Archive Page 180

Community Connection: Bringing the Very Best

Dave Herman has partnered with the DMA’s Education divison in a variety of ways.   As President and Creative Director of Preservation LINK, Inc., Dave initiated a partnership with the DMA that resulted in an annual exhibition of photographs by participants in Preservation LINK’s Point of View program.  He was invited to serve on an advisory board for the development of a new type of Go van Gogh outreach program, based on his perspective as a professional photographer and his teaching experiences with students.  Dave also led several workshops as the February Visiting Artist in the Center for Creative Connections as well as a Summer Art Camp during 2009.  In summary, we enjoy partnering with Dave and take every opportunity to work with him. 

Dave Herman coaches a student through an art project.

You describe yourself as a visual sociologist.  Can you tell us what that means to you?

Visual sociology is, in a lot of ways, documentary in nature. It is almost as if you put out a hypothesis or investigative question, and then you document what you find out and share some of those answers visually. It lends itself to a different kind of attention, because you’re trying to put pieces of puzzles together and understand what that all looks like.  Visual sociology is also about how people interact with each other and how they respond to things.

Was there a defining experience or person in your life that led you to where you are today?

I first associate my mom and dad with helping to shape me and my values.  A lot of what I do is based on my background and what I believe in.  My work with students through Preservation LINK comes from a passion to help kids understand themselves, understand their potential, and to be confident that they can reach their goals. One thing that motivates me now, even as an artist, is that I didn’t necessarily have that growing up.  This is something really important – for students to have guidance and the opportunity to grow, to have ownership, and to eventually have a sense of “I’ve got this now”.

Over the six years that I’ve known you, I’ve witnessed exciting growth with Preservation LINK.  Do you have any advice for others who are interested in starting a non-profit organization with the goal of educating youth through literacy, art, and technology?

Budding photographers

I would say the first thing as an initiator, dealing with kids, is to make sure you’re reaching for the sky. Make sure that you’re bringing the very best to young folks. I say that because sometimes when we talk about equipment, for instance, some people say “let’s just get this (lesser value) equipment because they’re kids and they don’t need a big camera”. In reality, that is what they need. For them to grab onto something real at a certain level, you’re able to push your message and your lesson a little bit further.

Also, believe in your vision. Know how or learn how to manage it.

How does research and evaluation factor into your program development and implementation?

In a big way. Evaluation and research impacts and informs how we move forward.  It informs how we deliver programs and how we assess our accomplishments.  We are able to see what the impacts of our programs are on the community, students, parents, and the adults that supports kids’ learning. We wouldn’t be the same organization that we are now if it wasn’t for the evaluation and research that is a part of Preservation LINK.

What do you most hope students who participate in your programs will walk away with from their experiences?

Students learn about the history of photography during a Preservation LINK program.

I want the students to know that people care about who they are, what they learn, and what they want to become.  I hope they’re motivated to take even more ownership in their lives.

See photographs taken by elementary students during Presevation LINK’s Point of View Program at the Dallas Museum of Art.  The exhibition, titled Through the Eyes of Our Children: Something Beautiful, will be on view from May 14-August 29 on the M2 level of the Museum, adjacent to the Mayer Library.  View images from past Preservation LINK programs here.

Skyway, JFK, What Else Do I Have to Say?

 

Robert Rauschenberg, Skyway, 1964

One of my favorite works of art in the DMA’s collection is Robert Rauschenberg’s Skyway.  If you have dined in the Atrium Cafe, you have probably noticed Skyway hanging on the East wall.  It’s a very large work made of oil and silkscreen on canvas.  The canvas is covered with images of 1960s popular culture: astronauts, outer space, a freeway, construction equipment, and even a portrait of John F. Kennedy. 

Part of the reason that I love Skyway is because of Rauschenberg’s inclusion of Kennedy.  Ever since I was nine years old, I have been fascinated by JFK.  Between 4th and 10th grade, I did a report or presentation on JFK or his wife Jackie every year in school.  I don’t know what it is about them that I love–their youth, their glamour, his tragic death?  I think it’s probably a combination of all three.

With the Kennedys at Madame Tussaud's Wax Museum in Washington, D.C.

Skyway is also one of my favorite works of art because it is a visual time capsule of the 1960s.   This canvas was created to hang on the facade of the U.S. pavilion at the 1964 World’s Fair in New York.  It celebrates contemporary history, modernity, and the achievements of the United States.  We can look at this work of art and know what decade it represents based on the images that have been included. 

It’s also fun to think about what images would be included if a work of art like Skyway were to be created today.   Would we see Barack Obama?  Would we see symbols of new technology like the iPad or a flatscreen TV?  Would we see Miley Cyrus or Robert Pattinson, the icons of pop culture in 2010?  This is always a fun topic to explore with students on tours, and I always love hearing their responses.

