Posts Tagged 'Artist Astrology'

Artist Astrology: Gemini

This edition of Artist Astrology features one of the DMA’s most beloved Gemini artists, Mary Cassatt (May 25th). Gemini’s are born between May 22nd and June 21st. They are typically categorized as multi-talented, scattered, talkative, and social. Communication is one of the strongest traits of a Gemini, and they may use this skill to clearly express their ideas and opinions. On the other hand, Gemini’s are very versatile and their companions may not be able to keep up with their often-scattered interests. Because of this adaptability, Gemini’s have an easy time making friends. The danger in this behavior may be overexertion and difficulty with time management. Gemini’s constant variety helps them maintain a fun-loving and youthful attitude throughout their lives.

Sleepy Baby, Mary Cassatt, c. 1910, Dallas Museum of Art Munger Fund, 1952.38.M

Sleepy Baby, Mary Cassatt, c. 1910, Dallas Museum of Art Munger Fund, 1952.38.M

 

Mary Cassatt – May 25th

Mary Cassatt did not let anything stop her from pursing her dream, despite many obstacles. Raised in a wealthy family, she was educated according to the typical duties expected of a woman of the time, primarily those aimed at becoming a proper wife. Cassatt, however, realized that this was not her passion and enrolled in art school at age sixteen. Unfulfilled by the curriculum, she left for Europe in 1866 in order to study from the Old Masters firsthand. Her family did not support this decision, and she was forced to pay for her materials and training independently.

As is characteristic of the social Gemini, her career was highly impacted by her relationships, especially that of Edgar Degas. Degas advised Cassatt to pursue her own artistic direction and, after doing so, eleven of Cassatt’s paintings were included in the Impressionist Exhibition of 1879. The exhibition was hugely successful and helped to launch Cassatt’s career. Her work, often focused around women and children in domestic settings, was praised for its objectivity and honesty. Cassatt would continue to play an influential role in the Impressionist movement throughout the late 1800s.

For more Gemini artists in the DMA’s collection, see the works of Paul Gauguin (June 7), Gustave Courbet (June 10th), and Henry Ossawa Tanner (June 21st).

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Taurus

This month’s astrological sign, Taurus (April 20 – May 21st), is typically defined as the most stubborn and obstinate of the signs. This trait can be both an asset and an obstacle. Many Taurus individuals are able to harness their obstinacy in order to pursue their personal objectives and goals, even if they are working against the odds. On the other side, however, this persistence can manifest itself as pride and they may neglect the good-intentioned advice of others. Taurus individuals are most successful when they are provided the opportunity to set their own destiny; they do not enjoy being managed and may consider external assertion stifling. Although they are focused on their goals, people born under the Taurus sign are also patient and practical about their decisions. They make wonderful life partners and friends because once they find someone they care about, they are loyal and faithful until the end. In fact, patience, perseverance, and honor are three of their traits most admired by others.

Today we are featuring one artist, J.M.W. Turner (April 23), whose personality and artworks perfectly epitomize the traits of a Taurus!

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Joseph Mallord William TurnerApril 23

Trained at the Royal Academy of Arts in London, Turner followed the instruction of Sir Joshua Reynolds, first President of the Royal Academy, to “paint pendants to a number of masterpieces.” Turner, however, was not content with merely replicating the works of earlier masters; instead, he made it his personal mission to recreate and outdo past painters. In particular, Turner viewed landscape painter Claude Lorrain as his greatest competition. Throughout his career, he sought to surpass Lorrain by imbuing his works with superior light and atmospheric effects. In fact, in his will, Turner left two of his masterpieces to the National Gallery under the stipulation that they would hang next to a pair by Lorrain; thus presenting viewers the opportunity to witness his superior techniques. The four artworks still hang in Room 15 at the National Gallery today.

For more Taurus artists in the DMA collection, check out the works by Willem de Kooning (April 24), George Inness (May 1), Salvador Dali (May 11), Georges Braque (May 13), and Jasper Johns (May 19).

Tune in next month for a look at our gifted Gemini artists (May 22 – June 21)!

Artworks shown:

  • J.M.W. Turner, Bonneville, Savoy, 1903, Dallas Museum of Art, Foundation for the Arts Collection, gift of Nancy Hamon in memory of Jake L. Hamon with additional donations from Mrs. Eugene D. McDermott, Mrs. James H. Clark, Mrs. Edward Marcus and the Leland Fikes Foundation, Inc.

