Archive for July, 2017



Our Harp’s Delight

July’s Meaningful Moments program was all about music as participants explored The Harp Lesson by Jean Antoine Théodore Giroust. While closely examining the 18th century French painting, participants shared their memories related to learning to play a musical instrument.

We were joined in the galleries by harpist Cindy Horstman, who shared her own experiences of learning the harp in college and becoming a professional musician. Cindy brought The Harp Lesson to life as she plucked away at her harp, filling the gallery with music.

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Cindy began by playing “Jesu, Joy of Man’s Desiring” by Johann Sebastian Bach, a piece of music that was popular during the time The Harp Lesson was painted. She also wowed us with a wide-ranging assortment of music including “Norwegian Wood” by the Beatles and “Summertime” by George Gershwin, all played from memory!

At the end of the program, participants were already asking when Cindy could return again.

Emily Wiskera
Manager of Access Programs

New Conservator in our House

Recently we welcomed Elena Torok to the DMA’s Conservation Team! She joins us in the new role of Assistant Conservator of Objects. With over 24,000 objects in our encyclopedic collection,  an active acquisition program, busy exhibition calendar, and  increasing analytical/research needs, this additional staff member will assist with the growing demands on conservation.

She will work closely with the Collections and Exhibition Teams – and looks forward to sharing her holistic and scientific knowledge of materials with the larger team – creating a care plan for the collections.  She will dive immediately into the treatments of several objects for upcoming rotations.

Below, Elena answers a few brief questions for Uncrated to introduce her to you.  Welcome Elena!

Before joining us at the DMA, where did you work?
Before joining the DMA, I worked for just over four years as a conservator at the Yale University Art Gallery (YUAG) in New Haven, CT. Most recently, I worked on YUAG’s large-scale storage move of 35,000 objects to the new Margaret and Angus Wurtele Collection Studies Center, a brand new visible study and storage center at Yale’s West Campus. I also assisted with the treatment and scientific analysis of a range of different types of objects (including decorative arts, modern and contemporary sculpture, and archaeological materials).

Prior to my time at YUAG, I earned my M.S. from the Winterthur/University of Delaware Program in Art Conservation in 2013 with concentrations in Objects Conservation and Preventive Conservation. During and before my graduate studies, I also completed internships at The British Museum (London, England), the American Museum of Natural History (New York, NY), the Philadelphia Museum of Art (Philadelphia, PA), and the Colonial Williamsburg Foundation (Williamsburg, VA).

Growing up, what type of career did you envision yourself in? Did you think you’d work in an art museum?
In college, I actually majored in Neuroscience! I thought for a very long time that I wanted to be a scientist or a medical doctor. But as soon as I learned that the field of conservation existed (which combines many different types of science with art and art history in very exciting ways), I completely changed paths.

What skill set are you most proud to bring to the DMA?
I have really enjoyed the work I’ve done in preventive conservation (or the prevention or delay of deterioration of cultural heritage). I look forward to continuing this work at the DMA. Recently, I have participated in research related to Oddy testing (used for selecting materials for an object’s storage or display that have the most ideal ageing properties), anoxic treatment methods for pest management, and environmental pollutant monitoring.

What is your favorite thing about being a conservator?
I love that my job allows me to interact with collections in ways that often shed new light on an object’s history or an artist’s work, which continually enables me to keep learning. I feel lucky to be part of a field that also serves to share this information and connect the public with cultural heritage and works of art. I am so thrilled to work at the DMA and I very much look forward to working with and learning from the staff and the collections!

Fran Baas is the Associate Conservator at the DMA

Food on the Move + Go van Gogh: A Meeting of the Vans!

This week Go van Gogh staff, volunteers, and summer interns packed up the Go van Gogh van and spent a few days with our friends from Food on the Move. Food on the Move is a mobile meal program delivering free breakfasts and lunches to non-traditional sites like apartment complexes across the Metroplex. CitySquare’s AmeriCorps members pull out blankets and tables at each site, setup activities and games, and pass out meals from the back of their great big van.

To this already rich program, we brought art activities developed by this year’s Mayor’s Intern Fellow, Grecia Soto. Inspired by objects in our Ancient American collection, Grecia developed an activity that had us making miniature sculptures out of Model Magic clay.

