Ecce Homo, c. 1615-1620, Giulio Cesare Procaccini (Italian, 1574-1625), Oil on canvas, Dallas Museum of Art, Gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated
El Hombre, 1953, Rufino Tamayo (Mexican, 1899-1991), Vinyl with pigment on panel, Dallas Museum of Art, Dallas Art Association commission, Neiman-Marcus Company Exposition Funds
This is the final post in our photo series focused on Provocative Comparisons. My experiences looking at these two paintings with out-of-town visitors led to powerful conversations about scale, the male figure, religion and beliefs, color, composition, and aspirations. We wondered about the impact of these works on those who experienced them originally, shortly after their initial creation, and compared our thoughts on this to our own reactions as 21st century viewers. I invite you to take a long look at Rufino Tamayo’s El Hombre and Procaccini’s Ecce Homo. What do you see? What do you think about? What relationships between the two, if any, resonate with you?
Nicole Stutzman
Director of Teaching Programs and Partnerships
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