Archive for the 'works of art' Category



Art’s Inspiration

 

Image of Art Smith photo by Arthur Mones, 1979

Image of Art Smith photo by Arthur Mones, 1979

Last weekend, From Village to Vogue: The Modernist Jewelry of Art Smith opened at the Dallas Museum of Art.  In connection with this exhibition, the Center for Creative Connections is pleased to have on view a “Baker” Bracelet by Art Smith, along with a collection of tools owned by the artist.  Because a different “Baker” Bracelet is also on view in the exhibition, we faced the challenge of providing information that would expand on and not simply duplicate the information included in the exhibition.  In the months prior to installing the bracelet, I  learned that “Baker” referred to Josephine Baker.  So, naturally, my first question (and the one that I thought visitors might have) was “Who is Josephine Baker?”

As it turns out, Josephine Baker led quite an amazing life.  Baker was an African-American dancer and singer, who rose to fame in France.  In 1926, her performance in the popular show La Folie du Jour cemented her celebrity status.  During World War II, she worked for the French Resistance both entertaining troops and smuggling hidden messages in her sheet music.  After the war she returned to the United States and was an advocate for the Civil Rights movement.  Her efforts were acknowledged by the NAACP, who named May 20th “Josephine Baker Day.”  Baker, loved for her singing, dancing, fashion and beauty, was greatly admired by artists and writers of the time such as Langston Hughes, F. Scott Fitzgerald, and Pablo Picasso.  However, what I found most intriguing was that she inspired several sculptures by Alexander Calder.  Calder is known to have been an influence on modernist jewelers like Art Smith, and so their mutual interest in Baker caught my attention.

 

What similarities can you notice in the lines, shapes, angles, and curves between the bracelet and the images of Josephine Baker?

Visit the Center for Creative Connections to see the “Baker” Bracelet and Art Smith’s tools and to learn more about Smith’s inspiration and process.  On view through December 7, 2014.

Jessica Fuentes
C3 Gallery Coordinator

Friday Photos: Old Haunts, New Friends

Museums often seem to inspire very personal and strong emotional bonds, and it is not uncommon to hear people talk of specific works in a collection or favorite locations within a building as akin to “friends and family.”  As a former DMA Education employee who has recently returned to the Museum, I have enjoyed spending the last several weeks rediscovering some of my favorite spaces and works of art here.  Of course, along the way, I have stumbled across some new works of art and changes at the DMA that I am becoming newly acquainted with!   I thought I would share this –admittedly quirky and idiosyncratic– tour of “old haunts and new friends.”

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I have always loved the tree that grows in the middle of our upper office area, particularly when viewed from one of the hallways radiating from it.   Also, the tucked-away chairs at the corner windows on the fourth floor are my favorite place to sit and read a few pages of a book during a break, followed only by the view of Fleischner Courtyard from the Mayer Library (Did you know we have a fantastic library the public is welcome to use for research?)

 

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Another favorite object is one of Winston Churchill’s paint sets, tucked away with a wonderful assortment of his letters, telegrams, small works on paper, and assorted memorabilia in the Wendy and Emery Reves Collection.

 

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As a lover and student of Surrealism, I was delighted to see two works on view that I had not previously viewed in person: René Magritte’s Our Daily Bread (Le Pain Quotidien), 1942, and Dorothea Tanning’s Jeux d’Enfants, 1942.  The deep-set frame of  the Tanning is particularly lovely, I think!

 

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Nearest the Ross entrance in the Founder’s Room are a set of window panels designed by Frank Lloyd Wright, originally from the Francis W. Little House in Deephaven, Minnesota.  It was interesting viewing the geometrically-designed “grilles” in the window against one of the orange-and-white striped hanging cloth panels in Daniel Buren’s Sanction of the Museum from 1973.

Finally, there is a little tucked away kitchenette in the Museum’s office area where I was always fascinated by a framed Dallas Morning News front page from 1984 announcing the donation of the Reves Collection, and I was pleased to discover it was still there.  I love how this is an historical artifact of the worldly context during which this important collection was added to the Museum, a preserved moment in time akin to the recreation of the Reves’ villa here.

