Archive for the 'works of art' Category



Teens and Technology

Every summer, we partner with the South Dallas Cultural Center during their five-week Summer Arts at the Center.  The students, ages six to fourteen, learn about African history through a broad array of classes such as creative writing, digital photography, printmaking, sculpture, mural-painting, and dance.  Programs with the DMA have included artmaking workshops and tours of the Museum’s African galleries and special exhibitions.  Last summer, the teens created an interactive presentation on the summer’s topic, the Middle Passage.  This summer, a different group of teens is developing a new interactive presentation on their topic, African gateway communities in the Americas, with an emphasis on Haiti.

The teens meet twice a week with DMA staff for two hours, both at the Center and at the DMA.  Their presentation is shaped by what they have learned in their classes, and they determine as a group the content and layout.  With one week left in the program, they have gathered all of their research, selected artworks from the DMA’s collection, and chosen the layout.  Next week will be spent building their presentation.  Check our Web site next month to view their completed project!

Dominique and Sasha research Haitian traditions.

Takaziah reads about the Haitian Revolution. Her partner, Renicia, is traveling this week.

Eric writes Fun Facts about Haiti while Craig searches for images to include in the presentation.

Melissa Nelson
Manager of Teaching in the Community

Juneteenth

Last Friday, Go van Gogh volunteers and I attended the Martin Luther King, Jr. Community Center’s annual Juneteenth festival.  Visitors to our booth made African-inspired masks to connect to artworks in our collection.  Below are few photos of talented artists we met at the event.  Enjoy!

 

Amy Copeland
Coordinator of Go van Gogh Outreach

Summer Exhibition: Luc Tuymans

The first U.S. retrospective of Luc Tuymans’ paintings is currently on display at the Dallas Museum of Art.  Approximately 80 paintings by the Belgian artist are on view in our Barrel Vault and Quadrant Galleries through September 5th.

Part of what I love about these paintings is Tuymans’ interest in history and culture.  I am also intrigued by the sense of mystery in his canvases.  An image may appear ordinary, but through reading the label you learn that it is actually beyond ordinary, sometimes bordering on the grotesque.  For example, the painting The Heritage VI looks like a portrait of a smiling average Joe, but he is actually far from average.  His name is Joseph Milteer, and he was a right-wing extremist and Klansman who played a role in conspiracy theories about the Kennedy assassination.      

Luc Tuymans, The Heritage VI, 1996

Tuymans is also very interested in World War II.  One of my favorite paintings is Schwarzheide, which shares its name with a concentration camp.  At his public Artist Talk on June 3rd, Tuymans talked at length about this painting.  He said that artists in concentration camps and work camps would often tear their paintings and drawings into strips so they could distribute them.  Although many people read the vertical lines on this canvas as the bars on a window, they are actually meant to remind us of how artists continued to produce images during the most difficult circumstances.   

Luc Tuymans, Schwarzheide, 1986

 There are several opportunities for teachers to learn more about Luc Tuymans throughout the summer:   

  • The annual Museum Forum for Teachers: Modern and Contemporary Art will be held from July 19-23.  Teachers will spend Wednesday, July 21st, immersed in the Tuymans exhibition, as well as viewing other contemporary works of art in the DMA’s collection.  The application deadline for Museum Forum has just been extended to July 1st
  • Gallery Talks relating to the exhibition have also been planned, including a series called Perspectives.  Jim Falk, President and CEO of the World Affairs Council, will moderate discussions with artists, historians, and scholars to investigate the artistic and cultural issues that inform Luc Tuymans’ work.  Visit our Web site for more information.
  • Experience the smARTphone tour for the Tuymans exhibition.  Bring your smart phone to the Museum to access new and interactive content.  A limited number of iPod Touches are also available for check out from the Visitor Services Desk.  You can also access the smARTphone tour online.

I hope you enjoy this exhibition as much as I do!

Shannon Karol
Coordinator of Museum Visits     

Images:
Luc Tuymans, The Heritage VI, 1996; oi on canvas; Courtesy David Zwirner, New York; © Luc Tuymans; photo: courtesy David Zwirner, New York
Luc Tuymans, Schwarzheide, 1986; oil on canvas; Private collection; © Luc Tuymans; photo: courtesy David Zwirner, New York

Mexico 200

The Workers, Alfredo Ramos Martinez, 1944-45

The Museum is gearing up to celebrate the bicentennial of Mexico’s Independence with two exciting exhibitions, both opening June 18th.   

José Guadalupe Posada: The Birth of Mexican Modernism showcases the artworks of Posada, a Mexican printmaker whose popular images of social and political satire illustrated broadsheets and leaflets in the early 20th century.

Tierra y Gente: Modern Mexican Works on Paper  highlights the Museum’s stellar collection of mid-20th century Mexican works on paper.  Included in the exhibition are prints, drawings, and photographs that explore how artists captured the people of Mexico in their native land. 

