery, they can draw their own still life from a real bouquet inspired by paintings in the exhibition and arranged by the DMA League’s Floral Committee. Check out some examples of these visitor-created masterpieces!

 

Andrea Vargas Severin is the Interpretation Manager at the DMA.

Bird Watching

The Wittgenstein Vitrine, designed by Carl Otto Czeschka and executed by the Wiener Werkstätte (Vienna Workshops) for the 1908 Kunstschau (Art Show), is the focus of the exhibition Modern Opulence in Vienna: The Wittgenstein Vitrine, now on view in the Conservation Gallery. Upon entering the gallery, you will notice the vitrine’s enormous scale, its reflective silver surface, and its dark Macassar ebony veneered base. As you approach the vitrine, you will discern a multitude of details, most notably the fretwork that wraps the vitrine and forms an ecosystem teeming with plant and animal life.

The Wittgenstein Vitrine on view in Modern Opulence in Vienna: The Wittgenstein Vitrine

The Wittgenstein Vitrine on view in Modern Opulence in Vienna: The Wittgenstein Vitrine

Flora and fauna motifs, inspired by Central European folk art and Arts and Crafts design, reoccur throughout Czeschka’s designs in a variety of media—metal, lacquer, and textile, among others; however, the detail, diversity, and dynamism of the animals on the Wittgenstein Vitrine’s fretwork are unprecedented in the designer’s oeuvre. Birds of various sizes, shapes, and patterns perch amidst dense foliage, while squirrels, weasels, mice, and lizards scamper across scrolling vines in search of baroque pearl “fruits.”

These critters so captivated curators and conservators that the DMA turned to Dr. Marcy Brown Marsden, ornithologist and Associate Professor of Biology at the University of Dallas, in order to identify the avian, as well as mammal and reptile, species represented on the vitrine. Identification of birds in nature involves five qualities—shape, size, color, song, and behavior. Because the birds on the vitrine are monochromatic, static, and silent, their identifications as Central European species were based on physical features—such as bills, tails, crests, and feathers—and behavioral characteristics. Dr. Brown Marsden and University of Dallas undergraduate students Allison Rodgers and Nicole Stevens identified a total of twenty-four species, including a few of my favorites listed below!

detail of Wittgenstein Vitrine; Juan Lacruz Martín, Eurasian Hoopoe, photograph. The Internet Bird Collection, Web. November 24, 2014.

Detail of Wittgenstein Vitrine; Juan Lacruz Martín, Eurasian Hoopoe, photograph. The Internet Bird Collection

The Eurasian Hoopoe (Upapa epops) is characterized by a prominent crest, a long tail, and a distinctive pattern on its feathers.

Detail of Wittgenstein Vitrine; Andreas Trepte, Common Kingfisher, photograph. Wikipedia, web. November 24, 2014.

Detail of Wittgenstein Vitrine; Andreas Trepte, Common Kingfisher, photograph. Wikipedia

With its plump body, short tail, and extended bill, the Common Kingfisher (Alcedo atthis) on the vitrine is nearly identical to its counterpart in nature.

Detail of Wittgenstein Vitrine; Peter Trimming, Eurasian Red Squirrel, photograph. Wikipedia, web. November 24, 2014.

Detail of Wittgenstein Vitrine; Peter Trimming, Eurasian Red Squirrel, photograph. Wikipedia

The Eurasian Red Squirrel (Sciurus vulgaris), with tufted ears and a bushy tail, appears several times on the vitrine in various positions. This squirrel holds a baroque pearl “acorn” in its paws.

Detail of Wittgenstein Vitrine; Marcel de Bruin, Weasel, photogrpah. Photo-marcelloromeo. Web. November 24, 2014

Detail of Wittgenstein Vitrine; Marcel de Bruin, Weasel, photograph. Photo-marcelloromeo

 

Detail of Wittgenstein Vitrine; Josef Lubomir Hlasek, Mouse, photograph. Sci-news.com. Web. November 24, 2014.

Detail of Wittgenstein Vitrine; Josef Lubomir Hlasek, Mouse, photograph. Sci-news.com

The weasel (Mustela) is identified by the distinctive shape of its head, body, and tail. On the vitrine, it chases a mouse (Mus) with prominent ears and an elongated tail, its natural prey.

Detail of Wittgenstein Vitrine; Garth Peacock, Common Nightingale, photograph. Bird Life International. Web. November 24, 2014.

Detail of Wittgenstein Vitrine; Garth Peacock, Common Nightingale, photograph. Bird Life International

The gaping position of this bird’s bill suggests it is a Common Nightingale (Luscinia megarhynchos), a species renowned for its powerful and beautiful song and popular in European literature, poetry, and music.

