Archive for the 'works of art' Category



Community Connection: Bringing the Very Best

Dave Herman has partnered with the DMA’s Education divison in a variety of ways.   As President and Creative Director of Preservation LINK, Inc., Dave initiated a partnership with the DMA that resulted in an annual exhibition of photographs by participants in Preservation LINK’s Point of View program.  He was invited to serve on an advisory board for the development of a new type of Go van Gogh outreach program, based on his perspective as a professional photographer and his teaching experiences with students.  Dave also led several workshops as the February Visiting Artist in the Center for Creative Connections as well as a Summer Art Camp during 2009.  In summary, we enjoy partnering with Dave and take every opportunity to work with him. 

Dave Herman coaches a student through an art project.

You describe yourself as a visual sociologist.  Can you tell us what that means to you?

Visual sociology is, in a lot of ways, documentary in nature. It is almost as if you put out a hypothesis or investigative question, and then you document what you find out and share some of those answers visually. It lends itself to a different kind of attention, because you’re trying to put pieces of puzzles together and understand what that all looks like.  Visual sociology is also about how people interact with each other and how they respond to things.

Was there a defining experience or person in your life that led you to where you are today?

I first associate my mom and dad with helping to shape me and my values.  A lot of what I do is based on my background and what I believe in.  My work with students through Preservation LINK comes from a passion to help kids understand themselves, understand their potential, and to be confident that they can reach their goals. One thing that motivates me now, even as an artist, is that I didn’t necessarily have that growing up.  This is something really important – for students to have guidance and the opportunity to grow, to have ownership, and to eventually have a sense of “I’ve got this now”.

Over the six years that I’ve known you, I’ve witnessed exciting growth with Preservation LINK.  Do you have any advice for others who are interested in starting a non-profit organization with the goal of educating youth through literacy, art, and technology?

Budding photographers

I would say the first thing as an initiator, dealing with kids, is to make sure you’re reaching for the sky. Make sure that you’re bringing the very best to young folks. I say that because sometimes when we talk about equipment, for instance, some people say “let’s just get this (lesser value) equipment because they’re kids and they don’t need a big camera”. In reality, that is what they need. For them to grab onto something real at a certain level, you’re able to push your message and your lesson a little bit further.

Also, believe in your vision. Know how or learn how to manage it.

How does research and evaluation factor into your program development and implementation?

In a big way. Evaluation and research impacts and informs how we move forward.  It informs how we deliver programs and how we assess our accomplishments.  We are able to see what the impacts of our programs are on the community, students, parents, and the adults that supports kids’ learning. We wouldn’t be the same organization that we are now if it wasn’t for the evaluation and research that is a part of Preservation LINK.

What do you most hope students who participate in your programs will walk away with from their experiences?

Students learn about the history of photography during a Preservation LINK program.

I want the students to know that people care about who they are, what they learn, and what they want to become.  I hope they’re motivated to take even more ownership in their lives.

See photographs taken by elementary students during Presevation LINK’s Point of View Program at the Dallas Museum of Art.  The exhibition, titled Through the Eyes of Our Children: Something Beautiful, will be on view from May 14-August 29 on the M2 level of the Museum, adjacent to the Mayer Library.  View images from past Preservation LINK programs here.

Skyway, JFK, What Else Do I Have to Say?

 

Robert Rauschenberg, Skyway, 1964

One of my favorite works of art in the DMA’s collection is Robert Rauschenberg’s Skyway.  If you have dined in the Atrium Cafe, you have probably noticed Skyway hanging on the East wall.  It’s a very large work made of oil and silkscreen on canvas.  The canvas is covered with images of 1960s popular culture: astronauts, outer space, a freeway, construction equipment, and even a portrait of John F. Kennedy. 

Part of the reason that I love Skyway is because of Rauschenberg’s inclusion of Kennedy.  Ever since I was nine years old, I have been fascinated by JFK.  Between 4th and 10th grade, I did a report or presentation on JFK or his wife Jackie every year in school.  I don’t know what it is about them that I love–their youth, their glamour, his tragic death?  I think it’s probably a combination of all three.

With the Kennedys at Madame Tussaud's Wax Museum in Washington, D.C.

Skyway is also one of my favorite works of art because it is a visual time capsule of the 1960s.   This canvas was created to hang on the facade of the U.S. pavilion at the 1964 World’s Fair in New York.  It celebrates contemporary history, modernity, and the achievements of the United States.  We can look at this work of art and know what decade it represents based on the images that have been included. 

