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A Colorful Spring Break

Spring Break 1

Whether you’re feeling blue, seeing red, or chasing rainbows, this year’s Spring Break week at the DMA will have something for every hue! We’re kicking things off on Saturday, March 7, with our friends at the Crow Collection of Asian Art  and the Nasher Sculpture Center and throwing a day-long party filled with art making, music and dance performances, yoga, and lots of art!

Need a little more color in your world? Daily family fun at the DMA will continue March 10-13. Take a spin on the color wheel and enjoy story time in the galleries, family tours, art making in the studio, family competitions, and more all week long.

Spring Break 2

We invited a few of our favorite families to come take a sneak peek at what we have planned for the week and give us their colorful commentary.

Spring Break 3

The Paintbrush family had a mauvelous time searching for color in the galleries during a family tour. The Museum has four floors of art, so you are sure to find your favorite color in the paintings, sculpture, decorative art, and objects on display.

Spring Break 4

The Crayon brood was tickled pink during story time in the galleries when one of their favorite stories was read aloud. After the story, everyone used the art around them as inspiration to sketch their own colorful stories.

Spring Break 5

At first the Marker clan was a little worried about being Museum greenhorns, but they quickly felt at home in the Center for Creative Connections, where they enjoyed interactive art explorations, a children’s play area, and a welcoming community space. Once they found the Art Studio, their true colors came shining through, and everyone was eager to leave their mark!

Spring Break 6

To finish off their red letter day, the Paintbrush family used one of the free Arturo Family Gallery Guides to explore the Museum on their own. (Baby Brush thought that the cat-themed guide was positively purr-fect.)

Spring Break 7

Everyone agrees: “Spring Break at the DMA passes with flying colors!” We hope you’ll join us too!

Leah Hanson is the Manager of Early Learning Programs at the DMA.

Cocktail Creations: A Toast to the DMA

The DMA turns 112 this month and we wanted to celebrate with a fun cocktail contest inspired by works of art in our collection, giving our visitors a chance to toast the DMA with their creativity!

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We asked visitors to choose a work of art in our collection that inspired them to create a cocktail recipe along with a fun (or even punny) name for the drink. We saw a lot of great submissions from our community of art and alcohol connoisseurs, and with the help of our Executive Chef we have picked a winner and four finalists.

Single snake armlet, 1st century A.D.Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.92.1

Single snake armlet, Roman Empire, 1st century A.D., gold, Dallas Museum of Art, Museum League Purchase Funds, The Eugene and Margaret McDermott Art Fund, Inc., and Cecil H. and Ida M. Green in honor of Virginia Lucas Nick, 1991.75.92.1

The winning cocktail, Twisted Serpent, created by Lori Pasillas, was inspired by the single snake armlet in our ancient Mediterranean collection. This drink, made with amaretto, Chambord, club soda, Italian soda, mint leaves, and a twist of orange peel, will be available for purchase at our upcoming Late Night on Friday, January 16.

That night, we will host a Creative Cocktail Lounge in our Founders Room, where you can purchase this winning drink plus the drinks created by the four finalists. While you enjoy these libations, DJ Yeahdef will spin a set of eclectic music.

It was interesting to see that our visitors were inspired by works of art from across our global collection. We had submissions that drew inspiration from our Japanese, decorative arts, ancient American, and contemporary collections, in addition to artworks in our American and European collections.

The works chosen by the four finalists were The Fish and the Man by Charles Webster Hawthorne, Heat Wave-Texas by Coreen Mary Spellman, Still Life by Perry Nichols, and the Miss Blanche armchair by Shiro Kuramata.

