Posts Tagged 'exhibition'



Lights, Camera, Action!

Dancers of Tlaxcala (Danzantes de Tlaxcala), Carlos Mérida, 1951

Dancers of Tlaxcala (Danzantes de Tlaxcala), Carlos Mérida, 1951

It’s an exciting time in the Arts District with the grand opening of the AT&T Performing Arts Center.  In honor of our new neighbor, we’ve developed a new Go van Gogh school outreach program called Creative Connections: Lights, Camera, Action! that focuses on three diverse works of art in the Museum collection and invites students to respond creatively through movement and drama.  Creative Connections programs are 90-minutes long, during which students participate in what we call “experiments” that involve collaborating with others, applying multiple approaches to solving problems, and producing a creative expression.  These programs can be messy, loud, and challenging – and they are definitely a lot of fun.

If you’re a 3-6th grade teacher and don’t mind a little bit of noise in the classroom, I hope you’ll consider this program for your students.   I promise you’ll be amazed and impressed by the creativity, thought, and enthusiasm they put into their performances.  Requesting a program is easy with our online form

With a background in art history and a bit of studio art, the task of writing a program about performance intimidated me.  However, I have the great fortune of working with talented people, and I interviewed some of them during my initial research.  I spoke with Lanita Sene, who I know through our partnership with the South Dallas Cultural Center.  Lanita leads African dance and culture classes during Summer Arts at the Center.  I also spoke with Blanca Reyna and Calvin Rollins, who I met through our partnership with the Ice House Cultural Center summer camp.   Blanca specializes in Aztec culture, and Calvin is a dance student at Southern Methodist University (he also attended Booker T. Washington High School for the Performing  and Visual Arts).  Last, I spoke with my colleague Amy Copeland who studied dance at Booker T. Washington and other studios in the Dallas area. 

This talented group provided many helpful ideas, like warm-up exercises that capture the students’ attention and focus.  Another great suggestion was empowering students by giving them specialized roles in their performances and encouraging them to lead peer critiques. 

I tested the program with 4th graders and 6th graders who created dances, music, masks, and skits inspired by artworks in our exhibition All the World’s a Stage: Performance in the Visual Arts.  The shyest students contributed by helping to plan, write, and direct the performances.  The boldest students reveled in the opportunity to show off in front of their peers.  Afterward, one teacher remarked that it was fun seeing her students in a new light, and the other felt it was a great program for bilingual students.

 This past Friday, I trained our volunteers and gave them the same challenges students experience during the program.  I watched as they worked together in groups, sometimes giggling, at times with their brows furrowed.  They all agreed that they can’t wait to bring the program to Dallas classrooms.

 It’s showtime!

Melissa Nelson
Manager of Learning Partnerships with the Community

The Artistic Furniture of Charles Rohlfs

Desk (Model #500) Charles Rohlfs c. 1899-1901

Desk (Model #500) Charles Rohlfs c. 1899-1901

Decorative arts at the DMA has again soared to new heights with the opening of the exhibition The Artistic Furniture of Charles Rohlfs. The exhibition showcases over forty pieces of furniture and related objects produced around the turn of the twentieth century. What makes the show so exciting is the artistic designs and individuality of each hand-crafted piece. Curving lines and intricate forms come together to make inventive designs that demonstrate the artist’s interest in the creation of “artistic furniture.” Rohlfs chose not to be aligned with any particular artistic movement, but instead produced furniture that was bold and imaginative. Many of these works of art are displayed so visitors can walk around them as if they are sculptures.

My favorite work of art in this exhibition is the Desk (Model #500). Curving, smoke-like designs rest on top of an arch reminiscent of a Gothic cathedral while carved patterns on the lower half allow one to look through to the inside. Wood grain patterns on the surface create meandering playful ripples across the desk’s surface. While looking at the desk, I think about how Rohlfs chose to make a functional piece as well as an artistic work of art. This is something that must be seen in person!

The Artistic Furniture of Charles Rohlfs will be on view until January 3, 2010.

-Amy Wolf
Teaching Programs Coordinator

Getting to Know a Work of Art

Currently I am working on teaching materials for the All the World’s a Stage: Celebrating Performance in the Visual Arts exhibition.  Education staff creates online resources for the works in our collection as well as for special exhibitions.  One of my favorite aspects of writing and creating resources is getting to know a work of art on a more personal level.  Usually my research includes looking closely at the work of art, reading about the artwork and artist in the Museum’s object file (a file full of history about the object), and gathering information online and in books about the artist, culture, or the work of art.   

After the completion of the teaching materials, I often come away with one or two favorite works of art.  Although there are many shining stars in All the World’s a Stage, Nic Nicosia’s Act #9 stands out for several reasons.  

Nic Nicosia, Act #9, 1995

Nic Nicosia, Act #9, 1995

The idea that life is divided into multiple stages, from childhood to adulthood, might be translated into the chapters, or acts, of someone’s life.   The man in Act #9 appears as an old man – nearer to the conclusion of his life rather than the beginning.   This man, Nic Nicosia, the artist who made this work, stands on a stage.  By putting on makeup to appear older, he felt that he “became” the character.   It seems like he is facing an audience and delivering a monologue much like Willy Loman in Death of a Salesman. 

Without getting too philosophical, it is interesting to consider that we are all actors on the stage of life and we all have different roles to play.  There is no doubt that art is powerful and can have strong impact on how you see the world.  

Look forward to the launch of the All the World’s a Stage teaching materials in the next few weeks.

Until next time…

 Jenny Marvel

 Manager of Learning Partnerships with Schools

A Sneak Peek Behind the Curtain

Last week, our new special exhibition was unveiled to the public.  All the World’s a Stage brings together works of art in our collection that deal with the idea of performance.  Performance is a key theme at the DMA this year, as we get ready to welcome a new neighbor to the Arts District: the Dallas Center for the Performing Arts.

 All the World’s a Stage is an exciting exhibition because it brings so many of our favorite works of art together in one place.  You usually never see Shiva Nataraja and Romare Bearden’s Soul Three side-by-side, but they’re only one gallery apart from now until February.

Yoruba Egungun

Yoruba Egungun costume

I’m especially excited that our Yoruba Egungun costume from Nigeria is back on display.  This is one of my favorite works of art in our collection.  Its multiple layers of cloth were added year after year by family members, and it is fun to imagine who added them and why.  This costume is used during a ceremony to honor ancestors—quite different from how we honor our ancestors.  The Egungun ceremony includes singing and drumming, and the Egungun twirls through the crowd like a whirlwind.  It’s definitely a spectacle for the senses, and one I hope to see in person some day!

We’re offering a variety of programs for teachers and students relating to the theme of performance this year, including docent-guided tours of the exhibition.  I hope you’ll attend one of these programs so we can share the excitement of this exhibition with your students.

Shannon Karol                                                                                                                                                                                                                         Tour Coordinator


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