Archive for the 'Friday Photos' Category



Costumes from the Collection

Every year I struggle to think of a creative new Halloween costume to wear. Oftentimes the month somehow escapes me and I end up recycling one of my old costumes: a cat, witch, or something with a mask. However, this year I realized that inspiration is all around me in the DMA galleries. As I wandered through the Museum this month, I was flooded with images of myself as a fierce Hindu goddess with multiple arms, an affluent Asante chief covered with gold, or even a mummy wrapped in linen. Excited by all the endless possibilities, I decided to ask my fellow authors which artwork they would choose to base a Halloween costume on.

Amanda Batson

“Amanda Panda” drew her inspiration for a Halloween costume from the Banquete chair with pandas.
.

Jessica Fuentes

“I would be Marcel Dzama’s The Minotaur. The sculpture already lends itself to a costume as there appears to be a person underneath the Minotaur’s mask-like head and the white cloth.  I like that the Minotaur should be a scary creature, but it looks defeated as it is portrayed here, with one horn, one arm, and one leg.  I also like that the artist includes the artist tools, paint brushes in a can, I think it would be fun to walk around as this character with all of the accessories.”
.

Andrea Severin

Andrea created a headpiece inspired by our new Karla Black installation.
.

Artie

Andrea’s adorable dog Artie also wanted to dress up!
.

Hannah Burney

As for me, I decided to base my costume on the spooky gorgon head featured on the inside of this Black-figure kylix. In Greek mythology gorgons are treacherous female creatures that have snakes for hair and can turn anyone who looks them in the eye to stone.

Hannah Burney
Community Teaching Programs Assistant

Artworks used:

  • Banquete chair with pandas, Fernando Campana and Humberto Campana, 2006, stuffed animals on steel base, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund
  • Bird-form finial, Zenú culture, South America, Colombia, c. A.D. 500-1500, gold, Dallas Museum of Art, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, and Mr. and Mrs. John D. Murchison
  • Black-figure kylix, Greek, Attic, 6th century B.C., ceramic, Dallas Museum of Art, gift of Mr. and Mrs. Cecil H. Green
  • Necessity, Karla Black, 2012, cellophane, sellotape, paint, body moisturisers and cosmetics, Courtesy Stuart Shave/Modern Art, London and Galerie Gisele Captain, Cologne
  • The Minotaur, Marcel Dzama, 2008, plaster, gauze, rope, fabric, chair, bucket, and paintbrushes, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund

Fall is (finally) in the air!

It has technically been fall for almost three weeks, and it is just now starting to feel like it. Temperatures in the 70s, presidential debates, brisk winds, sweaters, switching from iced coffee back to regular, lovely fall colors and, of course, a smattering of new DMA exhibitions.

Here are some works from the collection to get you in the autumnal spirit.

[slideshow]

Works featured:

  • Florence E. McClung, Autumn, 1959, Dallas Museum of Art, gift of Florence E. McClung
  • Lynda Benglis, Odalisque (Hey, Hey Frankenthaler), 1969, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund
  • Philip Russell, Autumn Landscape, 1957, Dallas Museum of Art, Leon A. Harris, Sr. Memorial Purchase Prize, 9th Southwestern Exhibition of Prints and Drawings, 1958
  • Marsden Hartley, Mountains, No. 19, 1930, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc.
  • Zaha Hadid, Tea and Coffee Set, Designed 1996, Executed 2002, Dallas Museum of Art, gift of Deedie and Rusty Rose in honor of Lela Rose and Catherine Rose
  • Mark Rothko, Orange, Red and Red, 1962, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated
  • Everett Spruce, Autumn Landscape, 1955, Dallas Museum of Art, Dallas Art Association purchase, The Seventeenth Annual Exhibition of Texas Painting and Sculpture, 1955
  • John T. Curran (designer), Tiffany and Company (manufacturer), “Aztec” tête-à-tête coffee service, Dallas Museum of Art, anonymous gift and Discretionary Decorative Arts Fund
  • Myron Stout, Untitled, 1950, Dallas Museum of Art, General Acquisitions Fund
  • Henri Fantin-Latour, Fall Flowers, 1863, Dallas Museum of Art, gift of Mr. and Mrs. James H. Clark
  • Navajo people, Eye-Dazzler Blanket, c. 1880-1900, Dallas Museum of Art, Textile Purchase Fund

Alex Vargo

McDermott Intern for Gallery Teaching

Friday Photos: Bovine Bonanza

As a new Texas transplant, I have been trying to immerse myself in Dallas culture as much as possible.  I went to the State Fair and tried every fried food imaginable; I experienced the Ft. Worth Stockyards and the weekly rodeo (not a fan of calf roping); and I have already developed an obsession for sweet tea!

