Building on Truth

As visitors go through Truth: 24 frames per second, they will notice some truly unique environments that were created just for this exhibition. Some of these works have very specific requirements for how the artist wanted them to be installed; although the film or video is its own type of “world,” the artists are very sensitive to how it is experienced in space. The exhibitions team worked directly with some of the artists to realize very specific visions of built environments.

Ben Rivers drew inspiration from Jake, the subject of his film, who had corrugated metal sheets in various colors on his roof and siding of his “hut.” This shelter in the forest is shown in the film, but as it is black and white, the physical structure in the exhibition brings the playful character of this shelter to life. It has the added benefit of creating a more intimate place to view this voyeuristic narrative. Rivers first provided us with a hand sketch, which I drew up to scale, and we determined that we needed to adjust the size to make it more accessible to all of our visitors. The team built the internal structure out of two by fours, and scouted for used corrugated metal. During the process, the artist decided to mimic the colors of Jake’s roof instead of the patina on the metal, so we ended up buying corrugated metal sheets and painting them. Seeing the finished piece draw in visitors with its curious color palette and flicker film inside has been a wonderful reward for our hard work on this piece, and Ben Rivers was very pleased with this iteration of his work as well.

Creating an environment around John Gerrard’s Western Flag followed a somewhat similar process, although he has a very involved working studio. They provided us with detailed and precise fabrication specs  to emulate and adapt to our space. The result is a beautifully seamless surface, projected from inside of a cube. The cube appears to float ever so slightly off the floor, which adds to the perfect otherworldliness of the computer-generated reality portrayed in Western Flag.

Discover more about Gerrard’s work from the artist himself during State of the Arts: New Media and the Future of Art on Thursday, January 25, when the artist joins KERA’s Jerome Weeks in conversation with SMU Assistant Professor of Media Arts Amber Bemak.

Skye Malish-Olson is an Exhibition Designer at the DMA.

1 Response to “Building on Truth”


  1. 1 Brenda Berry January 4, 2018 at 12:38 pm

    Great article, Skye


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