Posts Tagged 'French Revolution'

Let Them Eat Cake!

Robert Delaunay, Eiffel Tower, 1924, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, © L & M Services B. V., Amsterdam, 1981.105

Robert Delaunay, Eiffel Tower, 1924, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated, 1981. 105, © L & M Services B. V., Amsterdam

Bastille Day is this Thursday, but the revolution will last an extra day as we continue the festivities during our July Late Night.

marie antoinette 2

To help you practice your French numbers, here are some things you can experience that evening:

Un – The number of movies starring Kirsten Dunst that will be screened (spoiler alert: it’s Marie Antoinette).

Deux – The number of people facing off against each other in our fencing and dueling demonstrations.

Trois  The number of hours DJ Wild in the Streets will spin a mix of eclectic French music.

Quatre – The number of tours that will explore the French Revolution, fashion, and portraiture.

Cinq – The number of hours you can hear live French music performed by local musicians.  

Six – The time that Late Night starts, so don’t être en retard!

Sept – The start time for our Late Night Talk sharing a quick history of the French Revolution.  

Huit – The number of selfies you should take in front of French portraits in our Rosenberg Collection, and then share them on our Instagram with #DMAnights.  

Neuf – The number of rogue mimes you might see walking around.

Dix – The number of times DMA staff might yell “vive la DMA!” during the evening.

Jean Antoine Theodore Giroust, The Harp Lesson (La leçon de Harpe), 1791, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O'Hara Fund -

Jean Antoine Theodore Giroust, The Harp Lesson, 1791, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund, 2015.10.FA

In addition to our Late Night, Bastille Day Dallas will expand its annual celebration and bring more French culture to the Dallas Arts District with outdoor activities on Flora Street. So put on your beret, grab a baguette, and join us!

Bastille on Flora

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Pulling At Our Heart Strings

When a Museum acquires a new work of art, it can be a very quick process or it can take months—or sometimes years! The latter was the case with The Harp Lesson, a monumental triple portrait by the French neoclassical painter Jean Antoine Théodore Giroust (1753–1817).

We first became aware of the painting’s availability in 2010, but the circumstances to purchase it were not quite right. When it came up for auction at Christie’s Old Masters sale in New York on January 28 of this year, we were ready to spring into action. So Olivier Meslay, the DMA’s Associate Director of Curatorial Affairs and Barbara Thomas Lemmon Curator of European Art, headed to New York, hoping that the weatherman’s forecast for twelve to eighteen inches of snow there would not thwart our chance to bid on the painting. The morning of the auction, several of us excitedly watched the sale live online from our offices in Dallas. The bidding went quite fast; it seemed to be over in the blink of an eye! Then, after the auctioneer said “sold!” with a thwack of his hammer, we had to endure several anxious minutes before we learned that the DMA was the high bidder.

This month, the monumental painting went on view in the European Galleries. Including the frame, it measures just shy of ten feet tall. While installing it was no minor undertaking, these pictures are proof that no challenge is too insurmountable for the DMA’s expert art preparators!

Completed in 1791, this large triple portrait depicts the fourteen-year-old Louise Marie Adelaïde Eugénie d’Orléans (1777–1847) and her governess, Stéphanie Félicité du Crest de Saint-Aubin, Comtesse de Genlis (1746–1830), each playing a large, beautiful harp. Leaning on the music stand before them is Mademoiselle Paméla (c. 1773–1831), who had been adopted by Madame de Genlis and raised as a companion to the d’Orléans children.

This remarkable life-size triple portrait is sure to create a sensation in our galleries just as it did when it debuted at the 1791 Salon in Paris.


Martha MacLeod is the Curatorial Administrative Assistant in the European and American Art Department at the DMA.


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