Posts Tagged 'teacher workshop'



Upcoming Teacher Workshop: The Twenties

What comes to mind when you think of America in the twenties?

My first thoughts: jazz music, flappers, The Great Gatsby, the end of WWI, Prohibition, the Harlem Renaissance, Al Capone, and new rights for women. The country was quickly urbanizing and industrializing,  and technology was advancing. The twenties in the U.S. were “roaring” indeed – characterized  by dynamic change and modernization. Visual artists along with authors, poets, and playwrights responded to all this change through their works. The DMA’s upcoming full-day teacher workshop on March 31 will explore the conceptual and thematic threads that connect 1920s visual art, literature, and a rapidly morphing America.

For a little teaser of The Twenties workshop, read “The Red Wheelbarrow”  by William Carlos Williams. Then, view the following four artworks from Youth and Beauty: Art of the American TwentiesHow are ideas presented in the poem resonating with one or more of the artworks? Which artwork do you think best associates with the poem?

The Red Wheelbarrow
by William Carlos Williams

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

We would love for you to leave a comment with your thoughts and associations!

Andrea Severin
Coordinator of Teaching Programs

Artworks shown:

  • Elsie Driggs, Queensborough Bridge, 1927, Montclair Art Museum, Montclair, New Jersey, Museum Purchase, Lang Acquisition Fund
  • Lewis Wickes Hine, Power House Mechanic, 1920-1921, Brooklyn Museum, Gift of Walter and Naomi Rosenblum
  • Gerald Murphy, Razor, 1924, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist
  • Joseph Stella, The Amazon, 1925-1926, The Baltimore Museum of Art: Purchase with exchange funds from the Edward Joseph Gallagher II Memorial Collection

Friday Photos: Youth and Beauty

This Sunday is the opening of Youth and Beauty: Art of the American Twenties. With over sixty-five artists represented, this dynamic exhibition expresses life as an American in the period between World War I and the Great Depression. The “Roaring Twenties“, as they are known, may bring to mind iconic flappers and lively jazz music. From the outside this may seem like a period of frivolous fun, but taking a closer look reveals a complex time of transition. With the rapid urbanization of America, modern ideals and industry created a lot of change and disorientation, which can be felt throughout the exhibition. With so much to see and discover, don’t miss your chance to peer into the psyche of this topsy-turvy decade.

Below is a little sneak peek of some of the artworks in the exhibition.

Don’t miss all the fun and engaging Youth and Beauty programs for you and your students!

Hannah Burney
McDermott Education Intern for Teaching Programs and Partnerships

Artworks shown:

Nickolas Muray, Gloria Swanson, circa 1925, gelatin silver print, George Eastman House, International Museum of Photography and Film, Rochester, New York, Gift of Mrs. Nickolas Muray

George Wesley Bellows, Two Women, 1924, oil on canvas, Portland Museum of Art, Maine, Lent by Karl Jaeger, Tamara Jaeger, and Karena Jaeger

John Steuart Curry, The Bathers, circa 1928, oil on canvas, The Nelson-Atkins Museum of Art, Kansas City, Missouri, Purchase: Acquired with a donation in memory of George K. Baum II by his family, G. Kenneth Baum, Jonathan Edward Baum, and Jessica Baum Pasmore, and through the bequest of Celestin H. Meugniot

Edward Hopper, Lighthouse Hill, 1927, oil on canvas, Dallas Museum of Art, Gift of Mr. and Mrs. Maurice Purnell

Bumpei Usui, 14th Street, 1924, oil on canvas, Virginia Museum of Fine Arts, Richmond, J. Harwood and Louise B. Cochrane Fund for American Art

Joseph Stella, American Landscape, 1929, oil on canvas, Collection Walker Art Center, Minneapolis, Gift of the T.B. Walker Foundation

Gerald Murphy, Razor, 1924, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist

Lewis Wickes Hine, Power House Mechanic, 1920-1921, gelatin silver print, Brooklyn Museum, Gift of Walter and Naomi Rosenblum

Youth and Beauty: Art of the American Twenties is organized by the Brooklyn Museum. Major support for this exhibition and the accompanying catalogue was provided by the Henry Luce Foundation, the Martha A. and Robert S. Rubin Exhibition Fund, The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, and the National Endowment for the Arts.

