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Month at the Museum

Ever wonder what it would be like to live at a Museum?  If you read From the Mixed-Up Files of Mrs. Basil E. Frankweiler as a child, like I did, you may have envied Claudia and Jamie Kincaid and their adventures living in The Metropolitan Museum of Art in New York City.

The Museum of Science and Industry, Chicago made this idea a reality with Month at the Museum.  They invited Kate McGroarty to live at the Museum around the clock for a month, and are accepting applications for another month-long residence later this year.  Check their web site for more details.

What would you  most look forward to if you could live at the Dallas Museum of Art for one month?

Melissa Nelson
Manager of Teaching in the Community

Friday Photos: Let's Get Ornithological!

Over the past few weeks, whenever I left my house, I was dive-bombed by birds. At first, the experience was surreal and Hitchcockian: an ugly honking sound, and then mockingbirds—always the same two culprits—would take turns swooping just inches over my head. I wasn’t sure what I’d done to upset them, but this past weekend, I finally solved the mystery. It turns out that my assailants had built a nest in the ivy over my front porch. This is the best image I could get without getting pecked:

Between these hatchlings and the chickens I recently adopted, I’ve been feeling a little bit plagued by birds lately. So I thought I would use this blog post as an opportunity to share some of my favorite bird-related artwork in the DMA’s collection.

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I’m not sure that there’s a figure as ubiquitous in art around the world and across time as that of the bird. The images of birds I’ve selected are only a few of the many that can be found in the museum. What are your favorites?

Tom Jungerberg

IMLS Grant Coordinator

Insights from my Experiences as a McDermott Intern

As the 2010-2011 Teaching Programs McDermott  Intern, I have had an amazing journey and wonderful experiences along the way. As it comes to an end, I want to share insights from my year as an Intern at the Dallas Museum of Art.

Coffin of Horankh, 700 B.C., Egypt or Thebes, wood, gesso, paint, obsidian, calcite, and bronze, Dallas Museum of Art, Cecil and Ida Green Acquisition Fund

I– I worked in the education department, leading interactive tours to K-12 students and training docents on works of art located in the Museum’s collection. I also worked with the Museum’s community outreach program, Go van Gogh, leading great discussions and art-making projects with elementary students in their classrooms.

Tyrannosaurus, 2002, Robyn O'Neil, graphite on paper, Collection of Nancy and Tim Hanley and fractional gift of Mr. and Mrs. Hanley to the Dallas Museum of Art in honor of Suzanne Weaver

N– New acquisitions to research, new faces to see, and new places to travel to as I explored the galleries. I am really fortunate to have had the opportunity to encounter works of art everyday, meet people, and feel like I’ve traveled to exciting places as I learned about works of art from around the world.

Turban Ornament, 18th century, India, gold, enamel, rubies, and emeralds, Dallas Museum of Art, gift of David T. Owsley via the Alvin and Lucy Owsley Foundation

T– Thousands of artworks in our collection, hundreds of works in the galleries to view. No wonder the Museum is a fun place to visit and learn about art from the ancient world to present-day.

Untitled, 1988, Carlo Guaita, India ink on paper, Dallas Museum of Art, gift of Mr. and Mrs. I. C. Deal

E– Everyday was an exhilarating experience, from researching and writing materials for docents, writing for the educator blog, to creating interactive tours for students. I can’t think of a better place to have an internship that kept me on my feet and engaged at all times.

Animal Form Tripod, 7th-6th century BC, Proto-Achaemenian, bronze, Dallas Museum of Art, gift of Mr. and Mrs. Cecil H. Green

R– Small revelations always occurred in the Museum, such as watching students get excited when looking at works of art during docent-led tours, or watching our friendly staff greet visitors at the door and helping visitors navigate through the galleries.

Bull, late 8th century B.C., Greek, bronze, Dallas Museum of Art, Foundation for the Arts Collection, gift of Mr. and Mrs. James H. Clark

N– As I near the end of my internship, it’s hard to say good-bye to the education staff, the docents, the curators, and those I’ve made friends with along the way. They will always have a place in my heart, and I am grateful to have worked with a talented and collaborative staff and learned from every person I came in contact with throughout my internship.

I     N     T     E     R     N

Sincerely,
Karen A. Colbert
Teaching Programs Intern

Merry Museum Memories

HM and Marilyn Hailey at the member preview for All the Worlds a Stage

Marilyn Hailey has been a member of the Dallas Museum of Art and a Museum Store volunteer for more than twenty years. Last week, she stopped in to purchase a gift membership as a Christmas gift for a friend. I had the opportunity to sit down and ask her a few questions about why she loves the Museum.

Do you remember why you joined?

MH: A friend had a volunteer position with the Museum Store and was moving. She asked me to take over for her and I did.