 

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Two newer features of the Museum that I am quickly becoming quite fond of are the recently acquired painting by Norwegian Romantic painter Johan Christian DahlFrederiksborg Castle by Moonlight, and the Conservation Studio across from the Founder’s Room.  Not only is the Conservation Studio fascinating to glimpse into, but the works on display outside it offer insightful peeks into little-seen aspects of objects like gallery labels and abandoned paintings hidden by frames.  (And, if you look carefully at my reflection in the window, it appears the female figure in the painting is tapping me on the shoulder.)

What are some of your favorite works of art and tucked away places here at the Dallas Museum of Art?  Please leave your examples in the comments!

 

Artworks shown (in order of appearance):

  • René Magritte, Our Daily Bread (Le Pain Quotidien), 1942, Dallas Museum of Art, Gift of Nancy B. Hamon in honor of Margaret McDermott.
  • Dorothea Tanning’s Jeux d’Enfants, 1942, Lent by Private Collection.
  • Frank Lloyd Wright, Window panels from the Francis W. Little House, “Northome” in Deephaven, Minnesota, 1912-14, Gift of Dr. and Mrs. Ralph Greenlee, Jr.
  • Johan Christian Dahl, Frederiksborg Castle, 1817, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund.

 

Josh Rose
Manager of Docent and Teacher Programs

Artist Astrology: Taurus

This month’s astrological sign, Taurus (April 20 – May 21st), is typically defined as the most stubborn and obstinate of the signs. This trait can be both an asset and an obstacle. Many Taurus individuals are able to harness their obstinacy in order to pursue their personal objectives and goals, even if they are working against the odds. On the other side, however, this persistence can manifest itself as pride and they may neglect the good-intentioned advice of others. Taurus individuals are most successful when they are provided the opportunity to set their own destiny; they do not enjoy being managed and may consider external assertion stifling. Although they are focused on their goals, people born under the Taurus sign are also patient and practical about their decisions. They make wonderful life partners and friends because once they find someone they care about, they are loyal and faithful until the end. In fact, patience, perseverance, and honor are three of their traits most admired by others.

Today we are featuring one artist, J.M.W. Turner (April 23), whose personality and artworks perfectly epitomize the traits of a Taurus!

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Joseph Mallord William TurnerApril 23

Trained at the Royal Academy of Arts in London, Turner followed the instruction of Sir Joshua Reynolds, first President of the Royal Academy, to “paint pendants to a number of masterpieces.” Turner, however, was not content with merely replicating the works of earlier masters; instead, he made it his personal mission to recreate and outdo past painters. In particular, Turner viewed landscape painter Claude Lorrain as his greatest competition. Throughout his career, he sought to surpass Lorrain by imbuing his works with superior light and atmospheric effects. In fact, in his will, Turner left two of his masterpieces to the National Gallery under the stipulation that they would hang next to a pair by Lorrain; thus presenting viewers the opportunity to witness his superior techniques. The four artworks still hang in Room 15 at the National Gallery today.

For more Taurus artists in the DMA collection, check out the works by Willem de Kooning (April 24), George Inness (May 1), Salvador Dali (May 11), Georges Braque (May 13), and Jasper Johns (May 19).

Tune in next month for a look at our gifted Gemini artists (May 22 – June 21)!

Artworks shown:

  • J.M.W. Turner, Bonneville, Savoy, 1903, Dallas Museum of Art, Foundation for the Arts Collection, gift of Nancy Hamon in memory of Jake L. Hamon with additional donations from Mrs. Eugene D. McDermott, Mrs. James H. Clark, Mrs. Edward Marcus and the Leland Fikes Foundation, Inc.

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Friday Photos: Food, Glorious Food!

As someone who spends a lot of time thinking about food, I’m a sucker for a still life with anything edible, especially if trompe l’oeil is involved. Walking through the galleries recently, I was excited to discover that two of my favorite DMA still-life paintings are currently on view: Still Life with Landscape and Munich Still Life. Still Life with Landscape has always been a favorite tour stop–kids love talking about food as much as I do, so it’s a fun, if hunger-inducing, way to kick off a Museum visit.

Recently, I’ve taken my passion for food beyond conversations in the galleries. I’ve begun an adventure in gardening at the Lake Highlands Community Garden, to try and grow just a little of the produce I eat. Now that the temperatures are warming up and transplants have had time to grow, the plots are full of spring vegetables—some of which will be ready for harvest this weekend! Below are pictures of the Lake Highlands Community Garden, its Butterfly and Donation Gardens, and a few vegetables that I hope will someday soon make a tasty, still-life worthy snack!