To learn more about Skyway, or to explore other contemporary works of art in our collection, check out the Contemporary Art and Design online teaching materials.  You also need to come see Skyway at the Museum–it’s so much better in person!

Shannon Karol
Tour Coordinator

Interview with Stacey Lizotte, Head of Adult Programming and Multimedia Services

I recently had an opportunity to interview one of my Education staff colleagues. Stacey Lizotte. She answered questions related to her job and shares information about upcoming public programs.

Name and Title: Stacey Lizotte, Head of Adult Programming and Multimedia Services

Years Employed at the Dallas Museum of Art: 5

Describe your job here at the Museum: I oversee and help create the adult programming offered at the Museum including Late Nights, Thursday Night Live, lectures, gallery programs, concerts, and programs for adults offered in partnership with other community organizations. I also work with our Multimedia staff to make sure any programs requiring technical support go off without a hitch.

What is your favorite part of your job? Watching visitors of all ages on Late Nights, when Museums are normally not open, talking with each other, exploring the galleries, watching a performance in front of a work of art, and overall having FUN in a museum. Another part of my job I enjoy is stepping away from my desk, leaving the office areas behind, to stroll through the galleries. You can’t beat taking a break with works of art for company.

What is a challenge you face in your job? Continually making our reoccurring programs fresh and new for our visitors. For instance there are eleven Late Nights a year, and we see a lot of repeat visitors. We want to make sure that each time our visitors are here they have a new and exciting experience.

How did you decide you wanted to work in a Museum? When I was in high school my art teacher, Mrs. Dunn, took us on a field trip to an art museum. As we were talking about a work of art, she started to tap dance and proclaimed that art was so wonderful it made her want to dance. I realized then that museums were magic places. It was not until I was looking into graduate schools and talking with a professor at UNT about their Museum Certificate program within their Art Education program that I realized I could actually have a job at a museum.

If you weren’t working here at the Dallas Museum of Art, what is something else you would be doing? I would be working with animals. Growing up on the East Coast, there was a time I seriously thought of becoming a marine biologist. I also have a degree in photography, so if I were staying within the art field I would be photographer. Or maybe some combination of the two. Here are two photos I took at the Mystic Marinelife Aquarium:  

What are some highlights for Public Programs this spring? This spring we are offering a lot of interesting programs celebrating our new exhibition The Lens of Impressionism. There are several lectures exploring photography including a lecture with Dr. Terry Barrett on April 24. On selected Thursday evenings you can take a tour of the exhibition and then have drinks in our outdoor courtyard while listening to local musicians perform French music. Visit the web site to see the complete program guide.    

We are also very excited about our April 16 Late Night. We are celebrating our visitors with a true iMuseum experience. It will be a night where you can interact with performers, create your own videos, respond to works of art in video confessionals, go on Twitter treasure hunts, share your own photos of the Museum, and more. Check out our web site for a full schedule of events.  

Amy Wolf
Teaching Programs Coordinator

Go van Gogh at KidsFest 2010

Amy Copeland and I recently took the Go van Gogh van out to Firewheel Town Center for KidsFest 2010.  We set up shop in a booth on the square, setting out watercolors, colored pencils, crayons, and oil pastels.  We had an amazing turnout– over one hundred kids made a work of art! 

Justin Greenlee

McDermott Intern, Teaching Programs and Partnerships

À la plage

James McNeill Whistler, Sea and Rain, 1865, University of Michigan Museum of Art, Bequest of Margaret Watson Parker, 1955/1.89

One of the things I love most is hearing visitors’ responses to works of art.  And it’s really fun when those responses take a creative shape, and you get to hear an original poem or an elaborate this-is-what-I-think-would-happen story that helps you see the artwork in a new way.

Last Thursday, I had the pleasure of giving a tour to a group of students from Bowie High School’s French Club, and they came up with great creative responses to a work in our newly-opened Lens of Impressionism exhibition.  Below are two poems based on James McNeill Whistler’s Sea and Rain.  To make these poems, students wrote descriptive words on small Post-Its (shown below), and arranged them to create phrases.  They also humored me by translating the words into French!

Calmant sérène mer
Il pleut à la plage
Admirant fantastique a la coast

Calming serene sea
Lonely raining beach
Admiring amazing shore

Il fait du vent voir ciel
Calmant pur le plage
Tranquil calme une personne

Windy looking sky
Calming pure beach
Peaceful calm person


Thanks, Bowie students, for a great tour and thoughtful poetic responses.