To spot all twenty-four species represented on the Wittgenstein Vitrine, visit Modern Opulence in Vienna: The Wittgenstein Vitrine and pick up the in-gallery guide “A Birder’s Guide to the Wittgenstein Vitrine.”

Samantha Robinson is the McDermott Graduate Curatorial Intern of American and Decorative Art at the DMA.

Image: Wittgenstein Vitrine (for the 1908 Kunstschau), 1908, Carl Otto Czeschka, Austrian, 1878-1960, designer; Wiener Werkstätte (Vienna Workshops), Vienna, Austria, 1903–1932; Josef Berger, Austrian, 1874/75-?, goldsmith; Josef Hoszfeld, Austrian, 1869–1918, Adolf Erbrich, Austrian, 1874–?, Alfred Mayer, Austrian, 1873–?, silversmiths; Josef Weber, dates unknown, cabinetmaker; Wabak, Albrech, Plasinsky, Cerhan (unidentified craftsmen), silver, moonstone, opal, lapis lazuli, mother-of-pearl, baroque pearls, onyx, ivory, enamel, glass, and ebony veneers (replaced), Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.

Hands-On Learning: Not Just for Kids

“Every child is an artist. The problem is how to remain an artist once we grow up.” – Pablo Picasso

c3 sign.jpg

The Center for Creative Connections (C3) is unique because we focus on learning by doing. That means we design activities for people of all ages to learn about works of art from the collection by participating in a hands-on way. The activities we create to accompany works of art prompt visitors to engage in ways that are different from the standard didactic approach of a wall label. In C3, we want to provide experiences where visitors can make personal connections by drawing, writing, making, and discussing works of art with each other.

This kind of active engagement carries a certain stigma; many people assume that it’s only for kids, mainly because we are used to seeing activities like these in children’s museums. Part of our design process is to evaluate visitors’ experiences by observation, interviewing and counting. We’ve learned that half of our participants are adults and that there is a reoccurring theme in their comments regarding why they participate. So, why do adults flock to C3 to draw, write, make, and talk about art? Because it connects them to a childlike curiosity and creativity which, as an adult, often takes a backseat to other responsibilities and tasks.

JFuentes_image2.jpg

In January 2014, we installed a large table in the middle of the C3 Gallery, that hosts three activities that rotate on a monthly basis. As a part of the evaluation of these activities, we interviewed visitors about their motivations for participating, their past experience with art making, and their view of the value derived from participating in a making activity at the Museum. I was repeatedly intrigued by the responses of the adult participants.

For example, I spoke with a couple participating in a portrait drawing activity which encouraged close looking at the proportions and scale of the human face.  The couple, in their mid-thirties, each claimed to have no artistic experience. Through our conversation, they divulged that they both graduated from arts based college programs. “I went for fashion, like a BFA in Design, and he went for Graphic Design. We don’t really draw in our free-time though, I mean, he does for work,” the woman stated as she looked over at the man who accompanied her. He added, “Yeah, but just on the computer.” Then the woman broke in, “And I do for work, but it’s not the same. Like, I do fashion sketches, not this kind of drawing.” I prodded them a bit to understand what “this kind of drawing,” meant. “Well, it’s like… it’s fun. Like drawing before was so serious and it had to be perfect, cause you were doing it for a grade. But this is just for enjoyment.”

This idea was reinforced by further conversations with other adult participants: drawing, making, and discussing in C3 is fun in a freeing kind of way. I interviewed another thirty-something couple drawing at a light box activity designed to assist in the making of hybrid imagery. The man began with, “I’m guessing this was made for children? It’s fun and different and I didn’t expect to see this here.” The woman with him agreed, “Yeah, it’s like that spark of creativity, kind of… childlike. I didn’t think I’d spend as much time or get into it like I did.” A sixty-something man participating in the portrait drawing activity remarked, “I used to take art classes, but it’s been so long ago… it’s like I forgot that and I saw this and I remembered.” This feeling of nostalgia for something that is no longer a part of someone’s everyday life was also a common response from adults. Many adults responded that they enjoy drawing or making but, “don’t do it enough.”