It’s also fun to think about what images would be included if a work of art like Skyway were to be created today.   Would we see Barack Obama?  Would we see symbols of new technology like the iPad or a flatscreen TV?  Would we see Miley Cyrus or Robert Pattinson, the icons of pop culture in 2010?  This is always a fun topic to explore with students on tours, and I always love hearing their responses.

To learn more about Skyway, or to explore other contemporary works of art in our collection, check out the Contemporary Art and Design online teaching materials.  You also need to come see Skyway at the Museum–it’s so much better in person!

Shannon Karol
Tour Coordinator

À la plage

James McNeill Whistler, Sea and Rain, 1865, University of Michigan Museum of Art, Bequest of Margaret Watson Parker, 1955/1.89

One of the things I love most is hearing visitors’ responses to works of art.  And it’s really fun when those responses take a creative shape, and you get to hear an original poem or an elaborate this-is-what-I-think-would-happen story that helps you see the artwork in a new way.

Last Thursday, I had the pleasure of giving a tour to a group of students from Bowie High School’s French Club, and they came up with great creative responses to a work in our newly-opened Lens of Impressionism exhibition.  Below are two poems based on James McNeill Whistler’s Sea and Rain.  To make these poems, students wrote descriptive words on small Post-Its (shown below), and arranged them to create phrases.  They also humored me by translating the words into French!

Calmant sérène mer
Il pleut à la plage
Admirant fantastique a la coast

Calming serene sea
Lonely raining beach
Admiring amazing shore

Il fait du vent voir ciel
Calmant pur le plage
Tranquil calme une personne

Windy looking sky
Calming pure beach
Peaceful calm person


Thanks, Bowie students, for a great tour and thoughtful poetic responses.

Amy Copeland
Coordinator of Go van Gogh Outreach

Walk Like an Egyptian

Happy Friday!  I was listening to my iPod this morning and the song “Walk Like an Egyptian” by the Bangles came on.  I decided this song would be my anthem for the day.  I couldn’t get the following lyric out of my head.
      

“All the old paintings on the tombs, they do the sand dance, don’t you know.  If they move too quick (Oh Way Oh), they’re falling down like a domino.”     

Here are a few artworks that caught my eye today.    

                  
Relief of a procession of offering bearers from the
tomb of Ny-Ank-Nesut, 2575-2134 BC, Painted Limestone
 
                                                             
Head and upper torso of                                                         Mummy Mask, Egyptian:
Seti I, 1302 – 1200 BC                                                         Probably 1st – 2nd century,
Granite                                                                                        Cartonnage, pigment, and
                                                                                             gold leaf, Dallas Museum of Art,
                                                                                          Gift of Elsa von Seggern, 1996.63
   
Next time you are in the Egyptian gallery, strike a pose and “Walk Like an Egyptian.”  (Oh Way Oh)    

        
Until next time….   

Jenny Marvel
Manager of Learning Partnerships with Schools  

Pablo Picasso said…

Every child is an artist.  The problem is how to remain an artist once we grow up.

Best in Show - Looking Glass Self by Katy Wood

The halls and galleries of the DMA fill up this spring with two installations of creative work by young artists in the community.  Earlier this month, the Young Masters exhibition opened in the Dallas Museum of Art’s Concourse.  The exhibition features a selection of artworks created by Advanced Placement Art students from Dallas area high schools who participate in the O’Donnell Foundation AP Studio Arts Incentive Program.  The Incentive Program focuses on making Texas the strongest state in AP arts education and preparing students for life in the 21st century as critical thinkers with global perspectives.    A total 280 works were submitted for the juried exhibition, which included two rounds of judging.  The DMA’s own Jeffrey Grove, Senior Hoffman Family Curator of Contemporary Art, selected the final winners.  Katy Wood from Booker T. Washington High School took away top honors with her self-portrait Looking Glass Self, a color digital photograph. In her statement Katy says. “Psychology greatly influences my artwork.  In this piece, I explored a psychological theory called ‘looking-glass self’, in which one’s self can be reflected by the society and environment’s perceptions.”  Images by additional award winners are featured on the AP Arts Web site.