Amy Copeland
Manager of Go van Gogh and Community Teaching Programs

Artist Astrology: Aries

This month we are celebrating our assertive Aries artists (March 21 – April 20)! The first sign of the zodiac, Aries individuals are born leaders. They are characterized by fearlessness, persistence, and energy. Aries crave adventure, reveling in challenging situations where they can test their passion and determination. This high-energy and enthusiasm often lends itself best to individual, rather than group work. Aries exude a confidence and self-assurance that can be difficult for others to understand. Their confidence encourages them to explore their ideas and they are happy to pave their own path. Aries set their own rules and do not let anything stand in the way of reaching their goals!

Three of our favorite Aries artists in the DMA Collection include Vincent van Gogh (March 30), Victor Vasarely (April 19), and Joán Miró (April 20).

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Vincent van Gogh – March 30

Now one of the most well-known artists in the world, Vincent van Gogh achieved very little recognition during his lifetime. In fact, in the ten years that he worked as a painter, he only sold one work (Irises). Van Gogh’s painting style was primarily influenced by two movements, the Pointillist techniques of Georges Seurat and the Japanese ukigo-e woodcut practice. He combined these distinct practices to create a style uniquely his own. His use of bold brush strokes and thickly applied paint is often referred to as Expressionistic. This suggestion also refers to van Gogh’s unique ability to empathize with his subject, as demonstrated in the joyous, almost comical way he depicted the wheat above. Unfortunately, van Gogh was known to set impossibly high standards for himself. He also battled mental illness and depression, a disease that ultimately took his life in 1890. Sheaves of Wheat (above) belongs to van Gogh’s last series of paintings, completed in Auvers-sur-Oise between June-July 1890. While he did not exude an Aries’ confidence and self-assurance, Van Gogh’s artistic originality and independence have made him one of the most significant artists of the 19th century.

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Victor Vasarely – April 19

Victor Vasarely is considered one of the primary leaders of the Op art movement of the 1960s. He expanded upon the geometric language of the Bauhaus movement and artists such as Wassily Kandinsky and Paul Klee (both in the DMA’s collection) in order to produce a “dynamized” effect. He believed that this new language transformed relatively stable structures into more vibrant, optical configurations. Vaserely’s designs are a treat for the eye and a challenge for the mind.

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Joán Miró – April 20

Joán Miró’s artistic style is characteristic of an Aries artist. Throughout his prolific career, Miró resisted joining any art movements, preferring to explore and develop a style that was uniquely his own. While frequently equated with the Dada and Surrealist movements of the 1920’s, he never officially joined either group. His style, however, shares some commonalities with these movements, namely his interest in automatic drawings and childlike sensibilities. Miró’s art remained largely consistent throughout his life as he continued to explore these themes and ideas. He is especially noted for his loose, free-flowing shapes, known as “biomorphic” forms. In the 1940s and 1950s, Miró continued to defy traditional artistic traditions by expanding his techniques to new mediums, including etching (as seen above).

And the list of Aries artists goes on! Including such masters as Jean-Honoré Fragonard (April 5), Raphael (April 6), and Leonardo da Vinci (April 15).

Come back next month to learn about our tenacious Taurus artists!

Artworks shown:

  • Vincent van Gogh, Sheaves of Wheat, July 1890, Dallas Museum of Art, The Wendy and Emery Reves Collection
  • Victor Vasarely, Meride, 1961-1963, Dallas Museum of Art, Dallas Art Association Purchase, Contemporary Arts Council Fund
  • Joán Miró, Woman and Bird in Front of the Moon (Femme et oiseau devant la lune), 1947, Dallas Museum of Art, gift of Frances Pratt

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Aquarius and Pisces

This month we are highlighting two astrological signs, Aquarius (January 21 – February 19) and Pisces (February 20 – March 20)! Both signs have produced brilliant artists but, as we will discover, the working methods and aspirations of these two zodiacs are quite different.

Aquarius

People born under the Aquarian zodiac are identified by their forward-thinking and progressive nature. They are self-directed leaders and prefer to define themselves by their originality and uniqueness. Aquarians are constantly adapting and consider change and evolution a crucial element in self-development. Because of this, Aquarians enjoy surprises–both good and bad–and thrive in exciting, stimulating environments. Banality is never an option for an Aquarius. They are extremely mentally active individuals and their mind is rarely at rest. Aquarians maintain this energy and curiosity throughout life, often described as remaining ‘young at heart’.

