Archive for the 'Curatorial' Category



Form/Unformed: Building a Collection of Modern and Contemporary Design at the DMA

As the curator of decorative arts and design for the DMA, I oversee a collection of nearly 8,000 works of American and European art. From 17th-century ceramic vases to 20th-century plastic chairs, these holdings are among the Museum’s most expansive and diverse. One aspect of this collection is a growing number of modern and contemporary international design objects, a selection of which has recently been installed in an exhibition in the Museum’s Tower Gallery, Form/Unformed: Design from 1960 to Present. In this installation, we showcase, for the first time, a perspective upon design of the last fifty years as seen through the lens of the DMA’s collections.

Zaha Hadid's coffee and tea service set.

Although the DMA began acquiring modern design of the 20th century nearly two decades ago, it has only been in recent years that opportunities to collect contemporary design have been taken, resulting in a host of new acquisitions, such as a tea service and bench by Pritzker Prize-winning architect Zaha Hadid and a witty assemblage of stuffed animals as a chair by the Brazilian design team of the Campana brothers. Many of the objects reflect a logical continuum with the Museum’s historic decorative arts works–whether by function as seating and tableware, or most plainly as aesthetic creations inspired by the era and cultural milieu in which they were fashioned. Even so, a few works in the exhibition, such as Giovanni Corvaja’s “The Golden Fleece” ring, reveal a new collecting interest within the department, that of jewelry. Just this year, over a dozen exceptional examples entered the collection, with yet more growth anticipated in the coming years. Such decisions to expand collecting areas are not made lightly, as resources must be carefully considered and such “new” areas of interest must be reviewed for their logical connections to the DMA’s other collections (in this instance, ancient Greek and pre-Columbian jewelry).

Robert J. King's Celestial Centerpiece.

Our new jewelry collecting efforts have been exciting, and as we continue to add new works in this area (and in other arenas of design), you will see additions to this exhibition and the Museum’s galleries–so keep a watchful eye!

Kevin W. Tucker is the The Margot B. Perot Curator of Decorative Arts and Design at the Dallas Museum of Art.

Re-imagining and Re-installing

 

The DMA exhibitions department spends much of its time planning, organizing, and fine-tuning any given exhibition. And ironically, the installation process marks the beginning of the end of our efforts. On the Museum’s second floor, our department is now working to complete the massive reinstallation of the  European galleries, which host some of the most well known and celebrated works of art in the DMA’s collections. Alongside curators Olivier Meslay and Heather MacDonald,  the exhibition designer, preparators, registrars, and carpenters have come together to re-introduce this selection of masterpieces to DMA visitors.

 

During “install,” the exhibitions department ensures that the careful removal of objects, new construction (such as platforms, walls, and pedestals), and re-installation of the artwork all run according to plan. Close attention to the condition of the galleries and the creation of hospitable environments for the works — and visitors — come into play.

 

For example, the sculptural grouping found off the Level 2 courtyard requires proper window tinting before the works can reach their “final destination.” Anyone will agree that this precaution was worth the wait when caught between Brancusi or Hepworth’s monochromatic contours and Matisse or Kandisnsky’s vibrant polychrome canvases. When filtered properly, the same light that can damage art now works in tandem with it, persuading us to step back and experience the “dance” between these gleaming three-dimensional whites and the vivid impressionist brushwork.


 

 
We hope you’ll come see for yourself on your next visit to the DMA.
Aja Martin is the Exhibitions Administrative Assistant at the Dallas Museum of Art.
 
 

 

Do-It-Yourself Stickley

“When we come to make things ourselves . . . we should not only find more pleasure in making them but we shall take more pleasure in possessing them.” —Gustav Stickley, The Craftsman, March 1905

Early 20th-century designer and businessman Gustav Stickley believed in the do-it-yourself movement. His magazine, The Craftsman, provided readers with step-by-step instructions on making household objects such as side tables, clocks, embroidered pillows, and even birdhouses.