Sign Up Now: Museum Forum for Teachers

Each summer, the DMA hosts a week-long program called Museum Forum for Teachers: Modern and Contemporary Art.  Over the course of the week, teachers spend a full day at five different art museums: The Rachofsky House (a private contemporary art collection located in Dallas), the Nasher Sculpture Center, the Kimbell Art Museum, the Modern Art Museum of Fort Worth, and the Dallas Museum of Art.   This year, the Forum will be held from July 23-27.

Melissa discusses the Silence and Time exhibition during Museum Forum 2011

As its title suggests, the focus of Museum Forum is modern and contemporary art.   The DMA day this summer will focus on the exhibition Flower of the Prairie: George Grosz’s Impressions of Dallas, 1952, as well as selected works from our contemporary collection.  This will be my fourth year to lead the Museum Forum, and for me the week is always an opportunity to feel refreshed and rejuvenated.  It’s rare that I have an opportunity to spend five consecutive days in the galleries, and I love the conversations and ideas that emerge over the course of the week.  I also feel like I walk away from the Forum learning just as much from the teachers as they do from me.

Teachers examine a painting during Museum Forum

If you want to feel reinvigorated by modern and contemporary art, I encourage you to apply for this year’s Museum Forum for Teachers.  The Forum is open to middle school and high school teachers of all disciplines, and enrollment is limited to twenty-five participants.  We are currently accepting applications, and a 10% discount will be given to all teachers who apply by our early application deadline of March 30.  The regular application deadline is May 25, and all teachers will be notified of their acceptance by June 8.  I hope you’ll consider joining us!

Talking about On Kawara during a past Museum Forum

Shannon Karol
Manager of Docent Programs and Gallery Teaching

Friday Photos: Designing Exhibitions Workshop

Last Saturday, a dozen teachers explored exhibition design in a half-day teacher workshop, slipping in and out of the galleries before the crowds waiting for one last look at The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.  We were thrilled to have Jessica Harden, DMA Exhibition Design Coordinator, take us through various galleries she had designed. As we looked at the work, she enlightened us on the effect of design elements on visitor experience. It was especially exciting to hear Jessica explain her creative process for the Gaultier exhibition, which is full of imaginative elements, such as a satin-tufted display case and graffiti-filled walls!

The teachers spent the second part of the day designing mini exhibitions of works in the DMA’s collection. They considered lighting, wall color, interactive components, mood, and object and visitor safety, pinning their layouts and ideas to project boards. The teachers ended the day by sharing how their chosen design elements expressed the focus of their exhibitions. Here’s the breakdown of our Exhibition Re-design Project.

Enjoy these photos that capture some of our fun morning. Thanks to all the teachers who joined us on Saturday!

Andrea Severin

Coordinator of Teaching Programs

2012 Spring Teacher Workshops

We are officially in the middle of January, and that means that it is time to announce our Spring Teacher Workshops for 2012!

The Fashion World Of Jean Paul Gaultier: From the Sidewalk to the Catwalk at the Dallas Museum of Art

If you have ever wondered how exhibitions are created, then you absolutely must attend our first workshop on February 11th, Designing Exhibitions. Learn about the creativity, challenges, and design of exhibitions at the Dallas Museum of Art with the DMA’s exhibition designer, Jessica Harden. Explore The Fashion World of Jean Paul Gaultier from the Designer’s perspective, participate in art-inspired, design-based thinking projects, and be prepared to look at museum exhibitions in a brand new light.

As you may know, we love the idea of combining art and poetry, so we are excited to promote The Art of Language: Mark Manders and Elliott Hundley as an Adult Workshop that is open to teachers as well as the general public. This evening workshop will take place at the Dallas Museum of Art and the Nasher Sculpture Center on March 8th. Come and explore connections between language and visual art in this workshop, as we examine the work of contemporary artists Mark Manders and Elliott Hundley. Led by Farid Matuk, poet, and Dr. Cynthia King, an English professor at UNT, as well as staff from the DMA and the Nasher, participants will discover each artist’s unique relationship to language and then respond to the exhibitions through writing.

Still Life with Books, Table and Fake Newspaper, Mark Manders, 2010, Collection David Teiger

The Amazon, Joseph Stella, 1925-1926 The Baltimore Museum of Art: Purchase with exchange funds from the Edward Joseph Gallagher III Memorial Collection

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Later this spring, on March 31st, The Twenties: American Art, Literature, and History will coincide with the exhibition Youth and Beauty: Art of the American Twenties. Participants will view the varied works in this exhibition and study key American artworks in the DMA’s collection as they explore ideas about art, literature and popular culture in 1920s American life.

We hope to see you at the DMA in 2012!