The DMA collection features multiple Aquarian artists, including Edouard Manet (January 23), Jackson Pollock (January 28), Claes Oldenburg (January 28), Thomas Cole (February 1), Fernand Leger (February 4), and Lewis Comfort Tiffany (February 18).

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Edouard Manet – January 23

During his lifetime, Manet was frequently criticized and satirized for his work. Some of his most significant artwork, including Olympia and Dejeuner sur l’herbe, were rejected from the Salon and hung at the ‘Salon des Refuses’ instead. Even still, Manet continued to submit works to the Salon throughout his life. Despite academic misfortune, Manet’s work inspired a new generation of artists. Edgar Degas and other members of the Impressionist movement would adopt his use of the alla prima technique and treatment of form using a single stroke or flat area of color. His tendency to avoid intermediate values in favor of sharp contrasts of light and dark, as observed in The Spanish Singer (above), also had an influential affect on art historical tradition.

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Jackson Pollock – January 28

The painting above has been interpreted as a self-portrait partially obscured by a mask. A similar image appears in many of Pollock’s artworks, largely reflective of his self-retrospective style and the influence of Jungian analysis. Pollock believed that “Painting is a state of being…Painting is self-discovery. Every good artist paints what he is.” This interest in psychotherapy and Jungian analysis reveals the Aquarian tendency to continually seek change and evolution.

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Claes Oldenburg – January 28

Oldenburg’s Stake Hitch, an emblematic artwork in the DMA collection, was commissioned in 1981 to commemorate the opening of the DMA’s new downtown location. At 18 feet tall, the metal stake plunged through the ground of the gallery, appearing below in the museum’s receiving dock (only accessible to museum staff). Above ground, the stake was attached to the gallery’s 40-foot-ceilings with a massive rope. Stake Hitch, removed from display in 2001, is signature of Oldenburg’s artworks, as his work often features everyday objects enlarged to a monumental scale. Oldenburg’s fascination with material culture catapulted him to the forefront of the Pop Art Movement in the 1960s.

Pisces

Unlike Aquarians, Pisces individuals are not concerned with self-progression and evolution. In fact, the most definitive trait of a Pisces is their unconditionally loving and compassionate nature. Pisces often place the concerns and interests of others above their own, making them indecisive or sacrificial at times. Although they are very observant, their idealistic and emotional instincts can direct their perspective. Pisces are known as the most mature and intuitive sign. They are deeply connected to the world around them and typically choose professions where they can serve others.

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Alexandre Hogue – February 22

The works of Alexandre Hogue display the intuitive sensibilities of a Pisces. His Erosion series, currently on view at the DMA, provides a commentary on the state of North Texas during the Dust Bowl. Hogue felt very connected to the natural environment, having spent his childhood gardening with his mother. She taught him to take care of his natural surroundings and referred to the earth as “Mother Nature.” Given this background, Hogue was disgusted by the selfishness and ignorance of the migratory farmers in early 20th century, rightfully blaming them for producing the Dust Bowl. His Erosion series particularly highlights the devastating effects of land and water erosion, produced by fencing, over-plowing, over-grazing, monocropping, and expanding roadways. Alexandre Hogue: The Erosion Series will be on view through June 15, 2014.

Additional Pisces artists of note include Frank Gehry (February 28th) and Piet Mondrian (March 7th).

Thank you for reading the latest addition of Artist Astrology and don’t forget to check out next month’s section on our ambitious Aries artists!

Artworks shown:

  • Edouard Manet, The Spanish Singer, 1861, Dallas Museum of Art, The Wendy and Emery Reves Collection
  • Jackson Pollock, Portrait and a Dream, 1953, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated
  • Claes Thure Oldenburg, Stake Hitch, 1984, Dallas Museum of Art, commissioned to honor John Dabney Murchison, Sr. for his arts and civic leadership, and presented by his Family
  • Alexandre Hogue, Drouth Stricken Area, 1934, Dallas Museum of Art, Dallas Art Association Purchase

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Oh, The Places You’ll Go for Spring Break!

Many schools here in the Dallas area are keeping their doors closed this week as families venture off to enjoy Spring Break. As a kid, Spring Break for me meant going on an assortment of fun vacations, whether to a nearby locale like Huntsville State Park for camping or to the ultimate destination: Disney World!

