Archive for the 'works of art' Category



Insourced: Works by Dallas Museum of Art Staff

Every two years, DMA staff are invited to showcase their artistic talents.  Below are some things that make Insourced: Works by Dallas Museum of Art Staff a unique exhibition:
  • It features sixty-eight works of art submitted by forty-three DMA employees.
  • Submissions came from a variety of departments, which include Accounting, Collections Management, Curatorial, Development and Membership, Education, Exhibitions, Information Technology, Libraries and Imaging Services, Marketing,  and Security and Operations.
  • Artwork labels include a photograph of the artist, his/her position title at the DMA, and the number of years he/she has worked here.
  • The exhibition lets us see a new and, at times, previously unknown side of our colleagues.

Below are images of the overall exhibition and a few artworks by DMA educators.  View Insourced: Works by Dallas Museum of Art staff on Mezzanine 2 next to the Mildred R. and Frederick M. Mayer Library through March 13, 2011.

Melissa Nelson
Manager of Teaching in the Community

One of two submissions by Teaching Programs McDermott Intern, Karen Colbert.

Untitled/Bring Back My Saturday Morning by J.C. Bigornia, Coordinator of Family Experiences

Snow at Hammonasset and Drfitwood at Hammonasset by Stacey Lizotte, Head of Adult Programming and Multimedia Services

Connecting with the DMA in January 2011

With the fall semester winding down in the next few weeks, I would like to suggest a few ways you can connect with the Dallas Museum of Art in the new year.

Thursday, January 13, 2011
7:30 p.m., Horchow Auditorium
State of the Arts: Celebrating Big New Field: Artists in the Cowboys Stadium Art Program

    

Tuesday, January 18, 2011
7:30 p.m., Horchow Auditorium
Arts & Letters Live:  Kim Edwards
 

Friday, January 21, 2011
Late Night at the Dallas Museum of Art
Show your Educator ID to receive FREE Museum admission
   

Thursday, January 27, 2011
7:30 p.m., Horchow Auditorium
The Seventh Annual Michael L. Rosenberg Lecture: 
“Beguiling Deception”: Allegorical Portraiture in Early 18th-Century France 
 

Friday, January 28, 2011
7:30 p.m., Horchow Auditorium
Arts & Letters Live:    Annie Proulx
 
 

Saturday, January 29, 2011
9:00 a.m.–4:00 p.m. 
Teacher Workshop:  Animals from Africa at the Dallas Zoo and the Dallas Museum of Art

There is always something to do and see at the DMA or within the Arts District!    We  look forward to seeing you soon, whether you are visiting with your students or visiting with friends and family.

Until next time….

Jenny Marvel
Manager of Programs and Resources for Teachers

Community Connection: Eye-opening, Enlightening, and Fabulous

Some of our devoted Go van Gogh volunteers have participated for many years, so we design special workshops for them with the goal of making connections – with works of art, with fellow volunteers, and with personal teaching experiences – in fun and fresh ways.  These themed workshops often feature guest speakers, such as local artists or our colleagues in the education department.   

Our last workshop focused on the theme “PLAY”; you can view pictures from the workshop in our intern Karen’s photo post.  We invited Leticia Salinas, the 2009-2010 McDermott Intern for Family Experiences, to lead conversations and activities with volunteers in front of works of art entirely in Spanish.  Volunteers commented after the workshop that their experience with Leticia was “eye-opening”, “very valuable”, “helpful”, “enlightening”, and “fabulous”.

Leticia leads the Paint the Town DMA Summer Art Camp.

Tell us about your connection with the DMA.

I’ve been in Dallas for about ten years, and during college I visited the DMA every now and then and attended Late Nights.  Last year, I was the McDermott Intern in the Family Experiences department.  I continue to help during Late Nights and other special Family Experiences programs. 

What are you doing now?

I am a Special Education Bilingual Teaching Assistant at Thomas Elementary in Plano ISD.  I help teachers in classrooms with special education and/or bilingual students, primarily kindergarten through second grade. 

Describe your session with Go van Gogh volunteers.

I gave two tours in Spanish focusing on Jackson Pollock’s Cathedral and three hats in the African collection.  This helped volunteers put themselves in the position of ESL students and also showed them effective ways of teaching these learners.  Hopefully, the volunteers were able to gauge how these students feel and will be able to use that knowledge as a tool when they teach.  It was a really great experience, and I enjoyed it.  The volunteers were all very willing to participate even though it was a different language and they may have felt uncomfortable.

What do you consider important when working with ESL students, and how does this apply to teaching with works of art?

When working with ESL students, there has to be something more than language.  You have to be really creative and think of different ways to teach a subject.  This applies to all subjects.  I think art is a great way to teach ESL learners because they have a visual picture of what you’re talking about.  You can get creative and lead activities that are more hands-on and fun, playing with color and lines and movement.  All of those concepts are easy to teach to students who don’t speak English fluently.