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Aries

This month we are celebrating our assertive Aries artists (March 21 – April 20)! The first sign of the zodiac, Aries individuals are born leaders. They are characterized by fearlessness, persistence, and energy. Aries crave adventure, reveling in challenging situations where they can test their passion and determination. This high-energy and enthusiasm often lends itself best to individual, rather than group work. Aries exude a confidence and self-assurance that can be difficult for others to understand. Their confidence encourages them to explore their ideas and they are happy to pave their own path. Aries set their own rules and do not let anything stand in the way of reaching their goals!

Three of our favorite Aries artists in the DMA Collection include Vincent van Gogh (March 30), Victor Vasarely (April 19), and Joán Miró (April 20).

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Vincent van Gogh – March 30

Now one of the most well-known artists in the world, Vincent van Gogh achieved very little recognition during his lifetime. In fact, in the ten years that he worked as a painter, he only sold one work (Irises). Van Gogh’s painting style was primarily influenced by two movements, the Pointillist techniques of Georges Seurat and the Japanese ukigo-e woodcut practice. He combined these distinct practices to create a style uniquely his own. His use of bold brush strokes and thickly applied paint is often referred to as Expressionistic. This suggestion also refers to van Gogh’s unique ability to empathize with his subject, as demonstrated in the joyous, almost comical way he depicted the wheat above. Unfortunately, van Gogh was known to set impossibly high standards for himself. He also battled mental illness and depression, a disease that ultimately took his life in 1890. Sheaves of Wheat (above) belongs to van Gogh’s last series of paintings, completed in Auvers-sur-Oise between June-July 1890. While he did not exude an Aries’ confidence and self-assurance, Van Gogh’s artistic originality and independence have made him one of the most significant artists of the 19th century.

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Victor Vasarely – April 19

Victor Vasarely is considered one of the primary leaders of the Op art movement of the 1960s. He expanded upon the geometric language of the Bauhaus movement and artists such as Wassily Kandinsky and Paul Klee (both in the DMA’s collection) in order to produce a “dynamized” effect. He believed that this new language transformed relatively stable structures into more vibrant, optical configurations. Vaserely’s designs are a treat for the eye and a challenge for the mind.

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Joán Miró – April 20

Joán Miró’s artistic style is characteristic of an Aries artist. Throughout his prolific career, Miró resisted joining any art movements, preferring to explore and develop a style that was uniquely his own. While frequently equated with the Dada and Surrealist movements of the 1920’s, he never officially joined either group. His style, however, shares some commonalities with these movements, namely his interest in automatic drawings and childlike sensibilities. Miró’s art remained largely consistent throughout his life as he continued to explore these themes and ideas. He is especially noted for his loose, free-flowing shapes, known as “biomorphic” forms. In the 1940s and 1950s, Miró continued to defy traditional artistic traditions by expanding his techniques to new mediums, including etching (as seen above).

And the list of Aries artists goes on! Including such masters as Jean-Honoré Fragonard (April 5), Raphael (April 6), and Leonardo da Vinci (April 15).

Come back next month to learn about our tenacious Taurus artists!

Artworks shown:

  • Vincent van Gogh, Sheaves of Wheat, July 1890, Dallas Museum of Art, The Wendy and Emery Reves Collection
  • Victor Vasarely, Meride, 1961-1963, Dallas Museum of Art, Dallas Art Association Purchase, Contemporary Arts Council Fund
  • Joán Miró, Woman and Bird in Front of the Moon (Femme et oiseau devant la lune), 1947, Dallas Museum of Art, gift of Frances Pratt

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Aquarius and Pisces

This month we are highlighting two astrological signs, Aquarius (January 21 – February 19) and Pisces (February 20 – March 20)! Both signs have produced brilliant artists but, as we will discover, the working methods and aspirations of these two zodiacs are quite different.

Aquarius

People born under the Aquarian zodiac are identified by their forward-thinking and progressive nature. They are self-directed leaders and prefer to define themselves by their originality and uniqueness. Aquarians are constantly adapting and consider change and evolution a crucial element in self-development. Because of this, Aquarians enjoy surprises–both good and bad–and thrive in exciting, stimulating environments. Banality is never an option for an Aquarius. They are extremely mentally active individuals and their mind is rarely at rest. Aquarians maintain this energy and curiosity throughout life, often described as remaining ‘young at heart’.

The DMA collection features multiple Aquarian artists, including Edouard Manet (January 23), Jackson Pollock (January 28), Claes Oldenburg (January 28), Thomas Cole (February 1), Fernand Leger (February 4), and Lewis Comfort Tiffany (February 18).