Amy Copeland
Coordinator of Go van Gogh Outreach

Exploring Photography and Creativity

Our next teacher workshop is our final workshop of the school year:     

Exploring Photography: The Lens of Impressionism
7 CPE hours; limit 20
$50 full price; $40 DMA members   

 

Gustave Le Gray, Brig Upon the Water, ca. 1856. Albumen print, Founders Society Purchase, Henry E. and Consuelo S. Wenger Foundation Fund (F78.41) Photo © 2004, Detroit Institute of Arts

This workshop stretches over two meetings; please plan to attend both dates.

Saturday, April 24, 2010; 9:00 a.m.-12:30 p.m.
Saturday, May 1, 2010; 9:00 a.m.-12:30 p.m.   

Two special guests will join us for this workshop:   

Dr. Terry Barrett, Professor of Art Education at the University of North Texas, will lead a gallery conversation based on photographs in the Lens of Impressionism exhibition on April 24.  Learn more about Dr. Barrett by visiting his Web site or by reading his recent interview on this blog.   

Frank Lopez, photographer and visual art teacher at Greenhill School, will lead a demonstration of ambrotype photography on May 1.  Visit Mr. Lopez’s Web site to learn more about him and his work.   

We’re also taking reservations for our annual summer course offered in conjunction with The University of Texas at Dallas:   

Summer Seminar 2010: The Creative Process   

 June 15-18, 2010; 9:00 a.m. to 4:00 p.m. daily   

$100 registration fee   

Join UT Dallas faculty and DMA staff to explore the theory and practice of creativity in this graduate-level seminar.  Discussion sessions and interactive workshop experiences will take place at the Dallas Museum of Art in classrooms, galleries, and the Center for Creative Connections.     

Both programs are open to K-12 teachers of all subjects.  Register now before spaces are gone.   

Molly Kysar
Head of Teaching Programs

Arts and Letters Live: Texas Bound II

Over the years the DMA has actively collaborated with students from Booker T. Washington High School for the Performing and Visual Arts.  We’re neighbors, and we benefit from having each other around.  It’s a self-sustaining engine: students share their talents with us, we instigate and inspire new creative effort in them, and they share their creative output with us all over again.                                                                                        

The Dallas Museum of Art, Booker T. Washington, and The Dee and Charles Wyly Theater for the Performing Arts recently collaborated on Arts & Letters Live’s Texas Bound: Texas Stories I.  Texas actors gathered to read short stories by Texas authors Larry L. King, Jennifer Mathieu, Mark Wisniewski, and Matt Clark.  G.W. Bailey’s reading of Matt Clark’s The Crowned Heads of Pecos was a particular treat: Sad to say, but the bridge is gone now… If you haven’t read it, get a copy.  It’s wonderful.  As the actors read, photographs of works by students from BTW’s Portfolio Class were projected behind them. 

There won’t be any student artworks this time (the BTW students are busy preparing for the DMA’s Art Ball), but Arts & Letters Live has put together a fantastic line-up for Texas Bound: Texas Stories II.  The event takes place on Monday, April 19th at 7:30 p.m. in the Horchow Auditorium and features stories by Sarah Bird, Will Dunlap, Tim O’Brien and Cristina Henríquez read by Julie White, John Benjamin Hickey, and James Crawford (tickets).  Don’t miss it!

Justin Greenlee  

McDermott Intern with Teaching Programs and Partnerships

Lightning Kiss by Angelica Valdez

The Stricken Affair by Billie Beth Ricca

Neurological Fears by Danni Rogina-Lopez

 

A Part of You by Deanna Smith

Walk Like an Egyptian

Happy Friday!  I was listening to my iPod this morning and the song “Walk Like an Egyptian” by the Bangles came on.  I decided this song would be my anthem for the day.  I couldn’t get the following lyric out of my head.
      

“All the old paintings on the tombs, they do the sand dance, don’t you know.  If they move too quick (Oh Way Oh), they’re falling down like a domino.”     

Here are a few artworks that caught my eye today.    

                  
Relief of a procession of offering bearers from the
tomb of Ny-Ank-Nesut, 2575-2134 BC, Painted Limestone
 
                                                             
Head and upper torso of                                                         Mummy Mask, Egyptian:
Seti I, 1302 – 1200 BC                                                         Probably 1st – 2nd century,
Granite                                                                                        Cartonnage, pigment, and
                                                                                             gold leaf, Dallas Museum of Art,
                                                                                          Gift of Elsa von Seggern, 1996.63
   
Next time you are in the Egyptian gallery, strike a pose and “Walk Like an Egyptian.”  (Oh Way Oh)    

        
Until next time….   

Jenny Marvel
Manager of Learning Partnerships with Schools  

Get to Know a DMA Docent

If you have scheduled a docent-guided visit to the DMA, you already know how wonderful our docents are.  We have a corps of over one hundred volunteer docents who lead tours for K-12 and higher education students, as well as our adult visitors.  I recently talked with Lisa Jacquemetton to learn more about her experience as a DMA docent.