If you could have one work of art from the Museum’s collections in your home, what would it be?

MH: Vase of White Lilacs and Roses by Édouard Manet.

What is your favorite activity at the DMA?

MH: I enjoy coming to the exhibition previews on the member days. I love the jazz on Thursday nights as well. I sometimes tell Wendell [Sneed, Jazz in the Atrium Program Coordinator] who to bring back.

What has been your favorite special exhibition?

MH: Splendors of China’s Forbidden City: The Glorious Reign of Emperor Qianlong. That Christmas, every gift I bought was from the Splendors of China’s Forbidden City gift shop. I love oriental art. My husband, HM, and I lived in Japan for a while when he was in the Air Force.

What is a typical day like for you?

MH: I get the newspaper and read the funnies, and then work on the computer crosswords. I spend too much time doing that. I’m in a lot of leagues in the city.

 

Community Connection: Our Friends and Neighbors

Dear loyal blog readers,

We have a new summer blog post schedule.  Look for new posts on Wednesdays and Fridays.  Have a fabulous summer!

The opening of the AT&T Performing Arts Center last fall brought our friends at the Dallas Theater Center (DTC) to the ever-growing Dallas Arts District.  Having comfortably settled into their new home at the Dee and Charles Wyly Theatre, the DTC has developed programs and collaborations as innovative as the building itself.  Lisa Holland, Director of Education and Community Programs at the DTC, gives us a peek behind the scenes.

Tell us about your new home at the Wyly Theatre.
The Wyly Theatre is remarkable – there’s not another theater like it in the entire world.  The flexibility that it affords is unparalleled and I think that we, as the primary tenants, are going to learn about this building as time goes on.  I think the possibilities are going to be limitless in this building.  I also think our patrons are going to be the lucky beneficiaries of seeing what this building can do.  It’s like a giant transformer.  What that provides to the patron in terms of the audience to artist relationship is going to be powerful and immediate. There’s nothing like it.  

Also, the synergy between other organizations in the Arts District and the potential collaborations that exist now is so thrilling.  I think about how we can collaborate with our friends and family at the Arts District in ways that will be really engaging and exciting.  To walk down the street and see who you’ll run into, or walk down the street and have a meeting at the DMA – it’s exciting. 

Do you ever consider integrating or thinking about works of art related to your programs?
Absolutely.  In the past, we’ve incorporated a visual arts component in our SummerStage program.  I believe that whatever kind of artist you are, you need to “feed your hopper”.  In other words, you pour into yourself different experiences, whether it’s a trip to the zoo or going for a walk and looking at leaves.  You never know what will inform your work as an artist.  

Also, we deal with a lot of visual arts formal elements like color, line, and composition in the theater.  And, we have had collaborative events with the DMA in the past, such as sending artists to the DMA and working with Arts & Letters Live.

Tell us about the Shannon and Ted Skokos Learning Lab, your new partnership with Booker T. Washington High School for the Performing and Visual Arts.
It was brand new this year, and it was a resounding mutual success. Last spring, we auditioned the rising juniors and from that group chose eighteen seniors.  The Learning Lab has three components.  Kevin Moriarty (DTC Artistic Director), Charlton Gavitt (Booker T. Washington High School Theater Cluster Faculty), and I team-taught the class component, which occurred every other day, all year long.  The second component is a twenty-hour internship that students complete outside of class hours.  The final component is a performance project, in which we paired the students with our professional acting company, and they performed ten scenes in the Wyly Theatre with the professional actors.  The students also came to every single show we produced this year, free of charge.  This is a super exciting program, and I don’t think anywhere else has that sort of integrated relationship between a school and a professional theater with that kind of access.  The program is a great example of the kind of collaboration that can happen in the Arts District – it was so simple to walk across the street, teach, and walk back to my office.

How did you come to your position as Director of Education & Community Programs?
I grew up in the theater.  My parents took me to theater and I’ve been a theater student my whole life.  After I earned my graduate degree in directing, I was hired as one of two artistic directing interns at the Dallas Theater Center thirteen years ago.  I was hired to work in the artistic office after my internship year, and I basically never left.  I defected into the education department about halfway through my tenure, but that made sense because my undergraduate degree is in theater education.

What program/performance are you most looking forward to this summer?
We have a program called SUPERStage (SummerStage’s alter ego), where we have theater day camps for kids ages 4-14. I’m also looking forward to our summer production It’s a Bird…It’s a Plane…It’s SupermanI’m so excited about having a mainstage show running concurrently with our SUPERtage program.  Our SUPERStage students will have access to what we do in a primary way, and we’re going to enfold into the curriculum what is happening on stage so it becomes a learning lab of sorts.  It’s going to be awesome.  Superman – what can you say – there’s flying  –  it’s Superman!

Melissa Nelson
Manager of Teaching in the Community


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