 

Miss Blanche chair by Shiro Kuramata, Dallas Museum of Art, gift of Caren Prothro, Vincent and Dara Prothro, and Nita and Cullum Clark, and Catherine, Alex, Charlie, Jack, and Will Rose, Lela Rose and Grey, Rosey, and Brandon Jones in honor of Deedie Rose, DMA/amfAR Benefit Auction Fund, and Discretionary Decorative Arts Fund, 2012.29.A-E

Miss Blanche chair, Shiro Kuramata, designer; Ishimaru Company Ltd., manufacturer, designed 1988, executed 1989, acrylic, artificial roses, and aluminum with Alumite (anodized) finish, Dallas Museum of Art, gift of Caren Prothro, Vincent and Dara Prothro, and Nita and Cullum Clark, and Catherine, Alex, Charlie, Jack, and Will Rose, Lela Rose and Grey, Rosey, and Brandon Jones in honor of Deedie Rose, DMA/amfAR Benefit Auction Fund, and Discretionary Decorative Arts Fund, 2012.29.a-e

To find out what drink concoctions these works inspired, visit the Creative Cocktail Lounge this Friday. While you are here, don’t forget to go to Tim Federle’s talk at 7:00 p.m. Tim’s punny cocktail books Tequila Mockingbird: Cocktails with a Literary Twist and Hickory Daiquiri Dock helped inspire this contest and his talk is sure to be fun!

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So come and join us in toasting the DMA this Friday!

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

Open Book

A&LL_24thSeason
The 24th Arts & Letters Live season promises to be varied and exciting, with a celebrated lineup of award-winning authors, artists, and performers. When we were creating this season, several themes kept rising to the surface:

  • ARTPeter Mendelsund on the art of book jacket design and on what we see when we read; illustrator and New Yorker cartoonist Harry Bliss; Sue Roe on Matisse, Picasso, and other artists working in the Montmartre area of Paris in the early 1900s—a group portrait of men and women on the cusp of fame who profoundly changed the arts of painting, sculpture, dance, music, literature, and fashion.
  • MEMOIRCandice Bergen, Roz Chast, Gail Sheehy, Rebecca Alexander, Lynsey Addario, and Huan Hsu will all share their recent memoirs this season.
  • MULTICULTURALISM AND GLOBAL PERSPECTIVES – MacArthur Genius Grant–winner and photojournalist Lynsey Addario, who has captured war and human crises around the globe; Oral Fixation, back by popular demand with “Destination America,” featuring seven new personal stories told by immigrants to North Texas.
  • FOOD AND COCKTAILS – Emmy Award–winning host of the Barefoot Contessa television show Ina Garten, James Beard Award–winning chef Marcus Samuelsson, and Tim Federle, author of the whimsical and witty Tequila Mockingbird and Hickory, Daiquiri, Dock, which serve up a blend of literary commentary, puns, and drink recipes.
  • IDENTITY – editors of the Women in Clothes anthology (Sheila Heti, Heidi Julavits, and Leanne Shapton) as well as fashion designer Lela Rose; Rabih Alameddine exploring identity both in writing and painting; Jacqueline Woodson, award-winning young adult author on Brown Girl Dreaming, a collection of poems depicting her childhood, which won the 2014 National Book Award for young adult literature; rising literary novelists Jacob Rubin and Rebecca Scherm
  • TEXASPhilipp Meyer and Grace Pettis (“Texas Tales in Story, Song, and Art”—involves commissioning Pettis to write a new song inspired by a work of art of her choice in the DMA’s collection); Texas Bound this year features star actors Doris Roberts (Everybody Loves Raymond), Glenn Morshower (24), and G. W. Bailey (Major Crimes) as well as many members of the Dallas Theater Center’s Brierley Resident Acting Company.
  • LOVE – Selected Shorts presents “Surprised by Love,” featuring award-winning actors Jane Kaczmarek, Mary Kay Place, and James Naughton; Graeme Simsion, bestselling author of The Rosie Project and The Rosie Effect, about a brilliant but socially inept scientist who crafts a scientific survey to find a wife.
  • WAR IN FICTION AND NONFICTION – a look back at the meaning of the Vietnam War with Pulitzer Prize-winner Fredrik Logevall; Anthony Doerr and Jim Shepard on their novels, both featuring teenage protagonists in World War II; and Elliot Ackerman, a decorated veteran of the Iraq and Afghanistan wars whose debut novel, Green on Blue, told from the perspective of an Afghan orphan recruited by a US-funded militia, is garnering high praise.
  • CREATIVE COLLABORATION – Award-winning poet Billy Collins and Oscar- and Grammy-nominated singer-songwriter Aimee Mann team up for a rare evening of poetry, acoustic music, collaboration, and conversation; Joshua Wolf Shenk‘s book Powers of Two: Finding the Essence of Innovation in Creative Pairs examines the creative collaboration found in iconic pairs such as Matisse and Picasso, the Beatles, and many more.

