Search Results for 'gaultier'



Late Night Diva-Off

Last Friday, the Museum packed in a very full house for the Late Night celebration of The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk. The night’s special event, Divas of Gaultier Costume Contest, was kicked off with a fabulous Madonna tribute performance by Chris America, who got the festive audience singing and dancing. The competition featured eleven Madonna contestants and twenty Lady Gagas who put together creative and outrageous Diva ensembles. But they weren’t the only ones! Many of the visitors also took the opportunity to wear fashion from the wilder side of their wardrobe. After each contestant modeled his or her outfit, the finalists were revealed. The victors included Lady Gaga holding a teacup, as well  as a real-life mother-daughter pair stylishly dressed as Madonna and her daughter Lourdes. To wrap up the event, Chris America reappeared to award the grand prize of a hundred dollar gift certificate for the Museum store and a Jean Paul Gaultier catalogue to the winner, Lady Gaga. With her slow and deliberate strut, and edgy animalistic poses, this fierce contestant truly embodied Lady Gaga herself.

Photos from this fun and fashion-filled Friday are below, I hope you enjoy them as much as I enjoyed taking them!

If you were to dress up for a Diva contest, who would you want to be and what would you wear? Please share your response in the comments below.

Hannah Burney
McDermott Intern for Teaching Programs and Partnerships

The day we shot J.R., and the rest of the Ewing clan

There has been a lot of attention in Dallas on the filming of the television remake of Dallas, and the DMA is joining in on the fun. Sue Ellen Ewing, or as some of you may know her, Linda Gray, has visited The Fashion World of Jean Paul Gaultier three times already (be sure to see the exhibition before it closes on February 12). It sparked our memory of a previous visit the Dallas cast made to the Museum when they visited our Wendy and Emery Reves Collection in 1986. Below are a few images we pulled from the archives.

Hillary Bober is the Digital Archivist at the Dallas Museum of Art.
Kimberly Daniell is the Public Relations Specialist at the Dallas Museum of Art.

Friday Photos: Like a Virgin

Tonight is the DMA’s monthly Late Night, and the Museum is going to be full of fashion and fun until midnight.  It is our annual “Birthday Party” Late Night, but it’s also a celebration of the The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.  What better way to celebrate Gaultier than by spotlighting the divas who inspire him?  Late Night will feature a performance by Chris America, a Madonna tribute artist, as well as a Lady Gaga and Madonna costume contest.  Be sure to look for next Friday’s Photo Post for Hannah’s photos of the costume contest!

Today’s photo post features paintings of the Virgin Mary (another Madonna) that can be found in our Colonial American galleries.  If you want to see these works of art in person, join Dr. Paul Niell from the University of North Texas on his tour “Madonnas of the Collection” at 7:30 p.m.  A complete schedule of Late Night events can be found online.

Shannon Karol
Manager of Docent Programs and Gallery Teaching

Artworks shown:

  • Melchor Pérez Holguín, Virgin of the Rosary, late 17th-early 18th century, Dallas Museum of Art, The Cleofas and Celia de la Garza Collection, gift of Mary de la Garza-Hanna and Virginia de la Garza and an anonymous donor
  • Unknown artist, The Virgin of the Immaculate Conception, late 18th or early 19th century, Dallas Museum of Art, The Cleofas and Celia de la Garza Collection, gift of Mary de la Garza-Hanna and Virginia de la Garza and an anonymous donor
  • Unknown artist, The Virgin of the Immaculate Conception, late 18th century, Dallas Museum of Art, The Cleofas and Celia de la Garza Collection, gift of Mary de la Garza-Hanna and Virginia de la Garza and an anonymous donor
  • Unknown artist, The Virgin of Sorrows (La Dolorosa), c. 1650-1750, Dallas Museum of Art, gift of Mrs. Beatrice M. Haggerty

2012 Spring Teacher Workshops

We are officially in the middle of January, and that means that it is time to announce our Spring Teacher Workshops for 2012!

The Fashion World Of Jean Paul Gaultier: From the Sidewalk to the Catwalk at the Dallas Museum of Art

If you have ever wondered how exhibitions are created, then you absolutely must attend our first workshop on February 11th, Designing Exhibitions. Learn about the creativity, challenges, and design of exhibitions at the Dallas Museum of Art with the DMA’s exhibition designer, Jessica Harden. Explore The Fashion World of Jean Paul Gaultier from the Designer’s perspective, participate in art-inspired, design-based thinking projects, and be prepared to look at museum exhibitions in a brand new light.

As you may know, we love the idea of combining art and poetry, so we are excited to promote The Art of Language: Mark Manders and Elliott Hundley as an Adult Workshop that is open to teachers as well as the general public. This evening workshop will take place at the Dallas Museum of Art and the Nasher Sculpture Center on March 8th. Come and explore connections between language and visual art in this workshop, as we examine the work of contemporary artists Mark Manders and Elliott Hundley. Led by Farid Matuk, poet, and Dr. Cynthia King, an English professor at UNT, as well as staff from the DMA and the Nasher, participants will discover each artist’s unique relationship to language and then respond to the exhibitions through writing.