Luckily for me, the Dallas Museum of Art has an excellent collection of artwork by local Texan artists—a great opportunity for both newbies like me and old hats in the community to learn more about Dallas and the broader Texas art scene.

One prominent theme in Texan artworks is the ever-presence of cows! Cattle driving and trailing played a huge role in the history of north Texas and the animals remain an important cultural marker for the entire state.

Cows are not only prominent in Texan art, but bovines can also be found aplenty in our Asian collection reflecting the place of honor they hold in Hinduism.  Nandi, the bull often seen in Hindu art, serves as the mount of one of the principle Hindu deities, Shiva.  Not simply a means of transportation for Shiva, Nandi is also a primary god on his own and Shiva’s foremost disciple.

While Texans and Hindus revere cows in extremely different manners, each has found them important enough to include in their artwork, which, to me, illustrates an exciting cross-cultural connection!

[slideshow]

Artworks shown:

  • George Grosz, Cattle, 1952-1953, Dallas Museum of Art, gift of A. Harris and Company in memory of Leon A. Harris, Sr.
  • Clara McDonald Williamson, Get Along Little Dogies, 1945, Dallas Museum of Art, Ted Dealey Purchase Prize, Seventeenth Annual Dallas Allied Arts Exhibition, 1946
  • Otis Dozier, Wild Cow Milking Contest, 1941, Dallas Museum of Art, gift of The Dozier Foundation
  • Tom Lea, Wild Cattle of South Texas: Ancestors of the Longhorns, 1945-1946, Dallas Museum of Art, gift of Life Magazine
  • Shiva Nataraja, Chola dynasty, 11th century, Dallas Museum of Art, gift of Mrs. Eugene McDermott, the Hamon Charitable Foundation, and an anonymous donor in honor of David T. Owsley, with additional funding from The Cecil and Ida Green Foundation and the Cecil and Ida Green Acquisition Fund
  • Nandi bull, c. 13th century, Dallas Museum of Art, the Cecil and Ida Green Acquisition Fund and gift of David T. Owsley via the Alvin and Lucy Owsley Foundation
  • Humped bull (zebu, or Bos Indicus), 3rd millennium B.C., Dallas Museum of art, gift of David T. Owsley via the Alvin and Lucy Owsley Foundation

Pilar Wong
McDermott Intern for Community Teaching

Friday Photos: Welcome, Elijah!

Are you winking at us Eli?

I feel most privileged to introduce you to Mr. Elijah Nelson Gonzales, the youngest member of the DMA family!  Melissa and her husband welcomed healthy little Eli into the world on Monday, September 10.  We think he’s about the cutest thing ever – don’t you agree?

Mommy and Eli

Eli’s first trip to Target!

Hey buddy.

A beautiful family

Congratulations Melissa!  We’re missing you while you’re away from the office (and the blog), and we look forward to seeing you soon.  Bring Eli by the DMA any time you want – the world of art is waiting for him…

Nicole Stutzman
Chair of Learning Initiatives and Dallas Museum of Art League Director of Education

Friday Photos: Plumed Serpent Teacher Workshop

Last Saturday we kicked off the first teacher workshop of the fall: Cacao, Codices, and Cross-Cultural Connections. We explored  The Legacy of the Plumed Serpent in Ancient Mexico and considered the complex trade networks and the shared artistic styles between the multilingual societies in Post-Classic Mesoamerica. We also spent quality time with the Codex Nuttall, the Mixtec picture book that tells a story without the use of a written language.

Groups of workshop participants created their own codices of popular or historical events. Groups had to guess each other’s narrative, testing the difficulty of communicating without words. Would you have been able to guess what stories their codices were telling?

[slideshow]

Join us for a Saturday teacher workshop on October 6 or November 17!

Until next time,

Andrea V. Severin
Coordinator of Teaching Programs

Friday Photos: Welcome, Juniper!

Mommy and baby Juni

We are delighted to welcome little Juniper Leonard to the DMA community!  Juni made her debut Monday, August 6.  Loryn and baby are happy and healthy, and we were thrilled to have them visit the DMA last week.

Shannon and Juni

Hannah, Nicole, and little Juni

With the arrival of Juni comes a change to our department: Loryn has resigned from her position as the DMA’s Coordinator of Museum Visits in order to take a teaching job at Howard Junior High in Waxahachie ISD.  Her new job will leave her with a one-mile commute to work, rather than a thirty-mile commute to the DMA.