Finish this sentence: In ten years, I’d like to be…

I hope to be at a place where I’m happy with my job and I love what I do, whether it be working in a museum or with kids or doing something totally different that I never thought I would do.  Hopefully, in ten years I’ll have it all figured out.

Go van Gogh Stays to Play

Last Friday, Go van Gogh staff  led a “play” workshop for our volunteers. This session led volunteers into the galleries to discuss and interact with works of art in a creative and fun way. Volunteers  posed as the objects, created a yarn painting similar to Jackson Pollock’s Cathedral, as well as experience several discussions led in Spanish. A former McDermott Intern, Leticia Salinas, who facilitated the discussions, demonstrated various hand gestures and other techniques that could be utilized when facilitating programs with students who speak languages other than English.

The fun did not stop there! Volunteers used materials from the space bar in the Center for Creative Connections to create art, then continued their play session in the Tech Lab. Go van Gogh is an outreach program that brings the Dallas Museum of Art to 1st through 6th grade students in schools throughout North Texas.   Allowing the volunteers to play was a unique approach of seeing the artworks in a new way and re-igniting the volunteers’ energy, enthusiam, and  passion for teaching. 

Karen A. Colbert
Teaching Programs Intern

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"Exotic" Mexican Objects at the DMA and Crow Collection

In commemoration of the 2010 bicentennial of Mexico’s independence from Spain, many Dallas-area institutions have hosted events or created exhibitions related to Mexico’s past, present, and future.  In addition to highlighting Mexican and Spanish colonial works in the Museum’s fourth floor galleries, the DMA currently has two special exhibitions celebrating Mexico’s 200th anniversary: Jose Guadalupe Posada: The Birth of Mexican Modernism and Tierra y Gente: Modern Mexican Works on Paper.

For me, one of the most intriguing objects in these galleries is an eccentric folding screen from colonial Mexico.  This screen is elaborately painted and gilded in the European decorative tradition, but its central vignettes are drawn from a Flemish book of moralizing tales.  Additionally, the ornate borders of the screen contain Japanese and Chinese-inspired motifs popular in European Rococo.  This object connects with a recently opened exhibition, Black Current: Mexican Responses to Japanese Art, 17th-19th Centuries, also in celebration of Mexico’s bicentennial, at the Crow Collection of Asian Art.

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*Photography by George Ramirez

This exhibition includes Mexican-made objects, such as folding screens and rolled paintings, that were greatly informed by trade via the The Black Current.   This marine trade route, established in the 16th century,  ran eastbound from Manila to Acapulco, bringing goods such as decorative arts, silk, and spices to Mexico.  Approximately 500 Pacific crossings were made along the dark river in the sea, feeding the growing market for luxury commodities in Mexico and generating Asian demand for American resources such as silver.  These exchanges led to an artistic interchange that left lasting impressions on Mexican artists.

Cosmopolitan, Mexican-made objects, such as those in Black Current and the DMA Screen, reference their Asian precursors through the inclusion of Asian-inspired motifs, use of laquer, inlay and shells, and format of the folding screen and scrolls mounted on rollers.  Additionally, they serve as visual documentation of ambitious exchanges between spatially disparate cultures.

Ashley Bruckbauer

Programs and Resources for Teachers Intern

French Art Teacher Workshop

Bonjour!  I would like to invite you to travel to France through works of art at the Dallas Museum of Art on Saturday, December 4 from 9:00 to 12:30pm.    We will explore 18th–19th century French paintings and sculptures, the Reves Collection, and the special exhibition The Mourners: Tomb Sculptures from the Court of Burgundy.  

 

      
      

 

 

To register for this teacher workshop or to learn more about other workshops and programs offered in Spring 2011, go to DallasMuseumofArt.org/teachers

À bientôt….

Jenny Marvel
Manager of Programs and Resources for Teachers

A Day in the Life of an Intern

I have been an intern at the Museum for almost two months and have had some exhilarating moments.  I have enjoyed walking through the galleries with the curators as they speak about the works of art. They are walking encyclopedias. I have also had the opportunity to be a part of some great training sessions. The docent trainings, which occur every Monday, have been wonderful. The docents, along with the education staff, learn about works of arts in the collection and exhibitions. Sometimes these trainings are led by the curators, and other times, by an education staff member. The docents and staff  also go into the galleries and work on activities to better familiarize ourselves with the artworks in order to create great teaching moments.