As you wander the galleries of the DMA, you’ll notice the wonderful assortment of artworks that we have from all over the globe, of places both near and far. Since Spring Break is on the brain, I asked the DMA Education Team what work of art represents their ultimate Spring Break vacation destination. Check out what we came up with and feel free to share your own!

Jessica Fuentes picked Trevor Paglen’s DMSP F16 over Monument Valley, Navajo Nation (Military Meterological Satellite; 203-048A). Jessica hopes to spend a good amount of time camping and taking photographs during her spring break. “The light that crosses the sky reminds me of star-trail photography, something I haven’t quite mastered, but am working on.”

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Trevor Paglen, DMSP F16 over Monument Valley, Navajo Nation (Military Meteorological Satellite; 203-048A), 2009, Dallas Museum of Art, Anonymous gift

Melissa Gonzales picked Catherine Opie’s Untitled (Surfers) because when it comes to Spring Break, or really any vacation, she loves to go to the beach. “I love relaxing on the sand, listening to the waves, reading a great book, sipping a cold fruity drink, and taking a nap in the hot sun. I also like watching the surfers bob up and down in the water, and the smooth grace of those who catch a wave to shore.”

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Catherine Opie, Untitled (Surfers), 2003, Dallas Museum of Art, Anonymous gift

Amanda Batson’s ideal vacation destination was inspired by Crawford Riddell’s Bed, because she desires a long nap for her Spring Break.

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Crawford Riddell, Bed, c. 1844, Dallas Museum of Art, gift of three anonymous donors, Friends of the Decorative Arts Fund, General Acquisitions Fund, Discretionary Decorative Arts Fund, and the Boshell Family Foundation

Michael Hartman, McDermott Intern for European Art, picked Jean-Achille Benouville’s Colosseum Viewed from the Palatine because he’s always wanted to visit Rome.

Jean–Achille Benouville, Colosseum Viewed from the Palatine, 1844, Dallas Museum of Art, gift of Mr. and Mrs. George A. Shutt, Dr. and Mrs. George N. Aldredge, Jr., the Societe Generale

Hayley Prihoda chose Albert Marquet’s The Beach at Trouville. “This painting by Albert Marquet encapsulates everything I look for in a Spring Break vacation. I love the bright colors, clear blue sky, and red and white striped tents, a signature of the early 20th century. Plus, Trouville is only a couple hours outside of Paris, so I could take a day trip to the Louvre and the Musee d’Orsay!”

Albert Marquet, The Beach at Trouville, c. 1906, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated

Inspired by the bold highway signs in Coreen Mary Spellman’s Road Signs, my ideal vacation destination for Spring Break would be a road trip along Route 66. It’s always been on my bucket list to travel along Route 66 from New Mexico to the California coast and visit unique roadside stops along the way.

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J Coreen Mary Spellman, Road Signs, c. 1936, Dallas Museum of Art, gift of Helen, Mick and Thomas Spellman.

Make sure to visit the DMA as part of your own Spring Break vacation. We have a ton of activities going on this week at the Museum, whether you’re visiting our Pop-Up Art Spot, voting for your favorite work of art in our Art Madness Tournament, or having a ball during our Family Block Party this Friday, March 14. Check out our full schedule of events here!

Amy Elms
McDermott Education Intern for Visitor Engagement

Bringing Artworks into Focus in the Most Delightful Way

I like to think of our Go van Gogh volunteers as the Mary Poppinses of Dallas elementary schools. They’re the special guest bearing a big bag full of magical things (art supplies! stories of Museum treasures!) that promise fun, adventure, and, when you least expect it, a lesson or two. Our volunteers also happen to have cheery dispositions, so the comparison works well on several levels. In a perfectly Poppins world, we could reach into our magical outreach bags during programs and pull out real DMA artworks, large and small, bringing the Museum right into the classroom. Until we figure out how to work that final bit of enchantment, we travel to classrooms with the next best thing—reproductions of artworks and the masterful storytelling needed to bring these artworks to life.

Over the years, our bags have been filled with reproductions of all kinds. First there were large posters of artworks to roll up and carry, then we traveled with the heavy hum and whir of slide projectors, and more recently we slipped sets of bright, colorful overhead transparencies into our bags. These reproductions came in all shapes and sizes, but each allowed us to show with clarity and accuracy, the beauty of our Museum’s treasures to students who had never seen them before.

