Archive for the 'Community Connection' Category



C3 Artistic Encounter Field Trip!

This past Sunday, we took a field trip to The Fairmont Dallas to visit artist Riley Holloway in his studio. The Artist-in-Residence program initiated by The Gallery at The Fairmont hosts artists from all over the nation for three months. During their residency, the artist works in an on-site studio on level zero of the hotel on a body of work that will then be shown in the gallery upstairs. Guests of the hotel and anyone walking through downtown are invited to stop by and visit the studio. The program was established in 2010 with the goal to support the arts community and has hosted twelve artists to date.

Riley

The current artist-in-residence is L.A. born and Texas raised artist Riley Holloway. Holloway developed a passion and hunger for the arts from his artist mother, who gave him magazines and tracing paper at a young age to teach him proportions. His parents believed in his dreams of becoming an artist and encouraged him to study portraiture at the Florence Academy of Art in Florence, Italy in 2011. His passion and dedication to his craft is evident in his work. Often, he can be seen exploring the collection at the DMA to inform his work.

I brought a group of twenty adults from the Center for Creative Connections adult audience to Holloway’s studio to meet him, ask questions, and look at his artwork, his studies, and his incredible sketch books. They were amazed at his talent, his humility, and his ability to explain his artistic philosophy and influences. We were also very captivated by his poetry, which is written all over the studio walls and even in his latest work. Holloway will have his first-ever solo show at The Gallery at the Fairmont on June 28. To hear more about Holloway, check out this video or visit him in the studio before he leaves on the 28th.

We are excited to announce that Riley Holloway will be leading a C3 Artistic Encounter life drawing workshop on July 21st from 1:30-3:30 p.m. here at the DMA as part of our DallasSITES: Available Space programming. Click here to register for the class.

And I hope to see you at our next C3 Artistic Encounter on June 27 for lively conversation and an interesting hands-on project with guest artist Brittany Ransom.

Amanda Batson
C3 Program Coordinator

Summer Outreach Volunteers Needed

Each summer, the Go van Gogh program visits libraries across the city of Dallas—bringing free, hour-long arts programs to children ages 5-12 and their families.  Our Go van Gogh volunteers lead these programs, helping children to explore, talk about, and make works of art at the libraries.

This year we are excited to be recruiting a new corps of volunteers, Go van Gogh summer outreach volunteers, to help us bring these summer art experiences to the community.  If you love working with children, have a passion for art, and want to give back to the community–we need YOU!

Interested volunteers must attend three training sessions on Friday mornings in late May and early June. Volunteers must be 18 years of age and are asked to commit to presenting two outreach programs a month during June, July, and August.

To request a volunteer application, email Rhiannon Martin or call 214-922-1331. Applications are due Friday, May 10. If you have questions about the Go van Gogh program, email Amy Copeland or call 214-922-1231.

Amy Copeland
Manager of Go van Gogh and Community Teaching Programs

Community Connection: Shay Youngblood

We are excited to introduce Shay Youngblood as the first Writer-in-Residence at the DMA.  It’s easy to sit down and talk to Shay for a few minutes, and somehow it turns into a few hours.  She is a great listener, but she is also a great storyteller.

In Houston, February 2013

In Houston, February 2013

Name five things that you love.
Art, books, peace, love, food.

Tell me about your work with the DMA.
I am currently a Writer-in-Residence at the DMA. What I would like to do in that role is create an art project based on visitors’ art experiences. It’s an experiment for me. My belief is that encounters with art or engaging with art can change the way we see the sky, a flower, a face, a body, ourselves. Art that stirs up our senses makes us think and wonder and makes us feel more alive. I contacted Susan (Director of the Center for Creative Connections at the DMA) because I want to visit the Museum regularly, as if I’m visiting another country to learn a new language.

Shay Youngblood and Susan Diachisin, on Shay's first day as Writer-in-Residence

Shay Youngblood and Susan Diachisin, on Shay’s first day as Writer-in-Residence

You are both a writer and a painter. How would you describe your creative process?
In different genres, I start differently. My process comes out of being a storyteller. Whether I’m working on a play, or a novel, or a short story, or a painting, it’s really about telling a good story. With writing, it starts with a character. I get to know the character as well as I can, from their shoe size to their favorite color. I’m interested in a lot of different things – art, food, social justice, politics, race, class – all kinds of things. The work comes out of my interests. But all of my work involves telling a good story.

