Archive for 2013



Friday Photos: Summer Programs

Summer is finally here! And there is no better way to spend that free time than to visit the DMA and take advantage of our engaging summer programs. Throughout June and July, visitors can explore works of art in the Museum’s galleries through sketching, family tours, story times, interactive games and more! There is no need to pre-register for these activities–just show up and enjoy them for free!

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And if you participate in our free DMA Friends program, you can earn the new Summer Family Fun Badge when you attend one tour, one story time, one sketching in the galleries, and one family game. We’ll see you soon for some summer family fun!
 
 
Danielle Schulz
Teaching Specialist

Just One (Last) Look

Cindy Sherman’s works are not self-portraits. Despite the fact that all her images feature one model, one photographer, and one make-up artist—all of whom are the artist herself—Sherman’s work constantly denies us access to the “real” Cindy Sherman. According to Gabriel Ritter, the DMA’s Nancy and Tim Hanley Assistant Curator of Contemporary Art, “for the most part, Sherman’s works are not introspective images that yield insight into the artist’s psyche. Instead, they are carefully constructed portraits that foreground the plasticity of identity and photography itself.”

Cindy Sherman is the artist who hides in plain sight.

Following is an excerpt from “Cindy Sherman” by Andy Grundberg in Art in America, July 18, 2012:
Of course, Sherman is in her photographs, literally, or at least in the vast majority of them, but the theme of her work is often said to be one of absence: what we see is not Sherman but a repertoire of roles, each reflecting a culturally determined possibility of female identity. This is essentially what has made her a poster child for a coterie of postmodernism’s theory-driven critics.

Yet the emptying out of Sherman as an individual within her work strikes me as misguided and, given the development charted in this emotionally powerful exhibition, just plain wrong…. It has long been apparent…that Sherman’s impetus in making new pictures stems in large part from her reaction to the critical reception of the last batch, her urge to avoid being typecast both as an artist and as a woman.

The acclaimed nationally touring exhibition closes this weekend at the DMA. See the many guises of  Cindy Sherman through Sunday, June 9. Below are a few images from the exhibition, from installation through today.

Jeffrey Grove is the Senior Curator of Special Projects and Research at the DMA.

The Kennedys in Texas

When I visited Dallas for the first time, my number one must-see destination was The Sixth Floor Museum. I have been fascinated by the Kennedy family since I was nine years old, and I felt compelled to make a pilgrimage to Dealey Plaza and the former Texas School Book Depository. What I didn’t realize is that many Texans, including a large number of the DMA’s docents, have never been to The Sixth Floor Museum. That changed last week, when a group of docents and I ventured down to the West End to explore The Sixth Floor Museum as a group.

The original sign from the Texas School Book Depository on display at The Sixth Floor Museum

The original sign from the Texas School Book Depository on display at The Sixth Floor Museum

The timing for our field trip couldn’t have been better. Just last week, Hotel Texas: An Art Exhibition for the President and Mrs. John F. Kennedy opened at the DMA. This exhibition brings together thirteen of the sixteen artworks that were placed in Suite 850 at the Hotel Texas in Fort Worth. The President and Mrs. Kennedy slept in Suite 850 on November 21, 1963–the night before his fateful trip to Dallas. The original installation was created over the course of five days by a small group of art collectors in Fort Worth. Works by Picasso, van Gogh, Marsden Hartley, and Thomas Eakins decorated the suite’s living room and two bedrooms. The DMA is marking the anniversary of President Kennedy’s assassination by bringing these works back together for the first time in 50 years.

Docent Judy Butts examines Charles Marion Russell's Lost in a Snowstorm

Docent Judy Butts examines Charles Marion Russell’s Lost in a Snowstorm

The docents and I explored Hotel Texas together before traveling down to The Sixth Floor Museum. Once we were there, we were greeted by the museum’s chief curator, Gary Mack. Gary spoke with us about his time at The Sixth Floor Museum, including his role in curating the museum’s main exhibition: John F. Kennedy and the Memory of a Nation. After speaking with Gary, we were free to explore the museum at our own pace. This was my fifth visit to The Sixth Floor Museum, and every visit is powerful and moving. This visit was even more special, though, as I listened to the docents share their memories of where they were on November 22, 1963.

Sharron Conrad and Gary Mack speak with the DMA's docents at The Sixth Floor Museum

Sharron Conrad and Gary Mack speak with the DMA’s docents at The Sixth Floor Museum

For those of you who participate in DMA Friends, we have launched a new JFK Badge in conjunction with the Hotel Texas exhibition. To receive this badge, you only need to visit The Sixth Floor Museum and the Hotel Texas exhibit at the DMA.  Show your ticket stub from The Sixth Floor Museum to our Visitor Services Staff to receive the code. We hope to encourage our Friends and visitors to take this unique opportunity to gain a better understanding of history through these exhibitions.

