We reached out to our curators and invited them to shed light on significant and/or recent acquisitions that resonate with them during American Artist Appreciation Month. Find out more about the contemporary piece by Jaune Quick-to-See Smith and 1930 Marsden Hartley painting that they picked!
Dr. Anna Katherine Brodbeck, Hoffman Family Senior Curator of Contemporary Art
The paintings of Jaune Quick-to-See Smith—an enrolled Salish member of the Confederated Salish and Kootenai Nation, Montana—comment on the ongoing effects of US colonization and environmental destruction. Seen this way, the linear divisions of the ochre ground reference the US government partitioning of her natal land, while the foregrounded symbols enact a tension between settler and indigenous cultures.
Sue Canterbury, The Pauline Gill Sullivan Curator of American Art
I see the colorful splendor of a New England autumn as an alluring characteristic particularly associated with America. It is the motif to which Hartley turned in 1930 to allay criticisms that his work was not sufficiently “American” in its subject matter. These paintings of the White Mountains helped turn the tide of his career.