You recently travelled to Japan through the U.S./Japan Creative Artists Program, which seeks to “promote cultural understanding between the United States and Japan.” How would you say cultural understanding occurred during your time abroad?
My work in Japan was about my wanting to understand the culture through its people. I conducted interviews with artists and architects, but I also met strangers on the street. The most interesting thing to come out of that whole time was that I met two women separately in Tokyo, a city of millions of people. One Japanese woman went to SMU in Dallas. The other, I met while I was trying to get food and was having a hard time – I looked lost. On the last day of my time in Japan, these two realized they knew each other from college thirty-seven years ago; they hadn’t seen each other since then.

I felt not only did I learn about Japanese culture, I think I was also able to share a lot of American culture with the people I met there. A lot of people had not been to the U.S. or ever interacted with an African American person.

In a Tokyo art gallery during U.S./Japan Friendship Commission Creative Artist Fellowship

In a Tokyo art gallery during her U.S./Japan Friendship Commission Creative Artists Fellowship

Through books I have read and films I have seen about Japan, I get the impression that this is a place that appeals to all of the senses. Tell me something that comes to mind for each of the following:

  •  Sight – When I think about Japan, I think about beauty – there is beauty everywhere. One of the most memorable sights was sitting on a beach in Takamatsu and looking out at the water. There is beauty everywhere, and quiet beauty in nature. On the street there were little flowers. There was a general aesthetic of beauty in the simplest things.
  • Sound – Temple bells in the afternoon. That sound was wonderful to me. I felt like I was inside the temple in my hotel room. It was like a moment of meditation every day.
    In the evening, when the children get out of school, you hear a little song playing through speakers around the city. The music essentially says “time to go home now” and plays at the same time every day. This song permeates the whole city.
  • Touch – The traditional way of greeting someone or showing respect in Japan is to bow. My American self would sometimes forget that, and when I was moved by a kindness sometimes I would hug people. I have to say I missed touch. So when a Japanese person would give me a hug because they knew that was in my culture, that was a really special moment for me.
  • Taste – Japanese food is so amazing! It attends to all of the senses.  It is beautiful to look at, some tastes are unusual, and the food in general is some of the best I’ve had in my life. And, the best Mexican restaurant in Tokyo was down the street from my hotel.
  • Smell – There are so many gardens that I visited all over the city, beautiful traditional Japanese gardens. Just the smell of the flowers and the trees and the earth in these gardens was really quite stimulating for me.

Shay will be interviewing visitors about their experiences with art tomorrow during Late Night. Look for her friendly face in the galleries!

Melissa Gonzales
C3 Gallery Manager

Tiny Thumbs at the Dallas Museum of Art

According to the Tiny Thumbs Facebook page, “Tiny Thumbs is a new organization looking to build up awareness for the indie game scene and showcase some of the best talent out there through pop-up arcades/art shows.”  In anticipation of their upcoming pop-up arcade at the DMA’s Late Night tomorrow night, I virtually sat down with Robert Frye, UT Dallas Ph.D. candidate and co-founder/co-curator of Tiny Thumbs.  As is probably most fitting, our interview took place over a series of emails:

image from "Tiny Thumbs: Breaking Out"photo credit: EbonSoul Photos

image from “Tiny Thumbs: Breaking Out”
photo credit: EbonSoul Photos

I found this great description of Tiny Thumbs on your Facebook account and I think that sums up “what” Tiny Thumbs is really nicely, but my next thought is, how did Tiny Thumbs come to fruition?

The idea of Tiny Thumbs came about as[co-founder] Kyle [Kondas] was teaching a class I was involved in called “Games and Gallery Art” where we really sought to tackle the idea of how to show games in an artistic space and what is gained from doing so. We were both inspired by the work of similar shows like Baby Castles – and the idea that we really had a desire to get people off of their computers for a bit and really connect with people, and not just gamers, but we really felt like independent designers could learn so much from talking with people outside of their current circles.

In your Tiny Thumbs description, it specifically mentions the “indie game scene.” Why are indie games important?