In April, the work of young artists from fourteen elementary, middle, and high schools in the Dallas area will be on display in conjunction with the exhibition Coastlines. These artists are part of the Young Artist’s Program, an education-based initiative presented with the Museum’s annual fundraising event the Art Ball.  Each year the Art Ball provides essential funding for the DMA’s exhibitions programs and gives students throughout Dallas an opportunity to make art in response to a unique theme derived from a DMA exhibition.  Inspired by images of coastal landscapes and the sea, many of the schools participating in the Young Artist’s Program this year are creating large-scale collaborative works that will fill gallery spaces on the first floor.  Works in all media will be on view to the public from April 15 to April 24, 2010, and the exhibition will be accompanied by a video documentation of students working.

Nicole Stutzman
Director of Teaching Programs and Partnerships

Students at the Dallas International School apply encaustic to their mixed media artwork about the Moroccan coast.

Eduardo Mata Elementary artists create mixed media nautical collages.

Found It!

Back in November, I shared some photos from a project inspired by Dorothea Tanning’s Pincushion to Serve as Fetish.  This project is part of a new afterschool program we are developing in partnership with Thriving Minds at Dallas ISD schools.  At the time, I was testing the program with 4th-5th graders at Conner Elementary School.  I am currently working with Shawna Bateman at Twain Elementary School and Daniel Hall at Long Middle School, who are leading the program with their students.  In the process, I have learned a great deal from their experiences, insights, and feedback regarding the program.
Below are images of projects inspired by Mark Handforth’s Dallas Snake.  Through these projects, students learn about artists who use found objects as materials for their art.  Found objects are natural or man-made objects found (or sometimes bought) by an artist that are treated as a work of art just the way they are, used for inspiration, and/or used as materials for works of art.
First, the students chose several items from the collection of found objects provided by the instructor.

An array of found objects to choose from

 
Next, students selected materials that helped them connect their objects.
 

Materials for connecting found objects

 
One student created a time machine with cardboard, plastic beads, an old tv antenna, and other assorted items.
 

Time Machine

 Another student created a sculpture park with a lint roller handle, cell phone, bubble wrap, and paper towel roll.

The Sculpture Park

Saline solution bottles, foam tubing, a belt, and a pipe cleaner were combined to make binoculars.

Binoculars

 Students will see Mark Handforth’s Dallas Snake firsthand when they visit the DMA at the end of their program.

Dallas Snake by Mark Handforth

The Tip of the Iceberg

One of the most popular works of art in the Dallas Museum of Art’s collection is Frederic Edwin Church’s The IcebergsAlthough there are many reasons to treasure this painting, I love the connections with science and history. 

Frederic Edwin Church (American, 1826 - 1900), The Icebergs, 1861, Oil on canvas, Dallas Museum of Art, Gift of Norma and Lamar Hunt, 1979.28

With an interest in the 1845 Franklin Expedition to find the Northwest Passage, Frederic Church and his friend Reverend Louis Noble set sail during the summer of 1859 on a month-long journey to Newfoundland and Labrador.  Church’s romantic notion of exploring new frontiers and recording the untamed natural world resulted in multiple sketches of icebergs.   Reverend Noble documented their experiences and published the book After Icebergs with a Painter: A Summer Voyage to Labrador and Around Newfoundland in 1861.

 Two things are evident to the observer: an iceberg is as solid as ivory or marble, and cold apparently as any substance on the earth.  This compact and perfectly frozen body, in the warm seas of summer, finds its entire outside exposed to the July sun.  The expanding power of heat becomes at length an explosive force, and throws off, with all the violence and suddenness of gunpowder, portions of the surface.  If you hear thunders, come to the iceberg then.        – Reverend Louis Noble, 1861

I can understand and appreciate their fascination with icebergs.   Here are  a few facts about these fresh water formations in the North Atlantic:

  • Approximately 40,000 medium-to-large sized icebergs annually calve, or break, off glaciers in Greenland; 400-800 icebergs make it as far south as Newfoundland and Labrador, Canada.
  • The age of the ice may be more than 10,000 years old. 
  • The average size is between three and 250 feet above sea level with an approximate weight of 100,000 to 200,000 tons (the weight of 20,000 school buses). 
  • About 7/8 of the iceberg’s mass is below the water.
  • The bluish streaks in the ice are from the refreezing of melted water without air bubbles.
  • Icebergs often tip over and roll as the ice unevenly melts.
  • Depending on the size, icebergs can “ground” or contact the seabed and get stuck.   