Loryn began working at the DMA in June of 2011 and scheduled Museum visits for over 50,000 students during her time here.  On top of that, she also coordinated the schedules of the DMA’s 120 docents.  She has been invaluable to our department, and we will all miss her when she leaves.  Help us wish Loryn and Juni well in the exciting months to come!

Melissa Nelson
Manager of Teaching in the Community

Friday Photos: Artistic Gymnastics

After two weeks of exciting competition, the London 2012 Summer Olympics will end this weekend with the Closing Ceremony on Sunday. Gymnastics was one of my favorite sports this year and Team USA’s Fierce Five certainly did not disappoint, bringing home five medals, three of them gold.

Five fierce artworks from our contemporary collection—interestingly enough, all Untitled—remind me of this graceful sport.

The vault:

Untitled, Franz Kline, 1959, Dallas Museum of Art, Foundation for the Arts Collection, gift of George T. and Natalie H. (Schatzie) Lee

The balance beam:

Untitled, Nigel Hall, 1973, Dallas Museum of Art, Bryan Williams Fund

The uneven bars:

Untitled, Carlo Guaita, 1988, Dallas Museum of Art, gift of Mr. and Mrs. I. C. Deal

The floor exercise:

Untitled, Richard Anuszkiewicz, n.d, Dallas Museum of Art, Foundation for the Arts Collection, gift of Mr. and Mrs. Duncan E. Boeckman

A gymnast in the midst of her routine:

Untitled, Joel Shapiro, 1981-1984, Dallas Museum of Art, gift of Exxon Corporation

What artworks remind you of the Olympics?

If you’re not ready for the Olympic spirit to end just yet, you’ll want to get tickets for Arts & Letters Live on October 9. Chris Cleave will discuss his new novel Gold, which centers on two athletes at their last Olympic Games, London 2012.

Sarah Coffey
Assistant to the Chair of Learning Initiatives

Friday Photos: Plumed Serpent

One of the most important ancient Mesoamerican gods was Quetzalcoatl, a celestial deity who took the form of a feathered snake and ruled over the wind. One myth recounts that he created the earth’s current race of people by bleeding onto the bones of the previous generation.

Relief Depicting Face of Quetzalcoatl, Mexico, Aztec, AD 1400–1521, Museo Nacional de Antropología, Mexico City (10-81787)

Bust of Quetzalcoatl, Mexico, Aztec, AD 1300–1521, Trustees of the British Museum, London, Ethno. 1825.12-10.11

Turquoise-mosaic Disk with plumed serpent design, Mexico, Yucatán, Chichen Itza, Maya, AD 900–1200, Museo Nacional de Antropología, Mexico City (10-9649)

Find out more about Quetzalcoatl in The Legacy of the Plumed Serpent in Ancient Mexico, which opens this weekend with a FREE sneak preview on Saturday, during WFAA Family First Day.

Sarah Coffey
Assistant to the Chair of Learning Initiatives

Friday Photos: Summer Inspirations

If you haven’t already, you should take the advice of my colleague Hannah and Vacay at the DMA.  Not only are there family-friendly experiences to uncover, there are lots of works of art to inspire your summer vacation.  For example:

Soak up some sun on the beach.

Albert Marquet, The Beach at Trouville, c. 1906, Dallas Museum of Art, gift of the Meadows Foundation Incorporated

Spend the afternoon playing tennis.

George L.K. Morris, Mixed Doubles, c.1948, Dallas Museum of Art, gift of David T. Owsley via the Alvin and Lucy Owsley and Alconda-Owsley Foundations

Paint en plein air in France.

Paul Signac, Comblat-le-Chateau, the Meadow (Le Pre), Opus 161, June-July 1887, Dallas Museum of Art, The Eugene and Margaret McDermott Art Fund, Inc., in honor of Bonnie Pitman

Do some gardening…but beware of those pesky garden snakes.

Mark Handforth, Dallas Snake, 2007, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund and Lay Family Acquisition Fund

And when the heat becomes too much to bear, go swimming.

Fernand Leger, The Divers (Red and Black), 1942, Dallas Museum of Art, Foundation for the Arts Collection, gift of the James H. and Lillian Clark Foundation

Enjoy the rest of your summer!

Loryn Leonard
Coordinator of Museum Visits

Friday Photos: Creative Teens

Armed with tissue paper, construction paper, wire, and art straws, our Teen Docents were asked to complete a Creativity Challenge during their training last month.  Their challenge was to create a 3-D response to a 2-D work of art using only the materials provided to them.  They were not given any scissors, glue, or tape, and they had a time limit of forty minutes.  Their creations were quite impressive, and I hope you enjoy this peek at their finished products.

[slideshow]

Shannon Karol
Manager of Docent Programs and Gallery Teaching


Archives

Categories