Our latest method of magic involves paper images of artworks that we project using document cameras available in classrooms. When the quirks and glitches of this classroom technology left us projecting artworks in the least delightful way, we decided it was time to fill our bags with newer things—iPads and projectors. With the great ideas and lots of hard work, DMA colleagues Danielle, Amanda, Nicole, Ted, and our friends, Emily, Shannon, Bernardo, and I spent last summer writing a proposal for the Sprint Local Grant Program and pouring our best ideas into a video to convince The Sprint Foundation that all we needed was some wind in our kite (and the help of a generous Mr. Banks) to leap into the 21st century and get back our classroom magic.

The storyboard for our video submission

The storyboard for our video submission

Late last year, Sprint gave us the happy ending we were hoping for (we’re your biggest fans, Sprint!), and we are in the process of purchasing iPads for our outreach programs. This means that the next time we teach our Arts of Mexico curriculum, we can point to a well-projected, sharply-focused image of the Mask of Tlaloc and explore precious, tiny pieces of turquoise that form a delicate mosaic. We can zoom in and in and in again on the sixty foot mural, Genesis, The Gift of Life, discussing fine details usually reserved for Museum visits and having much richer discussions for it.

We’ll finally have the tools to unpack the best quality artwork images from our magical outreach bags—images that will spark great conversation and moments of wonder, like museum experiences with real artworks do. We’ll be as close to the real Mary Poppins as we can get (I draw the line at flying into classrooms!!), and that’s pretty exciting.

Amy Copeland
Manager of Go van Gogh and Community Teaching Programs

Artist Astrology: Capricorn

This week’s post is written by guest-author Alexa Hayes, the McDermott Curatorial Intern for American and Decorative Arts. Alexa is a specialist on John Singer Sargent, having written her honors thesis on Sargent’s portraits of women during the 19th century. I’m very grateful for her contributions to this edition of Artist Astrology!

The chilly months of winter match the seemingly-chilly exterior of those born under the sign of Capricorn (December 22 – January 19). Capricorns are outwardly reserved, dedicated hard workers driven by private ambitions. Rarely reckless, they pursue their goals with resourcefulness and practicality, often enjoying success because of their intense commitment to their work. Capricorns are fiercely loyal, making friends for life with those who can see past their elitist demeanor to the deeply sensitive and loving character hidden inside.

The DMA’s collection offers stellar works of art by many of history’s most beloved Capricorns:  Joseph Cornell (December 24), Henri Matisse (December 31), John Singer Sargent (January 12), Berthe Morisot (January 14), and Paul Cézanne (January 19).

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Joseph Cornell – December 24

An eclectic recluse, Joseph Cornell rarely left the state of New York and held a long-standing suspicion of people, particularly men. Despite this isolation, his pioneering of assemblage and collage as fine art earned him acclaim throughout the art world. He maintained a commitment to studio practice, constantly collecting objects, scraps, and images to create his works of art, preferring to work with items that already have a life and history rather than to produce something brand new. Although many art historians focus on the Surrealist influence in Cornell’s work, his style tugs at viewers in an emotional way, playing with their own nostalgia, thus distancing him significantly from the Surrealists’ crisp world of dreams and fantasy.

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Henri Matisse – December 31

Originally trained as a lawyer, Henri Matisse did not develop an interest in art until age twenty one. During a period of illness, Matisse’s mother brought him art supplies to keep him entertained, unintentionally igniting a passion for art. Matisse worked in all media, from sculpture to drawing to printmaking, but became most famous for his daring employment of color, denial of realistic spatial relationships, and energetic brush strokes in painting. He is praised for his monumental contributions to modern art and remains one of the most beloved painters of the twentieth century.

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John Singer Sargent – January 12

Although John Singer Sargent lacked the reserved demeanor of most Capricorns, he did possess a distinct elegance and personable charm that gained him many friends in the elite literary and art circles of America and Europe. True to his Capricorn birth, however, he was extremely dedicated to a rigorous studio practice, maintaining a sketchbook at all times and spending hours developing the effortless painterly appeal of his portraits. Sargent had a keen eye not only for aesthetic design but for grasping the character of his sitter within minutes of their introduction. In Dorothy, broad streaks of paint shape the face of an angry child, seemingly furious at being forced to sit inside for a portrait in her fluffy white gown and impractical hat.