I’ve always seen indie games as the ‘art house’ of videogames, it’s the place where people can push the boundaries of interesting design and art and help to get to the core of what makes a game a game. Of course, not all indie games have such a lofty goal, but they still give the reigns of creation to a greater variety of people and that can only lend a larger amount of voices to the field. I think it’s the ability for ANYONE to make a game, for interesting ideas and experience to show up and change how I feel and view games on a weekly basis that makes me love indie games so much. It’s people, making games because there is a spirit inside them that drives them to do it. People who HAVE to create games, made for a community that is passionate to play them.

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image from “Tiny Thumbs: Breaking Out”
photo credit: EbonSoul Photos

Other than being under the “indie game” umbrella, is there anything else that connects the content that you choose for your shows?

Not really! For our first few shows we wanted to take games of exceptional quality and bring them out of the “one person, one computer” context that they were sitting in. Our goal was to help spread the word in Dallas that there was a place for games of quality to be shown. Now in the future we would love to do themed shows, but for now we are picking games of interest and quality to start a dialogue and really find out what Dallas needs from our show.

Recently there have been a surge of articles asking whether video games are art. MoMA has added video games to their permanent collection, and the Smithsonian has created an exhibition about the evolution of video games as an art form, which is scheduled for a two and a half year tour around the United States. Assuming that you are on the “yes” side of the debate, can you tell me more about why you feel this way?

Are games art? Haha, this is a deceptively difficult question, as you really have to nail down why the question is being asked, what kind of information is trying to be achieved – do I think that games have the potential to have strong artistic statement? Yes. Do I think that games can have aesthetic properties that can inspire and enthrall? Very much so. Often when the question is asked, it seems to me that the real question that is trying to be asked is “can we take games seriously” and for that question I would say emphatically yes. We’ve only just begun to understand how interaction can change the stories and experience that we craft, and what games really mean to people. Video games have only been around for about 50 years (give or take) but in that time we have gone for dots moving along a screen to games like Journey which have breath taking vistas. So are games art? Perhaps, but more importantly – games NEED artists and art viewers to help them become the fullest experiences they can be.

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image from “Tiny Thumbs: Breaking Out”
photo credit: EbonSoul Photos

Looking forward, what’s next for Tiny Thumbs?

So many things! We are currently in talks for at least two more future shows this year and are excited to have many more events in the future. If everything goes right, we would love to have a monthly show – traveling around venues in Dallas, sampling the flavors of this city and hopefully making the show something that the city can be proud of!

Stop by tomorrow night for Late Night at the DMA.  Kyle Kondas and Robert Frye’s Tiny Thumbs video arcade will be available for you to play and observe from 8pm – 11pm in the Center for Creative Connections’ Tech Lab.

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Jessica Fuentes
C3 Gallery Coordinator

Free Summer Fun at Dallas Public Libraries

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If you’re looking for a way to entertain the kiddos this summer free of charge, we’ve got just the thing!

For the next few weeks, the Go van Gogh team will be heading out to local Dallas libraries to present free art programs for kids ages 5-12.  The hour-long programs include interactive conversations about artworks and lots of time to dig into a fun art-making project.  Best of all, participants receive a free family pass to the Museum.

This summer, we are offering two different programs—Searching for Faces and Impressions of Dallas—and we’re criss-crossing the metroplex, visiting most of Dallas’s public libraries.  Below are descriptions of the programs, and below that, a schedule of our upcoming programs.  You can also find the programs here on our website.  Be sure to contact the library in advance; to confirm space availabilty.

Searching for Faces
Look for clues—including faces, clothing, and gestures—that tell us about figures in works of art. Then, create your own self-portrait that tells us about you. For children ages 5–12, recommended for ages 5-9.

Impressions of Dallas
Explore Dallas’s past through the watercolor paintings of German artist, George Grosz. Then use watercolor pencils to create your own artwork! For children ages 5–12, recommended for ages 9-12.
This presentation highlights artworks in the Dallas Museum of Art’s special exhibition Flower of the Prairie: George Grosz in Dallas, on view now through August 19.