Imagine our surprise when we heard an old friend was sporting new wheels! Last summer, our Mayor’s Intern Fellow Joshua Berry-Jones developed our project for the then brand new CitySquare partnership. This summer, Josh has switched flashy outreach vehicles, and is an Americorps member working for CitySquare on Food on the Move!

Amy Copeland
Manager of Go van Gogh and Community Teaching Programs

Once Upon a Time in Mexico

Tomorrow night, July 13, we are celebrating Mexico of the past and present with our Second Thursday program, Off the Wall to kick off our closing weekend of Mexico: 1900-1950. Since this exhibition is all about telling the stories of Mexico and the artists who documented its history and people, we thought Once Upon a Time in Mexico would be the perfect way to encapsulate the evening. We have so much going on all evening, tours, music, crafts, and more and each activity connects back and tells a story about an artwork in the exhibition.

Murals are such a large portion (literally) that connects the exhibition together, so we wanted to highlight murals as an art form. All night you will be able to watch as the artist collective Sour Grapes create a mural inspired by the exhibition on Eagle Family Plaza. Sour Grapes has been around since 2005 and you can’t drive around Dallas without seeing their work on walls and buildings. Even though we have a few murals to choose from, this one was a visitor favorite and with its bold colors and the scale of the work, you can see why.

Diego Rivera, Juchitán River (Río Juchitán), 1953–1955, oil on canvas on wood, Museo Nacional de Arte, INBA, Mexico City Assigned to the Instituto Nacional de Bellas Artes through the Sistema de Administración y Enajenación de Bienes of the Secretaría de Hacienda y Crédito Público, 2015 © 2017 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New

Artists like, Gunther Gerzso, Leonora Carrington, and Alice Rahon, all featured in the exhibition, were important players in the Surrealist movement in Mexico. This movement encouraged artists to unlock their subconscious and use their imagination to create a new world on the canvas.  Spend a few minutes with friends putting yourself into the minds of the Surrealists with the game, Exquisite Corpse. In the game, a piece of paper is folded into sections and passed around; the challenge is that each artist must work on one particular segment without having seen the others. The results are sometimes crazy and monstrous but always hilarious.

Gunther Gerzso, The Days of Gabino Barreda Street, 1944, oil on canvas, Lent by private collection

On the Before Mexico, was Mexico tours, we have Dr. Kimberly Jones the DMA’s Assistant Curator of the Arts of the Americas speaking on our Pre-Columbian collection in English and Spanish. Pre-Columbian art was an enormous influence on many of the artists represented in the exhibition. Just one example is the mural by Saturnino Herrán entitled Our Gods, which shows a group of Aztec people during a ritual to the god, Coatlicue.

To finish up your night, don’t miss Mariachi de Oro performing the upbeat music of Western Mexico. Mariachi has been around since at least the 18th century and is a large part of Mexico’s cultural history. Around the 1920’s when the piece below was painted, Mariachi music was being broadcast on the radio for the first time, and instruments like the trumpet were being infused into the arrangements because of the growing popularity of jazz and Cuban music.

Don’t miss out on a fun filled evening celebrating the closing weekend of Mexico: 1900-1950. We are going to miss this exhibition once it is gone next Monday, but thankfully, we have a few pieces that are staying with us! These images below among others will still be in the DMA’s collection and can be enjoyed many times to come after Mexico is over.

Don’t forget to join us tomorrow from 5:00-9:00 p.m. for July Off the Wall: Once Upon a Time in Mexico. The cost is $5 for the public and free for DMA Members. An additional $10 ticket is required to see the exhibitions that evening.

Katie Cooke is Manager of Adult Programming at the DMA

See What’s New in C3!

Stop by the Center for Creative Connections (C3) this summer to see the newly installed exhibition, Art of Communication. Bringing together works from the Museum’s decorative arts and design, American, contemporary, European, and Latin America art collections, this exhibition explores some of the ways visual art serves as a tool for communication. Explore objects arranged in three categories: Communication Through Portraiture, Communication Through Design, and Communication Through Narrative. Each section has a corresponding activity so you can take a moment to draw, create, or write inspired by the works of art on display. Here’s a peek at some of the works of art on view and visitor creations:

Communication Through Portraiture

Sit at the drawing horses and sketch the portraits on view, take a seat at the table and try your hand at drawing a self-portrait or a portrait of a friend, or take turns being the artist in the Photo Studio and pose a friend for a photo portrait.

Communication Through Design

Get inspired by these works of art designed for communication and create your own communication device. Fill out a label and display your device on the shelves at the C3 Art Spot.

