Posts Tagged 'Adolf Hiremy-Hirschl'

30-Minute Dash: Reagan Duplisea

In our second installment of 30-Minute Dash” DMA Registrar Reagan Duplisea shares her solution to the tough task of only 30 minutes in the DMA.

A DMA highlights tour for me would begin by taking the elevator to the second floor galleries and turn left to be met with a wall of compelling and dramatic emotion and color, which begins with the despair of Ramon Casas’ Tired, the treacherous sea-swept cemetery of Adolf Hiremy-Hirschl, and ends on the idyllic pastoral note of Hans Thoma’s Olive Grove at Lake Garda.

Take the small staircase up to the third floor and take a quick turn through the Northern Decorative Arts gallery. Bask in the glow of the Tiffany windows and Front doors from the Robert R. Blacker House and admire the sturdy yet stunning craftsmanship of the Stickley workshop. Then take a few more steps into the light-infused foyer of the Reves period rooms. Don’t miss the Winston Churchill room, especially his oversized brandy glass and self-portrait in the guise of a portly pig.

As you exit the decorative arts galleries, make a right to marvel at the delicate Japanese ceramics, pause for a contemplative moment in the calming ambiance of the gallery of Japanese screens and take a quick wander amidst the sly smiles of the Oceanic figures. Take the stairs to the fourth floor and veer left on a path that will lead you past the harmonious and fine lines of Charles Biederman’s Work no. 3, 1939, the Viktor Schreckengost Jazz Bowl and Charles Sheeler’s Suspended Power.

This reverse route through the American galleries will ensure that you pass by the majestic Gothic bed before you exit and make a quick beeline for the Ancient Arts of the Americas. The first gallery features objects of jade, in amazing shade variations, and the second will dazzle you with an array of gold. As you leave the final gallery, throw a glance over your right shoulder to catch a glimpse of the charming Yup’ik Mask with seal or sea otter spirit. The Mixtec Crouching frogs outside the galleries will stick their tongues at you, playfully suggesting that you didn’t allot nearly enough time for your visit and goad you into planning another, longer visit soon.

Reagan Duplisea is the Associate Registrar, Exhibitions at the DMA

Swelling Seas

Not for the faint of heart, Neil Gaiman’s forthcoming novel, The Ocean at the End of the Lane, is wondrous, imaginative, and, at times, deeply scary. We found some frightening and powerful images of the sea in our collection that we thought were appropriate for Gaiman’s upcoming DMA Arts & Letters Live event on June 24, 2013, at the Majestic Theatre. Gaiman has announced that this will be his final U.S. tour, and as of today there are fewer than 100 tickets left to his talk and book signing! Visit the DMA’s website for more information and to buy tickets.

Adolf Hiremy-Hirschl, Seaside Cemetery (Seefriedhof), 1897, oil on canvas, Dallas Museum of Art, gift of J.E.R. Chilton

Adolf Hiremy-Hirschl, Seaside Cemetery, 1897, oil on canvas, Dallas Museum of Art, gift of J.E.R. Chilton

Gerhard Richter, Kunstverein, Richard Bacht, Margreff, Sea (Meer), 1972, yellow, red, blue, and black offset print on white lightweight cardboard, cellophaned and fixed on white lightweight cardboard, Dallas Museum of Art, Dallas Museum of Art League Fund, Roberta Coke Camp Fund, General Acquisitions Fund, DMA/amfAR Benefit Auction Fund, and the Contemporary Art Fund: Gift of Mr. and Mrs. Vernon E. Faulconer, Mr. and Mrs. Bryant M. Hanley, Jr., Marguerite and Robert K. Hoffman, Howard E. Rachofsky, Deedie and Rusty Rose, Gayle and Paul Stoffel, and two anonymous donors

Gerhard Richter, Kunstverein, Richard Bacht, Margreff, Sea, 1972, yellow, red, blue, and black offset print on white lightweight cardboard, cellophaned and fixed on white lightweight cardboard, Dallas Museum of Art, Dallas Museum of Art League Fund, Roberta Coke Camp Fund, General Acquisitions Fund, DMA/amfAR Benefit Auction Fund, and the Contemporary Art Fund: Gift of Mr. and Mrs. Vernon E. Faulconer, Mr. and Mrs. Bryant M. Hanley, Jr., Marguerite and Robert K. Hoffman, Howard E. Rachofsky, Deedie and Rusty Rose, Gayle and Paul Stoffel, and two anonymous donors

Gustave Courbet, The Wave, c. 1869-1870, oil on canvas, Dallas Museum of Art, gift of H.J. Rudick in memory of Arthur L. Kramer

Gustave Courbet, The Wave, c. 1869-70, oil on canvas, Dallas Museum of Art, gift of H.J. Rudick in memory of Arthur L. Kramer

Hayley Dyer is the Audience Relations Coordinator for Programming and Education at the DMA.


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