In just a few months, the Dallas Museum of Art will host the exhibition Gustav Stickley and the American Arts & Crafts Movement. We’re inviting people to produce objects inspired by Stickley’s designs, document their process, and share their experience with the DMA. These videos and photographs will be displayed in the exhibition’s education space. Our deadline is January 5. Learn more about the DIY Stickley project on the DMA website.

A few weeks ago, my husband, John, and I thought it would be fun to take up Stickley’s challenge and make one of his simpler designs with our kids, Aiden and Rowan.

After some debate, we decided to make the doghouse for our two dogs, Sampson and Beasley.

Building the structure moved along pretty quickly thanks to John and Aiden. By the end of day one, we had framed the structure and attached the walls and floors.

 

Day two included attaching the roof, painting, and trying to get the dogs to go inside the doghouse.

Apart from adjusting the measurements and the paint, we stayed close to Stickley’s original design. This was a fun weekend project for our family and a great way to make Stickley’s designs come to life in the 21st century.

 

Gustav Stickley and the American Arts & Crafts Movement will be on view at the Dallas Museum of Art from February 13 through May 8, 2011. To learn more about the do-it-yourself Stickley project and discover how you can participate, visit the DMA website.

Guest blogger Laura Bruck was formerly Manager of Gallery Interpretation at the Dallas Museum of Art and is currently an education consultant.

Insourced: Works by Dallas Museum of Art Staff

The much-anticipated Dallas Museum of Art staff art exhibition is fast approaching. Opening this weekend, the exhibition occurs every two years and is an opportunity for DMA employees to present their work to coworkers and general public. This year’s exhibition, Insourced: Works by Dallas Museum of Art Staff, features sixty-eight works by forty-three artists ranging from our new interns to a preparator who has been with the DMA for over thirty years. Staff members whose “day jobs” range from curators to gallery attendants are included.

The exhibition is unique because anyone who wants to participate can; even the title was selected by a staff vote. Insourced also has an acting curator–conceived and organized collaboratively by Collections and Exhibitions department staffers, the exhibition placement was decided by Erin Murphy, Contemporary Art Curatorial Administrative Assistant and Uncrated contributor. We posted a few “sneak peek” photos here, but please come by and see the works by our talented staff.

The exhibition is on view from December 5, 2010 through March 13, 2011 on Mezzanine 2 next to the Mildred R. and Frederick M. Mayer Library.

 

 

Joni Wilson is the Exhibitions Assistant at the Dallas Museum of Art

Seldom Scene: Installing Eliasson



Dallas Museum of Art preparators Mike Hill and Lance Lander fine-tune the installation of Olafur Eliasson’s The outside of inside. This work of art, recently acquired by the DMA, is included in the new exhibition Big New Field: Artists in the Cowboys Stadium Art Program, which opens this Sunday, December 5.

Olafur Eliasson, The outside of inside, 2008, projectors, spotlights, color-filter foil, stainless steel, and control unit, Dallas Museum of Art, DMA/amfAR Benefit Auction Fund, 2009.1.a–aa, © 2008 Olafur Eliasson

Photography by Adam Gingrich, DMA Marketing Assistant

Celebrating the Silver: The Reves Collection at Twenty-Five

We just celebrated the silver anniversary of the Wendy and Emery Reves Collection and ever since its opening twenty-five years ago, it has been one of our most visited galleries. Featuring more than 1,400 European artworks and decorative objects, including masterpieces by Renoir, Manet, Degas, and Pissarro, this remarkable gift from the Wendy & Emery Reves Foundation, Inc. on behalf of Wendy’s late husband, Emery, transformed the Museum’s collection of late 19th- and early 20th-century European art and European decorative art.

What’s also amazing is that visitors see this collection in a 16,500-square-foot wing made specifically for it.  Built in 1985, this is not the run-of-the mill gallery space. These rooms are a faithful reproduction of the couple’s villa in the South of France. Named La Pausa, it was built in 1927  for that ultimate fashionista Coco Chanel, who directed its design. For example, the patio and the hall were built specifically to remind “Mademoiselle” of the Romanesque convent outside Paris where she boarded as a child. Many of the furnishings in the Museum’s Reves wing, including a chair in the living room, were part of Chanel’s original décor of the villa.