JULY
Tuesday, July 17, 2:00 p.m.
Prairie Creek, 9609 Lake June Road, 75217
214-671-0410
Searching for Faces

Wednesday, July 18, 2:30 p.m.
Audelia, 10045 Audelia Road, 75238
214-670-1350
Impressions of Dallas

Thursday, July 19, 2:00 p.m.
Lochwood, 11221 Lochwood Boulevard, 75218
214-670-8403
Searching for Faces

Friday, July 20, 2:00 p.m.
Kleberg-Rylie, 1301 Edd Road, 75253
214-670-8471
Searching for Faces

Tuesday, July 24, 2:00 p.m.
Timberglen, 18505 Midway Road, 75287
214-671-1365
Impressions of Dallas

Wednesday, July 25, 2:00 p.m.
Dallas West, 2332 Singleton Boulevard, 75212
214-670-6445
Impressions of Dallas

Thursday, July 26, 2:00 p.m.
Park Forest, 3421 Forest Lane, 75234
214-670-6333
Searching for Faces

Friday, July 27, 2:00 p.m.
Oak Lawn, 4100 Cedar Springs Road, 75219
214-670-1359
Searching for Faces

Tuesday, July 31, 10:30 a.m.
Children’s Center at the J. Erik Jonsson Central Branch, 1515 Young Street, 75201
214-670-1400
Impressions of Dallas

AUGUST
Wednesday, August 1, 2:00 p.m.
Highland Hills, 3624 Simpson Stuart Road, 75241
214-670-0987
Impressions of Dallas

Thursday, August 2, 2:30 p.m.
Skillman Souwestern, 5707 Skillman Street, 75206
214-670-6078
Searching for Faces

Friday, August 3, 2:00 p.m.
Fretz Park, 6990 Belt Line Road, 75254
214-670-6421
Searching for Faces

Tuesday, August 7, 10:30 a.m.
Preston Royal, 5626 Royal Lane, 75229
214-670-7128
Searching for Faces

Wednesday, August 8, 2:00 p.m.
Highland Hills, 3624 Simpson Stuart Road, 75241
214-670-0987
Searching for Faces

Thursday, August 9, 10:30 a.m.
Hampton-Illinois, 2951 South Hampton Road, 75224
214-670-7646
Impressions of Dallas

Friday, August 9, 2:00 p.m.
White Rock Hills, 9150 Ferguson Road, 75228
Impressions of Dallas

Friday, August 10, 2:00 p.m.
Kleberg-Rylie, 1301 Edd Road, 75253
214-670-8471
Impressions of Dallas

Amy Copeland
Coordinator of Go van Gogh Outreach

Friday Photos: Peaceful Space

Imagine you are in a peaceful place.  What does that place look like?  Is it a serene hillside, a secluded beach, or even just the comfort of your home?  Images on the Center for Creative Connection’s Monitor Wall explore the idea of peacefulness through photos in the latest installation: Peaceful Space.  To find out more about the Monitor Wall in the Center for Creative Connections or C3, I’ve asked C3 Specialist Jessica Nelson about the project.

The Monitor Wall in the Center for Creative Connections

Who are the artists behind the artwork?

The images on the Monitor Wall fall into three different categories.  We have images submitted by our visitors, images from the DMA’s collection, and images from around the DMA.  Knowing the “artists behind the artwork” can be a little tricky because our visitors submit their entries on our Flickr page.  However, I do know that we have some DMA employees who contribute regularly such as Amanda Blake, Jonathan Toles, and myself.

What was the inspiration for the C3 Monitor Wall?

So, in relation to those three different categories of images, there were a few different things that inspired the creation of the Monitor Wall.  First, we wanted to have the ability to show more works of art from the DMA’s collection, and in doing so create a connection between the C3 theme Encountering Space and the rest of the collection.  Also, we wanted to provide an opportunity for visitors to participate in the content of the exhibition.  We see the Monitor Wall as an opportunity to take the idea of “programming” and move it beyond the museum walls, in the sense that our visitors are participating in the exhibition by contributing their photographs, and this participation happens after they have left the physical space of the museum.

How often do you change the images?

The theme for the Monitor Wall changes every six months.  Previous themes include: Texas Space, Filled Space, and Designed Space.  Throughout those six months, we add images that our visitors submit every month.

Capture your peaceful place and submit your photograph to the Dallas Museum of Art’s Flickr page! 