Still Life with Books, Table and Fake Newspaper, Mark Manders, 2010, Collection David Teiger

The Amazon, Joseph Stella, 1925-1926 The Baltimore Museum of Art: Purchase with exchange funds from the Edward Joseph Gallagher III Memorial Collection

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Later this spring, on March 31st, The Twenties: American Art, Literature, and History will coincide with the exhibition Youth and Beauty: Art of the American Twenties. Participants will view the varied works in this exhibition and study key American artworks in the DMA’s collection as they explore ideas about art, literature and popular culture in 1920s American life.

We hope to see you at the DMA in 2012!

Jessica Kennedy
McDermott Intern for Gallery Teaching

Friday Photos: Art & Fashion Teacher Workshop

Last Saturday, eleven teachers joined us for the Art & Fashion teacher workshop.  Teachers spent two hours in The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, and it was great to have the exhibition all to ourselves (the Museum wasn’t open to the public yet)!  We also spent time discussing fashion in our Colonial American galleries, as well as the exhibition African Headwear: Beyond Fashion.  I would have to say that the highlight of the day for me was a visit to the costume shop at the Wyly Theater.  Christie Vela, who not only works at the Dallas Theater Center but is also an actress and freelance costume designer, shared the secrets of how a costume goes from an idea to a garment on stage.  Below are photos from our day-long look at art & fashion.

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Shannon Karol
Manager of Docent Programs and Gallery Teaching

Fashion Sale for Our Followers

To celebrate you, our more than 50,000 combined Facebook and Twitter followers, we are offering our fans two days to experience one of “the hottest tickets in town,”  The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, at the general admission price of $10! Head down to the DMA on either Tuesday, December 6, or Wednesday, December 7, and show the Visitor Services Desk that you follow us on Facebook or Twitter* on your phone to receive the $6 discount.

*One discount per person; discount may not be applied for both Twitter and Facebook.

Friday Photos: Haute Couture at the DMA

Jean Paul Gaultier is known for his attention to even the slightest details when it comes to dressing his runway models; he often reworks and adds accessories at the very last second during his fashion shows. He understands the significance of that ever important “finishing touch”. From handbags to headbands, necklaces to neckties, accessories can transform a dull outfit into a dazzling ensemble. Our final installment of Haute Couture at the DMA highlights some of the finest accessories that the DMA has to offer.

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I hope that these posts will inspire you to find your own fashion favorites the next time you visit the DMA!

Jessica Kennedy

McDermott Intern for Gallery Teaching

Images used:

Sarah Badger Noyes (1747-1788), Attributed to Joseph Badger, c. 1760-1765, oil on canvas, Dallas Museum of Art, The Faith P. and Charles L. Bybee Collection, gift of Faith P. Bybee

Art Beauty Shoppe, Isaac Soyer, 1934, oil on canvas, Dallas Museum of Art, gift of the Public Works of Art Project

Necklace, Tanjore, Tamil Nadu, India, 19th century, gold, pearls, diamonds, rubies, and emeralds, Dallas Museum of Art, gift of David T. Owsley in memory of his mother Lucy Ball Owsley via the Alconda-Owsley Foundation

Single snake armlet, Roman, 2nd century B.C., gold, chased, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick

Figure of a dancer, Mohini, 10th-12th century, marble, Mount Abu area, Rajasthan, India, Dallas Museum of Art, gift of the Alvin and Lucy Owsley Foundation

Bust of a bodhisattva, Kushan, 2nd-3rd century, gray schist, Gandharan region, Pakistan, Dallas Museum of Art, gift of Margaret J. and George V. Charlton

Manjusri, Nepal or Tibet, 18th century, gilt bronze, semiprecious stones, Dallas Museum of Art, bequest of Mrs. E.R. Brown

Spanish Woman Wearing a Black Cross, Édouard Manet, 1865, oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection

Pair of ear pendants, Greek, Hellenistic Greek, 2nd century B.C., gold, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick

Lion head bracelet, Etruscan, Archaic Etruscan, late 6th century BC, gold, blue glass, filigree, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick

“The Golden Fleece” ring, Giovanni Corvaja, 2008, 18-karat gold, Dallas Museum of Art, gift of Deedie Rose

Man’s necklace (kalabubu), Nias, Indonesia, 19th Century, wood, gold, gold leaf, and brass(?), Dallas Museum of Art, gift of The Nasher Foundation in honor of Patsy R. and Raymond D. Nasher

Folding fan with a courting scene and musical trophies, French or German, c. 1770s-1780s, gouache on double silk leaf, brass, metallic thread, mother-of-pearl, gilding, and paste gems, Dallas Museum of Art, The Wendy and Emery Reves Collection

Graffiti Couture

There are six exciting galleries inside The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk exhibition, from a red light district to a motorized runway. For the Punk Cancan room, we decided to tag the walls with details of Gaultier and Dallas with the help of graffiti artist Jerod DTOX Davies for Blunt Force Crew/Beastmode Squad. Below is a behind-the-scenes look at the tagging process.