Don’t miss out on your favorite authors this year. Tickets, and the entire season schedule, are available online starting today!

Carolyn Bess is the Director of Programming and Arts & Letters Live at the DMA.

London Calling!

Artists and their Mentors

Yesterday was World Teacher’s Day so we thought we would celebrate a few artists and their mentors in the DMA’s collection.

(left to right)Eugène-Louis Boudin, The Quay at Antwerp, 1874, oil on panel, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated; Claude Monet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated

(left to right) Eugène-Louis Boudin, The Quay at Antwerp, 1874, oil on panel, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated; Claude Monet, Water Lilies, 1908, oil on canvas, Dallas Museum of Art, gift of the Meadows Foundation, Incorporated

Artist Eugène-Louis Boudin played an important role in influencing Claude Monet’s work in the mid-1800s, directing Monet to landscape paintings. Visit work by Boudin and Monet in the DMA’s European Galleries on Level 2.

(left to right) Antoine-Louis Barye, Turkish Horse, c. 1838, bronze, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O'Hara Fund; Auguste Rodin, The Sirens, c. 1888, marble, Dallas Museum of Art, The Wendy and Emery Reves Collection

(left to right) Antoine-Louis Barye, Turkish Horse, c. 1838, bronze, Dallas Museum of Art, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund; Auguste Rodin, The Sirens, c. 1888, marble, Dallas Museum of Art, The Wendy and Emery Reves Collection

Auguste Rodin considered Antoine-Louis Barye an important figure in his life and said that he had learned the most from this artist than from any other. View a sculpture by Barye in the Mind’s Eye: Masterworks on Paper from David to Cézanne exhibition before visiting a few of Rodin’s works in the Museum’s Wendy and Emery Reves Collection on Level 3.

Morris far left, Stella in the center

Louis Morris’s Delta Kappa far left; Frank Stella’s Valparaiso Green in the center

Discover a number of artist connections in the current The Museum Is History exhibition, which is included in the DMA’s free general admission. Find out more about the artists and their influence on each other, including Frank Stella’s influence on Louis Morris, from DMA curator Gavin Delahunty on the DMA’s program recordings page.

Jazz and Jewelry: Celebrating Art Smith in August

In June, the DMA opened the beautiful exhibition From the Village to Vogue: The Modernist Jewelry of Art Smith, featuring 26 dynamic pieces of silver and gold jewelry created by artist Art Smith. 

 

 

To celebrate this show, we are making August the month of all things Art Smith. You can explore the show with a metalsmith during a  Gallery Talk; stop by the Center for Creative Connections to look at Smith’s tools; listen to the jazz that inspired Smith, every Thursday evening during Jazz in the Atrium; or, if you’re a teen, sign up for the Urban Armor Maker Club to create a programmable piece of jewelry. Be sure to check out the full schedule of events for more information.

 

Jazz in the Atrium

 

In addition to being one of the leading modernist jewelers of the mid-20th century, Smith was an avid jazz enthusiast and a supporter of early black modern dance groups. This inspired us to commission a new dance from our Arts District Neighbors, Dallas Black Dance Theatre, accompanied by a new jazz suite composed by jazz drummer Stockton Helbing.