Also highlighted during the Mexico 200 celebration are the Museum’s rich collections of Ancient American, Spanish Colonial, and modern Mexican art, which together span over 2,000 years of art-making by Mexican artists. 

Works from Mexico 200 will be highlighted in this summer’s Go van Gogh library outreach program, Arts of Mexico.  Each summer Go van Gogh volunteers visit Dallas Public library branches to present free, hour-long programs for a drop-in six-to-twelve year-old audience.  Arts of Mexico will introduce students to the artistic styles and cultural ideas and beliefs of Mexican peoples expressed through ancient and modern artworks.  The program will include interactive conversations and art-making activities, a recommended reading lists for learners of all ages, and a free family pass to the Museum for participants. 

Below is a schedule of our upcoming Arts of Mexico library programs.  Please confirm space availability with the library in advance.  We hope to see you at the library (and at the Museum)!

Wednesday, June 23rd @ 2:00p.m.
Highland Hills, 3624 Simpson Stuart Road, 75241

Friday, June 25th @ 2:00p.m.
Kleberg-Rylie, 1301 Edd Road, 75253

Thursday, July 1st @1:00p.m.
Martin Luther King Jr., 2922 Martin Luther King Jr. Blvd., 75215

Tuesday, July 6th @ 2:00p.m.
Lochwood, 11221 Lochwood Boulevard, 75218

Friday, July 9th @ 2:00p.m.
Bachman Lake, 9480 Webb Chapel Rd., 75220

Wednesday, July 14th @ 2:00p.m.
Renner-Frankford, 6400 Frankford Road, 75252

Thursday, July 15th @ 2:00p.m.
Forest Green, 9015 Forest Lane, 75243

Friday, July 16th @ 2:00p.m.
North Oak Cliff, 302 West Tenth Street, 75208

Monday, July 19th @ 10:30a.m.
Arcadia Park, 1302 North Justin Rd., 75211

Tuesday, July 20th @ 2:00p.m.
Timberglen, 18505 Midway Road, 75287

Wednesday, July 21st @ 2:00p.m.
Preston Royal, 5626 Royal Lane, 75229

Wednesday, July 28th @ 2:00p.m.
Paul Laurence Dunbar Lancaster Kiest, 2008 East Kiest Blvd, 75216

Thursday, July 29th @ 2:00p.m.
Oak Lawn, 4100 Cedar Springs Road, 75219

Friday, July 30th @ 10:30a.m.
Fretz Park, 6990 Belt Line Road, 75254

Amy Copeland
Coordinator of Go van Gogh Outreach

It's Like Seeing Something for the Very First Time

One of the things that I love about the photographs taken by DMA visitors and posted to the online photo community Flickr, is seeing the spaces, the works of art, and the building through their eyes.

Nicole Stutzman
Director of Teaching Programs and Partnerships

Sketches of artworks by Don Moyer

Roman Woman by Jim Arnold

Young visitor meets Mark Rothko by Rondostar

Ross Avenue entrance by Escuincle

Pinhole photograph of Ellsworth Kelly's Rocker by Mr. Holga

Saying Goodbye the Only Way I Know How

My time as a McDermott Intern at the Dallas Museum of Art is drawing to a close. Along with my seven fellow interns who began at the DMA in September, I will be walking the galleries with the McDermott title for the last time next Friday afternoon. I have had amazing experiences while working at the Museum and getting to know the collection, and even though I will only be moving up the road to UTD as I finish my Master’s degree this summer, I felt a ceremonial goodbye way in order, the best way I knew how. Here are a few of my favorite works of art at the museum and my loving tribute to them!

Emma-O, the Japanese Buddhist Judge of the Dead

Untitled (Perfect Lovers) by Félix González-Torres

Luba Arrow Holder with Head and Three Prongs

Rembrandt Peale's Porthole Portrait of George Washington

Emblem by Sam Francis

Hindu God Shiva Nataraja, Lord of the Dance

Behind-the-Scenes: The Making of Coastlines Soundscapes

Have you immersed yourself yet in the multi-sensory experience of Coastlines: Images of Land and Sea?  If not, let me tease you…

This is one of twelve individual sound designs created for works of art in the exhibition, and these individual sound designs represent only one layer of a three-part, synchronized sound installation. A global soundscape powered by two subwoofers is audible throughout the Coastlines exhibition and contains musical elements shaped by the natural sounds and rhythms of waves. Regional soundscapes emerge from ten ceiling-mounted speakers and respond to the thematic sections of the exhibition. The twelve local, or individual, soundscapes representing interpretations of selected works of art are delivered through Holosonics hyperdirectional speakers, which allow for a controlled design of the auditory space.  Now that I’ve geeked out on the technology of the sound installation, let me tell you a little more about the making of this sonic experience.