DMA architect Edward Larrabee Barnes meticulously re-created the library, dining room, salon, bedroom, hall, patio, and central courtyard from this  luxurious—and historically fascinating—Mediterranean retreat.

On this silver anniversary here’s a look back:

Today, visitors to the Wendy and Emery Reves Collection can access a DMA smARTphone tour of highlights from the collection. On it, Wendy Reves shares memories of life at Villa La Pausa and of her and her husband’s passion for collecting art.

Martha MacLeod is the European and American Art Curatorial Administrative Assistant at the Dallas Museum of Art.

TWO x TWO for AIDS and Art

"Untitled" (1990) by Christopher Wool

The week culminated in a brunch on Sunday honoring American artist Christopher Wool, whose work Untitled is on view at the DMA and also seen above (it’s one of my personal faves in our collection).

A few of the many acquisitions that TWO x TWO has made possible over the past decade are pictured below.

The Eye by David Altmejd

David Altmejd’s "The Eye" (2008)

 

 

 

 

EliassonTheoutsideofinside

Olafur Eliasson’s "The outside of inside" (2008), which will be on view in our upcoming exhibition "Big New Field: Artists in the Cowboys Stadium Art Program"

We’re a lucky bunch to have an event of this magnitude benefit the DMA!

Erin Murphy is the Contemporary Art Curatorial Administrative Assistant at the Dallas Museum of Art.

The Curator’s Perspective: Dr. Jeffrey Grove on Re-Seeing the Contemporary: Selected from the Collection

On October 15th, the DMA opened Re-Seeing the Contemporary: Selected from the Collection which highlights 60 works of art mindfully culled from our contemporary collections. The curator of the exhibition, Dr. Jeffrey Grove, sheds some light on the compelling nuances and powerful juxtapositions contained within the installation.

What’s your favorite object or room in the exhibition? Why?

Among my favorite rooms is the “Minimalist” room with a great sculpture by Larry Bell, a painting and prints by Brice Marden, two paintings by Robert Mangold, Sol Lewitt prints, a massive David Novros painting, and a luminous sculpture by Robert Irwin. This installation contradicts the notion that so-called minimal works are somehow cold and hard. It is a sensuous, vibrant, and thrilling space to occupy.

[slideshow]

What is it about this exhibition of works that caused you to conceive of it in these groupings?

The installation was envisioned in a roughly chronological sequence, with a desire to have each gallery encompass either a span of time, reflect select movements, or explore ideas expressed in radically different ways over many decades. This allows for some unlikely pairings and eccentric passages that nonetheless help us see some of these works in a new or perhaps unexpected ways.

What were the challenges for this exhibition?

Editing! We have so much great material and there is always a temptation to want to “over share.” How do you pull back, keep the focus, and tell clear stories? That is one of the exciting challenges of being a curator.

Jeffrey Grove is the Hoffman Family Senior Curator of Contemporary Art at the Dallas Museum of Art.

To hear more from Dr. Grove on the exhibition, join us for his Gallery Talk on November 10th at 12:15p.m. See you there!

A Foot in the Door

 

2009 - 2010 McDermott Intern Stacie Jackson leads a tour of "The Lens of Impressionism"

 

What do Madeleine Albright, Frank Lloyd Wright, Sylvia Plath, and Conan O’Brien have in common? They all started on their career paths as interns, just as many museum curators and educators do. Internships offer invaluable opportunities to try a potential profession on for size; for those who wish to explore a career in museum work, internships provide a great way to gain firsthand experience and insights.

 

Leticia Salinas, 2009 - 2010 McDermott Intern for Family Experiences, leads a family workshop in the galleries.