 

 

First, we met with Nycole Ray, Artistic Director for Dallas Black Dance Theatre II, and Stockton to discuss the format of the piece—how long would the entire piece be, how many dances would comprise the whole performance, does there need to be transition music between the dances, what tempo would be best for each dance, what style of jazz would fit the feel of the piece, and more. We also agreed that a jazz trio would be best so the band and the dancers could all fit on stage together during the live performance.

 

Once those questions were answered, Stockton began composing an original piece of music he titled On 4th Street, after the location of Art Smith’s studio in New York. Stockton created MIDI demos of his music for Nycole to review before he went into the studio to make the final recording with other musicians.

 

We now have the final masters of the music, and Nycole has begun choreographing the dances and working with the dancers on the piece she titled Art on 4th Street.

 

Dallas Black Dance Theatre II

This dance will have its world premiere during the Friday, August 15 Late Night. In addition to Art on 4th Street, this evening will feature live jazz, jewelry making, a film screening of Paris Blues, tours, and more—all inspired by Art Smith!

 

Stacey Lizotte is Head of Adult Programming and Multimedia Services at the DMA.

 

 

Late Night Technology Test Run

 

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The chance to intern at the Dallas Museum of Art this summer has been incredible, and the work done in the Center for Creative Connections creates the perfect opportunity to apply my specific research interests. I’ve been studying what’s typically called “cultural capital” for several years now, and it refers to individuals’ accumulation of literacies, skills, and privileges that result from economic status, education levels, or race. This concept is thought to permeate all aspects of society, particularly in institutions as established as the museum, and holds implications for the equitable treatment of visitors and the validation of their experiences. A guiding question for my own work is: How can all visitors overcome the expectations created by cultural capital and bring their own experiences to the interpretation of works at the museum?

In recent years, many websites and software applications (apps) have been created to allow for unhindered cultural production by users from all walks of life. Often these programs also allow for social media interactions, creating unique communities bound by technology. If this user-friendly type of creativity could be adapted to gallery activities, it may spark the interest of underserved visitors. As part of my summer project, we held a trial run of these activities as part of a “Pop-Up Tech Spot” for 2 hours during July’s recent Late Night Art Bytes program.

 

Snapchat

To capitalize on smartphone technologies and trends in social media, we created a Snapchat activity that allows visitors to recontextualize the works on display at their own pace.

Snapchat 1(snapchat20

Visitors were invited to take photos with their smartphones using the app, and then to draw or type atop the images to make it their own. By setting up an account for the museum (add DallasMuseumArt as your friend), we were able to receive and save visitors’ submissions. The evening yielded 28 different photos created by 10 visitors, many of which were entertaining interpretations of the permanent collections.

 

DoodleBuddy

For those who were uninterested in maintaining a Snapchat account, there was an alternate option for editing photos of works on display. The DoodleBuddy app in place on the iPads was available for visitors to borrow from the activity cart, and had similar creative capabilities. Users could snap a picture and then add their own touches to a work.
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This activity was the most popular that evening, as some 22 visitors worked individually or in pairs to create and save 14 new images. When finished, masterpieces could be saved to the museum’s iPad (to be later uploaded to Flickr) or emailed to the visitor for their own use.

 

Map the Collection

The least popular activity for the night was a mapping activity that utilized other capabilities of the DoodleBuddy app on the iPads. Visitors could borrow the iPads with the program, this time drawing and/or typing atop a preloaded map, to chart the works within a particular gallery. Because of its proximity to the cart’s location near the entrance to the American gallery, the trial program utilized the works from a gallery of Colonial Art of the Americas, allowing visitors to find the origins of works from Central and South America. One enthusiastic visitor was able to use the map to teach a friend about her home in Paraguay, and pointed out political and economic tensions that continue to this day.