The DMA and The Sixth Floor Museum have also teamed up to offer a special experience just for teachers during a full-day Teacher Workshop on Thursday, June 27th. The Kennedys in Texas: The Art and History of November 22, 1963 will begin at the DMA in the Hotel Texas exhibition. After breaking for lunch, we’ll spend the afternoon at The Sixth Floor Museum. Registration is now available online–just select “Teacher Programs” to sign up.  We hope to see you there!

Shannon Karol
Manager of Docent and Teacher Programs

Two Nights in Greece

On June 26 and 27, I will offer a two-session course on the themes raised by our current exhibition The Body Beautiful in Ancient Greece: Masterworks from the British Museum.

Bronze statuette of Zeus Roman period, first–second century AD, said to be from Hungary  9 5/16 x 4 5/16 x 4 3/4 in.  GR 1865,0103.36 (Bronze 909) © The Trustees of the British Museum (2013). All rights reserved.

Bronze statuette of Zeus
Roman period, first–second century AD, said to be from Hungary,
© The Trustees of the British Museum (2013). All rights reserved.

Objects from Greek and Roman antiquity can be challenging to decipher. What the classical world took for granted is no longer part of our language, either spoken or visual. The polytheistic religious framework that defined daily existence seems alien to a modern Western observer, for whom the myths of ancient Greece are complex, overlapping, and in many cases hard to understand.

Over the course of two evenings, I hope to make these artworks of some two millennia ago feel as accessible as possible to a modern viewer, and to share observations from a lifetime of handling and studying classical antiquities.

Black-figure neck amphora, Greek, 520–510 BC, from Vulci, Italy, GR 1836,0224.106 (Vase B224), © The Trustees of the British Museum (2013). All rights reserved.

Black-figure neck amphora, Greek, 520–510 BC, from Vulci, Italy, © The Trustees of the British Museum (2013). All rights reserved.

We’ll tackle the objects in the exhibition by medium, to give insight into the creative choices made by artisans working in gold, silver, bronze, marble, and terracotta, and make our way through the stylistic transitions of the Geometric through the Hellenistic periods.

By the end of these two nights, I hope to have given you what you need to take in not only the antiquities in the DMA’s galleries but also any others you may encounter in the future.

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Visit the DMA’s website for additional information on An Illustrated Course: The Body Beautiful in Ancient Greece and to register for the two-night event. DMA Friends have the opportunity to attend the course for free; earn 6,500 points and redeem that credit for the Illustrated Course reward.

Maxwell L. Anderson is The Eugene McDermott Director at the DMA.

Friday Photos: Creativity Squared

Ever wonder what happens to the responses left behind in the Center for Creative Connections (C3)? As a member of the C3 team, I’m one of the people who reviews these visitor contributions. One of my favorite activities is the doodle pad on our yellow clipboards. On these doodle pads, there are six drawing squares that each offer a light line drawing as a starting point for visitors to begin their own creation. I love to see how our creative visitors each bring a unique perspective to this activity. For today’s post, I pulled some of my favorite responses to the square based on the Tale of the Bamboo Cutter. Watch the slideshow below for a quick peak into the creative minds of C3 visitors. Stop by next time you’re at the DMA and contribute your own creativity!

Jessica Fuentes
C3 Gallery Coordinator

Culinary Canvas: Cornflake Cookies

The Roaring Twenties continue to hold a certain allure in pop culture today, with movies like The Great Gatsby providing just one recent example. The era was not only one of glamour and excess, but also one of innovation and modernization, characterized by new inventions, new music, and the “New Woman,” who had greater freedom than ever before. The booming economy provided the average consumer with extra money to spend, and the advent of mass advertising ensured that name brands were in high demand. Razor, the DMA’s iconic 1924 painting by Gerald Murphy, perfectly embodies this period: the matches, pen, and razor would have been easily recognizable and understood as the necessary accoutrement of the modern man. As part of this burgeoning commercial era, newly available food products like boxed cereal and marshmallows became a favorite addition to recipes of the time, which focused on quick yet dainty dishes that could be easily whipped up by the busy working girl. Try out this month’s vintage recipe and and see if you find it just as nifty as the decade itself.

1963_74_FA

Gerald Murphy, Razor, 1924, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist

Cornflake Cookies

Yields about 24 cookies
Level: Easy

¾ cup packed brown sugar
¼ cup white sugar
4 egg whites, room temperature
pinch of salt
1 teaspoon vanilla
1 cup toasted walnuts, finely chopped
1 cup cornflake cereal, crushed
1 cup marshmallows
½ cup chocolate chips (optional, for additional sweetness)

Preheat oven to 325° F. Line rimmed baking sheet with parchment paper.