Wishing you all a peaceful weekend,

Loryn Leonard
Coordinator of Museum Visits

An Evening with David Sedaris

If you’ve ever read any of the eight books by David Sedaris, you probably already consider him a close and personal friend. Through his witty short stories, he seamlessly weaves back and forth between autobiography and absurdist fiction, having the reader laughing and gasping at each turn of the page. He effortlessly wraps you up in his world, introducing you to his quirky family, and keeping you on the inside of every joke. So, it came as no surprise that he was just as enthralling and humorous in person as he is in his books.

This was David Sedaris’ fourth year coming to Dallas with Arts & Letters Live, and yet the 2,500 seat SMU Auditorium was still completely sold out. After several readings and a question and answer session, many hurried to get their place in line to meet David. I say meet, because David Sedaris does not just sign books, he has a conversation with each person who approaches his table as if welcoming them into his home. Despite this taking hours, going very late into the night, Sedaris maintains his energy and enthusiasm for each and every fan.  He uses his comedic flare to start unusual conversations with each visitor, and then references the encounter in the book he signs for them. With a drawing or clever comment, Sedaris turns a brief interaction into a special inside joke between the fan and him.

In my case, I was so excited to see him that I ran out the door without either of my two favorite books that I wanted him to sign. Fortunately with a simple explanation, he was more than happy to sign the program for me instead, writing, “Oh Hannah you forget everything”. So, just like many of the fans in line, I got to walk away with my very own personal story of David Sedaris.

Don’t miss out on the rest of this Arts & Letters Live season!

If you have any stories from an Arts & Letters Live event, please don’t hesitate to share in the comments below.

Hannah Burney
McDermott Intern for Teaching Programs and Partnerships

High School Day: Students Connect with Filmmakers and Art

Students arrive at the Dallas Museum of Art for High School Day

Last Friday, we had nearly 400 students visit the Dallas Museum of Art  for High School Day, a free educational event that was held in the Dallas Arts District.  This event was presented by the Dallas International Film Festival, and the students attended discussions and workshops at the DMA, the Nasher Sculpture Center, the Crow Asian Collection, and the Annette Strauss Square at the AT&T Performing Arts Center. 

High School Day was a day chock-full of workshops and discussion panels from 8:30 a.m.-4:00 p.m., during which the students had the opportunity to work with local and regional filmmakers and professionals. 

Digital Cinematography with Paul "Bear" Brown

One of the three sessions held at the Museum was Digital Cinematography, which was held in our outdoor sculpture garden.  This workshop was led by Paul “Bear” Brown, a professor at the Savannah College of Art and Design (SCAD).  Students in this session learned what type of digital cameras are commonly used in filmmaking,  such as the Canon 5D MKII. Other topics included popular production tools such as Sliders.

Students experiencing "Cinematic Response" in the galleries at the Dallas Museum of Art.

While half of the students interacted with Mr. Brown, the other half were making connections between art and film in the Youth and Beauty: Art of the American Twenties exhibition.  Cinematic Response, a DMA staff-led experience, allowed the students to be the film “critic” of works of art that are featured in the exhibition.  Each student was given an award title, such as “Best Cinematography,” and they selected the work of art that best fit this description.  This was a great way to get the students discussing the art of the Roaring Twenties in the context of film.

Another workshop featured at the DMA was The Nuts and Bolts of Screenwriting with Carolyn Hodge, the president of the Dallas Screenwriters Association.  Ms. Hodge broke down the fundamental basics of a script and gave some pointers for the students.  Then she discussed loglines, and had the students create their own logline based on the movie The Hunger Games.  A logline is basically a summary of the film in one or two sentences. This is what one group came up with:

“A young, impoverished girl who struggles to survive a totalitarian government is forced to fight to the death in a competitive feudal match. ”

The Nuts and Bolts of Screenwriting with Carolyn Hodge.

Lighting as Storyteller session with Michael Hofstein

The third and final workshop held at the DMA was Lighting as a Storyteller with SCAD professor Michael Hofstein.  Students learned to match specific lighting techniques with the story being told.  Holfstein used examples of cinematic lighting rendered in paintings and popular films, and then discussed the importance of lighting within a specific story.

Overall, High School Day was fun and educational for all.  The event provided many opportunities for local students to connect with professionals in the filmmaking world.  I can’t wait to see what the future of filmmaking holds!