 

Spotify

The use of music in the galleries is nothing new, but allowing visitors to create playlists that is accessible both within and outside of the galleries was a novel opportunity for most. Familiarity with the app was likely a hindrance for many who stopped by the activity cart, but 5 visitors decided to opt for the musical program on their smartphones or the provided iPads. When creating the playlist, users simply included “DMA Late Night” in the title to allow other Spotify members the chance to search, play, or follow playlists created in the museum. Gallery experiences translated through song can be accessed from anywhere, or even played back in the galleries to create a community of listening visitors.

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Overall, the evening was a bustling hit. The activities piqued the interest of several disengaged visitors, and allowed them their own space to create something new. Passersby received handouts about the Snapchat submissions to allow their continued access to the activity, and the iPads were put to excellent use by up to 5 visitors at once. Difficulties encountered included the length of explanation required for several of the apps (many visitors were unfamiliar with Spotify), and some troubles using the DoodleBuddy camera feature. Better instructions or fewer choices should help minimize these issues.

Testing these activities also allows us to consider how–or if–these programs could be utilized in conjunction with the Pop-up Art Spots already in place in the galleries. For example, the mapping activity could easily be translated into an activity for the Indonesian galleries, while the Spotify app may be put to better use in the contemporary collection. Snapchat and DoodleBuddy image editing activities may also benefit from utilizing more focused prompts, inviting visitors to submit photos for a single object or particular theme.

 

July LN 1

I’ve had a blast adapting apps for gallery activities. Hopefully this is just the beginning of “share-able” cultural production used in the galleries, and I’d like to extend a huge wave of gratitude to all those who helped me get things in motion!

Brittany Garison
C3 Graduate Intern

Art + Science = Whole Brain Fun

Remember when it was all the rage to call each other left- or right-brain dominant? While these references are still popularly used today, skepticism is growing among scientists as they learn more about the brain.

Strengths in logical, analytical, and verbal thinking have been associated with the left side of the brain, and creative and intuitive thinking have been associated with the right side. Scientific and mathematical types may be labeled “left-brainers,” while artists are considered “right-brainers.”

The reality is that there’s a bit more crisscross throughout the cranial wires. Both sides of our brains may actually tackle the same problem or idea, but each may approach a solution differently. Bottom line: Te brain aims to work efficiently and this means that most of the time the whole brain is working together. How is the health of your whole brain?

Join us for a day that engages and challenges the whole brain! On Saturday, April 12, the worlds of art and science deliberately cross over and mash up at the DMA’s first Art + Science Festival, held in partnership with the Perot Museum of Nature and Science. Here are a few highlights to stimulate your neurons:

  • Stretch your mind during various 20-minute gallery talks with experts. Why might a curator use a CAT scan to learn more about an African sculpture? What can a facial recognition scientist reveal about a portrait?

Emma_1956_58

Nkisi_1996'184'FA

  • Inspect art materials and the natural world up-close using DIY digital microscopes with the DMA/Perot Teen Advisory Council.
  • Sit in the Perot’s Portable Universe (only the coolest movable planetarium in town) for one of two featured presentations, The Sky at Night and The Search for Water. After the Portable Universe, marvel at the connections your brain makes as you gaze upon masterworks in two DMA exhibitions. Encounter the realm of the stars in Nur: Light in Art and Science from the Islamic World, which includes a collection of astrolabes (early astronomical computers), a celestial globe, and an astrological album. Alexandre Hogue: The Erosion Series takes an in-depth look at Hogue’s powerful images confronting the tragedies and environmental issues of the Dust Bowl era.

Drouth_Stricken_1945_6

  • Practice your mind-hand-eye coordination by making some art. Explore lines, shapes, and patterns through the creation of a string art installation with artist Amy Adelman.

Late_Night_Available_Space_TF_07_19_2013_31

All of these experiences and more await you for FREE at the DMA’s Art + Science Festival on Saturday, April 12. Come for a visit and challenge your whole brain! All ages are invited.

Nicole Stutzman Forbes is Chair of Learning Initiatives and Dallas Museum of Art League Director of Education at the DMA.