In small bowl, stir together brown sugar and white sugar. In the bowl of a stand mixer fitted with whisk attachment, beat egg whites on low until frothy, about 30 seconds. Add salt and vanilla. Continue beating on medium-high, slowly adding sugar, until stiff peaks form. Watch closely to ensure whites are not over-beaten.

In separate bowl, mix together chopped walnuts, cereal, marshmallows, and chocolate chips if desired. Gently fold nut mixture into batter with a rubber spatula until evenly incorporated. Batter will be thick and sticky.

Drop batter by large spoonfuls onto prepared baking sheet. Bake 11-13 minutes until tops are crinkled and golden, watching closely to ensure cookies do not brown. Allow to cool slightly on baking sheet then transfer to metal rack to cool completely.

 

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Finished batter

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Recipe adapted from Fashionable Food: Seven Decades of Food Fads.

Sarah Coffey
Assistant to the Chair of Learning Initiatives

DMA Athletes in Training

One of my favorite parts of my job is that I get to spend one morning every month talking with our fantastic Gallery Attendants about works in the collection. So far, we have discussed European art, shared Personal Responses to works in the collection, written Facebook profiles for photos in the Cindy Sherman exhibition, and compared three vastly different works in our American collection. Last week, we spent time in The Body Beautiful in Ancient Greece: Masterworks from the British Museum.

After looking at the discus thrower, the Gallery Attendants were asked to divide into teams of two. Each team had to select a sport and strike a pose that epitomizes an athlete participating in that sport. The rest of us had to guess which sporting event they were re-creating. Their poses were creative, clever, and funny, and we couldn’t resist sharing them with you!

Shannon Karol is the Manager of Docent and Teacher Programs at the DMA.

Hotel Texas: Oral Histories

John F. Kennedy’s legacy is continuously remembered and honored nation-wide, especially this year, which marks the 50th anniversary of his tragic death. If you were alive in 1963, you may have personal memories of President Kennedy’s fateful trip to Texas, or perhaps memories of that time have been recounted to you by family or friends. As you stroll through the newly opened Hotel Texas: An Art Exhibition for the President and Mrs. John F.  Kennedy, consider using your smartphone or other web-enabled device to listen to eleven individuals recount vivid memories of JFK’s time in Fort Worth and Dallas.

To access these audio clips, visit www.dma.mobi and scroll to the section titled Hotel Texas: Oral Histories under Special Exhibitions.

photo of jfk stop

The tragic ending of that trip often overshadows the excitement and optimism that characterized the Metroplex as the area planned for this presidential visit, a rare occurrence at the time. Hear Kaye Buck McDermottJim Wright, or Ronnie Martin recall the preparations made for JFK’s visit to Fort Worth. Or listen to Michael Okon and Jarrold Cabluck remember the crowds waiting to catch a glimpse of the president and First Lady. Certainly, many memories of this trip were sad ones. In a powerful and moving interview, Diane Cody remembers turning twelve on November 22, 1963.

These audio clips are part of an ongoing audio-visual Oral History Project at The Sixth Floor Museum at Dealey Plaza (TSFM). Through informal personal interviews, TSFM staff explore the history and culture of Dallas during the 1960s and preserve personal recollections about the life and death of President John F. Kennedy. Learn more about the project and listen to more personal recollections on The Sixth Floor Museum’s Oral History Project page.

smartphone logo

 

Look for this smartphone logo next to a three digit code on labels in the galleries to access more audio and video material about works of art in our collection at www.dma.mobi.

Andrea V. Severin
Interpretation Specialist

Hello, Summer!

Memorial Day marks the beginning of summer. Enjoy a fun, free (and cool) summer at the DMA with free general admission every day during Museum hours and free activities every week. Check the DMA’s website in the coming weeks for details!

Nic Nicosia, Vacation, 1986, cibachrome photograph, Dallas Museum of Art, gift of Meisel Photochrome Corporation

Nic Nicosia, Vacation, 1986, Cibachrome photograph, Dallas Museum of Art, gift of Meisel Photochrome Corporation

Friday Photos: A Fond Farewell!

Today we bid adieu to our wonderful 2012-2013 McDermott Interns. They have spent the last nine months with us at the DMA researching artworks, contributing to exhibitions, assisting with programs, and generally helping to make our Museum a dynamic and engaging place to experience art. We appreciate all the hard work they’ve done–we couldn’t do it without them!

Take a look at some of the adventures they had along the way and join us in wishing them well as they embark on new ones!

Sarah Coffey
Assistant to the Chair of Learning Initiatives


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