Jessica Kennedy
McDermott Intern for Gallery Teaching

Friday Photos: Art & Fashion Teacher Workshop

Last Saturday, eleven teachers joined us for the Art & Fashion teacher workshop.  Teachers spent two hours in The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, and it was great to have the exhibition all to ourselves (the Museum wasn’t open to the public yet)!  We also spent time discussing fashion in our Colonial American galleries, as well as the exhibition African Headwear: Beyond Fashion.  I would have to say that the highlight of the day for me was a visit to the costume shop at the Wyly Theater.  Christie Vela, who not only works at the Dallas Theater Center but is also an actress and freelance costume designer, shared the secrets of how a costume goes from an idea to a garment on stage.  Below are photos from our day-long look at art & fashion.

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Shannon Karol
Manager of Docent Programs and Gallery Teaching

The Fashion World of Jean Paul Gaultier Has Arrived

After months of preparation and anticipation, The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk is now open to the public.  The DMA’s galleries have been transformed into an immersive fashion environment, complete with singing mannequins and a moving catwalk.  I couldn’t stop saying “wow” my first time through the exhibition–I kept forgetting that I was inside the DMA.

Les Vierges collection, Apparitions dress, Haute couture, spring/summer 2007, copyright P. Stable/Jean Paul Gaultier

The exhibition celebrates a 35-year span of Gaultier’s career (from 1976 to 2011), and is divided into six distinct galleries:

  • The Odyssey of Jean Paul Gaultier, which is an introduction to Gaultier using three of his favorite motifs: sailors, mermaids, and virgins.
  • The Boudoir, which explores Gaultier’s reinterpretation of corsets and lingerie for the modern woman’s wardrobe.
  • Skin Deep, which celebrates how skin (our first garment) and its various types of decoration have inspired Gaultier.  This section is also devoted to Gaultier’s take on male fashion, including his men’s skirts.
  • Punk Cancan, which reflects the influence of Paris and London on Gaultier’s designs.
  • Metropolis, which explores the worlds of technology and science fiction.  This section of the exhibition also includes Gaultier’s collaborations with artists in the fields of film and dance.
  • Urban Jungle, which demonstrates the influence of world cultures and peoples in the fashions of Jean Paul Gaultier.

Les Actrices collection, Barbarella body-corset, Haute couture, fall/winter 2009-2010, copyright P. Stable/Jean Paul Gaultier

Of course, Jean Paul Gaultier’s name is forever tied to Madonna, and the gold corset from her Blond Ambition tour has pride-of-place in the Boudoir gallery.  The labels in the exhibition reveal a “who’s who” of other celebrities who have worn the designs in the exhibition, including Kylie Minogue, Dita von Teese, Sarah Jessica Parker, Anthony Keidis and Flea from the Red Hot Chili Peppers, Catherine Deneuve, and Beyoncé.  Several of the labels also list the number of hours required to make that particular garment.  For me, that is the most fascinating part of the exhibition.  I spend my weekends sewing, and I get annoyed if something takes me longer than a day or two to complete.  I can’t imagine spending 200+ hours working on one garment!  I guess that’s the distinction between haute couture and something home-sewn.

Les Indes galantes collection, Lascar dress, Haute couture, spring/summer 2000, copyright P. Stable/Jean Paul Gaultier

If you would like to experience The Fashion World of Jean Paul Gaultier, I encourage you to sign up for our full-day Art & Fashion Teacher Workshop on December 3rd.  I am co-leading the workshop and we’ll explore the exhibition, as well as other examples of fashion from the DMA’s collection.  There are still spaces available, and it’s guaranteed to be a fashion-filled day (bonus points if you arrive for the workshop wearing sailor stripes). If you’re not able to join us for the Teacher Workshop, keep an eye out for Jessica’s fashion-inspired Friday Photo Posts in the month of November.

Jean Paul Gaultier's love note to Dallas

The DMA’s Uncrated blog also has a behind-the-scenes peek at Gaultier’s time at the DMA last week, including photos and video.  Of course, I also encourage you to come check out the exhibition for yourself.  This is the DMA’s first-ever fashion exhibition, and it truly is phenomenal.  Don’t let these fashions walk off the catwalk on February 12th without seeing them in person.

Shannon Karol
Manager of Docent Programs and Gallery Teaching

Teacher Workshop on American Indian Art

Dear teachers, we would like to invite you to participate in the last DMA teacher workshop of the summer.  This workshop will take place on Tuesday, August 9th from 9:00am-12:30pm at the Dallas Museum of Art and will explore American Indian art and belief systems presented in the Art of the American Indians: The Thaw Collection exhibition.  The workshop offers 3.5 CPE hours.  The full workshop cost is $25 or $20 for DMA members, and you can register online.