Images:
George W. Bellows, Emma in a Purple Dress, 1920-1923, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase; Standing power figure (nkisi nkondi), late 19th-early 20th century, wood, iron, raffia, ceramic, pigment, kaolin, red camwood, resin, dirt, leaves, animal skin, and cowrie shell, Dallas Museum of Art, Foundation for the Arts Collection, gift of the McDermott Foundation; Alexandre Hogue, Drouth-Stricken Area, 1934, oil on canvas, Dallas Museum of Art, Dallas Art Association Purchase, (c) Olivia Hogue Marino & Amalia Hogue

Savor the Arts: A Kitchen Adventure

This Friday, cookbook author and professor of comparative literature Dr. Mary Ann Caws will be here to discuss her book The Modern Art Cookbook during our Savor the Arts Late Night event.

The-Modern-Art-Cookbook-by-Mary-Ann-Caws1

The Modern Art Cookbook is equal parts art historic document and recipe guide, illuminating the relationship between art and food. In preparation for this event, the DMA’s programming team decided to try some recipes from the book to see what they were like (and to test their kitchen skills).

Betsy Glickman, Manager of Adult Programming:
I have always been a fan of the “breakfast for dinner” concept, so I opted to tackle an egg-based dish from the book. Armed with a minimal set of ingredients—and an even more minimal set of cooking skills—I set aside an evening to bring Pablo Picasso’s Spanish Omelette to life in my kitchen. I originally thought the dish would resemble a traditional, half-plate-sized omelette, but as I laid out the ingredients (10 eggs, 4 potatoes, 2 onions, etc.), I realized this was going to be much larger.

Betsy_1

I began by peeling and slicing the potatoes and onions. I then tossed them into a large pan and sautéed them for about 15 minutes. While they were cooking, I beat the eggs in a large mixing bowl.

Once the potatoes and onions were beginning to brown, I drained them on some paper towels to help absorb the excess moisture. I then added them to the salad bowl along with a large helping of salt and pepper.

Next it was time to make the omelette. I pulled out the best nonstick pan I own, added some olive oil and medium heat, and poured in the contents to cook for several minutes.

Betsy_2

As the edges began to firm up, I realized the hardest part of the process was yet to come: I somehow had to flip this thing over. I snagged a plate for assistance, and, in a swift movement, transferred most of the contents to the plate and back into the pan. All in all, I’d give my flip an 8 out of 10.

Betsy_3

I cooked the omelette for another 2-3 minutes. The book instructed to leave the center a little runny, but, unfortunately, I overcooked it a bit. Even so, the end result was quite tasty. Viva el Spanish Omelette!

Betsy_4

Things I learned: It’s difficult to ruin an omelette, but there are endless ways to make it better. In the future, I may try adding tomatoes, peppers, and/or salsa to this recipe.

Stacey Lizotte, Head of Adult Programming and Multimedia Services:
I decided to make Brecht’s Favorite Potato Bread because I have always been interested in mastering a bread recipe (yeast and rising dough have always been a bit of a mystery to me). This recipe called for one cube of yeast, which I should have researched before picking this recipe. I tried finding a conversion from cubed yeast to dry yeast and was not successful, so I went with one packet of dried yeast for the recipe. Because dry yeast needs to be activated with water, I reduced the amount of oil recommended.

Stacey's Ingredients

Even with that reduction, my dough was very wet. After adding an additional cup of flour it was still not the texture I thought it should be. But having little experience with bread, and thinking that the mashed potatoes probably added moisture, I thought maybe that was how it was supposed to be.

While the dough did rise, as you can see from the photos the dough did not hold its shape once formed into “loafs.”

Stacey's Recipe 4

While the look of the bread left much to be desired, I found the flavor interesting, which I attribute to the lemon zest.

Things I learned: Yeast used to come in cubes. I will add lemon zest to any future bread dough recipes I try.

Liz Menz, Manager of Adult Programming:
The last time we all got together for a cooking blog, I went with soup, so this time I ventured into the realm of desserts. I decided to make Claude Monet’s Almond Cookies. The recipe is much like a shortbread recipe, so there were very few wet ingredients and (something I discovered halfway through) the dough required kneading.