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Edouard Manet – January 23

During his lifetime, Manet was frequently criticized and satirized for his work. Some of his most significant artwork, including Olympia and Dejeuner sur l’herbe, were rejected from the Salon and hung at the ‘Salon des Refuses’ instead. Even still, Manet continued to submit works to the Salon throughout his life. Despite academic misfortune, Manet’s work inspired a new generation of artists. Edgar Degas and other members of the Impressionist movement would adopt his use of the alla prima technique and treatment of form using a single stroke or flat area of color. His tendency to avoid intermediate values in favor of sharp contrasts of light and dark, as observed in The Spanish Singer (above), also had an influential affect on art historical tradition.

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Jackson Pollock – January 28

The painting above has been interpreted as a self-portrait partially obscured by a mask. A similar image appears in many of Pollock’s artworks, largely reflective of his self-retrospective style and the influence of Jungian analysis. Pollock believed that “Painting is a state of being…Painting is self-discovery. Every good artist paints what he is.” This interest in psychotherapy and Jungian analysis reveals the Aquarian tendency to continually seek change and evolution.

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Claes Oldenburg – January 28

Oldenburg’s Stake Hitch, an emblematic artwork in the DMA collection, was commissioned in 1981 to commemorate the opening of the DMA’s new downtown location. At 18 feet tall, the metal stake plunged through the ground of the gallery, appearing below in the museum’s receiving dock (only accessible to museum staff). Above ground, the stake was attached to the gallery’s 40-foot-ceilings with a massive rope. Stake Hitch, removed from display in 2001, is signature of Oldenburg’s artworks, as his work often features everyday objects enlarged to a monumental scale. Oldenburg’s fascination with material culture catapulted him to the forefront of the Pop Art Movement in the 1960s.

Pisces

Unlike Aquarians, Pisces individuals are not concerned with self-progression and evolution. In fact, the most definitive trait of a Pisces is their unconditionally loving and compassionate nature. Pisces often place the concerns and interests of others above their own, making them indecisive or sacrificial at times. Although they are very observant, their idealistic and emotional instincts can direct their perspective. Pisces are known as the most mature and intuitive sign. They are deeply connected to the world around them and typically choose professions where they can serve others.

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Alexandre Hogue – February 22

The works of Alexandre Hogue display the intuitive sensibilities of a Pisces. His Erosion series, currently on view at the DMA, provides a commentary on the state of North Texas during the Dust Bowl. Hogue felt very connected to the natural environment, having spent his childhood gardening with his mother. She taught him to take care of his natural surroundings and referred to the earth as “Mother Nature.” Given this background, Hogue was disgusted by the selfishness and ignorance of the migratory farmers in early 20th century, rightfully blaming them for producing the Dust Bowl. His Erosion series particularly highlights the devastating effects of land and water erosion, produced by fencing, over-plowing, over-grazing, monocropping, and expanding roadways. Alexandre Hogue: The Erosion Series will be on view through June 15, 2014.

Additional Pisces artists of note include Frank Gehry (February 28th) and Piet Mondrian (March 7th).

Thank you for reading the latest addition of Artist Astrology and don’t forget to check out next month’s section on our ambitious Aries artists!

Artworks shown:

  • Edouard Manet, The Spanish Singer, 1861, Dallas Museum of Art, The Wendy and Emery Reves Collection
  • Jackson Pollock, Portrait and a Dream, 1953, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated
  • Claes Thure Oldenburg, Stake Hitch, 1984, Dallas Museum of Art, commissioned to honor John Dabney Murchison, Sr. for his arts and civic leadership, and presented by his Family
  • Alexandre Hogue, Drouth Stricken Area, 1934, Dallas Museum of Art, Dallas Art Association Purchase

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Capricorn

This week’s post is written by guest-author Alexa Hayes, the McDermott Curatorial Intern for American and Decorative Arts. Alexa is a specialist on John Singer Sargent, having written her honors thesis on Sargent’s portraits of women during the 19th century. I’m very grateful for her contributions to this edition of Artist Astrology!

The chilly months of winter match the seemingly-chilly exterior of those born under the sign of Capricorn (December 22 – January 19). Capricorns are outwardly reserved, dedicated hard workers driven by private ambitions. Rarely reckless, they pursue their goals with resourcefulness and practicality, often enjoying success because of their intense commitment to their work. Capricorns are fiercely loyal, making friends for life with those who can see past their elitist demeanor to the deeply sensitive and loving character hidden inside.