The Coastlines sound installation was created by graduate students and faculty in the Arts and Technology program at the University of Texas at Dallas, in collaboration with undergraduate students in the School of Information and Communication and Media Engineering at the Université du Sud Toulon-Var (USTV), in Toulon, France.  The project began in September 2009 with several planning meetings between UT Dallas and the Dallas Museum of Art focusing on exhibition themes and artworks, as well as technological possibilities. UT Dallas faculty and students presented a proof of concept demonstration in December 2009 for the multilayer sound design and use of hyperdirectional speakers. In January 2010, under the direction of UT Dallas professor Dr. Frank Dufour, students selected works of art in the Coastlines exhibition and began composing sonic interpretations for these works. Lead graduate students Michael Austin and Jason Barnett also began work on the conceptual and technical development of the overall multilayer sound design.

Professor Frank Dufour talks with French students via Skype.

Communications about the project between the creators occurred primarily through the Internet using Skype, a free web-based chat software, and a private social network that provided a forum for the exchange of ideas, images, and iterative sound designs.  The exchange was bilingual, encouraging each set of students to work through language barriers.  In addition, Michael Austin visited the USTV students in Toulon, France during project development to lead them in sound design workshops.  One of the workshops included collecting sounds from the harbor in Toulon, France.  Many of these were used in the individual sound designs created by students in Texas and France.

Michael collects sounds of the harbor in Toulon.

French students record the sound of water.

This project is an education initiative undertaken in part with the support of FRAME, the French Regional and American Museum Exchange. FRAME fosters exchanges between a group of American and French art museums committed to establishing long-term partnerships on common projects that make their respective resources available to a wider public. Several collaborating museums and universities involved with FRAME are focused on the relationship between music and art and support the work of young artists.

This Friday night at the Dallas Museum of Art Late Night you can support the work of young artists involved in the Coastlines sound design project.  Visit the exhibition, then stop into the Theater in the Center for Creative Connections at 8:30 p.m. to hear Dr. Dufour and students from UT Dallas share insights about the project and their process.

Nicole Stutzman
Director of Teaching Programs and Partnerships

Friday Photo…Uh, How About A Video?

It’s the end of a long week, and we all deserve a laugh.  I had the opportunity recently to revisit a series of video shorts that were created by a few oh-so-smart college students during a course led by my oh-so-smart colleague Molly Kysar.  I love these videos.  They are presented like commercials for a visit to the DMA and wonderfully represent our brand “Hundreds of Experiences.  Have one of your own!”   Enjoy the catchy tune and laugh hard.

Nicole Stutzman
Director of Teaching Programs and Partnerships

Upcoming Arts and Letters Live…

Arts & Letters Live has a slew of exciting authors slated to visit the DMA in the coming months, coinciding with the recent opening of the DMA’s new special exhibition Coastlines: Images of Land and Sea.  Author Robert Kurson will be at the DMA on Thursday, May 6th to talk about his book Shadow Divers, which tells the story of two weekend scuba divers who risk everything to solve one of the last mysteries of World War II (get tickets).  If you haven’t visited Coastlines already (or even if you have), there is a great opportunity to learn about the exhibition before the lecture; Heather MacDonald, The Lillian and James H. Clark Associate Curator of European Art, will lead a tour of Coastlines at 6:30, with Kurson’s lecture to follow at 7:30.  Then join Isabel Allende at First United Methodist on Thursday, May 13th to hear about her new book Island Beneath the Sea, which tells the story of the intertwined lives of Tete, a Haitian slave, and Toulouse Valmorain, a plantation owner’s son.  Click here for tickets. 

Justin Greenlee                                                                                                                               McDermott Intern, Teaching Programs and Partnerships

Coastlines: Images of Land and Sea

Berthe Morisot, The Port of Nice, 1881-82, 1985.R.40

This past Sunday, Coastlines: Images of Land and Sea opened at the Museum.  I came to see the opening with only an hour to spare, but will definitely be spending more time in the galleries; it’s an incredible exhibition.  Actually, Coastlines is an incredible experience

The show is curated by Heather MacDonald, The Lillian and James H. Clark Associate Curator of European Art, and is comprised of some fifty works from the DMA and local collections.  The artworks are as diverse as the coastlines that inspired them. There are vibrant Impressionist paintings; spare, modern photographs; energetic gestural drawings; and more.

What is more exciting than the impact of any one artwork is the experience of being in the exhibition itself.  Artwork labels have sea-inspired passages from literature.  There are also sound installations throughout the galleries created through a partnership with the University of Texas at Dallas Arts and Technology program (ATEC).  Graduate students and faculty in the ATEC program composed these soundscapes, some in response to specific artworks, some in response to the exhibition’s themes.  Hyper-directional speakers hang above the twelve selected artworks, directing the sound right to you.  Standing under the speakers is like putting a seashell to your ear and hearing the ocean. 

Bottom line:  Come see it!  You’ll be very glad you did.

Amy Copeland
Coordinator of Go van Gogh Outreach


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