JFuentes_image3.jpg

Aside from drawing based activities, the Center for Creative Connections also has a drop-in art making area with large communal tables called the Art Spot, which we say is the place for “anytime art-making for everyone.” We invite visitors to explore their creativity by making creations out of unexpected or everyday materials. Every two months we change the materials and provide a prompt to inspire ideas. Each time I’m hesitant and wonder, “What will people make with this?” But, I am always delighted and surprised by the imaginative creations that are made and left behind. Children often come to C3 and head straight for the Art Spot, while adults can be a bit more tentative. However, regardless of age, most visitors stay anywhere from 5 minutes to two hours, with an average of about 20 minutes. Once they gather their materials they become immersed in their creation. For some it is a hands-on problem solving activity while for others it is about manipulating materials. How can you combine these objects (cups, spoons, paperclips, wire, egg cartons, cardboard, etc.) into something unique and surprising? This kind of open-ended activity, reminiscent of childhood playing and pretending, is not often made available to adults. I frequently watch my eight-year-old daughter take something like a toilet paper roll and turn it into a piano for her dollhouse, or repurpose a cardboard box to make an enormous rocket ship. This nostalgia for childhood play was brought perfectly into perspective by a recent Art Spot creation.

artspot creation.jpg

At the DMA, learning can take many approaches and forms. We strive to be inclusive so that we can reach visitors with a multitude of interests and experiences and preferences for learning. In the Center for Creative Connections, our mission is to engage visitors of all ages with works of art and the creative process of artists. We hope that by designing participatory ways to learn we will provide fun and playful activities for all of our visitors, regardless of their age.

Jessica Fuentes
C3 Gallery Coordinator

ARTifacts – A Day Without Art 25 Years Ago

Memorial Wall in front of the Flora Court entrance for A Day Without Art, 1989

Memorial Wall in front of the Flora Court entrance for A Day Without Art, 1989

On December 1, 1989, the second annual World AIDS Day (a global public health campaign initiated by the World Health Organization), the DMA participated in A Day Without Art: A National Day of Action and Mourning in Response to the AIDS Crisis.

Visual AIDS, an organization of art professionals committed to facilitating AIDS-related exhibitions and events, conceived A Day Without Art as a call to arts organizations to recognize the effect of AIDS on the art community.

The aims of the day were to 1) commemorate losses of artists and arts professionals; 2) create greater awareness about the spread of AIDS; 3) publicize the needs of people with AIDS; and 4) call for greater funding of services and research.

Flyer for A Day Without Art activities

Flyer for A Day Without Art activities at the DMA

The DMA worked with five Dallas-area artists to determine the most appropriate program for A Day Without Art. Lead artist Greg Metz, in collaboration with Pam Dougherty, Sean Earley, Jerry Janosco, and Brian Overley, conceived the presentation as a bleak confrontational memorial to the widespread, continuing art community deaths. It consisted of three parts.

1. The artists constructed black Memorial Walls to impede direct access to the Museum’s three public entrances. The temporary walls were installed for 24 hours, from 4:00 p.m. on Thursday, November 30, 1989, to 4:00 p.m. on Friday, December 1, 1989. The walls displayed white ribbons with the names of those in the Dallas art community who had died or were diagnosed with AIDS. Members of the community were invited to remember loved ones, artists, and art community members by adding their own white ribbon.

2. The evening of Thursday, November 30, featured a sound installation and performance by electronic performance artist Jerry Hunt, and donations benefiting the Dallas AIDS Resource Center were accepted.

3. An electronic counter was installed in the Concourse, marking the World AIDS Death Toll, which at the time was one death every 17 minutes.

A Day Without Art Memorial Wall at Ross Plaza entrance

A Day Without Art Memorial Wall at Ross Plaza entrance

Over 400 arts institutions responded to A Day Without Art in a variety of ways, from closing, to darkening a gallery or shrouding artworks, to sponsoring educational or remembrance programs.

Hillary Bober is the Archivist at the Dallas Museum of Art.

 

Thanksgiving Still-Lifes

Inspired by the DMA’s newest exhibition, Bouquets: French Still-Life Painting from Chardin to Matisse, I thought it would only be appropriate for my first Canvas blog post to incorporate still-lifes from our collection. So with Thanksgiving just behind us, I wanted to share some my favorite food-related still-lifes in our collection.

This 17th century still-life makes even the most wonderful Thanksgiving leftovers seem bland. Anyone care for some lobster?

Abraham Hendricksz Van Beyeren, Still Life with Landscape, 1650s, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

Abraham Hendricksz Van Beyeren, Still Life with Landscape, 1650s, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

After all of the yummy turkey, stuffing, casseroles and potatoes , how about some fruit (and maybe champagne) to lighten your leftover hangover?

Severin Roesen, Fruit Still Life with Champagne, 1848, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

Severin Roesen, Fruit Still Life with Champagne, 1848, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation

The Friday after Thanksgiving is a wonderful holiday all on its own. I like to stay in, enjoy my friends’ and families’ company, relax and read the paper, and eat some yummy leftovers (maybe even a turnip or two!). It is the best part of the holiday weekend!

William Michael Harnett, Munich Still Life, 1882, Dallas Museum of Art, Dallas Art Association Purchase

William Michael Harnett, Munich Still Life, 1882, Dallas Museum of Art, Dallas Art Association Purchase

I hope you enjoyed the Thanksgiving holiday! And if you didn’t finish your Christmas shopping last weekend or you’re looking for a cyber Monday fix, don’t forget to check the Museum Store’s website to find many unique presents and local crafts!