 
 

Docent Lisa Jacquemetton with Franz Kline's Slate Cross

How long have you been a DMA docent?
I am in the middle of my third year.

Why did you become a docent?
I had just finished my Masters in Liberal Arts at SMU and I loved that but I didn’t really want to take my formal education any further.  One of my friends was a docent, and she suggested that I contact Molly .  I became a docent primarily for the art history education, or so I thought.

Tell me about your experience in the docent program.
I’ve just loved it.  I have made all kinds of new friends with similar interests—fellow docents, educators, and even getting to know the curators has been fun.  I have learned much more than art history.  I’ve learned how to teach, I’ve learned a lot about comparative religion, science, world history– so much more than art history.  I’ve learned that I really love being around kids.  Who knew?

So what makes you love being around kids?
I think it’s seeing their reaction.  When you have a kid really get into a work of art, you see their faces light up, or at the end of the tour when they saw “aw, are we done” and you know that they want to keep going—it’s a high.

What is your favorite work of art in the DMA collection?
That’s like asking me what my favorite color is.  I’m partial to contemporary art and Abstract Expressionism.  My favorite, but it was just taken down, was The Eye by David Altmejd.  I also love Franz Kline’s Slate Cross—so dramatic, so powerful, and for me, so emotional.  I tend to react to art on an emotional level first, and that’s one of those pieces that makes me swoon.

Share your best tour experience.
The best tour experience I had was an Arts of the Americas tour last year.  First we headed to the elevators to go up to the 4th floor, and the reaction of these kids—they were so into it.  We went through the Ancient American galleries, looking at the Inca tunic first.  Then we looked at Xipe Totec, and I gave them the gory details, which they loved.  And then we ended at the Olafur Eliasson exhibition which was a huge hit. We ended up in the Room for One Color, and I gave them pieces of paper inside so they could decide what color it was.  One boy in my group was in a wheelchair and did not have fully formed foot, so he took off his sock and held his piece of paper between his toes.  (He wasn’t able to use his hands.)  When we came out, he was so into the whole experience.  And here’s the best part—the kids asked me for my autograph and I wrote it on their little pieces of colored paper.  I felt like a rock star.  It was the first and only time I’ve been asked for my autograph.  I practically flew home off my own energy that day.  When the kids react like that, that’s the best.

Shannon Karol
Tour Coordinator

Pablo Picasso said…

Every child is an artist.  The problem is how to remain an artist once we grow up.

Best in Show - Looking Glass Self by Katy Wood

The halls and galleries of the DMA fill up this spring with two installations of creative work by young artists in the community.  Earlier this month, the Young Masters exhibition opened in the Dallas Museum of Art’s Concourse.  The exhibition features a selection of artworks created by Advanced Placement Art students from Dallas area high schools who participate in the O’Donnell Foundation AP Studio Arts Incentive Program.  The Incentive Program focuses on making Texas the strongest state in AP arts education and preparing students for life in the 21st century as critical thinkers with global perspectives.    A total 280 works were submitted for the juried exhibition, which included two rounds of judging.  The DMA’s own Jeffrey Grove, Senior Hoffman Family Curator of Contemporary Art, selected the final winners.  Katy Wood from Booker T. Washington High School took away top honors with her self-portrait Looking Glass Self, a color digital photograph. In her statement Katy says. “Psychology greatly influences my artwork.  In this piece, I explored a psychological theory called ‘looking-glass self’, in which one’s self can be reflected by the society and environment’s perceptions.”  Images by additional award winners are featured on the AP Arts Web site.

In April, the work of young artists from fourteen elementary, middle, and high schools in the Dallas area will be on display in conjunction with the exhibition Coastlines. These artists are part of the Young Artist’s Program, an education-based initiative presented with the Museum’s annual fundraising event the Art Ball.  Each year the Art Ball provides essential funding for the DMA’s exhibitions programs and gives students throughout Dallas an opportunity to make art in response to a unique theme derived from a DMA exhibition.  Inspired by images of coastal landscapes and the sea, many of the schools participating in the Young Artist’s Program this year are creating large-scale collaborative works that will fill gallery spaces on the first floor.  Works in all media will be on view to the public from April 15 to April 24, 2010, and the exhibition will be accompanied by a video documentation of students working.

Nicole Stutzman
Director of Teaching Programs and Partnerships

Students at the Dallas International School apply encaustic to their mixed media artwork about the Moroccan coast.

Eduardo Mata Elementary artists create mixed media nautical collages.


Archives

Flickr Photo Stream

Categories