Posts Tagged 'DMA'



Fashion on Flora Street

One of the many things I’ve enjoyed since joining the DMA Intern Class of 2016 is working with Booker T. Washington seniors to develop their own projects for community engagement at the DMA. A few times a week, the students walk down the street to visit the Museum. We’ve been discussing different learning styles and how to appeal to all the diverse learners that visit museums. While assisting students with their projects is my main focus during their visits to the DMA, I cannot help but also pay special attention to their fashion choices. From week to week, each student’s individual style has inspired me.

So for today’s post, I wanted to highlight some pieces in the DMA’s collection that feature elements of these students’ style. Maybe they will inspire you too!

From the stage to the runway, septum rings have moved beyond counterculture to mainstream fashion.
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Find these nose rings at the DMA on Level 4 in the Ancient American galleries.

Carefully taut buns, messy half-up top knots, and lots of little Bantu knots—this unisex hair trend can be styled in so many different ways. Like it or knot, buns are here to stay.

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For top knot inspiration, look to Bodhisattva in the South Asian gallery and Monju (Manjusri) in the Japanese gallery, both on Level 3.

One-piece swimsuits and leotards have been back for a few years now. But with some of the Booker T. girls, I’ve noticed them as daily wear with skirts and sweaters or even cut-off shorts and a flannel shirt wrapped around the waist.

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This Bather in a one-piece carries off the look with some attitude. She’s a music video waiting to happen. Catch her on Level 4 in the American galleries.

Men’s patterned shirts mirror many of the patterns in our permanent collection. Some of the young men at Booker T. have been seen sporting stripes and floral prints on their button downs. The DMA is home to many intricate textiles as well as paintings that feature patterns that may inspire your own style.

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You can see these three men in patterned shirts in the folding backgammon board in the Level 3 South Asian galleries; the shirt for the figure of a saint is found on the Level 4 outside the Ancient American galleries; and Leon Polk Smith’s asymmetrical work Homage to Victory Boogie Woogie #1 is in the American galleries on Level 4. The paisley pattern is a detail of Alfred Stevens’ The Visit, found on Level 2 in the European galleries.

Stop by the DMA soon for your next style inspiration.

Whitney Sirois is the McDermott Graduate Intern for Gallery and Community Teaching at the DMA.

Images: Group of nose and ear ornaments, Columbia, Sinú, c. A.D. 500-1550, gold, Dallas Museum of Art, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison 1976.W.451-454, 456-458,460; Nose ornaments, Columbia, Sinú, c. A.D. 1000-1550, gold, Dallas Museum of Art, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison 1976.W.468, 810, 605; Maitreya, India, Kushan period, 2nd–3rd century, schist, Intended bequest of David T. Owsley; Monju (Manjusri), Japan, Nanbokucho, 1336-1392, ink, color, and gold on silk, Dallas Museum of Art, Dallas Art Association Purchase, 1970.8; Yasuo Kuniyoshi, Bather with Cigarette, 1924, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase Fund, Deaccession Funds/City of Dallas (by exchange) in honor of Dr. Steven A. Nash, 1988.22; Folding backgammon board, India, Mughal period, 19th century, wood, ivory, cord, and inlay, Intended bequest of David T. Owsley; Shirt for the figure of a saint, Guatemala, Kaqchikel Maya, c. 1910-1930, cotton and silk, Dallas Museum of Art, anonymous gift, 2008.194; Leon Polk Smith, Homage to Victory Boogie Woogie #1, 1946, oil on canvas, Dallas Museum of Art, DMA League Purchase Fund, 2000.391; Alfred Stevens, The Visit, before 1869, oil on canvas, Dallas Museum of Art, gift of the Pauline Allen Gill Foundation, 1997.112

Me Want Art: Cookie Monster’s DMA Birthday

In order to celebrate the birthday of Sesame Street’s iconic Cookie Monster, Uncrated decided to go a little further with our imagination.

What would it be like if Cookie Monster stopped by the Museum? Would he try and serve up his tasty confections to guests at the Cafe? Or would he blend in and wait for the rest of the Sesame Street gang in the atrium?

Here’s how we think Cookie Monster would spend a day at the DMA.

Cookie5 Cookie4 Cookie3 Cookie2 Cookie1

Gregory Castillo is the Multimedia Producer at the DMA 

Haunting Opera

We were digging through the archives and found the photo below. The back states “‘The Sacrifice’ DMFA comic opera 1962 (Aug).” We don’t know the full history of this photo but we thought it was a fitting image for Halloween. We hope your holiday is perhaps less eventful than this trio’s in the 1960s.

“The Sacrifice” DMFA comic opera 1962 (Aug) L to R: Gene Mitchell, John Lunsford, Jerry Jane Smith

“The Sacrifice” DMFA comic opera 1962 (Aug); left to right: Gene Mitchell, John Lunsford, Jerry Jane Smith

 

 

Red Hot

This past weekend the annual TWO x TWO for AIDS and Art benefit dinner and contemporary art auction raised a record $8.3 million! In commemoration of the event, which supports the DMA’s contemporary art acquisitions fund and amfAR’s AIDS research efforts, and in recognition of Ellsworth Kelly, this year’s honored artist, we installed the artist’s work Red Panel, which entered the DMA’s collection in 1985. You can view this work in the Museum’s Concourse on your next visit, and then stop by Untitled , which was commissioned for the Museum’s Sculpture Garden.