The DMA’s collection offers stellar works of art by many of history’s most beloved Capricorns:  Joseph Cornell (December 24), Henri Matisse (December 31), John Singer Sargent (January 12), Berthe Morisot (January 14), and Paul Cézanne (January 19).

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Joseph Cornell – December 24

An eclectic recluse, Joseph Cornell rarely left the state of New York and held a long-standing suspicion of people, particularly men. Despite this isolation, his pioneering of assemblage and collage as fine art earned him acclaim throughout the art world. He maintained a commitment to studio practice, constantly collecting objects, scraps, and images to create his works of art, preferring to work with items that already have a life and history rather than to produce something brand new. Although many art historians focus on the Surrealist influence in Cornell’s work, his style tugs at viewers in an emotional way, playing with their own nostalgia, thus distancing him significantly from the Surrealists’ crisp world of dreams and fantasy.

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Henri Matisse – December 31

Originally trained as a lawyer, Henri Matisse did not develop an interest in art until age twenty one. During a period of illness, Matisse’s mother brought him art supplies to keep him entertained, unintentionally igniting a passion for art. Matisse worked in all media, from sculpture to drawing to printmaking, but became most famous for his daring employment of color, denial of realistic spatial relationships, and energetic brush strokes in painting. He is praised for his monumental contributions to modern art and remains one of the most beloved painters of the twentieth century.

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John Singer Sargent – January 12

Although John Singer Sargent lacked the reserved demeanor of most Capricorns, he did possess a distinct elegance and personable charm that gained him many friends in the elite literary and art circles of America and Europe. True to his Capricorn birth, however, he was extremely dedicated to a rigorous studio practice, maintaining a sketchbook at all times and spending hours developing the effortless painterly appeal of his portraits. Sargent had a keen eye not only for aesthetic design but for grasping the character of his sitter within minutes of their introduction. In Dorothy, broad streaks of paint shape the face of an angry child, seemingly furious at being forced to sit inside for a portrait in her fluffy white gown and impractical hat.

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Berthe Morisot – January 14

One of the most important female artists of the nineteenth century, Berthe Morisot established herself at the forefront of the Impressionist movement, developing her own artistic style and deviating from the subject matter of her male peers. Her work focused primarily on the feminine or domestic sphere, depicting the intimate relationships of women and children. Morisot primarily used friends and members of her household as models, but chose to present them in a modern painterly style, thus elevating a mundane subject to the level of high art competitive with the works of other Impressionists. Throughout most of her life, Morisot maintained a close friendship with her brother-in-law, Edouard Manet, who encouraged her to be less self-critical while supporting her career as an artist.

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Paul Cézanne – January 19

A prolific artist throughout his life, Paul Cézanne demonstrated time and again his commitment to his craft, even risking his father’s wrath when he rejected a career in law to pursue art. Cézanne radically changed the art world by flattening the picture plane rather than using a mathematical linear perspective with a single vanishing point.  Further, he simplified objects to basic geometric forms, enhancing their physical presence and sculptural qualities. Cezanne painted objects from a “lived” perspective, attempting to imitate the way that we see subjects in life from multiple angles or with varied impressions. His work greatly influenced the Cubist movement, inspiring artists like Pablo Picasso and Georges Braque to experiment with vision and perception.

Artworks shown:

  • Joseph Cornell, Portrait of Fiona, 1965-1970, Dallas Museum of Art, Gift of the Joseph and Robert Cornell Memorial Foundation
  • Henri Matisse, Still-life: Bouquet and Compotier, 1924, Dallas Museum of Art, the Eugene and Margaret McDermott Art Fund, gift of the Hoblitzelle Foundation, Incorporated, in honor of Dr. Bryan Williams
  • John Singer Sargent, Dorothy, 1990, Dallas Museum of Art, Gift of the Leland Fikes Foundation, Incorporated
  • Berthe Morisot, Winter (Woman with a Muff), 1880, Dallas Museum of Art, Gift of the Meadows Foundation, Incorporated
  • Paul Cézanne, Still-life with Carafe, Milk Can, Bowl, and Orange, 1879-1880, Dallas Museum of Art, The Wendy and Emery Reeves Collection

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Sagittarius

This month, we turn our attention to the adventurous, free-spirited Sagittarius! Sagittarius individuals, born November 23 – December 21, are known for their “larger than life” personalities. They view life as a challenge and embrace opportunities for personal growth and development. The ultimate goal for a Sagittarius is to discover the meaning of life, which results in a desire to make the most of every situation. At times, their ambition is equated with recklessness or inconsistency but, in reality, their pursuits are often thoughtful and purposeful. Sagittariuses have a contagious enthusiasm and passion for life and believe nothing is out of reach!