Photography by Adam Gingrich, Dallas Museum of Art Marketing Assistant, and George Fiala.

Friday Photos: Haute Couture at the DMA

Jean Paul Gaultier is well known for his creative use of unusual materials when crafting his clothing lines. While he employs many materials that are typical  of the fashion industry, such as silk, furs, tulle, and lace, he also experiments with more uncommon items such as wheat, chicken feathers, aluminum cans, trash bags, and human hair. It is this wide use of sometimes strange materials that inspired this Friday Photos edition of Haute Couture at the DMA.

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What types of materials would you use to make your own line of clothing?

Jessica Kennedy

McDermott Intern for Gallery Teaching

Images used:

Pair of Lokapalas (Heavenly Guardians), early 8th century, earthenware with three color (sancai) lead glazes, China, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., in honor of, Ellen and Harry S. Parker III

Nature or Abundance (La Nature or Fécondité), Léon Frédéric, 1897, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund

Joan of Arc, Anna Hyatt Huntington, n.d., bronze, Dallas Museum of Art, Kiest Memorial Fund

Emma in a Purple Dress, George W. Bellows, 1920-1923, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase

Mink and Mannequin, Reginald Marsh, 1940, watercolor, Dallas Museum of Art, Dallas Art Association Purchase

Portrait of Two Children, Probably the Sons of M. Almeric Berthier, comte de LaSalle, Jean-Joseph Vaudechamp, 1841, oil on canvas, Dallas Museum of Art, The Patsy Lacy Griffith Collection, gift of Patsy Lacy Griffith by exchange

Xipe impersonator, Aztec culture, Late Postclassic period, c. A.D. 1350-1521, volcanic stone, shell, and paint, Mexico City area, state of Mexico, Mexico, North America, Dallas Museum of Art, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated

Takenouchi no Sukune Meets the Dragon King of the Sea, Japan, Meiji period (1868-1912), 1875-1879, bronze and glass,  Dallas Museum of Art, Foundation for the Arts Collection, The John R. Young Collection, gift of M. Frances and John R. Young

Friday Photos: Haute Couture at the DMA

Jean Paul Gaultier is famous for his use of nautical-esque stripes in his designs. For this installment of Haute Couture at the DMA (inspired by the exhibition opening this Sunday) let’s focus our fashion-seeking eyes on the use of patterns within works of art. I love that the idea of a pattern (a repetitive form, order, or arrangement) is so universal that cultures from around the world have been using it for centuries!

Here are just a few of the many examples that you can find in our galleries:

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These are just a few works of art that incorporate patterns. What are some of your favorites that weren’t included?

Jessica Kennedy

McDermott Intern for Gallery Teaching

Images Used:

Tunic with profile heads and stepped frets, Huari culture, Middle Horizon, c. 650-800, Cotton and camelid fiber, probably south coast, Peru, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., in honor of Carol Robbins’ 40th anniversary with the Dallas Museum of Art

Tunic with checkerboard pattern and stepped yoke, Inca culture, Late Horizon, A.D. 1476-1534, Camelid fiber, Peru, South America, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc. in honor of Carol Robbins

Single-spout strap-handle vessel depicting a wounded warrior, Nasca culture, Early Intermediate period, Nasca Phase 7, c. A.D. 500-600, Ceramic south coast, Peru, South America, Dallas Museum of Art, General Acquisitions Fund

Virgin of the Rosary, Attributed to Melchor Pérez Holguín, late 17th-early 18th century, Gold leaf with oil on canvas, Potosí, Bolivia, Dallas Museum of Art, The Cleofas and Celia de la Garza Collection, gift of Mary de la Garza-Hanna and Virginia de la Garza and an anonymous donor

Issun-Tokubei Holding a Spear, Utagawa Kunisada, 1859,Color woodcut, Dallas Museum of Art, Foundation for the Arts Collection, gift of Mr. and Mrs. Alfred L. Bromberg

Lise Sewing, Pierre-Auguste Renoir, 1866, Oil on canvas, Dallas Museum of Art, The Wendy and Emery Reves Collection

Helmet mask (kifwebe), Tempe-Songye peoples, late 19th to early 20th century, Wood and paint, Democratic Republic of the Congo, Africa, Dallas Museum of Art, The Clark and Frances Stillman Collection of Congo Sculpture, The Eugene and Margaret McDermott Art Fund, Inc.

Portrait of a Gentleman, possibly a Member of the Deutz Family, Michael Sweerts, 1648-1649, Oil on canvas, Dallas Museum of Art, The Karl and Esther Hoblitzelle Collection, gift of the Hoblitzelle Foundation

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