Happy Holidays!

Madeleine Fitzgerald
Audience Relations Coordinator for Programming

A Holly Jolly District

With the colder temps, and Thanksgiving right around the corner, we are starting to get into the holiday spirit with some fun holiday-themed programs and shopping to make your December merrier.

Every Thursday in December, enjoy a mix of seasonal and traditional jazz tunes at Jazz in the Atrium. The Thursday night concert series will feature some of the best musicians in town, led by Rob Holbert (December 4), Tom Braxton (December 11), and Freddie Jones (December 18).

Jazz in the Atrium at the Dallas Museum of Art.

Jazz in the Atrium at the Dallas Museum of Art.

Undermain Theatre continues its popular and free reading series at the DMA with an encore reading of Dylan Thomas’s classic poem A Child’s Christmas in Wales. Accompanied by traditional music and carols, A Child’s Christmas in Wales will be a charming afternoon of festive storytelling for the whole family on Saturday, December 13, at 2:00 p.m.

Undermain Reads 'A Child's Christmas in Wales' by Dylan Thomas

Undermain Reads A Child’s Christmas in Wales by Dylan Thomas

When you are at the DMA for Jazz in the Atrium and A Child’s Christmas in Wales, or at any other time, don’t forget to stop by the Museum Store and make it your one-stop shop for holiday gifts. One-of-a-kind items from around the world are available, from handmade felt animals to hand-painted, whimsical book ends, and products celebrating the DMA’s collection and the Bouquets exhibition. (I have already purchased the beautiful Bouquets 2015 calendar for a family member!)

Items available for purchase in the DMA Museum Store.

Items available for purchase in the DMA Museum Store.

'Bouquets' 2015 Wall Calendar

“Bouquets” 2015 Wall Calendar

And we’re not the only ones in the Dallas Arts District getting into the holiday spirit. On Saturday, December 6, experience Holidays in the District with a day of music, dancing, theater, art-making activities, photos with Santa, and more.

From 1:00–6:00 p.m. you can Celebrate the Holidays at Klyde Warren Park. Activities will include free photos with Santa, holiday music, face painting, and live reindeer.

Be sure to stay for the 5:30 p.m. lighting of the AT&T Performing Arts Center campus—they will be using 550,000 LED lights to celebrate the holiday season.

Holidays in Klyde Warren Park

Holidays in Klyde Warren Park

There’s also plenty of seasonal fun at the Wyly Theater, Winspear Opera House, Meyerson Symphony Center, and Dallas City Performance Hall. Details can be found on the Dallas Arts District website.

We hope your merry-making brings you here.

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Thankful for the DMA

Any other year at this time, I would be heading home to enjoy Thanksgiving with my family in Maine. This year, however, marks my first Thanksgiving away from home – the journey from Texas to New England is a bit too far to make for the holiday! I recently moved to Dallas to take part in the DMA’s McDermott Internship Program, which runs from September to May. Being away from my family is difficult this year, but I am grateful for all of the experiences that have been offered to me as the McDermott Graduate Intern for Gallery and Community Teaching.

While my intern duties cover a wide variety of roles here at the Museum, one of my main focuses is Go van Gogh, our community outreach program that brings a piece of the DMA to local elementary and middle schools. This past week, I spent time at Martha Turner Reilly Elementary School with a class of 4th graders. Our program was called Art of the Lone Star State, and it offered the students (and myself) the chance to learn more about the history of this state through art. We looked at works of art that depict Texas landscapes and cityscapes before making our own landscapes with watercolor pencils.

The opportunity to work with children is one of the reasons I applied for this internship, so I am extremely happy that I get to work with our Go van Gogh program.

All of the amazing Go van Gogh programs would not be possible without our volunteers! Go van Gogh has over 30 volunteers, both in Dallas and the surrounding Metroplex. These individuals volunteer their time with the programs in schools, but also spend time here at the DMA for volunteer training. During training, the volunteers become the students as we simulate the programs that they teach. We also spend time in the galleries, looking at the works of art that the students will see. Being a Go van Gogh volunteer shows a commitment to the DMA and to education, and we are extremely grateful to have such wonderful volunteers!

Go van Gogh is just one of the many programs I have been involved with during my time at the Museum. Three months into my nine month internship, I have worked closely with the docents, given school tours, and been involved in programs with Booker T. Washington High School, just to name a few! While I miss my family, I am thankful that I have this position and I can’t wait to see what the rest of the internship brings! And of course, I’m thankful for the opportunity to drive our amazing van around town!

Happy Thanksgiving!

Liz Bola
McDermott Graduate Intern for Gallery and Community Teaching


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