When you come to the Museum, I encourage you to wander up to the 4th floor to see this work of art.  Consider the awe and wonder of these natural formations that were observed on the North Atlantic waters.   You might want to bring a jacket or sweater in case you need to keep warm on your adventure!

Until next time….

Jenny Marvel
Manager of Learning Partnerships with Schools

For more information about The Icebergs and its history, read The Voyage of the Icebergs:  Frederic Church’s Arctic Masterpiece written by past DMA curator, Eleanor Jones Harvey.

Spring Break at the Museum

We’re gearing up for a week of extraordinary programming at the Museum, so come spend a day (or the whole week!) with us.  Below are just a few of the many great experiences you can have at the Museum next week.

  • Take a new smARTphone tour
    Bring your own web-enabled device (such as an iPhone or Blackberry) to the Museum to access new and interactive content related to The Lens of Impressionism and The Wendy and Emery Reves Collection.  If you do not have your own device, a limited number of iPod Touches can be checked out free of charge at the Visitor Services Desks.
  • Spend an evening in Wonderland
    Learn to be a hatter in the Art Studio and watch three film adaptations of Alice in Wonderland at the Museum’s Alice in Wonderland-themed Late Night on March 19th.. 
  • Feed your appetite for knowledge
    Gallery Talks happen every Wednesday at 12:00 p.m. They are free 45-minute discussions led by various Museum speakers. Logan Acton, McDermott Education Intern for Teaching Programs, will be leading the discussion next Wednesday, March 17th, entitled Enlightening Connections: Science and Contemporary Art.
  • Go on a scavenger hunt
    Explore the Museum’s collections and search for hats using a gallery scavenger hunt.
  • Discover local Young Masters
    View selected artwork created by Advanced Placement Studio Art students participating in the O’Donnell Foundation’s AP Arts Incentive Program™.  On view in the Concourse through April 18th.
  • Enjoy a light spring meal
    Head to the Museum’s Atrium Cafe and celebrate spring with tasty seasonal dishes like Quiche and Salad, Chicken Broccoli Crepe Provencal, and Turkey and Brie Crossiant.
  • Help your kids walk into and away with some art
    Use green screen technology to create your own vacation-themed postcards that will be available on the Museum’s Flickr website.  Tuesday, March 16–Friday, March 19th, 1:30-4:00 p.m in the Center for Creative Connections. 
  • Stop and enjoy the flowers
    The springtime wisteria blooms in the Museum’s Sculpture Garden near the Ross Avenue entrance are breathtakingly beautiful. After admiring their splendor, go find Water Lilies by Claude Monet in the European Painting and Sculpture galleries on Level Two.

Have a great break!

Amy Copeland
Coordinator of Learning Partnerships with Schools and the Community

BooksmART: John Grandits @ the DMA

John Grandits is a very funny man, and he’s coming to the DMA!  If you’ve found that sonnets, ballads, and Roman epics are too heavy for you, Mr. Grandits is here to make poetry downright concrete.  If that sounds intimidating, it’s not—poetry can be a lot of fun.  Grandits is a concrete poet, and he’s the author of two immensely enjoyable (and highly acclaimed) books for kids: Technically, It’s Not My Fault and Blue Lipstick.  If you’re tired of Times New Roman and typing left to right, this is your kind of poetry.  Grandits’ poems move in squiggly lines, travel up and down, and create pictures on the page.  He uses fonts, shapes, textures, colors, and sometimes even motion. 
 
If you would like to get a sense of his work, visit his Web site.  It’s full of quirky photos, playful type, and a great poem about a beleaguered snake.  If you’d like to do a little research, check out his books at the Dallas Public Library.  John Grandits will be at the Museum March 18-20, a fantastic opportunity to learn about his work.  Visit the Web site to learn about all the events Arts & Letters Live has planned for John Grandits’ visit to the DMA.
Justin Greenlee
McDermott Intern, Learning Partnerships Department

New Resources for the Lens of Impressionism Exhibition

Travel to the French coastline through the new Lens of Impressionism: Photography and Painting Along the Normandy Coast, 1850–1874 teaching materials .   These resources include artwork information, images, and much more!     Bon voyage!

 
Until next time….

Jenny Marvel
Manager of Learning Partnerships with Schools


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