 

Over one hundred people have participated in the Dallas Museum of Art’s McDermott Internship program since its inception, including many current DMA staff members as well as colleagues working at other institutions in Dallas, throughout Texas, and across the country. Each year, eight interns work closely with the Museum’s curators and educators on a variety of projects, including doing research for upcoming installations or exhibitions; writing labels, catalogue entries, and other materials; and developing and facilitating programs for Museum visitors of all ages.

The program was founded in honor of Eugene McDermott, who had a passion for learning and the arts, and the interns have the remarkable opportunity to visit with Margaret McDermott to inaugurate their internship year. Our current interns recently had lunch with Mrs. McDermott, and she encouraged them to “work hard, learn a lot, and have fun” during their nine months at the DMA and in Dallas.

Shannon Karol worked with Dr. Roslyn A. Walker, Senior Curator of the Arts of Africa, the Americas, and the Pacific and The Margaret McDermott Curator of African Art, as a McDermott Curatorial Intern in 2005–2006, and she returned to the DMA as Coordinator of Museum Visits in 2007. I asked Shannon about her experience as a McDermott Intern, and she said:

The best part of being a McDermott Intern is that you are truly a member of the DMA staff.  Even though I was a Curatorial Intern, I was able to collaborate with staff members in the Collections and Education departments on projects and installations. I also love the sense of camaraderie that you feel as a McDermott Intern. My fellow interns from that year are still some of my closest friends!

 

Shannon leads a tour of "All the World's a Stage"

 

Logan Acton worked with the Teaching Programs staff last year as a McDermott Education Intern, and he accepted a permanent position as Assistant to the Director of Education this summer. Logan said, “As an intern, I was able to explore the Museum’s collections and share my growing knowledge of them, and particularly my passion for contemporary art, with students and other visitors.” You can read more from Shannon and Logan on the DMA Educator Blog.

 

Logan discusses contemporary art at a Teacher Workshop.

 

Eight new McDermott Interns began their nine-month tenure at the DMA in September, and they will all contribute to Uncrated in the months to come. We look forward to sharing their experiences and insights about life and work at the DMA. You can join the interns, along with other members of the DMA staff, to explore the Museum’s collections and exhibitions during weekly gallery talks on Wednesdays at 12:15 p.m.

 

Welcome to the 2010 - 2011 McDermott Interns!

 

Lisa Kays is the Manager of Adult Programming at the Dallas Museum of Art

Sculpture and the State Fair

Today is the day we’ve been waiting for–it’s opening day for Dallas’s annual State Fair of Texas! Every year millions of people visit Fair Park, the home of the State Fair, for culinary adventures, rides, expositions, and other events. But what many visitors don’t know is that the fairgrounds also boast a number of sculptures and adorned structures created by 20th-century Texas artists who are represented in the DMA’s collections.

Several of the artists featured in our current show Texas Sculpture were commissioned to create sculpture for the fairgrounds in the early 20th century. In 1936 the Dallas Museum of Fine Arts in Fair Park (a predecessor of the DMA) prepared a landmark exhibition of works by nationally and internationally recognized sculptors for the Texas centennial celebration. That exhibition, as well as the one currently on view at the DMA, included works by Michael G. Owen, Allie V. Tennant, Dorothy Austin, and Evaline Sellors, among others.

If you’re a fan of the State Fair, many of you have seen this:

It’s by Allie V. Tennant (1898-1971), who was commissioned by the Centennial Committee to create the gold-leaf on bronze Tejas Warrior (1936) at the Hall of State in Fair Park. On view in our Texas Sculpture exhibition are two other works by Tennant, Woman’s Head and Negro Head. In 1940 she created the reliefs Cattle, Oil, and Wheat for the Aquarium at Fair Park under the Federal Works Agency.

Allie V. Tennant, "Woman's Head," n.d., red sandstone, Dallas Museum of Art, gift of Dr. and Mrs. Robert W. Webb

Dorothy Austin, "Noggin," c. 1933, white pine, Dallas Museum of Art, gift of an anonymous friend

Dorothy Austin, "Noggin," c. 1933, white pine, Dallas Museum of Art, gift of an anonymous friend

Who says fried Frito pie and art don’t go together?


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