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Combining the flour, confectioner’s sugar, ground almonds and lemon rind into a bowl with the eggs was the easy part. Realizing that the cubed butter was still needed, I figured out that my wooden spoon was not going to cut it, so kneading was the way to go!

photo 1

After some work (and one phone call to my mother), I realized I was doing this right, as the dough finally came together. It was on to rolling out the dough and cutting the cookies! I am a less-than-prepared baker and discovered that, in a pinch, a wine bottle doubles well as a rolling pin and wine glasses are the perfect size for cutting!

photo 4

After I sprinkled the cut cookies with sugar and sliced almonds, they went into the oven for about 20-25 minutes. They came out golden and yummy! The lemon rind really gave them a great flavor, and I decided that these cookies would be great with a cup of coffee and a book.

photo 2

Things I learned: Shortbread-type recipes are harder than they look, but worth it. Lemon rind is a great addition to cookies. Also, thanks Mom.

Don’t forget to join us on Friday as we savor the arts! And, for more fun food-inspired posts, peruse the Culinary Canvas section of our Canvas Blog.


Betsy Glickman is a manager of adult programming at the DMA.
Stacey Lizotte is head of adult programming and multimedia services at the DMA.
Liz Menz is a manager of adult programming at the DMA.

Having a Ball During DMA Spring Break

What do March Madness and the DMA have in common? If you are thinking that both are in Dallas, you are correct! This year’s NCAA Men’s Basketball Final Four and Championship games will be played right here in North Texas. But wait, there is SO much more! Here at the DMA we are celebrating Art Madness, our own version of the beloved tournament. DMA Friends picked an artsy Sweet Sixteen that you don’t need a ticket to enjoy, and we are now down to the Elite Eight. Works of art from the Museum’s collection are competing for your vote to determine which artwork is the ultimate champion. If you haven’t voted yet, it’s not too late to get in on the game.

Since basketball is on the brain here, it seemed only fitting that we spend our spring break elevating our game, and we’ve planned an action-packed week of Art Madness family fun for everyone! Enjoy story time in the galleries, family tours, art-making in the studio, family competitions and more all week long in our art and basketball mash-up. We will even have a real piece of the NCAA here at the Museum! Be sure to score a look at the NCAA Championship trophy in the Center for Creative Connections, on view March 11-16.

Can’t get enough of the Madness? Then take an overtime for fun and join us for a Family Block Party on March 14, when we’ll stay open until 9:00 p.m. Families can sketch in the galleries, take a tour of the Art Madness competitors, do some yoga in the galleries, enjoy a puppet show, design trading cards in the studio and more. Everyone will be a winner!

But don’t take our word for it. We asked a family of museum (and sports) experts to walk us through the spring break starting line-up.

b-ball storytime

Little B-ball enjoyed story time in the galleries, hearing favorite stories and looking at one of the Art Madness competitors.

b-ball tote

The entire family used the hands-on activities and games in the Art to Go Family Tote to explore color in some of their favorite paintings.

b-ball challenge

With art supplies, a healthy dose of imagination and their competitive streak, the B-ball family worked as a team to design a jersey for their Art Madness MVP in the daily Championship Challenge.

b-ball yoga 2

Mama B-ball thought yoga was very relaxing and loved finding peaceful inspiration in the art around her. (Little B-ball wasn’t quite as meditative.)

b-ball ventriloquist

Daddy B-ball couldn’t help but laugh at ventriloquist Nancy Worcester’s hilarious show in the Horchow Auditorium.

Their final conclusion: “Visiting the DMA is a slam dunk!”

Our analysis? Art + Basketball = A surefire hit for the entire family. We hope to see you here March 11-16!

Amanda Blake is the head of family, access, and school experiences at the DMA.
Leah Hanson is the manager of early learning programs at the DMA.


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