Communication Through Narrative

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A Texas Dozen is a photographic portfolio by photographer, filmmaker, and journalist Geoff Winningham. From Dallas to Houston, Winningham captured the life and regional rituals of Texans in the early 1970s. These photographs tell a multitude of stories from events across the Lone Star State. Choose one photograph that catches your eye and write a story inspired by the characters and scene.

Remember, the Center for Creative Connections is open anytime the DMA is open and is always free! Stop in, enjoy the art, and get creative. All ages welcome!

Images: Eugene Speicher, The Farmer, c. 1923, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase; Debbie Fleming Caffery, Looking at Me (Polly), 1984, elatin silver print, Dallas Museum of Art, Jackson, Walker, Winstead, Cantwell & Miller Fund 1998.186;Everett Spruce, Twins, 1939–1940, oil on canvas, Dallas Museum of Art, Dealey Prize, Eleventh Annual Dallas Allied Arts Exhibition, 1940 1940.21; Nam June Paik, Music Box Based on Piano Piece Composed in Tokyo in 1954, 1994, Vintage TV cabinet, Panasonic 10 TV model 1050R, Panasonic mini video camera, incandescent light bulb and 144-note music box mechanism, Dallas Museum of Art, bequest of Dorace M. Fichtenbaum 2015.48.113; “Ericofon” pattern telephone, Telefonaktiebolaget L M Ericsson, designed 1949–1954, plastic, metal, molded, Dallas Museum of Art, 20th-Century Design Fund 1995.118; “Bluebird” radio (Model 566), Designer: Walter Dorwin Teague, c. 1934, glass, chrome-plated metal, fabric, and painted wood, Dallas Museum of Art, bequest of Sonny Burt, Dallas 2014.60.4; Geoff Winningham, The Cronin Gallery, Tag Team Action, Wrestling, negative 1971, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank 1981.36.1; Geoff Winningham, The Cronin Gallery, Lamé Pants, Houston Livestock Show and Rodeo, negative 1972, print 1976, gelatin silver print, Dallas Museum of Art, gift of Prestonwood National Bank 1981.36.13

Jessica Fuentes is the Manager of Gallery Interpretation and the Center for Creative Connections

Communication Through Portraiture

One of the best things about working in the Center for Creative Connections is getting to see all the hard work of redesigning the spaces come to life. Over the last few weeks, staff and visitors alike have watched some new faces pop up on our walls in the front gallery.

 

Today, technology makes it easy to snap hundreds of photos of ourselves on a front facing camera phone. But for centuries, portraiture has played an important role in how we study and interpret subjects through aspects like environments, surrounding props, clothing and even color and lighting. All of these things are visual clues shown to us by the artists to communicate an underlying narrative about the subject. Even the way an artist chooses to capture their sitter can reflect on their relationship with them. Observing Chuck Close’s “Phil/Fingerprint” from a distance, you might not realize that Close used his own fingerprints to create an intimate portrait of his close friend, composer Phillip Glass.

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Chuck Close, ‘Phil/Fingerprint’, 1981, Lithograph, Dallas Museum of Art, Mr. and Mrs. Jake L. Hamon Fund

After viewing and reading more about all the artists and subjects that fill the gallery, we’re inviting visitors to put their own methods to the test when capturing a subject. We’ve been watching over the last few weeks how visitors have excitedly sat at one of our tables in the gallery to sketch themselves or a friend…

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…or at the C3 Photo Studio to find the right pose for their own compelling portrait.

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Strike a pose when you stop by C3 on your next visit!

Kerry Butcher
Center for Creative Connections Coordinator

Friday Photos: What Did You Learn at Camp?

With 24 camps focusing on all areas of the DMA’s collection, our summer campers sure learn a lot! In any given week, campers might learn how to mix just the right color, why Picasso portraits look so funny, the secret to deciphering Egyptian hieroglyphics, and much, much more. The best part is that many of these camp lessons are also life lessons. Here are a few of our favorites:

Teamwork makes the dream work.

Art (and life) can get messy… and that’s okay!

Funny faces are always in style.

When you work hard, be proud of what you accomplish!

What lessons has camp (or art!) taught you?

For a list of all our available camps, click here. You can also keep up with the fun here on the blog and through the C3 Flickr page.

Jennifer Sheppard
Teaching Specialist

 


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