Selected works of art from the exhibition.

We look forward to seeing you at this workshop and our upcoming 2011-2012 programs throughout the school year!

Ashley Bruckbauer
Teaching Programs and Partnerships

A New Chapter

After nine years of teaching with and writing about works of art at the Dallas Museum of Art, this is my last blog post as Manager of Programs and Resources for Teachers. I am beginning the next chapter of my life and am moving eastward to continue my career within the museum field.  While at the DMA, I have grown and matured as an individual and as an educator, developing a stronger sense of self and a more refined teaching philosophy. I have been able to follow my true passion of making interdisciplinary and thematic connections between works of art and cultures using the Museum’s encyclopedic collection and through special exhibitions.

As for my friends and colleagues at the Museum, I have been very fortunate to work with individuals who are extraordinarily passionate about teaching with works of art and care deeply about the Museum and its collection.  This is inspiring on many levels and allows for a creative environment to work in.

And finally, a heartfelt “thank you” to all of the educators I have worked with during teacher workshops, in-services, and partnership programs.  I appreciate the work you do as you support the in-depth learning that is possible with works of art from all places and all times.

As a parting thought, Henry David Thoreau wrote, “Go confidently in the direction of your dreams! Live the life you’ve imagined. As you simplify your life, the laws of the universe will be simpler.”  I encourage you all to live the life you imagined.

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Until next time….

Jenny Marvel
Manager of Programs and Resources for Teachers

P.S.   I can’t help lovin’ that emaciated cow of mine!

Images:

Frederic Edwin Church, The Icebergs, 1861, Oil on canvas, Dallas Museum of Art, gift of Norma and Lamar Hunt, 1979.28

Alexandre Hogue, Drouth Stricken Area, 1934, Oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase, 1945.6

Richard Long, Tennessee Stone Ring, 1984, Stone, Dallas Museum of Art, General Acquisitions Fund with a matching grant from The 500, Inc., 1985.120

Just can't get enough…

For those educators who cannot get enough of the DMA this summer, we have many professional development opportunities for you!   With a possibility of earning over sixty CPE credit hours, these sessions are open to K-12 educators across all disciplines and schools.    We hope to see you at one or more of the sessions listed below.

Summer Seminar 2011: Teaching for Creativity
June 14 – 17, 2011, 9:00 a.m. – 4:00 p.m. daily
24 CPE Hours; limit fifteen
Registration is due May, 30, 2011

Designed for teachers of all grade levels and subjects, Summer Seminar is an immersive experience in the Dallas Museum of Art’s galleries and Center for Creative Connections.   Conversations, experiences with works of art in the Dallas Museum of Art’s galleries, and creative thinking techniques will be used to create an enriching experience for teachers and models for use in the classroom.


North American Wildlife at the Dallas Zoo and in the “Art of the American Indians: The Thaw Collection” at the Dallas Museum of Art
Friday, July 15, 2011, 9:00 a.m.–4:30 p.m.
6 CPE hours; limit thirty

Teachers will explore the relationships between American Indian cultures and native North American wildlife.    Participants will closely observe animals at the Dallas Zoo and will study works of art in the Dallas Museum of Art’s exhibition Art of the American Indians: The Thaw Collection.



Museum Forum for Teachers: Modern & Contemporary Art 
July 25- July 29, 2011, 10:00 a.m.-4:00 p.m. daily
30 CPE Hours; limited to twenty-five middle and high school teachers; application is due May, 23, 2011

Teachers will deepen their understanding of contemporary art and architecture through gallery experiences and discussions.   Participants will spend each day at one of five area institutions: Modern Art Museum of Fort Worth, Kimbell Art Museum, Dallas Museum of Art, Nasher Sculpture Center, and The Rachofsky House.


Art of the American Indians: The Thaw Collection   
August 9, 2011, 9:00 a.m.–12:30 p.m.
3.5 CPE hours; limit twenty-five

Explore the belief systems of American Indian cultures through artworks in the Art of the American Indians: The Thaw Collection exhibition. 


Please note that the Dallas Museum of Art is accredited by the Texas State Board for Educator Certification, and participating educators will earn Continuing Professional Education (CPE) hours during Teacher Workshops, Summer Seminar, and Museum Forum.

Until next time….

Jenny Marvel
Manager of Programs and Resources for Teachers


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