Cheers,

Loryn Leonard
Coordinator of Museum Visits

Let it Snow, Let it Snow, Let it Snow

Wishing for a wintery holiday season filled with snowflakes and snowmen?  Even though a snow-white holiday may be wishful thinking here in Dallas, you can still get in the holiday spirit at the Museum.  Bring the whole family to enjoy the many winterscapes we have displayed in the galleries, and create your own holiday-inspired work in the Center for Creative Connections!

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Wishing you all a very happy holiday,

Loryn Leonard
Coordinator of Museum Visits

Images used:

  • Frederic Edwin Church, The Icebergs, c. 1861, gift of Norma and Lamar Hunt
  • Ice Bowl and Spoon, Gorham Manufacturing Company, c.1871, The Eugene and Margaret McDermott Art Fund, Inc
  • Gustave Courbet, Fox in the Snow, c. 1860, Foundation for the Arts Collection, Mrs. John B. O’Hara Fund
  • Georgia O’Keefe, Bare Tree Trunks in Snow, c. 1946, Dallas Art Association Purchase
  • Childe Hassam, Along the Seine, Winter, c. 1887, bequest of Joel T. Howard

Community Connection: Sport as Art

We first met artist Tom Russotti in July, after he contacted us about working together during his time at CentralTrak, The University of Texas at Dallas’ Artists Residency program.  We were immediately intrigued by his interest in combining art and sport, and have collaborated with Tom on multiple programs including the Art & Games Teacher WorkshopC3 Artistic Encounters, training for docents, Thriving Minds After-School program, Booker T. Washington Partnership Learning Lab, and Late Night Creativity Challenges.

Art & Games Teacher Workshop

Describe what you do.

I’m interested in the connection between art and sport, the idea of sport as an art form, and how all the different elements can be combined to have individual expression.  I’m also interested in my own history of playing sports and games, connecting that to other people through playing, and using play as an educational tool.

How did you get into games?

I invented a sport as a way of getting more active and more social in my artmaking. I was a documentary photographer previously, so I was driving around by myself and taking pictures, and editing alone in the darkroom.  I hadn’t played sports in a while, and thought it would be fun to get out and play and make sports fun for me again.  I also realized this could be an art form, something I could pursue artistically, and I could get other people involved by creating events.

My first invented game was called Wiffle Hurling, a new version of the sport of hurling, one of Ireland’s national sports. Hurling is a dangerous sport – it looks like rugby with large baseball bats.  I lived in Ireland for a year, and tried to join the hurling team at University College Dublin.  They said I would lose all my teeth and wouldn’t let me join the team.  Fast forward seven years: I had all these wiffle ball bats, and happened to walk by a practice football field with the same lines as a hurling field.  It dawned on me to put the two together and make it a social event with uniforms, cameras, and friends.  It turned into spectacle and was really fun.

What motivated you to contact us?

I was involved in a project in England, where kids made up their own sports and played them in a festival.  Since I couldn’t go to England, I told them I’d work with some youth groups here and have these groups invent sports and send them over.  They would have this international festival/competition, and bridge the gap between England and Dallas.  I started by calling the YMCA, and they said I should talk to the DMA because they do all sorts of afterschool programs, and they’d probably be into this.

What has been your most memorable project?

Every time an event works, it’s memorable.  In Sweden this past August, we had an amazing game of forty people playing soccer with ten balls in this old forest that once was a soccer field.  The first Wiffle Hurling was amazing.  The first Drinking and Dancing Competition was amazing.  The first Straitjacket Softball was amazing.  (You can view all these projects on the Institute for Aesthletics web site.)

MegaSoccer in Dals Langed, Sweden

Where do you see yourself in five years?

One of the reasons I’ve become an artist is so I can avoid answering that question.  I go where projects take me – five years ago, I could never have imagined  the projects that I’ve done.  Every time I try to over-rationalize what I do as an artist, the projects get boring. When you tap into something you’re doing naturally, that’s when you really create a project that has legs.

Take part in Tom’s upcoming gallery exhibition Hatchjaw and Bassett LLP at Conduit Gallery, open from November 19-December 31.

Melissa Nelson
Manager of Teaching in the Community


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