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Berthe Morisot – January 14

One of the most important female artists of the nineteenth century, Berthe Morisot established herself at the forefront of the Impressionist movement, developing her own artistic style and deviating from the subject matter of her male peers. Her work focused primarily on the feminine or domestic sphere, depicting the intimate relationships of women and children. Morisot primarily used friends and members of her household as models, but chose to present them in a modern painterly style, thus elevating a mundane subject to the level of high art competitive with the works of other Impressionists. Throughout most of her life, Morisot maintained a close friendship with her brother-in-law, Edouard Manet, who encouraged her to be less self-critical while supporting her career as an artist.

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Paul Cézanne – January 19

A prolific artist throughout his life, Paul Cézanne demonstrated time and again his commitment to his craft, even risking his father’s wrath when he rejected a career in law to pursue art. Cézanne radically changed the art world by flattening the picture plane rather than using a mathematical linear perspective with a single vanishing point.  Further, he simplified objects to basic geometric forms, enhancing their physical presence and sculptural qualities. Cezanne painted objects from a “lived” perspective, attempting to imitate the way that we see subjects in life from multiple angles or with varied impressions. His work greatly influenced the Cubist movement, inspiring artists like Pablo Picasso and Georges Braque to experiment with vision and perception.

Artworks shown:

  • Joseph Cornell, Portrait of Fiona, 1965-1970, Dallas Museum of Art, Gift of the Joseph and Robert Cornell Memorial Foundation
  • Henri Matisse, Still-life: Bouquet and Compotier, 1924, Dallas Museum of Art, the Eugene and Margaret McDermott Art Fund, gift of the Hoblitzelle Foundation, Incorporated, in honor of Dr. Bryan Williams
  • John Singer Sargent, Dorothy, 1990, Dallas Museum of Art, Gift of the Leland Fikes Foundation, Incorporated
  • Berthe Morisot, Winter (Woman with a Muff), 1880, Dallas Museum of Art, Gift of the Meadows Foundation, Incorporated
  • Paul Cézanne, Still-life with Carafe, Milk Can, Bowl, and Orange, 1879-1880, Dallas Museum of Art, The Wendy and Emery Reeves Collection

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Holiday Lights, Camera, Action!

Every December, I get in a merry holiday spirit and devote the month to putting up decorations in my apartment and listening to festive music both at home and in my car. But my favorite part is watching an endless amount of holiday movies. And with holiday classics on the brain, I can’t go long without being reminded of one of my many favorite films while going about my day- even while working here at the Museum!

Take a look at the following works of art found here at the DMA and read the clues below each image. Put your holiday movie knowledge to the test and see if you can figure out which movie each work of art is most reminiscent of. Click the link paired with each image to see if your guess is correct!

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Nic Nicosia, Vacation, 1986, Dallas Museum of Art, gift of Meisel Photochrome Corporation

It’s time for a holiday vacation spent with kids and the spouse. Just be careful stringing thousands of lights on the house!

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Lucille Jeffries, Woman Reading Beside Square Top House, n.d., Dallas Museum of Art, gift of Mrs. C.P. Wright.

Having the house to yourself for the holidays may seem ideal, but beware of bumbling burglars who are on a mission to steal.

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Ruth L. Guinzburg, Love Birds, n.d., Dallas Museum of Art, gift of Mrs. Robert A. Beyers

Do you feel it in your fingers? Do you feel it in your toes? For these holiday love birds, their love just grows and grows!

lamp

Boston and Sandwich Glass Company, Lamp, c. 1860-1875, Dallas Museum of Art, gift of the Dallas Glass Club

It’s an event-filled holiday for a boy wanting a B.B. gun, complete with a leg lamp, a bunny suit, and decoder pen fun!

afternoon train

Doris Lee, Afternoon Train, 1944, Dallas Museum of Art, Foundation for the Arts, The Alfred and Juanita Bromberg Collection

All aboard a magical train to the north, where hot chocolate, Santa, and adventures come forth!

So how did you do? Are you a Roger Ebert in training or does your movie knowledge need a little brushing up? Tell us in the comments and be sure to let us know which holiday movie you find yourself re-watching every year!

Amy Elms
McDermott Education Intern for Visitor Engagement


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