Expanded for DMA Members: Love Is in the Art

Love is in the air—and in the art at the DMA! Take a look below to see our staff picks of art that we heART in celebration of Valentine’s Day.

Wedding vase with butterflies, Mary Louise Eteeyan, Jemez Pueblo, 1975–2000. Ceramic. Dallas Museum of Art, gift of Dr. and Mrs. Robert I. Kramer, 2014.43.18.

Becca Merriman-Goldring, McDermott Intern for Arts of the Americas
Each spout of a Pueblo wedding vase represents one spouse; the two are joined by a bridged handle to form a continuous whole. Mary Louise Eteeyan emphasizes that significance in the decoration of this vase, with two butterflies coming together over a single basket of corn.

Wedding ring, department of San Marcos, San Pedro Sacatepequez, Guatemala, Maya — Mam, probably 1930s or 1940s. Dallas Museum of Art, the Patsy R. and Raymond D. Nasher Collection of Maya Textiles from Guatemala, gift of Patsy R. and Raymond D. Nasher, 1983.524.

Dr. Mark A. Castro, The Jorge Baldor Curator of Latin American Art
There are several wedding rings, like this one, in the Museum’s collection of Maya textiles from Guatemala. We don’t know if they were ever used, but perhaps they might bring you good luck if you’re popping the big question this Valentine’s Day!

John White Alexander, Miss Dorothy Quincy Roosevelt (later Mrs. Langdon Geer), 1901–1902. Oil on canvas. Dallas Museum of Art, gift of the Pauline Allen Gill Foundation in memory of Pauline Gill Sullivan, 2007.36.

Martha MacLeod, Senior Curatorial Administrator and Curatorial Assistant for American Art
John White Alexander painted Dorothy’s portrait shortly before she married Langdon Greer. It was possibly a gift for her soon-to-be husband. The composition includes her beloved Irish Setter, Shamrock. Artists often include dogs in paintings to symbolize fidelity and devotion.

LaToya Ruby Frazier, Grandma Ruby’s Refrigerator, 2007. Gelatin silver print. Dallas Museum of Art, Lay Family Acquisition Fund, 2018.37.

Hilde Nelson, Curatorial Assistant for Contemporary Art
In her series The Notion of Family, Frazier centers three generations of women—herself, her mother, and her grandmother. Here, the artist honors her grandmother; the fridge covered with the proud matriarch’s family memorabilia conveys their loving bond.

François Lepage, Flowers in a Vase with Two Doves, 1816–1820. Oil on canvas. Dallas Museum of Art, Munger Fund in honor of three members of the Fund who loved flowers, Gertrude Terrell Munger, Rena Munger Aldredge, and Betty Aldredge Slater, 2016.23.M.

Dr. Nicole R. Myers, Interim Chief Curator and The Barbara Thomas Lemmon Senior Curator of European Art
Everything about François Lepage’s sumptuous still life speaks of love, from the flora to the fauna. The pairs of white doves and monarch butterflies—traditional symbols of love—may reflect the artist’s courtship of his future wife, Julie Blum. Not only was this painting finished the year they married, but it remained in Lepage’s family for almost 200 years, perhaps a sign of its deeper meaning.


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