Another area of the Education Department I worked with is Go van Gogh. I have also attended a few of the volunteer trainings. Sometimes during training we go into the galleries and look at the works of art and other times we get to make artwork for the different programs we teach. Go van Gogh allows me to travel to different elementary schools in Dallas and discuss with children works of art from the Museum’s collection. How cool is that! I get an opportunity to spend one hour with students and have these amazing and in-depth conversations about artists and their artworks.  By the way, another great aspect of this program is driving the Go van Gogh van.

I have recently started giving tours at the Museum. I have given two so far and each time the students have left giving me great big hugs and saying how much they have enjoyed their visit. Leading the tours allows me to continue to work with children. I will also be giving several “A Looking Journey” Tours for 4th graders  throughout the remainder of my internship.

Other moments at the Museum consists of meetings. Meeting over here, meeting over there, meeting everywhere! I want to say there is not a week that goes by in which I haven’t attended a meeting. I enjoy the meetings because it allows me to bond with the Education staff and learn how to plan for future programs. One of my favorite meeting moments was a  meeting, in which the staff brainstormed fifty Ideas based on a pair of 3-D glasses. What an incredible experience.

So there you have it. There is always something exciting going on in “A Day in the Life of an Intern.”

Karen A. Colbert
Teaching Programs Intern

New Acquisitions in African Collection

Two works of art from the Asante peoples in Ghana are now part of the DMA’s collection and are currently on view in the African galleries.  Both works of art were made for Asante chiefs and relate to proverbs.

The Linguist Staff has a finial which refers to an Asante proverb that states, “one who climbs a good tree always gets a push,” that is, if a chief’s intentions are good and fair, he will have the support of his people.  A ruler owns several linguist staffs in order to display the one that best visualizes the message he wishes to convey to his people at a particular time.

The Sword ornament in the form of a lion is a hollow cast gold sculpture.  Similar to linguist staff finials, the imagery on sword ornaments is meaningful.  The lion, for example, is an emblem for the bravery of the chief.  A proverb states, “If the lion has no intention to attack, it will not show its teeth before you,” advising a person to heed the warnings of a chief.  This lion’s teeth are bared.

Visit the Museum soon to see these new acquisitions!

Molly Kysar
Head of Teaching Programs

Linguist staff (okyeame poma), Ghana, Asante peoples, first half of 20th century, wood and gold leaf, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., 2010.1.McD

Linguist staff (okyeame poma) (detail), Ghana, Asante peoples, first half of 20th century, wood and gold leaf, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., 2010.1.McD

 Sword ornament in the form of a lion, Ghana, Nsuta State, Asante peoples, c. mid-20th century, cast gold and felt, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., 2010.2.McD

European Gallery Reinstallation

The 17th and 18th century European galleries were reinstalled over the summer. Curators Olivier Meslay and Heather MacDonald created a fresh floor plan in order to permit more works of art to be on display. Artists currently represented in the galleries include Jacques-Louis David, George Romney, Joseph Vernet, J.M.W. Turner, Paolo de Matteis, and Jean-Baptiste Greuze.

In addition to these changes, the 19th and 20th century galleries will be closed between October 22 and November 12 for reinstallation. We hope you will visit these galleries to see their updated works of art after the 12th.

Amy Wolf
Coordinator of Gallery Teaching

The hole goes all the way down to space…

Lee Bontecou, Untitled (35), 1961, welded metal and canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, 1963.92.FA.

We spend a lot of time here in the Education Department thinking about works of art in our collection and how we can engage visitors with them in provocative, meaningful ways.  The fun part comes when we go out into the galleries to talk to visitors about what they see and what artworks mean to them. 

This past Tuesday afternoon, I spent some time in the Center for Creative Connections talking to a few visitors and one staffer about Lee Bontecou’s Untitled (35), an artwork in the new Encountering Space installation.  Next to Untitled (35), we have a metaphor response wall where visitors can leave their thoughts about the artwork, in response to a few prompts.  I asked visitors a variation of one of the prompts:  What words or pictures come to mind when you look at the work of art?  Below are their responses (look for visitors in the slideshow!). 

It looks like a well, an endless well.  It goes down deep in the ground, so deep you can’t see it.  Not even a flashlight would help.  If you keep imagining, the hole goes all the way down to space, you can see stars.
    
-Corinthia, 9 years-old

It looks like something’s in it.
     
-Kody, 4 years-old

It’s mysterious, and very intriguing.
     
-Brittany, Kody’s mom

Upon walking up, it looks like a carpet design coming out at you.  Like it used to be flat, but it’s coming out at you.  I thought it looked like a volcano, too.
     
-Victoria

From far away it looks like a stadium, but then I got closer, and it looks like a building.  It reminds me of the movie Inception–how the buildings come apart.
      -Ivan

It looks like it should be in the Nightmare Before Christmas.
     -Jennifer

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Readers, what words or pictures come to mind when you see this artwork?

Amy Copeland
Coordinator of Go van Gogh Outreach


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