The DMA’s collection features a handful of splendid Sagittarius artists, including Winston Churchill (November 30), Georges Seurat (December 2), Gilbert Stuart (December 3), Stuart Davis (December 7), Helen Frankenthaler (December 12), Wassily Kandinsky (December 16), and Paul Klee (December 18).

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Winston Churchill – November 30

Sir Winston Churchill is not often known for his artistry but for his profound impact and contributions as the Prime Minister of the United Kingdom from 1940-1945 and 1951-1955. His strength and pride guided the British public through the Battle of Britain in 1940 and his speech “We Shall Never Surrender” remains an emblem of British courage today. Yet, through his art, the softer, introspective side of this prominent figure is revealed. As referenced by his daughter Mary Soames in the book Sir Winston Churchill’s Life Through his Paintings, Churchill’s paintings demonstrate a profound sensitivity and keen interest in the therapeutic qualities of art. In fact, in his essay Painting as a Pastime, Churchill raises questions about the relationship between memory and the act of painting. Thus, in his art as in his political policies, Churchill reveals a Sagittarius’ interest in explaining and justifying the world around him.

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Wassily Kandinsky – December 16

Wassily Kandinsky traveled extensively between 1903 and 1908, visiting the Netherlands, Italy, Tunisia, France, and Germany. The painting above was created en plein air during his stay in Murnau, Germany, where he eventually settled from 1908 – 1914. His life in Murnau and nearby Munich marked a critical period in his artistic development, beginning his transition from realistic depictions to more abstract and representational forms. The artwork above is indicative of this slow shift as the street begins to dissolve into a field of thick brush-strokes and areas of blocked colors. Ultimately, Kandinsky sought to invest his paintings with spiritual imagery without using representational subjects. In this way, he was operating according to the Sagittarius desire to create a meaningful and purposeful life.

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Paul Klee – December 18

Paul Klee aspired to develop an artistic language that “synthesized the ‘inner’ and ‘outer’ worlds into a pictorial whole,” viewing artistic production as a spiritual experience of equal importance to the final product. As such, he was extremely interested in the art produced by tribal cultures, children, and the insane. His art reflects this curiosity and is intended to appear naïve and untutored. Because of his dedication to exploring art production as a spiritual and natural process, Klee is often recognized as a theoretician. He famously stated, “Art does not reproduce the visible but makes visible.”

Thank you for catching up on a few of our favorite DMA Sagittarius artists! Don’t forget to read next month’s blog for information about our caring Capricorns.

Artworks shown:

  • Winston Churchill, View of Menton, 1957, Dallas Museum of Art, The Wendy and Emery Reves Collection
  • Wassily Kandinsky, Murnau, Burggrabenstrasse 1, 1908, 1908, Dallas Museum of Art, Dallas Art Association Purchase
  • Paul Klee, Around the Core (Um den Kern), 1935, Dallas Museum of Art, anonymous gift in appreciation for Dr. Dorothy Kosinski, The Barbara Thomas Lemmon Curator of European Art

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching

Artist Astrology: Scorpio

There must be something in the water, LITERALLY, since many of the most recognized artists of the 19th and 20th century are born under the sign of the Scorpio–whose zodiac element also happens to be water! The birthdays of Pablo Picasso, Claude Monet, Roy Lichtenstein, and Georgia O’Keefe, just to name a few, all fall between October 24 and November 23. So what is it exactly that makes these Scorpios so artistically inclined?

Scorpios are considered one of the most fierce and determined zodiac symbols. Their strength and independence commands attention and they are known to possess the ability to manipulate and hypnotize. The intensity of the Scorpio spirit is often misunderstood as insincerity, but beneath their cool exterior their emotional side runs deep. In relationships, Scorpios set high expectations of themselves and expect the same commitment in return. This loyalty and passion carries into all aspects of their lives and, at times, their desire for perfection can make them obsessive, demanding, and obstinate. While these characteristics might deter others, Scorpio’s thrive on a challenge and will see a task through no matter the obstacles–often to great success. Scorpio’s live life to the extreme and banality is never an option!

Using this description as a guide, it is no wonder that these savvy Scorpios developed and practiced a style all their own! Backed by their passion and determination, they explored new mediums, scientific developments, styles of representation, and ideas.