The Wise Llama…part 2

The Wise Llama is one of my favorite posts that I have done for Uncrated. So, when I found more photos of the handsome Sir Lancelot while I was processing the John and Nora Wise Papers in the DMA Archives, I knew I had to share.

John and Nora Wise Papers, DMA Archives

John and Nora Wise Papers, DMA Archives

Here is Sir Lancelot, a pure white llama, promoting John Wise’s exhibition World of Ancient Gold at the 1964 New York World’s Fair. Nora Wise is behind Sir Lancelot, holding his reins.

The following two photos show Sir Lancelot enjoying treats and showing off his John Wise Ltd. accessory while posing for photos during his day at the Fair.

Fair Pictures International Corp. #190-2 John and Nora Wise Papers, DMA Archives

Fair Pictures International Corp. #190-2
John and Nora Wise Papers, DMA Archives

Fair Pictures International Corp. #190-4 John and Nora Wise Papers, DMA Archives

Fair Pictures International Corp. #190-4
John and Nora Wise Papers, DMA Archives

Sir Lancelot is by far the cutest llama in the archives . . . OK he is the only one, but he’s still adorable.

Hillary Bober is the Archivist at the Dallas Museum of Art.

Late Night Knock Out

Ushio Shinohara

This past Friday, artist Ushio Shinohara entered the artistic ring to create one of his Boxing Paintings out on the Museum’s Ross Avenue Plaza as part of our Late Night celebrating the opening of International Pop. Late Night visitors were able to experience his interactive painting style in which he uses paint-soaked sponges attached to boxing gloves to create his unique brand of action painting. If you missed Friday’s artist performance, you still have a chance to view four works by Shinohara in the International Pop exhibition on view through January 17, 2016.

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Kimberly Daniell is the Manager of Communications and Public Affairs at the DMA.

Texas-Sized Tea with Friends

In September, a group of DMA Friends joined us for an exclusive and new DMA Friends rewards event: Tea Time, Deep in the Heart of Texas. We began our afternoon getting to know each other over Texas-inspired light refreshments which included sweet tea and lemonade paired with mini jalapeño cornbread muffins and mini buttermilk biscuits, baked fresh especially for us by the wonderful staff of the DMA Cafe.

Dallas Museum of Art_DMA Friends Tea Time, Deep in the Heart of Texas (9)_September 2015_Courtesy of Dallas Museum of Art

We learned interesting tidbits about each other, such as what artwork from the DMA collection Friends wanted to take home.  The Icebergs was the clear winner,  yet another Friend wanted to jump into The Ocean’s Bounty: Undersea Windows by Louis Comfort Tiffany!

Next, we ventured up to the Dozier study room, a meeting space named after and honoring Texas artists Velma and Otis Dozier. Rae Pleasant, the Museum’s  Research Associate for Early Texas Art, showed us objects in the collection that we might not ordinarily see as they are displayed in cases inside the DMA offices.

The “Tea Time, Deep in the Heart of Texas” reward gives DMA Friends a fun social interaction combined with a new way to engage with art. We heard interesting facts, perused archival material and shared personal reactions to the artworks in Dozier as well as in the Museum galleries. Best of all, we deepened and expanded our circle of art Friends!

Start saving your points now and be on the look out for a new tea time with a new theme at the beginning of the new year.

Tanya Miller is the Friends Community Manager at the DMA

Dallas Goes Pop

It’s been a busy, colorful week in the Museum’s Barrel Vault gallery. We have been putting the final touches on the nationally touring exhibition International Pop, which opens this Sunday, October 11, including the installation of León Ferrari’s The Western Christian Civilization (La civilización occidentaly cristiana) from 1965. This morning DFW press were given a sneak peek of the groundbreaking and critically acclaimed exhibition.  Here’s your behind-the-scenes look, and mark your calendars for Sunday.

30-Minute Dash: Emily Schiller

The design of the DMA provides several places for visitors to observe disparate forms of art within adjacent spaces. I find these vantage points to be the Museum’s most unexpected assets and my recommended route passes three of them.

concourse2

Take the mid-Concourse stairs to the third-floor balcony. From this elevated perspective you’re able to recognize the curious pairing of sculptures on the ground level and left wall. William Wetmore Story’s Semiramis  follows the familiar tradition of depicting legendary figures in white marble. She reclines near the base of a 1930s Ceremonial pole (mbis) created by the Asmat people in the southwestern region of present-day New Guinea. These works arguably have little in common, and yet at the DMA they are neighbors, ripe for comparison and appreciation.

Next, proceed through the Japanese gallery on the Museum’s third level to the balcony that looks back onto your previous position. The expanse of artistic styles, periods, materials, and intentions gains a level of complexity with the presence of a cast bronze sculpture from the Meji period, Takenouchi no Sukune Meets the Dragon King of the Sea.

Emily Schiller is the Digital Collections Content Coordinator at the DMA.

Opening Night: Spirit and Matter

Tomorrow Spirit and Matter: Masterpieces from the Keir Collection of Islamic Art opens during our September fall block party Late Night. Huffington Post ranked it at #1 among “need to see” art shows this fall and it is a “Critic’s Pick” in The Dallas Morning News. This morning, exhibition curator and DMA Senior Advisor for Islamic Art Dr. Sabiha Al Khemir shared a sneak peek of the exhibition with national press.

Be among the first to see these intricately decorated objects spanning numerous centuries and continents tomorrow night and join Dr. Al Khemir for a talk on the works of art at 7:00 p.m.

 


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