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Pablo Picasso – October 25

Because of Pablo Picasso’s innovations and contributions to the history of art, he has become one of the most recognizable artists in the world. This status is not unjustified as his work truly defined an era, changing art and artistry forever. Together, Picasso and Georges Braque developed Cubism, a style that radically re-structured the practice of painting. In both his life and his work, Picasso exhibited many of the signature traits of a Scorpio: he was intellectually rigorous, indulgent (both personally and artistically), and often obsessive. Later in life, this obsession manifested into a superstition in which he believed he could prolong death through artistic production. The all-knowing eyes of The Guitarist, above, also has connotations with Scorpio astrology. Eyes are a Scorpio’s most powerful physical trait and have been said to have the ability to hypnotize. This characteristic was not missed by Picasso, whose friend stated that he observed “the eyes of the canvases, by the way they had of staring into ours from deep inside those painted heads…never ceased asking us questions…We would look at the canvases straight in the eyes.”

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Roy Lichtenstein – October 27

Roy Lichtenstein’s Bull Heads series directly challenges and satirizes the art historical practice of Cubism. The emblem of Pablo Picasso’s Spanish roots–the bull–becomes increasingly unrecognizable as the prints progress into further simplified geometric shapes. Lichtenstein frequently consulted art historical tradition to inform and direct his works. He is largely recognized for his appropriation of the style and content of comic strips, a focus that again derived from his interest in how subject matter is not only depicted, but digested. This acuity reveals Lichtenstein’s interest in the past as a vehicle to explore new ideas and concepts.

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Auguste Rodin – November 12

Rodin realized his passion for art at a young age, and his talent was highly regarded during his adolescent years. He faced a humiliating defeat, however, when he was declined admission to the Ecole des Beaux-Arts three consecutive times. In order to make a living, Rodin worked for 20 years as a craftsmen and ornamenter. Throughout this time, he remained determined to further develop his passions and talents, attending classes, shadowing artists, and renting small studios in order to produce large figures. Now hailed for the materiality and dignity of his works, Rodin’s Scorpio characteristics of self-determination, willfulness, and originality pushed him to overcome obstacles and become one of the most recognizable and popular sculptors of the modern era.

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Georgia O’Keeffe – November 15

Georgia O’Keeffe is not only hailed for her work as an artist but also for her feminist and self-reliant character. O’Keeffe unapologetically pursued her artwork and her life as she pleased. She is quoted to have said, “I have but one desire as a painter:  that is to paint what I see, as I see it, in my own way, without regard for the desires or taste of the professional dealer or the professional collector.” O’Keeffe’s vision is evidenced in her abstracted, yet acutely attentive representations of singular elements, such as her iconic paintings of flowers and desert-bleached skulls. She depicted her unique worldview in paintings of both natural and urban landscapes.

Here's where we will stay, 1995, JH1995-016

Jim Hodges – November 19

The work of Jim Hodges exemplifies the passion and loyalty of the Scorpio spirit. Our current exhibition, Jim Hodges: Give More Than You Take, speaks to Hodges’ commitment and generosity as an artist, a friend, a son, and a partner. Most of the works in the exhibition make direct or indirect reference to his interactions with loved ones, including Here’s where we will stay. This piece alludes to Jim’s mother and great-grandmother, who taught him how to sew and cultivated his understanding and patience for craft arts. Jim sewed each of the scarves together by hand, purposefully elongating the experience to allow time for meditation and reflection.

For more splendid Scorpios, check out the work of Johannes Vermeer (October 31), Robert Mapplethorpe (November 4), Paul Signac (November 11), Claude Monet (November 14), and Rene Magritte (November 22)! And don’t forget to tune in next month for some of our favorite Sagittarius artists!

Artworks Shown:

  • Pablo Picasso, The Guitarist, 1965, Dallas Museum of Art, The Art Museum League Fund
  • Roy Lichtenstein, Bull Heads I, 1973, Dallas Museum of Art, gift of The 500, Inc.
  • Roy Lichtenstein, Bull Heads III, 1973, Dallas Museum of Art, gift of The 500, Inc.
  • Auguste Rodin, The Shade, or Adam from “The Gates of Hell”, 1880, Dallas Museum of Art, gift of Mr. and Mrs. Eugene McDermott
  • Georgia O’Keeffe, Grey Blue & Black—Pink Circle, 1929, Dallas Museum of Art, gift of The Georgia O’Keeffe Foundation
  • Jim Hodges, Here’s where we will stay, 1995

Hayley Prihoda
McDermott Intern for Gallery and Community Teaching


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